2026/04/13

Opinion | Jesus Is ‘a Light That’s Both Historical and Eternal’ - The New York Times

Opinion | Jesus Is ‘a Light That’s Both Historical and Eternal’ - The New York Times



Opinion


Guest Essay

‘The Reason I’m Not an Atheist Is That I Think the Philosophical Arguments Against It Are Unanswerable’
April 12, 2026

Credit...George Ivanchenko

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By Peter Wehner


Mr. Wehner, a senior fellow at the Trinity Forum, is a contributing Opinion writer. He attends McLean Presbyterian Church in McLean, Va.




David Bentley Hart is one of the world’s most formidable and provocative theological minds. He is an Eastern Orthodox scholar of religion, a philosopher, a cultural commentator and a fiction writer. Dr. Hart is the author of more than 30 books spanning theology and metaphysics, philosophy, biblical scholarship and translation, political theology and linguistics, as well as his fiction and children’s novels.

I spoke to Dr. Hart about why Jesus captured his imagination, whether suffering and evil in the world calls God’s goodness into question, and why he doesn’t believe that the Bible teaches the concept of eternal conscious torment. He explained why he believes beauty is a central category of Christian thought, why moral reasoning and moral intuitions must be an essential part of biblical interpretation, and why materialists can’t adequately explain how consciousness has emerged.

Dr. Hart also shared with me why he’s become increasingly indifferent to dogmatic and institutional authority, why he believes that historically the church has been as evil as it has been good, and why he has a “burning sense of obligation” to those whom Jesus loved —— the poor, the marginalized, the strangers in our midst. What emerged in the interview is a sense that he feels compelled to defend the character of God against many of those who claim to speak for God.

Our conversation, which has been edited for length and clarity, is the sixth in a series of interviews I am doing that explores the world of Christian faith.


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Peter Wehner: You’ve described yourself as a “thoroughly secular man,” one having little or no natural aptitude for religious sentiment. The Christian religion as a dogmatic and institutional reality is secondary and marginal to your faith. If C.S. Lewis was, in his words, the most reluctant convert in all of England, it seems to me you qualify as one of the more reluctant converts in all America, or maybe to be more precise, one of the most surprising converts in America. You and Lewis differ in important respects, yet like Lewis you write beautifully and powerfully about the Christian faith and about Jesus. What is it that drew you to faith and what keeps you there? Why is Christianity the story you inhabit?

David Bentley Hart: The word “convert” probably doesn’t suit me very well in this context. I have converted from certain things to other things. I was a high church Episcopalian as a boy and became Eastern Orthodox as a young man. But it’s true that I’ve never had the aptitude for spontaneous piety of the churchly sort. From an early age, I had a profound sense of some mystery lying beyond nature. And when I’m in natural settings, that’s when my capacity for reverence tends to kick in. But institutional claims, dogmatic claims, the demands of piety, the romance of piety have never had a hold on me by themselves.

What made Christianity compelling to me from an early age had to do with two considerations. One is that I couldn’t account for the claims made about Easter by the early Christians in the New Testament. The more I studied, too, I became more and more convinced of the extraordinary oddity of these claims as compared to what happened with other messianic movements.

Now within the context of more modern history, we’re aware of movements that can take off from a prophet claiming a certain charisma and can be fairly successful in their own terms. But this was something different. This was within the context of messianic expectations in first century Judea that simply seemed not to have come to pass. Other figures before Jesus who had been the focus of messianic movements had died. And rather than his followers simply scattering to the four winds, they soon appeared claiming to have had an experience. And just as a historical anomaly I found this experience hard to explain away psychologically or sociologically.

But that was further along in my education. The thing that always gripped me was the personality, the person, of Jesus as presented in the Gospels. I had a good classical education from an early age and was aware there was some huge epochal shift in his teachings that I’ve never been able to see simply as a fortuitous historical event.


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To me, something new happened there. Many of the things that we now take to be morally appealing in Jesus were actually rather scandalous in their time. These weren’t just new principles; some of them were considered wrong. A sort of boundless degree of forgiveness was not an ideal, not even in Stoicism, not even in the prophets. Jesus also had this concern for the most abject, the most indigent people in the world. There was a category of the deserving poor in the ancient world. But the ptōchoi, the most wretched, while always the object of minimal charity, were regarded as being too debased as a rule to make it worthwhile to provide them with more than some alms. What made the ministry of Jesus so strange in late antiquity was that he made them the actual center of his concern, and even declared that the Kingdom of Heaven was theirs. So that was it. It’s the strangeness, it’s the uncanniness of this figure in his time and place first and foremost that captured my imagination and continues to do so.

Wehner: You’ve said you found Jesus to be an “infinitely compelling” figure, and that you “cannot fit him easily into the normal chronicles of human history.” You just explained why. You’ve pointed out that the issue of suffering and evil in the world isn’t an argument against God’s existence, but it does go directly to the issue of divine goodness. You’ve stated that “we exist in a world of monstrous evil and monstrous suffering. And the theist traditions tell us that behind all of this is a God of infinite justice, mercy, love and intellect.” The contrast between the suffering of children and the claim that God is all-powerful and all-good is enough to call into question the claim itself. So what’s the best way for Christians to think about theodicy, the defense of God’s goodness and omnipotence in the view of the existence of evil? Is it found in Christ’s wordless kiss to the Grand Inquisitor in “The Brothers Karamazov,” which can be understood as a moment of healing grace rather than a logical response to an argument, as an act of mercy and empathy that transcends human understanding? Or is there a better way to think about this?

Hart: There’s a partial answer in that, but it’s one that requires interpretation. Curiously enough, I’m not a great admirer of Dostoyevsky as an artist. I don’t think he was an equal of Tolstoy. But what he did have was a moral genius that could break through even his horrible prejudices, like his antisemitism. No one has ever stated more powerfully the moral case against accepting the terms of our existence as adequate to the claims of God’s goodness. By “terms of our existence,” I meant the evils Ivan makes so much of in the chapter “Rebellion,” which are principally the sufferings of children. For him, on these terms, existence in this world and even the promise of some final Kingdom in which all will be reconciled cannot be justified. And yes, I think the figure of Christ, the silent, the enigmatic figure of the Christ who reverses the kiss of Judas there and bestows a kiss of forgiveness, of reconciliation, is part of it.

