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Shadowlands Movie Review & Film Summary (1994) | Roger Ebert

Shadowlands Movie Review & Film Summary (1994) | Roger Ebert

SHADOWLANDS

Shadowlands Movie Review
   |  
For many years his life has followed the same comfortable patterns. He is a teacher and a writer, a pipe-smoking bachelor who lives in his booklined Oxford home with his brother. From his children's books, his science fiction and his pop theology, he has gained a following, and he gives comforting talks about man's place in God's plans. Then the most extraordinary thing takes place. He falls in love.
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"Shadowlands" is the story, based on fact, of an autumnal romance involving the British writer C. S. Lewis and a divorced American woman named Joy Gresham. They met after she wrote him an admiring letter; their correspondence led to her first visit to England, with her young son. Lewis received her as a courtesy, and was so settled in his lifelong professorial routine that he hardly knew what to do when it became clear, even to him, that he was in love.
"Shadowlands" has found two perfect actors to play this unlikely couple, Anthony Hopkinsand Debra Winger. He is shy sometimes to the point of being tongue-tied; he nods and hems and haws and looks away, and retreats behind formulas of courtesy. She is more direct, an outspoken woman who sometimes surprises him by saying out loud what they have both been thinking, but that he would never have said. She sees at a glance the comfortable rut he is in - the dinners at his college dining hall, the evenings in front of the fire, reading while the wireless provides classical music from the BBC. She isn't out to "catch" him. It's more that he discovers he cannot imagine her going away.
Their courtship is an odd one. He issues invitations lamely, as if sure she will not accept. He is so terrified of marriage that he has to couch his proposal in "practical" terms - if he marries her, she will not be forced to leave Britain. She has to negotiate the clouded waters of university politics, the annual dinners of the college head, the curiosity and pointed questions of his nosy colleagues. When it comes to sex, he hasn't a clue, and she talks him through it: "What do you do when you go to bed?" "I put on my pajamas and say my prayers and get under the covers." "Well, then, that's what I want you to do right now, except that when you get under the covers, I'll be there." Lewis has been confident in his writings and lectures that he knows the purpose of suffering and pain: It is God's way of perfecting us, of carving away the wrong parts, of leaving a soul ready to enter heaven. But when Joy contracts cancer, when she finds herself in terrible pain, he finds he is not at all sure of his theory. And, facing the possibility that they will be parted, together they create an idea of human life on earth that comforts him more than his theories.
"Shadowlands," directed by Richard Attenborough, based on the stage play by William Nicholson, is intelligent, moving and beautifully acted. It understands that not everyone falls into love through the avenue of physical desire; that for some, the lust may be for another's mind, for inner beauty. Anthony Hopkins, who last year in "Remains of the Day" gave a brilliant performance as a closed-off English butler who was afraid to love, here provides a companion performance, of a buttoned-down English intellectual who surprises himself by finding the courage to love.
Debra Winger, not afraid to look less than her best in early scenes (although her beauty glows later on in the film), is no less extraordinary: She projects a quiet empathy in creating Joy Gresham, a woman who has fallen in love with Lewis through his writings. Her character goes through a series of delicate adjustments as she meets him and realizes he is not as contented as he thinks. She believes that making one another happier is one of their purposes on earth.
His ability to share that view is a small triumph, but one few people can claim.

Shadowlands (1993 film) - Wikipedia, the free encyclopedia

Shadowlands (1993 film) - Wikipedia, the free encyclopedia



Shadowlands (1993 film)

From Wikipedia, the free encyclopedia
This article is about the 1993 cinema film. For other uses, seeShadowlands (disambiguation).
Shadowlands
Shadowlands ver2.jpg
UK theatrical release poster
Directed byRichard Attenborough
Produced byRichard Attenborough
Brian Eastman
Written byWilliam Nicholson
Starring
Music byGeorge Fenton
CinematographyRoger Pratt
Edited byLesley Walker
Production
company
Distributed bySavoy Pictures (US)
Paramount Pictures(UK)
Release dates
  • 25 December 1993
Running time
131 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$22 million
Box office$25,842,377
Shadowlands is a 1993 Britishbiographical film about the love-relationship between Oxford academic C. S. Lewisand American poet Joy Davidman, her death from cancer, and how this challenged Lewis' Christian faith. It is directed by Richard Attenborough with a screenplay by William Nicholson based on his 1985 television production and 1989 stage adaptation of the same name. The original television film began life as a script entitled I Call It Joywritten for Thames Televisionby Brian Sibley and Norman Stone. Sibley later wrote the book, Shadowlands: The True Story of C. S. Lewis and Joy Davidman.

