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마하바라따 와 함께 읽는 바가와드_기따 박경숙 번역
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바가와드 기따 - 박경숙이 싼스끄리뜨 원어에서 옮기고 역사적·비평적 주해로 길을 잡음
박경숙 (옮긴이)새물결2022-05-06
다음
248쪽
책소개
근대 이전에는 한문을 통해 우회적으로, 근대 이후에는 주로 서양어를 통하거나 철학적 측면에서 많이 왜곡되거나 편협한 형태로 이해되어온 ‘인도의 바이블’을 싼스끄리뜨 원어에서 옮기고, 아뜨만, 박띠, 요가 등 수많은 핵심 개념어에 대해 상세한 비평적․역사적 주해로 길을 잡았다.
요가수뜨라와 함께 ‘요가’에 관한 인도의 2대 기본 경전. 몸과 마음 즉 영육, 그리고 우주의 관계에 대해 기존의 서양과 중국문명 중심의 이해방식을 완전히 초월해 ‘범아일여’ 등 새로운 우주관을 통해 달랑 ‘나’와 ‘주체’만 남은 현대인의 삶에 새로운 삶의 이정표를 제시한다.
목차
옮긴이 서문: 그처럼 다양하나 판단은 결국 듣는 자와 읽는 자의 몫
『마하바라따』에서 이어지는 이야기
비슈마의 죽음을 알리는 산자야
바가와드 기따
01 아르주나 위샤다_아르주나의 실의
02 상키야 요가_헤아림의 요가
03 까르마 요가_행위의 요가
04 즈냐나 까르마 산야사 요가_앎의 요가
05 까르마 산야사 요가_놓음의 요가
06 드야나 요가_선정의 요가
07 즈냐나-위즈냐나 요가_지와 분별지의 요가
08 악샤라-브라흐마 요가_불멸의 브라흐마 요가
09 라자위드야-라자구히야 요가_왕과 같은 지식, 왕과 같은 비밀의 요가
10 위부띠 요가_존재를 넘어선 요가
11 위쉬와루빠 다르샤나_우주적 형상을 펼쳐 보이는 장
12 박띠 요가
13 크쉐뜨라-크쉐뜨라즈냐 요가_밭과 밭을 아는 자의 요가
14 구나뜨라야위바가 요가_세 기질을 구별하는 요가
15 뿌루샤 웃따마 요가_위없는 정신의 요가
16 다이와수라 삼빠드위바가 요가 _신적인 것과 아수라적인 것의 양상을 구별하는 요가
17 쉬랃다뜨라야위바가 요가_세 가지 신념을 구별하는 요가
18 목샤-산야사 요가_해탈과 버림의 요가
『마하바라따』로 이어지는 이야기
유디슈티라, 어른들께 축원을 청하다
접기
추천글
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한겨레 신문
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저자 및 역자소개
박경숙 (옮긴이)
Sejin Pak -무지게 "My Heart Leaps Up", "The Rainbow", is a poem by William Wordsworth.
My Heart Leaps Up
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began;
So is it now I am a man;
So be it when I shall grow old,
Or let me die!
The Child is father of the Man;
And I could wish my days to be
Bound each to each by natural piety.
"My Heart Leaps Up", also known as "The Rainbow", is a poem by the British Romantic poet William Wordsworth. Noted for its simple structure and language, it describes joy felt at viewing a rainbow.
Writing the poem[edit]
Wordsworth wrote "My Heart Leaps Up" on the night of March 26, 1802. Earlier that day, he had written "To The Cuckoo". He was in Dove Cottage, Grasmere, with his sister, Dorothy. After he wrote it he often thought about altering it, but decided to leave it as it was originally written. It was published as part of Poems, in Two Volumes in 1807.[1]
The day after he wrote "My Heart Leaps Up" Wordsworth began to write his more ambitious "Ode: Intimations of Immortality". The last three lines from "My Heart Leaps Up" are used as an epigraph to "Intimations of Immortality". Some scholars have noted that "My Heart Leaps Up" indicates Wordsworth's state of mind while writing the larger poem and provides clues to its interpretation.[2]
Critical analysis[edit]
Some commentators have speculated that Wordsworth felt such joy because the rainbow indicates the constancy of his connection to nature throughout his life.[3]
Others have said that it celebrates "the continuity in Wordsworth's consciousness of self",[4] Because the rainbow is part of a circle, Fred Blick has been able to demonstrate that the word ‘piety’ at the end of the last line makes an intentional, geometrical pun (signaled by the phrase ‘bound each to each’), symbolizing continuity and infinity. The pun blends ‘a state of infinite pi / π’ with the normal meaning of ‘reverence’. Wordsworth loved geometry and used the same, geometrical pun on ‘piety’ twice elsewhere.[5] Many commentators also draw parallels to the rainbow of Noah and the covenant that it symbolized.[6] Wordsworth's use of the phrase "bound each to each" in the poem also implies the presence of a covenant. Some commentators have drawn further parallels with the story of Noah. Harold Bloom has suggested that Wordsworth casts the rainbow as a symbol of the survival of his poetic gift, just as the rainbow symbolized to Noah the survival of mankind. Bloom suggests that Wordsworth's poetic gift relied on his ability to recall the memories of his joy as a child.[4][7]
William Blake disliked Wordsworth's use of the phrase "natural piety". Blake believed that man was naturally impious and therefore Wordsworth's phrase contradicted itself.[7]
In popular culture[edit]
"The child is the father of the man" is the title of a chapter in Machado de Assis's 1881 novel The Posthumous Memoirs of Brás Cubas.[8]
The Beach Boys' songs "Surf's Up" (1971) and "Child Is Father of the Man" (2011) quote the poem.
Blood, Sweat & Tears named their 1968 studio album Child Is Father to the Man.
See also[edit]
References[edit]
- ^ Dowden 1898, p. 409
- ^ Sarker 2003, pp. 150–2
- ^ Kevin 1990, p. 144
- ^ Jump up to:a b Bloom 2001, p. 123
- ^ Fred Blick, 'Wordsworth's "Rainbow" and the "Ode": The circle of Pi / π and The Geometry of "Immortality", pp.15-16. https://independent.academia.edu/FredBlick
- ^ Twitchell 2004, p. 484
- ^ Jump up to:a b Bloom 2001, p. 124
- ^ "Carta ao Leitor: De olho no futuro". VEJA (in Brazilian Portuguese). Retrieved 24 August 2020.
Bibliography[edit]
- Bloom, Harold (2001), How to Read and Why, New York: Touchstone, ISBN 978-0-684-85907-1
- Dowden, Edward; William, Wordsworth (1898), Dowden, Edward (ed.), Poems by William Wordsworth, New York: Ginn & Company
- Kevin, Moore (1990), The Descent of the Imagination, New York: New York University Press, ISBN 978-0-8147-5451-1
- Sarker, Sunil Kumar (2003), William Wordsworth: A Companion, New Delhi: Atlantic, ISBN 978-81-269-0252-1
- Twitchell, James (September 2004), "An English Teacher Looks at Branding", The Journal of Consumer Research, The University of Chicago Press, 31 (2): 484–489, doi:10.1086/422125, JSTOR 10