2022/08/10

Shamanism - Wikipedia German

Shamanism - Wikipedia

shamanism

Jump to navigationJump to search
Buryat shaman with drum in ceremonial robe (1904) - classic Siberian shamanism often serves as a paradigm for various concepts of shamanism.
"Shaman" from Amazonia (2006) - the occurrence of shamanism beyond Eurasia is disputed from a scientific point of view.

In a narrower sense, shamanism refers to the traditional ethnic religions of the cultural area of ​​Siberia ( Nenets , Yakuts , Altai , Buryats , Evenks , also European Sami and others), for which the presence of shamans was considered by European researchers of the expansion period to be an essential common characteristic. [1] For better differentiation, these religions are often called "classical shamanism" or "Siberian animism". [2]

In a broader sense , shamanism means all scientific concepts that posit the cross-cultural existence of shamanism due to similar practices of spiritual specialists in different traditional societies . According to László Vajda [3] and Jane Monnig Atkinson [A 1] , due to the large number of different concepts, it would be more appropriate to speak of shamanisms in the plural.

In many traditional worldviews , Siberian shamans and various necromancers from other ethnic groups – who are also often referred to generically as shamans – allegedly had or still have influence over the powers of the afterlife . They used their abilities mainly for the benefit of the community , in order to restore the "cosmic harmony" between this world and the afterlife in crisis situations that seemed insoluble. In this broad sense, shamanism refers to a series of vaguely defined phenomena "between religion and healing rituals ". [4] [5] [6] [7] [8] [9][Note 1]

A more general definition is not possible because the definition contains different perspectives from the perspective of ethnology , cultural anthropology , religious studies , archaeology , sociology and psychology . [10] [11] One of the consequences of this is that information on the spatial and temporal distribution of "shamanisms" differ considerably and in many cases are disputed. [12] [13] [14] The American ethnologist Clifford Geertztherefore already in the 1960s denied the "western idealistic construct shamanism" any explanatory value. [A2]

They only agree on the "narrow definition" of classic Siberian shamanism - the starting point of the first "shamanisms". Above all, this includes the precise description of the ritual ecstasy practiced there , a largely identical ethnic religion and a similar cosmology and way of life. [15] [11] [16]

According to broader definitions, until the 1980s, shamanism was considered an early, cross-cultural stage of development of any religion. [15] Above all, the concept of core shamanism by Michael Harner should be mentioned here. However, this interpretation is now considered to be incapable of consensus. [14] Since the 1990s, the aspect of "healing" has often been the focus of interest (and the respective definition). [10]

In contrast, the Indologist Michael Witzel posits that given the similarity of Australian, Andaman , Indian and African initiation rituals to the corresponding Siberian rituals involving the phenomena of rising heat, trances ( dreamers ), ecstasy and collapse, symbolic death and rebirth, usage psychoactive drugs, taboo-keeping, magic and healing, gave an older prototype of shamanism. This spread with the out-of-Africa migration of modern humans along the coasts of the Indian Ocean and early also to Eurasia and North America. This is supported by late Palaeolithic bear cultsand petroglyphs as in Les trois frères (fig. see below). Siberian shamanism represents a younger evolution of this prototype (with fur clothing, drum, etc.); he had a secondary influence on the North American hunter cultures through further waves of migration. Instead of sacrificing wild animals, which the shaman first asks for permission to kill or from which he apologizes for the act (as in the bear cults of the shamans of the Ainu , Aleut , and Transbaikal peoples), later domesticated animals like that reindeer (in Siberia) or dogs (as in Russia or India). [17] In this respect, Witzel follows Walter and Fridman's broad phenomenological definition of shamanism.[18]