Plot[edit]

In the 1950s, the reserved, middle-aged bachelor C. S. Lewis is anOxford University academic at Magdalen College and author of The Chronicles of Narnia series of children's books. He meets the married American poet Joy Gresham and her young son Douglas on their visit to England, not yet knowing the circumstances of Gresham's troubled marriage.
What begins as a formal meeting of two very different minds slowly develops into a feeling of connection and love. Lewis finds his quiet life with his brother Warnie disrupted by the outspoken, feisty Gresham, whose uninhibited behaviour offers a sharp contrast to the rigid sensibilities of the male-dominated university. Each provides the other with new ways of viewing the world.
Initially their marriage is one of convenience, a platonic union designed to allow Gresham to remain in England. But when she is diagnosed with cancer, deeper feelings surface, and Lewis' faith is tested as his wife tries to prepare him for her imminent death.

Cast[edit]

Critical reception[edit]

Shadowlands received positive reviews from critics and maintains a 96% "fresh" rating on Rotten Tomatoes based on 28 reviews.
Roger Ebert of the Chicago Sun-Times called the film "intelligent, moving and beautifully acted."[1]
Rita Kempley of the Washington Post described it as "a high-class tear-jerker" and a "literate hankie sopper" and added, "William Nicholson's screenplay brims with substance and wit, though it's essentially a soap opera with a Rhodes scholarship . . . [Winger] and Hopkins lend great tenderness and dignity to what is really a rather corny tale of a love that was meant to be."[2]
In Variety, Emanuel Levy observed, "It's a testament to the nuanced writing of William Nicholson ... that the drama works effectively on both personal and collective levels ... Attenborough opts for modest, unobtrusive direction that serves the material and actors ... Hopkins adds another laurel to his recent achievements. As always, there's music in his speech and nothing is over-deliberate or forced about his acting ... Coming off years of desultory and unimpressive movies, Winger at last plays a role worthy of her talent."[3]

Changes from the stage play or earlier television production[edit]

The stage play opens with Lewis giving a talk about the mystery of suffering, whereas this film intersperses a similar talk several times throughout the narrative. The television film opens with Lewis giving a radio broadcast about the sanctity of marriage.
In the stage play as in reality, Lewis and Davidman honeymoon in Greece. In the film, on their honeymoon they look for a "Golden Valley" in England, as depicted in a painting hanging in Lewis' study.
As in the stage play, though not the earlier television film, Joy has only one son. In the original television film, as in reality, Joy had two sons, Douglas and David.

Awards and honours[edit]

References[edit]

  1. Jump up^ Roger Ebert, "Shadowlands", Chicago Sun-Times.
  2. Jump up^ "‘Shadowlands’ (PG)"Washington Post (7 January 1994).
  3. 'Jump up to:^ Weissberg, Jay. (2 December 1993) "Review: 'Shadowlands'".Variety.

External links[edit]

Through the Shadowlands: The Love Story of C. S. Lewis and Joy Davidman: Brian Sibley: 9780800730703: Amazon.com: Books





SHADOWLANDS

Shadowlands Movie Review

Shadowlands Movie Poster

SHADOWLANDS (1994)

Cast

Anthony Hopkins as C. S. Lewis

Debra Winger as Joy Gresham

Edward Hardwicke as Warnie Lewis

John Wood as Prof. Riley

Directed by

Richard Attenborough

Written by

William Nicholson

Drama, Foreign, Romance

Rated PG

125 minutes

  |  Roger Ebert

January 7, 1994   |

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For many years his life has followed the same comfortable patterns. He is a teacher and a writer, a pipe-smoking bachelor who lives in his booklined Oxford home with his brother. From his children's books, his science fiction and his pop theology, he has gained a following, and he gives comforting talks about man's place in God's plans. Then the most extraordinary thing takes place. He falls in love.

--

"Shadowlands" is the story, based on fact, of an autumnal romance involving the British writer C. S. Lewis and a divorced American woman named Joy Gresham. They met after she wrote him an admiring letter; their correspondence led to her first visit to England, with her young son. Lewis received her as a courtesy, and was so settled in his lifelong professorial routine that he hardly knew what to do when it became clear, even to him, that he was in love.

"Shadowlands" has found two perfect actors to play this unlikely couple, Anthony Hopkins and Debra Winger. He is shy sometimes to the point of being tongue-tied; he nods and hems and haws and looks away, and retreats behind formulas of courtesy. She is more direct, an outspoken woman who sometimes surprises him by saying out loud what they have both been thinking, but that he would never have said. She sees at a glance the comfortable rut he is in - the dinners at his college dining hall, the evenings in front of the fire, reading while the wireless provides classical music from the BBC. She isn't out to "catch" him. It's more that he discovers he cannot imagine her going away.