But my first piece of advice on theodicy has always been to avoid theodicy, because any attempt to justify the ways of God to man in terms of why this happened already presumes a kind moral teleology to evil. Here’s what I mean by that: theodicy tries to show how evil exists as part of a great plan to achieve some greater good, which of course justifies evil. It makes it seem as if, yes, it’s sad that little girl died of cancer, but in the end it was necessary. That strikes me as obscene. Whatever one thinks of that, the New Testament never speaks in such terms. Rather, it treats evil in terms of a kind of provisional dualism. It sees evil simply as a contingent distortion and violation of creation, sustained by the arkhōn of this kosmos, against which God is at war in Christ, and which is overthrown by Christ.

The New Testament speaks of creation as something broken and distorted and destroyed by spiritual freedoms gone astray, and the whole structure of reality that we know is in some sense alien to true creation.


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In the Gospel of John, the arkhōn of this kosmos, the ruler of this world, or in Paul, the god of this age, is not God, but a malevolent figure, whether symbolic or real. I don’t know if I find it adequate, but I find it sufficiently persuasive at least to say that a ruined creation as the result of a necessary spiritual freedom that is the only way in which spiritual beings can come into real existence is the closest we can come to an explanation.

But that means we don’t justify this evil or that evil as part of some grand plan, but rather see the world as a place in need of rescue from a catastrophe that has occurred in some frame of reality we don’t know and don’t understand.

My fear of theodicy is that it becomes not just a justification of God but a justification of evil. It’s not just that I’m trying to justify God in the face of a child dying from diphtheria or a death camp; I’m actually justifying the death of that child and that death camp. At that point, the whole moral grammar of the New Testament seems to collapse in on itself.

Wehner: I’ve sensed in your writings, especially in the energy and intensity with which you’ve dealt with some issues, that you feel deeply that the character of God needs to be defended against people who are claiming to speak for God.

Hart: Christian history has been a constant struggle between two fundamentally irreconcilable pictures of God. One is based on the terms of Christ’s public ministry and the notion of a loving father from whom children can ask and expect to receive all real blessings and who loves the poor and the ptōchoi — the downtrodden, the forgotten, the rejected — and comes to save.


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Then there’s the other language of the God who elects a particular portion of humanity for himself, who is willing to condemn or at least to allow souls to go to hell for an eternity of suffering for the failure to understand what they should be doing or what they should believe. That latter image in part is grounded in the apocalyptic idiom of the New Testament, but actually isn’t there in anything like the form it later assumed. There’s no teaching of the hell of eternal torment in the New Testament. The idea of the Gehenna was a prophetic image of rejection and destruction for evil, not this fully, grandly realized picture of some eternal torture chamber. The imagery that Christ used of judgment belonged to a metaphorical idiom inherited from the prophets, but also was part of the apocalyptic language of the time. The metaphors contradict one another if taken literally.

This struggle has been constant throughout Christian history. The most monstrous pictures of God come from the Christian tradition just as the most radiant images of God come from what Christians believe. With Augustine late in his life, with Calvin, even with Thomas Aquinas, the understanding of predestination, ante praevisa merita, that is without any prevision of the merits of those elected or left derelict, is a pretty early deformation.
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Rational theodicy does the same thing in a more emollient way. It’s simply trying to look at a picture of God that you’ve decided must be understood in terms of pure sovereignty, pure power, pure righteousness before and even after mercy, but trying to explain it in a way that makes it sound more morally palatable. So as I say, dogma and tradition as such don’t compel me. If I find them deficient, I feel no moral or intellectual obligation to take them seriously.

I do think that among Christians, a defense of the character of God as revealed in the person they say they believe to be the manifestation of God in history — Jesus — is a perennial need.

Wehner: You argued in “That All Shall Be Saved” the case for apokatastasis, the restoration of all things, which to varying degrees has been a minority position throughout Christian history. You’ve made the case that there’s a strong scriptural basis for universal restoration based on a dozen or so verses in the New Testament — Titus 2:11, 2 Peter 3:9, Luke 3:6, John 12:32 and Romans 5:18 and 11:32 to name a few — that seem to promise, in the most unqualified terms, a final salvation of all persons. Why do you think that the view of hell as a place of eternal conscious torment got fixed into the Christian imagination? I should add that you don’t argue that hell doesn’t exist — Gehenna and Hades, which are of course different concepts …


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Hart: Well, I understand hell as a real condition, a real state that we know in this world. So I don’t deny that.

Wehner: So why do you think people have put eternal conscious torment as primus inter pares and downplayed or neglected the verses that seem more unqualified in terms of all shall be saved? And what do you think is the key error of well-read and well-intentioned people who believe in eternal conscious torment?

Hart: I believe the key error is that they’ve been taught this from an early age to such a degree that at some crucial point the memory is one which I think psychologically they tend to repress. At some point they made a moral decision to believe something that all moral sanity told them was a vicious view of reality. I think the truth now, after all these centuries and over the course of Christian history, is that it’s simply been forced as the story that the irrefragable authority of the church backed up.

We have to remember that the notion of a place of eternal torment, at least of torment in the afterlife, does appear within the apocalyptic literature of the Second Temple period. And that was heavily influenced by Persian thought, which does have a day of judgment and a notion of heaven and hell, although in Zoroastrian tradition, hell isn’t necessarily a permanent state either. Nonetheless, this had entered into the imagery.

But the notion of a place of eternal torment as it appears in later tradition has more antecedents in Hellenistic tradition. The Platonists had this notion of a final damnation that you find even in Plato himself. It’s not clear to what degree that it’s used as a sort of edifying myth or not, but nonetheless it’s there. And it was very much part of the discourse of the Late Antique world. And there was an early sort of apocryphal gospel, by Nicodemus supposedly, where the imagery of hell as we know it appeared pretty early in the tradition. We do have fairly impressive figures from the fourth century — including Augustine and Basil of Caesarea — telling us that there were many parts throughout the Christian world where the majority belief was that hell was not an eternal state, though the actual proportion of who believed what is impossible to ascertain. Basil’s brother Gregory of Nyssa was openly a Universalist and was never condemned for it.


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So why did the view that hell isn’t an eternal state die out? I’ve often thought that in part it had to do with the interests of empire. Once the church ceased to be a sort of disreputable and seditious, loose affiliation of odd mystics and outcasts and members of a mystery religion, one that didn’t even have a doctrinal consensus yet, and became a pillar of imperial society, the institutional imperatives became paramount. So there was a uniformity of teaching, but also a teaching that was agreeable to an institution that now represented power and represented keeping people in line.

I think it was almost inevitable that the harshest possible construal of the New Testament would soon become the doctrinal lingua franca. But the teaching of eternal conscious torment really isn’t in the New Testament.