Since the classic shamanism of Siberia already shows a number of variants, many authors criticize more far-reaching geographical or historical interpretations that consider such phenomena out of their cultural context and generalize them as speculative. [19] [13] In contemporary literature - popular scientific (especially esoteric) books, but also scientific writings - it is often not made clear in this context to which ethnic groups specific shamanic practices refer, so that regional (often Siberian ) Phenomena are also located in other cultures, in whose traditions they are actually alien. Examples of this are the world tree and the entireshamanic cosmology : mythological concepts rooted in Eurasia that are equated here with similar archetypes from other parts of the world, thus creating the misleading image of a unified shamanism. [13] Witzel, however, sees in the Eurasian (Germanic, Indian, Japanese, etc.) idea of ​​the tree of life that has to be climbed, or in the world tree, only an analogy to the older idea of ​​the shaman's flight, which has nothing to do with other tree myths. [20]

In particular, the highly successful books by Mircea Eliade , Carlos Castaneda , and Harner have generated the "modern myth of shamanism," which suggests that it is a universal and homologously evolved religio-spiritual phenomenon. In view of the great interest in the population [21] , some authors point out that shamanism is not a uniform ideology or religion of certain cultures . Rather, it is a scientific construct of EurocentricPerspective to compare and classify similar phenomena around necromancers of different origins. [14] [22] [23]

Etymology edit edit source ]

According to most authors, the term shamanism is derived from the Siberian word shaman , which the Tungusic peoples use to describe their necromancers. [24] The word probably derives from the Evenk (i.e. Tungusic ) šaman , whose further etymology is disputed. It is possibly based on the Manjuric verb sambi , "to know, to know, to see through". The older term shamanism does not refer to the scientific concepts, but only to the existence of necromancers in different cultures, withoutto establish certain connections. [25]

(For more information see: Etymology in the article "Shaman")

Shamans and Shamanism edit edit source ]

George Catlin 's depiction of a Blackfeet Indian shaman (medicine man) performing rites over a dying chief.

In general, the term shaman , borrowed from Siberia, is used to refer to spiritual specialists who have (supposedly) " magical " abilities as intermediaries to the spirit world . [26] [27] [10] Such necromancers are part of many ethnic religions , but also some folk -religious forms of world religions. [12] Shamans still play an important role today, especially in some indigenous or traditional local communities (→"Traditional contemporary spiritual specialists in the light of history" in the article Shaman ) .

Since the first descriptions of such spiritual experts in different societies, European ethnologists have tried to recognize similarities and possible patterns and to deduce connections.

The existence of a shaman is undoubtedly a prerequisite for any thesis of shamanism, but not necessarily the central idea. It is often more about religious beliefs, rites and traditions, [28] than about the prominent role of the shaman. In this respect, the various, conceptually different definitions arose. [3]

The shamans are integrated into the living environment and natural environment of their respective cultures and cannot be regarded as the embodiment of a specific shamanistic religion or cosmology. [29] Thus, shamanism is closely related to healing the sick, to funeral rites, and to hunting magic . Michael Lütge compares his role with the " anamnesis of the parish priest during a condolence visit", who tracked down biographical fragments of the deceased, which "blow over" him from the closer circle of relatives. In other situations, he practices "anticipatory[...] hunting propaedeutics similar to school fire safety exercises". [30]

History of Science edit edit source ]

Soviet ethnologists saw the shamans as men who wanted to gain political power with the help of religious rituals. In fact, there were female shamans as well, and socio-politically, necromancers tended to be outside of society
Mircea Eliade is considered to be the founder of the "shamanism thesis", which esoteric neo-shamanism in particular refers to today. The validity of his theory and the seriousness of his work is highly controversial in science. [31]
Mexican bald head , the first popular "intoxicating mushroom"
The hippie movement paved the way for a new spirituality in the West
Fantasy portrait of the literary shaman figure Don Juan Matus (Jacob Wayne Bryner), who made the writer Castañeda world famous
Tuvan shaman: Traditional knowledge is distorted by neo-shamanistic influences

"Shamanism is not a uniform religion, but a cross-cultural form of religious perception and practice."

– Piers Vitebsky [7]

There have been detailed accounts of the shamans of Siberia and their practices since the late 17th century. The attitude of the Europeans oscillated between admiration and contempt several times. At first, these reports aroused only resentment and incomprehension. [32] In the course of German Romanticism , the pendulum swung in the opposite direction and shamans were glorified as "charismatic geniuses".