Their courtship is an odd one. He issues invitations lamely, as if sure she will not accept. He is so terrified of marriage that he has to couch his proposal in "practical" terms - if he marries her, she will not be forced to leave Britain. She has to negotiate the clouded waters of university politics, the annual dinners of the college head, the curiosity and pointed questions of his nosy colleagues. When it comes to sex, he hasn't a clue, and she talks him through it: "What do you do when you go to bed?" "I put on my pajamas and say my prayers and get under the covers." "Well, then, that's what I want you to do right now, except that when you get under the covers, I'll be there." Lewis has been confident in his writings and lectures that he knows the purpose of suffering and pain: It is God's way of perfecting us, of carving away the wrong parts, of leaving a soul ready to enter heaven. But when Joy contracts cancer, when she finds herself in terrible pain, he finds he is not at all sure of his theory. And, facing the possibility that they will be parted, together they create an idea of human life on earth that comforts him more than his theories.

"Shadowlands," directed by Richard Attenborough, based on the stage play by William Nicholson, is intelligent, moving and beautifully acted. It understands that not everyone falls into love through the avenue of physical desire; that for some, the lust may be for another's mind, for inner beauty. Anthony Hopkins, who last year in "Remains of the Day" gave a brilliant performance as a closed-off English butler who was afraid to love, here provides a companion performance, of a buttoned-down English intellectual who surprises himself by finding the courage to love.

Debra Winger, not afraid to look less than her best in early scenes (although her beauty glows later on in the film), is no less extraordinary: She projects a quiet empathy in creating Joy Gresham, a woman who has fallen in love with Lewis through his writings. Her character goes through a series of delicate adjustments as she meets him and realizes he is not as contented as he thinks. She believes that making one another happier is one of their purposes on earth.

----

Through the Shadowlands: The Love Story of C. S. Lewis and Joy Davidman: Brian Sibley

Book



Through the Shadowlands: The Love Story of C. S. Lewis and Joy Davidman Paperback – July 1, 2005

by Brian Sibley  (Author)



At first glance, they were an unlikely couple: C. S. Lewis, a distinguished author and Oxford scholar, and Joy Davidman, a Jewish-American divorcée, converted Christian, mother of two, and former Communist Party member. But together they walked through life's challenges, persevering despite having their faith tested in the face of suffering and death. This amazing true story reveals the many events that occurred in the lives of two astounding Christians to bring them together and spark their love for each other. Readers will experience both their tender moments and the darkest hours where faith was tested and shaken to its very foundations. More than a biography and more than a love story, this is a moving tribute to a couple whose faith, hope, and love grew through adversity. Previously published as C. S. Lewis Through the Shadowlands



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4.3 out of 5 stars

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3.0 out of 5 starsAn absorbing introduction to Lewis and Davidman's life together

By FaithfulReader.com on August 4, 2005

Format: Paperback

Of the making and reading of books about C.S. Lewis there seemingly is no end. But readers new to Lewis's life will likely appreciate this re-release, retitling, and re-jacketing of THROUGH THE SHADOWLANDS: The Love Story of C.S. Lewis and Joy Davidman.



However, reader be warned: the subtitle is a bit misleading. Aside from a brief introduction set after Joy's funeral, the story of their relationship doesn't begin until page 77. Those who have read biographies of C.S. Lewis may wish to skip to this point, since Brian Sibley spends the early pages telling the story of Lewis's childhood, his time as a professor at Oxford and with the Inklings, and his publications. Although it's a good recap of Lewis's life, some of the observations are vague, such as allusions to sexual encounters Lewis had in his youth (mentioned without any further explanation) or the mysterious relationship Lewis developed with a Mrs. Moore and her daughter. Readers likely will want to consult other Lewis biographies and commentaries for more in-depth information.



Once Sibley gets down to the business of the relationship between Lewis and Helen Joy Davidman, things begin to pick up. Davidman, a Jewish convert to Christianity and a divorcee with two young sons, David and Douglas, is a complicated, fascinating person as viewed through Sibley's eyes. Compellingly, he sketches out her childhood years with an authoritarian father who alternately demanded his children respond to commands given on a whistle and then repeatedly slapped them about the face when they disobeyed. Joy was, as Sibley describes her, chubby, nearsighted, and overprotected by her mother. She loved animals, and became increasingly rebellious at home under the domineering influence of her father.



Her solace was books, and Davidman later became a poet, novelist and teacher --- and interestingly enough, a member of the Communist party. Delight in George MacDonald books such as PHANTASTES and THE BACK OF THE NORTH WIND led her to the fantasy novels of Lewis, which would eventually, Sibley explains, point her toward religion and, of course, a marriage to Lewis.