There are lots of frightening images — being kicked out of a wedding feast, being made to go to prison for a while, being burned up like branches in a fire, destroyed — not roasted throughout eternity. But the notion of this hell of eternal torment really is something that has only the most nebulous foreshadowings in the New Testament. And as you say correctly, the seemingly unambiguous statements of universal redemption are far more plentiful. And 1 Corinthians 15 — this final vision of God becoming “all in all” — would be taken up systematically by figures like Origen and Gregory of Nyssa, for whom it is the revelation of the true mystery of God in Christ that ultimately all things are reconciled.

Wehner: I want to move from eternal conscious torment to beauty. In “The Beauty of the Infinite: The Aesthetics of Christian Truth,” you argue for a return to beauty as a central category in Christian thought. What is it you hope to convey to people about beauty which they might not otherwise see?

Hart: Part of that relates to the question you asked at the beginning, about the moral character of God. If you’re actually persuaded of the goodness of God then you’ve committed yourself to believing that there’s some analogy between what you understand justice and mercy to be and what you’re ascribing to God. So if you get to the point where it just becomes equivocal, that you say, “It’s good that God condemns babies to hell” or “It’s good in a way we don’t understand,” what you’re saying is your faith is just nonsense. It should clue us in if the story we tell has a hideousness to it. But there’s more to it than that. I really do believe that there are transcendental orientations of any living mind, like the good, the true, the beautiful. It doesn’t mean that we pursue them avidly with full attention psychologically at every moment, but that we do have these values that provide an index for us in which we judge other things.


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Why do you desire to own a painting? The reason you desire it might be purely for an investment. But if you really desire the painting for itself, it’s because you have a prior desire that’s more general and transcendental for the beautiful as such. Beauty is an ultimate value for you.

I think the beautiful is probably for us in this world the best indication of what transcendental desire is, the desire for something in itself. Every other thing that we call a transcendental, like truth or goodness, you can try to explain away in a consequentialist way. You say you love the truth, but what you mean is you love accuracy because you want to gain power over a situation. You say you love goodness, but what you’re meaning is you really want moral compliance from others. But in the case of beauty, all those explanations fall woefully short of the phenomenon. Beauty has a kind of impersonal, compelling fullness to it that we can’t reduce to simple mechanical categories.

In Christian thought I think beauty is important because there’s a certain aesthetic revolution that occurred in Christian thought.

One of the curiosities of Christian social history is a series of cultural changes in which we feel it is licit to look for beauty. You have the picture of Christ before Pilate in the Gospel of John, one of my favorite examples. I returned to it almost obsessively because as anyone who studied the ancient world knows, in everyone’s eyes at the time, this tableau would not have meant what it has come to mean for us.

It would have been obvious that Pilate enjoys a certain glorious eminence because he represents both the power and the cult of Rome. He’s an aristocrat, a patrician. There’s a scale of reality that’s the hierarchy of all things, that’s a social hierarchy that includes humanity and the divine. Someone like Pilate is closer to the divine. But that hierarchy also goes right down to the lowest of the low, the slave, and below the slave the ptōchos — that indigent, absolutely marginal human being. And yet there’s an inversion of perspective in that tableau.


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We’re invited to see Christ, this slave, this peasant, this colonialized person, this convict. He’s a slave under Roman law. He has no citizenship and he’s under condemnation. So he has the status of one totally not his own. According to Roman law, Jesus is non habens personam — he has no face, he’s no person before the law.

Where you can see this more prodigal notion of the beautiful spilling out of the height of hierarchical thinking into all things, into those we’re now supposed to see as our brothers and our sisters and our kin, radiant with the beauty of God, radiant with the face of Christ, is probably the story of Peter going apart to weep when he hears the cock crow for the third time.

Erich Auerbach, the great literary critic, pointed to this correctly as a sort of strange epochal shift in the sensibility of Western literature. Before then, rustics simply were not worthy of serious tragic attention. The tears of a rustic could be an object of ridicule or mirth, or could just be an ornamental detail: Even the peasants were crying. Things were so bad that peasants, who lose children all the time, they’re just cattle anyway, were weeping. But the notion of a fisherman, poor, probably illiterate, going aside and weeping in grief at the realization that he had betrayed the love of his master in the sense of his teacher, his guide, this is something new.

And so the beautiful fascinates me, not only as a category in itself but within Christian thought as a category that went through a radical revision. Now it’s obvious to us. All of us, whether we’re Christians or not, feel this sense that we really can find this compelling beauty in the face of someone who is not.

So the reason theology should think about beauty is threefold. What it says about transcendence; what it says about adequate conceptions of God; and ultimately what it says about — what is revealed about — our fellows, about the world around us, by what happens to the category of beauty in the long unfolding of Christian history.


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Wehner: That’s a stunning answer, and if I might say so, a beautiful one. I now want to ask you about when moral intuitions clash with what people perceive to be biblical doctrine, and I need a bit of time to set up the question, so bear with me.

It appears to me that too many Christians suspend their intellect and moral reasoning in order to justify actions they claim are commanded by God in the Bible. Their view is the Bible should shape us rather than vice versa, and we should allow the biblical texts to shape our worldviews.

Set aside for now, one, the noetic effects of sin, which Paul acknowledged when he wrote in 1 Corinthians 13, “we see through a glass darkly,” but which evangelicals often overlook; and two, Christian history, which demonstrates how often people have misinterpreted the Bible on issues ranging from geocentrism to evolution, from the age of the Earth to slavery to much else. The point I want to make is that in any other context, certain actions they ascribe to God would be deemed to be morally horrifying.

John Piper is a very influential figure in the reformed Calvinist world. He takes the accounts about genocide in the Bible to be literal rather than allegorical. Piper was once asked, how can it be right for God to slaughter innocent women and children in the Hebrew Scriptures? He answered, “It’s right for God to slaughter women and children anytime he pleases.” According to Piper: “God is not beholden to us at all. He doesn’t owe us anything.” Piper then added this, “We’re all sinners and we deserve to die yesterday and go to hell.”

John MacArthur, who influenced generations of evangelical preachers, said that if God purposed to consign people to eternal conscious torment, “who are we to question his purpose?”


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Calvin said in “Institutes of the Christian Religion” that there could be no election without its opposite reprobation, which he understood to be God’s eternal decree, whereby God foreordained that certain people would be excluded from the number of those saved by grace. They will instead experience for all eternity God’s wrath. “Whom God passes by he reprobates,” Calvin wrote, “and that for no other cause but because he is pleased to exclude them from the inheritance which he predestines to his children.”

I’d like for you to comment on any aspect of this, including how you think about the dialectic — and sometimes the outright conflict — between our moral intuitions, which are obviously imperfect and can lead us astray, and the words in the Bible, which have often been incorrectly interpreted and led Christians astray.

