Aesthetics[edit]
Croce's work Breviario di estetica (The Essence of Aesthetics) appears in the form of four lessons (quattro lezioni) in aesthetics that he was asked to write and deliver at the inauguration of Rice University in 1912. He declined an invitation to attend the event, but he wrote the lessons and submitted them for translation so that they could be read in his absence.
In this brief, but dense, work, Croce sets forth his theory of art. He believed that art is more important than science or metaphysics since only art edifies us. He claimed that all we know can be reduced to imaginative knowledge.
Art springs from the latter, making it at its heart, pure imagery.
All thought is based in part on this, and it precedes all other thought.
The task of an artist is then to invent the perfect image that they can produce for their viewer since this is what beauty fundamentally is – the formation of inward, mental images in their ideal state. Our intuition is the basis for forming these concepts within us.
Croce was the first to develop a position later known as aesthetic expressivism,[23] the idea that art expresses emotions, not ideas.[24] (R. G. Collingwood later developed a similar thesis.)[23]
Croce's theory was later debated by such contemporary Italian philosophers as Umberto Eco, who locates the aesthetic within a semiotic construction.[25]