Scientific research in the context of ethnology is also characterized by this large discrepancy: First, shamans were regarded as pathologically psychotic and their forms of expression were described as "arctic hysteria". [33] Later, epilepsy or schizophrenia were related to shamanism. [34]

But as early as the beginning of the 20th century, the special social position of the Siberian "Master of Spirits" and the legitimacy of his actions in the respective cultural and historical context were examined in detail from a sociological and psychological point of view: He was legitimized to carry out techniques that other members of society in the ruled everyday life. During his field research among the Evenks and Manchu, Shirokogoroff found that shamans were often neurotic people; However, he distanced himself from the then widespread explanation model for the actions of the shamans: The trances , ritual ecstasies or "fits" of the shamans are not an expression of hysteria orobsession , but well-staged, culturally coded performative solutions to conflicts, which e.g. B. were used against the Russian foreign rule [35] - so historically specifically pronounced phenomena. In the Soviet Union, for example, shamans were denigrated as charlatans who allegedly wanted to gain power with the help of religious rituals. [36]

The "ghost men" or "magicians" of North America repeatedly took on the role of political leaders in the course of the westward migration of the white colonists and placed themselves at the forefront of nativist movements. As early as 1680, a temporarily successful uprising of the Tewa in New Mexico against the Spanish colonists was organized by the medicine man El Popé . In African revolts against the colonizers, spiritual mediators often played a role as leaders, such as the healer Kinjikitile Ngwale , said to be possessed by the spirit Hongo of the snake god in the Maji Maji rebellion1905-1907. Those who showed obsession with a Hongo could greatly influence the religion and politics of their ethnic group. Lévi-Strauss also reports on shamans who competed with tribal leaders. [37]

With the abandonment of the German Kulturkreis theory, which was frowned upon as racist , and the evolutionist "stage ideology" in the Marxist -influenced states, a more respectful attitude towards the cultures of the so-called primitive peoples prevailed in ethnology. [38]

In North America, at the turn of the 20th century, there was a certain romanticization and idealization of the North American Indian cultures and with them the spiritual-religious ideas, which were soon associated with the ecstatic shamanism of Siberia and later also with the occult practices of South America up to which the Selk'nam on Tierra del Fuego were combined as a shamanistic complex .

It was the Romanian religious scholar and novelist Mircea Eliade who decisively coined the term "shamanism" in 1951 and made it popular in academic and intellectual circles worldwide. Eliade saw in it the oldest form of the sacred , even the cross-cultural archetype of every occult tradition in general. [14] His cultural- philosophical approach is now considered very speculative and romanticizing. [39]

In the late 1960s, American writer Carlos Castañeda 's novel-like and alleged self-experiential accounts sparked enormous interest among a mass audience almost worldwide. The focus of his work was on the archaic technique of ecstasy pre-formulated by Eliade , which he stylized as a crucial feature of shamanic practices. [A3]

Around 1970, trance-induced spiritual practices became the subject of neurology for the first time, which dealt more closely with the altered states of consciousness of shamans and/or their healing successes. Endorphins ("happy hormones"), hypnosis - or placebo effects through drum and dance rituals were used as explanations. [40] Trance techniques include in question: "monastic seclusion with sensory deprivation ", fasting , sleep deprivation , litanies or repetitive verbal suggestions, dance with the side effect of hyperventilation, drugs such as Indian soma , Iranian haoma , Mongolian harmine , African iboga , Mexican mescaline , and psilocybin in Mexican peyote cactus (see peyote cactus cult ) , European henbane , fly agaric , hashish , alcohol, and East Asian opiates . [41]

In 1980, Michael Harner's concept of core shamanism as a worldwide universal primal religion was published. Many authors criticized such far-reaching generalizations and related their concepts only to the classic Siberian shamans; or they clearly distanced themselves from the predominance of spiritual aspects and examined cultural characteristics, social functions or the healing significance of necromancers in different cultures. [42]

Spiritual Shamanism Concepts: Origin, Popularity, and Criticism edit edit source ]

"Shamanism = technique of ecstasy [in which the] soul leaves the body [of the shaman] for journeys into heaven and the underworld."