Hart: The immediate question you have to ask is: The Bible shapes us according to whose reading of it? The notion that the Bible is a document that’s in full uniform agreement with itself throughout is just prima facie nonsense. It contradicts itself again and again. It’s a human document. It’s not something that dropped out of heaven like a golden tablet inscribed with oracles directly from the lips of God.

The view you described completely inverts the intuitions of the earliest great exegetes of Scripture in both Jewish and Christian tradition, both rabbinic tradition and patristic tradition. What makes a text inspired isn’t that it’s a set of oracles, but that the actual act of reading itself has to be inspired. And the things that strike us as morally unpalatable are the very things that not only Origen, but just about any of the great figures that we call church fathers agreed were morally unpalatable. That’s the scandal of the text, the skandalon that’s supposed to show us that a literal reading is wrong at a spiritual level.

This notion of allegory was the standard spiritual reading of Scripture for the Early Church, well into the Middle Ages, even though there were readers who might’ve taken a more literalist reading of certain episodes. They believed we were given a moral sense because this is an indication of the reality of God and the possibility of human language capturing the truth.


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If our words are so meaningless that we can ascribe to God a goodness that in our case would be evil, obviously the word not only is collapsed into equivocation, but that equivocity is an absolute contagion. It destroys all intelligibility. It means all theological language is meaningless, in which case your faith is meaningless. So for God to order the slaughter of women and children, whereas for a human being to give such an order would be the most abysmal evil, then obviously something has gone amiss.

In the case of John Piper or other evangelicals in the Calvinist vein, this is their tradition. It’s a 16th-century early modern notion of absolute sovereignty as the measure of freedom and power. That concept of freedom doesn’t exist in the early world, in the early church, in late antiquity, in anything like the same way. Yes, we believe in God’s power to dispose, but it’s always united to a power fully to realize his nature, which is infinite goodness.

This notion that the ultimate mark of God’s “God-ness” is absolute sovereignty comes into Christian thought in the West and fixes itself in early modern thought. So in Calvinism, we have an exaggeration to the point of obscenity that exists in the thought of the late Augustine. And it’s there because Augustine thinks he’s being a faithful reader of Paul. Alas, Augustine did not really read Greek, and so the very categories he was working in were defective.

There is no doctrine of actual predestination in the New Testament. Anyone who knows the language and puts these things in context knows otherwise. And the passages about election have historically, since the time of the late Augustine in the West, been read contrary to what they say.

For instance, the most famous passages on election and dereliction are Romans 9 through 11. That’s what Calvin refers to, especially when he says, in effect, “Well, if you have election, we need also dereliction.” Except that’s not what Paul says. Paul says just the opposite. Paul starts with the possibility that this is true, that there might be vessels of wrath stored up. But then he thinks this is morally unintelligible. It would make God a liar, his covenants false. So he reasons.


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Paul goes through this agonized reasoning on the relationship of Israel and the Church and finally, the conclusion of Romans 11, is that this is all part of how God is allowing all ultimately to reach the same end, that all of Israel will be saved, and that instead of there being vessels of wrath who are different from vessels of mercy, it turns out everyone is both. All have been bound together in their disobedience that all might be set free, that all might be saved. Yet historically that passage has been broken up into separate verses and read contrary to itself.

Hermeneutically, you can’t be shaped by the Bible unless you’re also determining how you shape it as an object of interpretation. There used to be a clear canon for this. Gregory of Nyssa comes right out and says: God did not really slay the firstborn of Egypt. If you take that literally, you would be ascribing to God something worse than the foulest of men. So the ancient premise was that we could read like persons in whom the act of reading was an inspired grappling with a difficult text. And this is true also in rabbinic tradition.

I’ve heard evangelicals, just as a kind of rhetorical ploy, accuse people of antisemitism if they don’t adhere to a literalist view of the Old Testament. But where in Jewish tradition was there ever that kind of literalism? The rabbis didn’t see the command of genocide as something that they were obliged to take seriously as a guide to future behavior. It was a hard story. It was part of the received literary, cultural, religious and mythological past that had to be meditated on and turned into allegory or meditation on the law or a language of love between the scholar trying to understand the mysteries of God and God giving himself in Torah and Tanakh.

Also, again, the Bible is not a revealed text, it is a text that allows for revelation.

The final reply would be that it was always understood by the earliest Christian tradition that moral intelligence is absolutely crucial. Without it, every reading is going to be a false and probably pernicious reading.

Wehner: The so-called new atheists, including Daniel Dennett when he was alive and Richard Dawkins today, are materialists, meaning they believe that all aspects of life including consciousness can be explained by physical scientific processes. There’s no room in their worldview for an immaterial soul. Your friend Iain McGilchrist, a philosopher and psychiatrist in neuroscience, has said that he has a deepening sense that “there is something very important, very deep in the world that is not summed up in a material account.” The way he put it is that “not everything that matters is matter and is measurable.” As I understand your view expressed in, among other places, your Platonic dialogue, “All Things Are Full of Gods,” materialists can’t adequately explain how consciousness has emerged given their materialistic presuppositions, and you believe, too, that the foundation of all reality is spiritual and mental, not material. Can you expand on what you most want to convey to readers in that book?


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Hart: The reason I’m not an atheist is that I think the philosophical arguments against it are unanswerable, or at least the philosophical arguments for something beyond materialism are unanswerable.

The problem with people like Dennett wasn’t so much his truculence toward all things religious, which was quite real, but that he was in an odd bind that a lot of modern materialist thought is in: Our sciences are not strictly mechanistic. Physics has not been mechanistic in a comprehensive way for more than a century now. Biology, the life sciences, are undergoing some rather extreme paradigm shifts regarding the levels of intentionality within cells, how homeostasis comes about, and the degree to which genetic-centric theory was adequate. It wasn’t. Richard Dawkins’s “The Selfish Gene,” just at the logical level, fails. And as a scientific proposal, it was decades out of date when it first appeared.

The 17th-century metaphysics of the sciences has captured our minds at a far deeper level than it did originally. The whole reason the mechanical picture of nature was created was to perfect a method of inductive reasoning. So instead of presuming metaphysical causes and instead of presuming the activity of God or the soul, we were going to start just from physical processes, viewing them as mechanical, as machine processes that we would examine discretely. That’s a very good impulse. It’s why we have medical treatments today that were undreamed of before this revolution in thinking.

But this was a filtering process. It was creating a bracketing by excluding from our picture of nature all the marks of mentality — not just consciousness, but intentionality with a purpose, purposive thinking, the unity of consciousness. The realities you’re dealing with here are composite. You don’t have to account for that inexplicable oneness that underlies conscious apprehension.