Sibley chronicles in detail Davidman's difficult marriage to the alcoholic philanderer and novelist Bill Gresham and her own maturation as a mother and a writer. It's with this background that he begins the description of her correspondence with Lewis, starting in 1950, their subsequent meetings and relationship, through her diagnosis with cancer and eventual death.



Adeptly, Sibley shows how Lewis is left with his previous writings on pain, suffering, and faith, and the inadequacies of his own words in the face of his grief. "Many of Jack's admirers would have been deeply shocked if they had known that he had even entertained such doubts, or admitted such fears," writes Sibley. Lewis's doubts and sorrow eventually led to A GRIEF OBSERVED, one of his bestselling books. Sibley's account of the couple's time together, Lewis's response to Davidman's death, and his own acceptance of his illness and approaching demise make the last hundred pages of THROUGH THE SHADOWLANDS an absorbing read.



Sibley does an excellent job smoothly transitioning between excerpted materials and quotes, and his own narrative. However, one of the most serious faults of the books is its lack of crediting specific source material. Although the acknowledgments list the publications Sibley draws from, individual excerpts and quotes are not footnoted or endnoted. For anyone who is already a devotee of all things Lewis, this oversight means they cannot go off on the delightful tangents of extended reading inspired by specific citations. Since this book was originally released in 1985 as C.S. LEWIS: THROUGH THE SHADOWLANDS, it's disappointing that subsequent reprintings haven't included some revision to address this shortcoming.



This might be best read by readers who are newcomers to the life of C.S. Lewis and who desire an overview of his life and marriage, rather than by those already familiar with the numerous books about Lewis's life. With Lewis's THE LION, THE WITCH, AND THE WARDROBE making another transition to the big screen in 2005, this will serve as a good introduction to Lewis and Davidman's life together.



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3.0 out of 5 starsThrough The Shadowlands

By AK on July 13, 2005

Format: Paperback

Millions are familiar with the two movie versions and the theatrical drama Shadowlands. Even more people than that have read CS Lewis and will soon see the start of the Narnia saga on the big screen. To gain a greater appreciation of his work and be able to view further depths hidden inside the profound writings that have helped uncounted scores of Christans find their way, read this book. In a manner that almost reads like a novel itself, the author recounts how both Lewis and Joy became the people so adeptly portrayed by Anthony Hopkins and Debra Winger. You will see how much they truly loved each other. Even if you are not fan of CS Lewis, it is an incredible romance that will give hope to many who have spent their lives looking for, yet not finding, love.

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5.0 out of 5 starsa gift to the bereaved

By Dione Anderson on November 27, 2005

Format: Paperback Verified Purchase

I am buying this book again because I gave my last copy to a friend whose son had been killed. I found this book to be the most comforting book I read when my own son was killed. I almost find that strange beause reading lewis has never comforted me but reading ABOUT lewis and his crisis of faith during his loss helped me deal with my own grief.

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4.0 out of 5 starsLoved this book

By C. Moon on October 13, 2012

Format: Paperback Verified Purchase

AFter watching the movie which I believe was called "Shadowlands", I was anxious to learn more about Jack and Joy. I found "Through the Shadowlands" on Amazon, and ordered it. Although this is a non-fiction book, using the writings of both plus recollections of many friends, I couldn't put it down. I would highly recommend it to anyone interested in C.S. Lewis, his literary as well as his spiritual life. Joy Davidman is also a fascinating person, just about the opposite to Mr. Lewis. The book arrived in good time, and was brand new, as listed.

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4.0 out of 5 starsVery detailed and extensive

By Teresa Affleck on December 14, 2012

Format: Paperback Verified Purchase

My book club and I read Through the Shadowlands a year ago. Some of us thought there was not enough description of Lewis and Davidman's romance. I agreed, but I loved the extensive back-story of the two marvelous people and how they were shaped before they even met.

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5.0 out of 5 starsAwesome book!!!!!!!!!

By Ransom Lewis on October 13, 2009

Format: Paperback

This was a fantastic book about CS Lewis and his wife Joy. It is all about their lives and then how they met and fell in love. The condition of the book was very good as well. And the cover itself was beautiful!

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5.0 out of 5 starsA great book

By Marion Hurt on August 18, 2010

Format: Paperback Verified Purchase

This book was a great addition to our church library where we have many of C S Lewis' books. Gives an interesting perspective on his own writings.

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5.0 out of 5 starsIf you've read A Grief Observed, you should definitely read this.

By Kevin Gardner on July 29, 2014

Format: Paperback Verified Purchase

Thoroughly amazing book. I'd heard of "Jack" Lewis' and Joy Davidman's relationship from bits and pieces, as well as from A Grief Observed, but this book gave me a much clearer understanding of the pairs' trials and strength of their love.

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