– Mircea Eliade [43]

It was Eliade's extensive work that laid the foundation for all later theories of shamanism, in which the diverse forms of necromancy in different cultures were reduced to the religious-spiritual aspect and the techniques of ecstasy.

In the 1950s, the socio-critical Beat Generation literary movement opened the way for the study of spirituality and the use of hallucinogenic drugs in the western world . In this context are the autobiographical publications of the New York banker and private scholar R. Gordon Wasson in Life magazine on the use and effects of the psychotropic mushroom Mexican baldhead given to him by the Mazatec shaman María Sabinahad taught. Wasson tried to document the worldwide traditional use of mushroom drugs and described this phenomenon as a "religious moment". A veritable "mushroom pilgrimage tourism" to Mexico then developed; among them were well-known musicians such as Mick Jagger , John Lennon and Bob Dylan .

In the 1960s, the young, educated post-war generation massively criticized the increasing technocratization, commercialization, anonymization and rationalization of society, which was accompanied by a demystification of the world. Against this background, the so-called counter -cultures emerged , which primarily emerged in the hippie movement as a "psychedelic revolution" with an interest in Far Eastern and Indian religions or shamanic soul journeys and the consumption of mind-expanding drugs (from mushrooms to marijuana to mescaline and LSD) became an important part of the new quest for transcending life. There was also growing interest in spiritual practices in science: the psychologist Abraham Maslow , as the founder of humanistic psychology , formulated the "theory of self-realization", in which spiritual striving is at the forefront of human needs. On this basis, transpersonal psychology emerged as a subdiscipline , which postulated a great therapeutic benefit of this striving. [A4]

The book Altered States of Consciousness ( ASC for short ) by psychologist Charles Tart (1969) had a great influence on the conception of shamanism . He described the human potential for perception and cognition as going beyond the normal senses and rational reason. He named dreams, trance, drugs, meditation or hypnosis as access to such altered states of consciousness . This was the foundation of the Esalen Institute , founded in California with the participation of Alan Watts , Aldous Huxleyand Abraham Maslow was founded to convey alternative spirituality - including shamanic techniques - and to propagate their benefits for individual self-realization.

Julian Silverman, one of the leaders, conceived shamanism as a form of therapy as early as 1967, but the concept of Esalen student Michael Harner, who understood shamanism as a “technology for personal experiments and expansion of perception that is accessible to everyone”, achieved much greater recognition in the 1970s . Before that, however, the novelistic and autobiographical books of Carlos Castañeda - who had also taken courses at Esalen - from 1968 onwards ensured enormous popularity of the topic with a mass audience almost worldwide. Moreover, he was one of the pioneers of the new methodology of direct experience of shamanic practices by scholars transmitted directly by traditional indigenous people.However, this naturally had to lead to extremely subjective results that were difficult to verify and hardly stood up to the criteria of scientific work . Castañeda himself became the best example when it was proven in 1976 that his alleged teaching by the Yaqui shaman Don Juan Matus was simply invented. Nevertheless, the fascination with his work remained, which, as a modern myth, precisely and masterfully served the emotional and intellectual needs of society. [A5]

Even in the sciences, a number of other authors stuck to the concept of a universal “transcendent shamanism” despite the revelations about Castañeda's work and the criticism of Eliade's work, or used such theses as explanations for other phenomena. In addition, a number of other autobiographical ethnographies appeared, in which truth and fiction could no longer be separated from one another. These include the books by Hyemeyohsts Storm, Lynn Andrews, and Jeremy Narby , among others .