At first everyone was happy just to keep the two realms separate — here’s nature, it’s mechanical; here’s a realm of God and spirits, which is not mechanical. In the terms of Descartes, there’s an extended substance, res extensa — that’s matter, and that works mechanically. And then there’s a thinking substance, res cogitans, the mind, the soul or God, and that works nonmechanically. The two have a liaison with one another in embodied minds, in human minds, but otherwise they’re distinct. And we don’t have to confuse them.


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The sciences commendably want to understand everything. And so in time, they weren’t going to accept this segregation of fields anymore. The attitude was: We want to understand mind and consciousness, too.

The problem is that we’re still using a model that was perfected through the exclusion of all the properties of the mental. It is impossible, using that model, to make sense of the phenomena of consciousness. So what you have to do instead is say that the phenomena of consciousness aren’t real. They can be reduced to mechanical processes. The more you try to do this, the more absurd it becomes. You do end up with, say, Dennett, who said that consciousness is an illusion.

This is the bind we find ourselves in. And many of the phenomena of life, I would argue, also don’t fit the mechanical model. You can explain a great deal regarding physiological systems at the level of their mechanical operation. You can explain a great number of things in terms of evolutionary attrition and retention. But there are many things you cannot explain.

I just think that when you pursue the actual phenomena, not basing this on metaphysical or religious commitments, but just the phenomena themselves, the materialist answers invariably fail. They were right in the 17th century — what the mind does is inherently contrary to what mechanism does.

The straightforward materialism of the new atheists with its mechanistic prejudices is the most self-defeating project there is.


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To my mind, if you come to the end of a phenomenology of something like conscious acts and you have to square it with your theory, and you say “The theory doesn’t fit the phenomenon so I better get rid of the phenomenon,” that’s no longer good philosophy or good science. The rule of the sciences and the philosophy that deals in natural thought, natural philosophy, is that if the theory doesn’t fit the phenomenon, it’s the theory that goes.

Wehner: As you look back over your journey of faith of the last quarter century, I wonder what you see now that you didn’t see quite as well then, or perhaps what you see differently now that you didn’t quite see then. In what important ways, if any, has your faith changed?

Hart: I have to say I’ve become more and more indifferent to dogmatic and institutional authority. Because one thing your studies do, if you engage in them honestly, is give you knowledge of the history of how we got where we are, but also the history of the texts we’re dealing with, the texts of Scripture, among others, of their multiplicity. I was never a biblical fundamentalist, but I certainly couldn’t have remained one if I had been when I learned the history of the New Testament and realized we don’t even have anywhere in antiquity a single text of the New Testament that matches any other single text of the New Testament. The differences are sometimes small, but sometimes not. They’re quite substantial.

Also the more you know about the history of doctrine and the more you understand how minimalist it actually is, when you look at the formulations of doctrine in Christian history, you realize the degree to which they’re trying to end the controversy by coming up with a bare grammar that can be agreed on, but whose contents are endlessly contestable.

The whole history of theology and division among Christians hasn’t been generally over different doctrines, though that’s happened, too, but quite often it’s been over the same doctrine, just radically different interpretations.


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I have also become more indifferent to claims that base themselves only on their own authority. And that’s terrifically liberating because as I say, what I find compelling is the person of Christ.

Whether I know that this is the incarnate Logos in the sense that say a sixth-century Greek Christian might have understood or not is a matter of importance. It’s a matter of entering into an interpretive dialogue with the past and with the tradition of thought I’m in and recognizing that there have been some very brilliant people in this tradition and some really odious people in this tradition. But that’s less important to me than what it is we’re talking about, which is the singular event of this man in history and how it changed things.

The institution of the church, to my mind, has been a 50-50 phenomenon, as evil as good, as Christian as non-Christian. In itself, it is not Christianity. In fact, what we call Christianity in itself is not Christianity. That’s just a blanket term we use for anyone who makes even an ostensible claim to loyalty to Christ.

But this man and these teachings — and this consuming moral attention that is required of us and the messianic light in which that’s cast, by which I mean a light that’s both historical and eternal at once — so that what we do in time already has an eternal meaning and then eternity is already something spilling into time.

The greatest epiphany for me came when I was translating the New Testament. I’ve been reading Greek most of my life. I’d read the New Testament in Greek many times, but I was still hearing it through the doctrinal inheritance to some degree, even when I thought I wasn’t. But having to grapple with the text and realizing just how strange, just how uncannily different this is, not only from anything else going on in the Late Antique world, but from received institutional understandings of Christianity, or just our commonplace man-and-woman-in-the-pews understanding of Christianity, became much more intense for me.


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I became much aware of this and especially the absolute centrality of the social. When we talk about Christ threatening damnation, this is the indignation of someone who loves the most despised and ignored people of all. And that more and more becomes the center of my faith. “Inasmuch as you did it to one of the least of these my brothers, you did it to me.”

And especially at this moment politically and culturally in which the name Christianity in this country and in other parts of the world has been conscripted yet again, but with even more brazenness, into a justification for cruelty, bigotry, violence, murder even, the waging of war, the persecution of those seeking refuge. The New Testament is pretty clear on strangers in our midst. You’re going to be judged by how well you treat the strangers in our midst. For me, that’s maybe 80 percent of my faith now, just this burning sense of obligation to those whom this man loved. And in calling him God or calling him the revelation of God, I realized that that love is absolutely incumbent on me.

One of the most remarkable things for me about the transition from the pre-imperial to the post-imperial church is how the language of the Didache and the New Testament in these early Christian documents was preserved fairly late. Figures like Basil of Caesarea or John Chrysostom as Patriarch of Constantinople condemning wealth not in a mild way, not saying, “Oh, well, you shouldn’t misuse it, you should use it responsibly,” but condemning it altogether and doing this in the heart of the empire while the emperor and the empress are present.

Any riches you have in excess of what you need is food stolen from the hungry, clothing stolen from the naked. There’s no quarter given.

What also amazes me in later Christian tradition is the way the Sermon on the Mount is translated or the Lord’s Prayer. These are originally very concrete documents about the poor, mostly. The last part of the Lord’s Prayer is about the poor and about those being robbed by the rich. A whole set of things have been sanitized — first by doctrinal convention, but then by conventions of translation.


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We think that the Lord’s Prayer asks that God won’t lead us into temptation or will deliver us from evil or give us just our daily bread, whereas what the original Greek is saying is something much more radical. “Forgive us our trespasses” — there’s no word “trespasses” in the Greek. The word is opheilēmata and it literally means debts, and not moral debts. It’s during a debt crisis, and Jesus is saying pray to me that your debtors will relieve you so that you can’t be taken by the bailiff and put in prison because you’ve been dragged into a court, dragged into trial, not “led into temptation,” and reduced perhaps to slavery.