However, the concept of core shamanism (allegedly the "intersection" and the common "core" of all shamanic practices) by Michael Harner, which had far-reaching effects similar to those of Eliade's work, gained the most notoriety. Harner is also one of the autobiographical ethnographers. His career is the best example of the individual transformation from a scientifically working ethnologist to a practicing necromancer. The Foundation for Shamanic Studies founded by Harner has supported the development of esoteric neo-shamanismsignificantly influenced. Here, in various courses, a kind of "shamanism light" is conveyed to a broad audience, which (allegedly) does not require risky elements such as drug consumption or ecstatic trance. [A 6] At the same time, Harner's institute establishes various contacts between western esotericists and traditional shamans. In doing so, not only ethnographic reports are collected, but an active exchange takes place in both directions. As a result , the relatively well-preserved shamanism of the Tuvinians of southern Siberia is changing drastically: possibly in a direction that will soon no longer have anything in common with the original traditions of this people. [44]

Only in the last decade of the 20th century did some authors increasingly turn against the concepts of altered states of consciousness (ASC). The German ethnologist Klaus E. Müller cautiously writes: "Whether any 'reality' that is inaccessible to ordinary, so to speak 'roughly sensual' perception can be experienced [...] cannot be decided with ethnological means." [45] The French Ethnologist Roberte Hamayon, on the other hand, clearly rejects the thesis with the argument that altered states of consciousness cannot be empirically proven and often have no correspondence in the original descriptions of the indigenous people. [A7]

Widely accepted theses edit edit source ]

Classical Siberian Shamanism or Animism edit edit source ]

Shaman from the Altai Mountains (between 1911 and 1914)

“[Siberian] shamanism is not just an archaic technique of ecstasy, not just an early development of religion, and not just a psychomental phenomenon, but a complex religious system. This system includes the belief that worships the helping spirits of shamans and the knowledge that guards the sacred texts (shaman chants, prayers, hymns and legends). It contains the rules that guide the shaman in acquiring the technique of ecstasy, and it requires knowledge of the objects used in the healing or divination seance. In general, all of these elements occur together.”

– Mihaly Hoppal [46]

Research into the shamanic traditions began with the small Siberian peoples and at the beginning of the 21st century it often comes back to it: Many authors use the term shamanism exclusively for the Siberian cultural area, without naming it specifically; and although shamanism and religion are usually no longer placed in a primary connection, the classic Siberian form (often only called shamanism in an undifferentiated way) is often used as a synonym for the animistic religions of Siberia and Central Asia due to its extensive research history [3] [47].

Distribution of Haplogrupo C3

The decisive factor for classical Siberian shamanism is the homologous (from one root) emergence of its varieties through the historical cultural transfer from one ethnic group to the next or - according to Michael Witzel - through migration movements of the ancient Asian peoples and their expansion across the Bering Strait . He points out that the range of a myth complex isolated by YE Berezkin (2005), described by Witzel as “Laurasian” and dated to the Late Paleolithic [48] largely coincides with the range of shamanism and the spread of the hypothetical Na-Dene language family and the C3 haplogroup of the Y chromosomecoincides.

Historical development edit edit source ]

Modern Buryat shaman with ritual staff
The reindeer-herding Sami people of Northern Europe used to have shamans who belonged to the Siberian type

The presentation of the similarities between the beliefs , rites , cults and mythologies is hardly understandable without knowing the historical background of the peoples living there. Siberia was first settled around 20,000 to 25,000 years ago in the Upper Palaeolithic until the Neolithic when most of the entire area was inhabited. The first archaeologically verifiable places of worship emerged a few thousand years ago. They already show a pronounced cultural differentiation of the peoples there.

Peasant and shepherd peoples lived in the steppes and forest steppes of southern Siberia, while in the taiga to the north , hunting, fishing and gathering were the normal subsistence strategies . In particular, the peoples of Yakutia and the Baikal region had close ties to each other; archaeological artefacts such as rock paintings testify to this, which allow certain conclusions to be drawn about their religious ideas. The tundra and forest- tundra of the far north were predominantly small and relatively isolated peoples, either subsisting on sedentary fishing or hunting of marine mammals, or semi-nomadicwere reindeer herders .

Until the 16th and 17th centuries, the peoples of Siberia lived away from European influences. However, the beliefs there have been under the influence of various religions from the Near East, Central and East Asia for centuries. In addition to Zoroastrianism , Manichaeism and Christianity , these included above all influences from Buddhism . The Proto-Mongolian peoples had already come into contact with it from the 2nd century BC. Mongolian tribes then brought Mahayana Buddhism to Central Asia as far as the Amur region between the 8th and 12th centuries . At the beginning of the 15th century the Gelug was established in Tibetschool of classical Indian Buddhism and spread to Buryatia , Kalmykia and Tuva until the 17th century . Towards the end of the 19th century, Buddhism was established among the Transbaikal Buryats and influenced the everyday life, culture and outlook on life of many Siberian and Central Asian peoples. This led to a syncretic mixing of shamanic and Buddhist concepts. An example is the Buryat shaman mirror toli , originally from China, and the appearance of people who were both lamas and shamans. [49]

Cosmology edit edit source ]

The world according to Germanic mythology roughly corresponds to the classic Siberian cosmology of the three worlds. One third of the Indian stupa is also underground.

Part of the classic shamanic cosmology was the idea of ​​the afterlife of a multi-layered cosmos of three (sometimes more) levels: in the upper and lower world there are benevolent and malevolent spirits and a world axis (axis mundi) connects the three levels in the center with each other. Depending on the culture, this axis is symbolized by the world tree, the smoke hole in the yurt, a holy mountain or the shaman's drum. The soul was viewed as an entity independent of the body , able to travel on this axis to the spirit world with the help of animal spirits. [A8]

The ritual ecstasy edit edit source ]

African sangoma medicine man dancing in a possessed state
Percussion rhythms with drums or rattles are crucial for ecstatic states
Reclining Sámi shaman: Ritual postures lead to trance more quickly

The so-called "ritual ecstasy" was and is an essential element of classical shamanism, but also of all religious-spiritual shamanism concepts, some of which go far beyond Siberia. Depending on the illness of a patient, the wishes of a group member or the task of the community, the shaman embarked on a "soul journey into the world of spirits" in order to make contact with them there or to positively influence their work in terms of the problem to be solved. As a rule, the natural balance between the worlds was thought to be disturbed in some way and should be rebalanced in this way.

Such a necromancy ( séance ) was a highly ritualized affair that required various measures and had to take place at the right time in the right place (→ Kamlanie, the séance of the Siberian shamans in the article "Séance"). [10] [50] [51] [52]

The actual ecstasy is experienced as a transcendent experience, depending on the culture, either as one's own soul emerging or as being possessed by a spirit . [3]

Stepping out (also passive or trophotropic ecstasy ) - the classic and by far the most common type of ecstasy in Siberia - is described as a magical flight into another spaceless and timeless world, in which man and cosmos form a unit, so that answers and insights are revealed who would otherwise remain unreachable. The experience of this inner dimension is extremely real and highly conscious for the shaman. [53]

In the minds of traditional people, experiencing a journey to the afterlife corresponded to the dreams of ordinary people, albeit consciously induced and controlled; [52] similar to a lucid dream . The shaman's life functions sink to an abnormal minimum: shallow breathing, slow heartbeat, lower body temperature, rigid limbs and dulled senses characterize this state. [3]

In complete contrast to this is the ritual ecstasy of (learned) possession ( active or ergotropic ecstasy ), which in Siberia only occurs in a few ethnic groups in the transition areas to the high religions of Islam and Buddhism. In South and Southeast Asia or in Africa, however, such obsessions are the norm. The shaman has the feeling that a being from the other world is entering him and taking possession of his body for the duration of the ritual in order to solve the task. This leads to a sharp increase in bodily functions: he gets into an uproar, rages, foams, wriggles or "floats", speaks in incomprehensible languages ​​and shows enormous strength. [3]

Both forms of ritual ecstasy result in altered perceptions that can affect all sensory impressions (sight, hearing, touch, smell, taste, bodily sensation). In addition, the emotions, the experience of meaning and the sense of time are modified. The intensity of these impressions is much stronger, more unpredictable and goes beyond the accumulated wealth of human experience than, for example, in the case of imaginary journeys that can be generated in the waking state. [54]