We’ve turned all that into very anodyne and rather nebulous moral councils that a rich person can recite without feeling the irony. But that’s not what the Greek says. And having to translate that word-for-word-for-word made me aware with an acuteness that until then, I hadn’t felt just what was actually going on here.

Wehner: That translation was a phenomenal achievement. A last question, David. What do you hope will be among your greatest contributions to theology, to people’s understanding of God and to people’s understanding of Jesus?

Hart: As I said before, the counsel of conscience is indispensable to understanding any of this. The notion that we’re so depraved and sinful that we can’t see the radiant goodness in the slaughter of a whole town is so perverted that if that were actually part of the essence of Christianity, it would be much better that Christianity ceased to exist right now.

In my mind, there’s actually a fairly simple index of this. Your conscience united to what are pretty clear and concrete moral demands are already a metaphysics; they are already a doctrine. That is, they are declarations of the eternal character of God. If you cannot square the two, if you have to equivocate when you use words like goodness and justice and mercy, then what you believe is, by definition, meaningless and almost certainly evil. I suppose that’s it, actually.


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In a general sense, if I have any effect on the larger discourse, it would be just that: The innocence of God, the goodness of God, the goodness of what you understand when you use this mysterious word God, as a verdict on the whole of reality, has to be morally continuous. It has to be coherent. It cannot tolerate this contagion that renders all belief incoherent and evil.

2026/04/10

Oliver Sacks's Blog | Goodreads

Oliver Sacks's Blog | Goodreads

Oliver Sacks's Blog

August 30, 2025

The Legacy Of Oliver Sacks

It’s hard to believe that Oliver Sacks left “this mortal coil” ten years ago, but we are proud and thrilled to report that his legacy is stronger—and more important—than ever. His values of respect and understanding for every individual are timeless. Immersing oneself in an Oliver Sacks book, especially in these times of uncertainty and strife around the globe, reminds us of the profound wonders and powers of nature and the human mind.

Here are some highlights of our work at the Oliver Sacks Foundation over the past decade (you can find much more across our website):

New books by Oliver Sacks: GratitudeThe River of ConsciousnessEverything in its PlaceLetters. Old books in beautiful new editions: The Man Who Mistook His Wife for a HatA Leg to Stand On.

A podcast: Radiant Minds: The World of Oliver Sacks, a nine-part series investigating the powers of neurodivergent minds via Audible.com

A PBS American Masters documentary: Oliver Sacks: His Own Life by Emmy-winning director Ric Burns.

A new season of Brilliant Minds, the NBC drama based on Dr. Sacks’s life and work, starring Zachary Quinto. Back by popular acclaim, season two debuts September 22, 2025. (You still have time to catch up on season one streaming on Peacock!)

Your support—intellectual, moral, or financial—for our mission is crucial. Together we are stronger, and we love hearing your stories. How has Dr. Sacks’s work influenced your life? Did you ever meet him in person? Which is your favorite book?

Thanks as ever for being part of our world. Cheers to you!

Sincerely,

Kate, Greg, and Abi

The Sacks Team

Top photo: Throughout his long and productive life, Oliver Sacks never stopped listening (Courtesy of the Oliver Sacks Foundation).

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Published on August 30, 2025 00:51

April 21, 2025

Support Public Media Before It’s Gone

Do you remember where you first heard about Oliver Sacks? Chances are pretty good it was on public television or radio. Perhaps on Science Friday or Radiolab? Morning Edition? A Fresh Air interview with Terry Gross? For so many of us, life without NPR or PBS is impossible to imagine, but we cannot take it for granted.

Oliver with Robert Krulwich

Public media was important to Dr. Sacks on a personal level. He listened to his local classical station, WQXR, as he wrote each day. In the evenings he often tuned in to “Nova” or a David Attenborough documentary. (He rarely switched to commercial television, but made an exception for “Star Trek.”)

Top image: Oliver Sacks with Ira Flatow, host of Science Friday. Here are four minutes of video from Science Friday guaranteed to make you smile, featuring Oliver giving a tour of his desk.

To the left he is pictured with Robert Krulwich, the host of Radiolab, who had been interviewing Oliver since the mid 1980s.

If you depend on your favorite show or podcast to learn about the world and your fellow humans and other creatures, please, please call your representatives in DC right now and tell them how you feel about this essential lifeline to education and source of community news. Here’s how you can find their numbers. Call them often. It’s that important.

You can also use a form to send your congress member an email about this issue here. To help public media directly, you can donate to support PBS here, and NPR here.

If you enjoyed this newsletter, consider forwarding it to a friend who would also like to help!

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Published on April 21, 2025 02:26

December 17, 2024

An Oliver Sacks Gift Selection

From Letters to Gratitude, and from Awakenings to The Man Who Mistook His Wife for a Hat, here’s a selection of Oliver Sacks books that might make good gifts for people on your list this year.

Letters Christmas CoverLetters

The letters of one of the greatest observers of the human species, revealing his passion for life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family, and fellow intellectuals over the decades, collected here for the first time.

“Oliver Sacks’s Letters isn’t a book of the year – it’s a book for a lifetime. The great neurologist’s brilliance and humanity is no secret; but here (superbly edited by Kate Edgar) the reader sees his life unfold in real time: his original, challenging work, his love for his family, his unique passions, his evolving relationship to his sexuality.” Erica Wagner, The New Statesman

BUY BOOKGratitude

Reflections on what it means to live a good and worthwhile life. These four essays–which went viral when first published in the New York Times–form an ode to the uniqueness of each human being. Now updated with a gorgeous new cover.

My predominant feeling is one of gratitude. I have loved and been loved. I have been given much and I have given something in return. Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.” —Oliver Sacks

BUY BOOKAwakenings

The classic account of survivors of the encephalitic lethargica and their return to the world after decades of “sleep.” This book was the inspiration for the 1990 film starring Robert De Niro and Robin Williams.

“Awakenings came from the most intense medical and human involvement I have even know, as I encountered, lived with, these patients in a Bronx hospital, some of whom had been transfixed, motionless, in a sort of trance, for decades. Migraine was still in the medical canon, but here I took off in all directions–with allegory, philosophy, poetry, you name it.” — Oliver Sacks

BUY BOOKThe Man Who Mistook His Wife for a Hat

Shortly before he died, Dr. Sacks wrote an essay looking back on his seminal 1985 book. It appeared for the first time as the preface to this paperback edition, published in 2021.

“Short narratives, essays, parables about patients with a great range of neurological and neuropsychiatric conditions, written in a lighter, more informal style than I had ever used before. To my intense surprise (my publisher’s too!) this book hit some nerve in the reading public, and became an instant best-seller.” — Oliver Sacks

BUY BOOKBROWSE THE OLIVER SACKS COLLECTION

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Published on December 17, 2024 00:57

October 25, 2024

The Letters of Oliver Sacks: A Reading and Conversation

Please join us to celebrate the publication of Letters, the new collection of Oliver Sacks’s correspondence! November 7, 2024, at 8 pm at 92Y in NYC (and online), with Zachary QuintoKay Redfield JamisonMaria PopovaWendy LesserBill HayesIra Flatow, Michael Grassi, and Kate Edgar.

Pioneering neurologist and bestselling author Oliver Sacks — a self-described “philosophical physician” and “neuropathological Talmudist” — was one of the great observers of the human mind in the modern era.

His writing captures the drama of medicine and science with the psychological precision and grace of a great literary stylist. And his writing was never more intimate and surprising than in his letters, now collected for the first time ever.

In celebration of their publication, hear a one-of-a-kind reading from these letters with acclaimed actor Zachary Quinto — who plays a neurologist inspired by Sacks in the new series Brilliant Minds — followed by a candid conversation with award-winning writers Kay Redfield Jamison, Maria Popova, Wendy Lesser, journalist Ira Flatow, Brilliant Minds showrunner Michael Grassi, and Sacks’ partner, Bill Hayes.

In correspondence with the likes of W.H. Auden, Bjork, Harold Pinter, David Remnick, Susan Sontag, Robin Williams, and dozens of other friends and fellow scientists, Sacks wrestles with the workings of the brain and mind — through his eyes, we see the beginnings of modern neuroscience, following the thought processes of one of the great intellectuals of our time. Don’t miss Quinto, Popova, Lesser, Flatow, Jamison, Hayes, and Grassi as they bring these letters to life.

GET TICKETS

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Published on October 25, 2024 06:51

October 11, 2024

The Oliver Sacks archive heads to the New York Public Library

We are thrilled to share the news that the New York Public Library has acquired the Oliver Sacks archive, including a vast array of annotated manuscripts, books, letters, photographs, and memorabilia that Dr. Sacks amassed over his lifetime.

This beautiful piece in the New York Times describes some of the individual items in the Sacks archive, and it quotes Julie Golia, NYPL’s associate director of archives, manuscripts and rare books, who says:

“One of the things that is really powerful to me about this collection is the role that Sacks played almost as an archivist of the experiences of people who were neurodiverse, using their words, preserving their words, listening with nuance to their wishes about how to tell their stories…. Sacks is one of the most important humanists of the 20th and 21st century.”

Oliver Sacks weighlifting.

📷Sacks in London in 1958. As a young man, he was an avid powerlifter, and in 1961 set a California state record with a 600-pound back squat. Oliver Sacks Foundation via The New York Times

“The Oliver Sacks Foundation is thrilled to have Oliver Sacks’s archives, including drafts of his books and papers, his extensive correspondence with leading figures in science, medicine, and the arts find their ideal home: The New York Public Library.”         — Orrin Devinsky, President of the Oliver Sacks Foundation

Notes on patients with encephalitis lethargica.

📷Notes on patients with encephalitis lethargica, which Sacks wrote about in his book “Awakenings.” Oliver Sacks Foundation

Also in the Sacks archive:

Hundreds of handwritten notebooks and journals, as well as audio journals kept by Sacks over a span of more than sixty yearsHandwritten and typed manuscripts for all 16 books and every major article and essay written by Sacks, accompanied by drafts, notes, revisions, proofs, and galleysResearch and subject files reflecting Sacks’s wide-ranging interests and vast intellectual curiosity, covering topics as diverse as aging, amnesia, color, deafness, dreams, ferns, Freud, hallucinations, neural Darwinism, phantom limbs, photography, pre-Columbian history, swimming, and twinsNearly 35,000 letters exchanged with friends, family, patients, colleagues, and fans, including W.H. Auden, Saul Bellow, Francis Crick, Harold Pinter, Robert Silvers, and Susan SontagThousands of photographs relating to Sacks’s life and work, including hundreds taken by Sacks himself.

📷A page of notes titled “Motorbikes,” made while writing his 2015 memoir “On the Move,” which opens with his childhood longing for “ease of movement and superhuman power.” Oliver Sacks Foundation

It’s a giant collection and will take several years to catalog and process; the library plans to open the Oliver Sacks papers to researchers by 2028. But you can read the best of Dr. Sacks’s correspondence in a short few weeks, with the publication of LETTERS, a selection of correspondence curated by Kate Edgar that illuminates his deepest thoughts on music, art, and science, friendship and resilience, and what it takes to lead a meaningful life.

PREORDER NOWLetters quote card

Tickets are now on sale for a special event celebrating the publication of LETTERS. Join Zachary Quinto, Bill Hayes, Kay Redfield Jamison, Maria Popova, Wendy Lesser, Ira Flatow, Michael Grassi, and Kate Edgar for a reading and conversation at the 92Y, November 7, 2024 at 7 pm. Live and online!

GET TICKETS

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Published on October 11, 2024 04:58

September 12, 2024

Brilliant Minds: A New TV Show Based on Oliver Sacks

Hello, and happy September!

If you were watching the Olympics a few weeks ago, you may have seen ads for the new television series inspired by Oliver Sacks’s work, coming to NBC on September 23. We are so excited to share this with you!

In Brilliant Minds, Zachary Quinto plays a modern-day neurologist in a Bronx hospital who bears (so many!) similarities to Oliver Sacks (and a few differences…). We love that this new drama does exactly what Dr. Sacks’s case histories do: it explores the mysteries of the most complex thing in the universe, the human brain. It reminds us that we are all uniquely individual, and that we all deserve respect and care. It puts patients first. And it reminds us that doctors and their colleagues are human beings just like the rest of us. Read more about the show here.

As you watch the series unfold, see if you can recognize the cases. (Hint: many of them are from The Man Who Mistook his Wife for a Hat or An Anthropologist on Mars, but lots are from the inspired brain of showrunner Michael Grassi and his team of writers.) For those who know a little about Oliver’s own life, there are many easter eggs. We’re not telling, but see if you can spot them. We will be running book giveaways on our social channels for best replies! Follow us on Instagram and Twitter to stay connected.

Brilliant Minds debuts Monday nights at 10pm in most markets, beginning September 23, 2024. It will also be available to stream on Peacock. See you there! For now, it’s available in the U.S. and Canada. We will be sure to let you know as other countries are added.

STREAM SHOW

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Published on September 12, 2024 07:37

A New TV Show Based on Oliver Sacks

Hello, and happy September!

If you were watching the Olympics a few weeks ago, you may have seen ads for the new television series inspired by Oliver Sacks’s work, coming to NBC on September 23. We are so excited to share this with you!

In Brilliant Minds, Zachary Quinto plays a modern-day neurologist in a Bronx hospital who bears (so many!) similarities to Oliver Sacks (and a few differences…). We love that this new drama does exactly what Dr. Sacks’s case histories do: it explores the mysteries of the most complex thing in the universe, the human brain. It reminds us that we are all uniquely individual, and that we all deserve respect and care. It puts patients first. And it reminds us that doctors and their colleagues are human beings just like the rest of us. Read more about the show here.

As you watch the series unfold, see if you can recognize the cases. (Hint: many of them are from The Man Who Mistook his Wife for a Hat or An Anthropologist on Mars, but lots are from the inspired brain of showrunner Michael Grassi and his team of writers.) For those who know a little about Oliver’s own life, there are many easter eggs. We’re not telling, but see if you can spot them. We will be running book giveaways on our social channels for best replies! Follow us on Instagram and Twitter to stay connected.

Brilliant Minds debuts Monday nights at 10pm in most markets, beginning September 23, 2024. It will also be available to stream on Peacock. See you there! For now, it’s available in the U.S. and Canada. We will be sure to let you know as other countries are added.

STREAM SHOW

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Published on September 12, 2024 07:37

July 9, 2024

Happy birthday, Oliver

Today would have been Oliver Sacks’s 91st birthday, and we want to celebrate by sharing the cover of his forthcoming book with you. This charming, never-before-seen photo of Oliver was taken in 1997 by his good friend Rosalie Winard, a few blocks from his home on Horatio Street in Greenwich Village.Oliver Sacks’s LETTERS, full of his deepest thoughts on music, art, and science, friendship and resilience, and what it takes to lead a meaningful life, will be available on November 5.Kate Edgar, director of the Oliver Sacks Foundation, said “Having spent the better part of forty years working side by side with Oliver Sacks as his researcher and editor on sixteen books, I thought I knew a lot about his life—but delving into his correspondence for this volume has been for me a fascinating journey, revealing many new aspects of a truly remarkable man.”

(Cover Design by Chip Kidd)

Preorder now

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Published on July 09, 2024 10:54

May 15, 2024

Zachary Quinto stars as Dr. Oliver Wolf in Brilliant Minds

We are thrilled to share the official trailer and photos of Zachary Quinto as Dr. Oliver Wolf in NBC’s new medical drama Brilliant Minds.

Inspired by case histories in The Man Who Mistook His Wife for a Hat and An Anthropologist on Mars, the show follows a revolutionary, larger-than-life neurologist and his team of interns as they explore the last great frontier — the human mind — while grappling with their own relationships and mental health.

Coming this fall from writer and executive producer Michael Grassi, the cast includes Zachary Quinto, Tamberla Perry, Ashleigh LaThrop, Alex MacNicoll, Aury Krebs, Spence Moore II, Teddy Sears, and Donna Murphy. Premieres on Monday September 23 at 10 PM.

Official TrailerProduction PhotosZachary Quinto as Dr. Oliver Wolf

Brilliant Minds “Pilot” Episode 101 — Pictured: (l-r) Ashleigh LaThrop as Dr. Ericka Kinney, Zachary Quinto as Dr. Oliver Wolf, Alex MacNicoll as Dr. Van Markus, Kira Guloien as Hanna Peters, Aury Krebs as Dr. Dana Dang, Spence Moore II as Dr. Jacob Nash (Photo by: Rafy/NBC)

Zachary Quinto as Dr. Oliver Wolf

Brilliant Minds “Pilot” Episode 101 — Pictured: Zachary Quinto as Dr. Oliver Wolf — (Photo by: Peter Kramer/NBC)

Zachary Quinto as Dr. Oliver Wolf

Brilliant Minds “Chapter Two: The Disembodied Woman” Episode 102 — Pictured: (l-r) Aury Krebs as Dr. Dana Dang, Zachary Quinto as Dr. Oliver Wolf, Alex MacNicoll as Dr. Van Markus, Ashleigh LaThrop as Dr. Ericka Kinney, Spence Moore II as Dr. Jacob Nash — (Photo by: Rafy/NBC)

Top image: Brilliant Minds “Pilot” Episode 101 — Pictured: Zachary Quinto as Dr. Oliver Wolf — (Photo by: Rafy/NBC)

LEARN MORE

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Published on May 15, 2024 07:25

A first look at photos of Zachary Quinto as Dr. Oliver Wolf in Brilliant Minds

We are thrilled to share a first look at photos of Zachary Quinto as Dr. Oliver Wolf in NBC’s new medical drama Brilliant Minds.

Inspired by case histories in The Man Who Mistook His Wife for a Hat and An Anthropologist on Mars, the show follows a revolutionary, larger-than-life neurologist and his team of interns as they explore the last great frontier — the human mind — while grappling with their own relationships and mental health.

Coming this fall from writer and executive producer Michael Grassi, the cast includes Zachary Quinto, Tamberla Perry, Ashleigh LaThrop, Alex MacNicoll, Aury Krebs, Spence Moore II, Teddy Sears, and Donna Murphy. Stay tuned for more updates over the coming months!

Brilliant Minds “Pilot” Episode 101 — Pictured: (l-r) Ashleigh LaThrop as Dr. Ericka Kinney, Zachary Quinto as Dr. Oliver Wolf, Alex MacNicoll as Dr. Van Markus, Kira Guloien as Hanna Peters, Aury Krebs as Dr. Dana Dang, Spence Moore II as Dr. Jacob Nash (Photo by: Rafy/NBC)

Brilliant Minds “Pilot” Episode 101 — Pictured: Zachary Quinto as Dr. Oliver Wolf — (Photo by: Peter Kramer/NBC)

Brilliant Minds “Chapter Two: The Disembodied Woman” Episode 102 — Pictured: (l-r) Aury Krebs as Dr. Dana Dang, Zachary Quinto as Dr. Oliver Wolf, Alex MacNicoll as Dr. Van Markus, Ashleigh LaThrop as Dr. Ericka Kinney, Spence Moore II as Dr. Jacob Nash — (Photo by: Rafy/NBC)

Top image: Brilliant Minds “Pilot” Episode 101 — Pictured: Zachary Quinto as Dr. Oliver Wolf — (Photo by: Rafy/NBC)

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