From a neuropsychological point of view, in both cases there is a certain form of an expanded state of consciousness , which is referred to as "ecstatic trance". In all forms of deep trance , there is at the same time a very deep relaxation as in deep sleep, the highest concentration as in awake consciousness and a particularly impressive pictorial experience as in a dream. The special way howthe shamans of Siberia (but also of Central Asia, northern North America, partly East and Southeast Asia and some peoples of the rest of America) bring about the trance, as well as the cultural imprint and the corresponding religious orientation, leads to the shamanic trance through the neurological "hyper- state of rest" to passive or through "hyper-arousal" to active ecstasy . [55]

The shaman always experiences this extraordinary mental state as a real event that seems to take place outside of his mind. Sometimes he sees himself from the outside (out of body experience ) similar to how near -death experiences are reported. As we know today, in this state people have direct access to the unconscious : the hallucinated spiritual beings arise from the instinctive archetypes of the human psyche; the ability to grasp connections intuitively – i.e. without rational thinking – is fully developed and is often expressed in visions that are later interpreted against one’s own religious background.

In order to achieve such states, certain formulas, ritual actions and mental techniques are used: These are, for example, the burning of incense, certain monotonous rhythms on special ceremonial drums or with rattles, dance ( trance dance ), singing or special breathing techniques. The Siberian shamans do not usually need psychedelic drugs to reach ecstasy like many other peoples. Only among the Uralic peoples is the fly agaric used from time to time (for some authors, the ability to trance without drugs is a characteristic of classical shamanism).

Particularly important for achieving a non-drug-induced trance is adopting ritual postures (according to Felicitas Goodman ) in connection with steady percussion rhythms in the range of 3.5 to 4.4 Hertz (equivalent to about 210 to 230 drumbeats per minute). [54] These frequencies correspond to theta and delta brainwaves otherwise typical of sleep or meditation. During the trance, so-called “paradoxical states of excitement” (paradoxical arousal) occur. Paradoxical because on the one hand they indicate a state that can be described as "more awake than awake" and at the same time EEG- Show curves that are otherwise only known from deep sleep stages. Subjects reported particularly impressive hallucinations during these trance phases. In addition, significant beta and delta increases are measured, which indicate a very deep relaxation and u. promote physical healing reactions and memory processes. The paradoxical states of excitement discovered by Giselher Guttmann in 1990 indicate a "relaxed high tension". In general, the release of a special combination of different endogenous neurotransmitters is stimulated, which "opens" consciousness: Perception is aimed entirely at inner content ( intersensory coordination), the cognitive filters of the normal waking state are inactive, while the observing ego remains active.

In principle, all ritual trances produce either particularly passive or particularly active physiological effects, which are then expressed by the shaman in the two aforementioned forms of ecstasy. However, the more intense the respective ecstasy, the less controllable the intentionally induced hallucinations can be. [56] [50] [51] [10] [57]

The measurement of brainwaves and similar methods can only prove that the consciousness works in a certain way. However, no conclusions can be drawn about the specific content of the respective states of arousal. Therefore, it is in principle impossible to prove or disprove that the impressions in ritual ecstasy are imaginary or actual glimpses of an afterlife. This remains a matter of faith. [54]

Müller: Elemental, Complex and Possession Shamanism edit edit source ]

Shamans as "experts and mediators to the spirit world" according to Klaus E. Müller before the European expansion that began in the 15th century (color areas); as well as traditional shamans and other religio-spiritual specialists at the beginning of the 21st century who still hold various social functions (black and white symbols/hatching)
elemental shamanismcomplex shamanismpossession shamanism
Classic (Primary), Arctic Peoples Classic (Secondary), Northern Siberia Classic, Southeast Asia* Subarctic North America Limited, North America Limited, South America Australia






Classic West Siberian Classic Central Siberian Classic Altai Classic Manchurian Classic Southeast Asian** Northeast North America Southwest North America Meso and South America







Islamic sphere of influence Lamaist sphere of influence Buddhist-Taoist sphere of influence


colored circle symbols:
*) = Largely traditional hunter-gatherers within modern or farming societies
**) = Largely traditional planters within modern or farming societies
Map-icon-circle-black.pngIsolated ethnic groups with completely preserved social functions of their religious-spiritual specialists
Map-icon-black-question-mark.pngIsolated ethnic groups of New Guinea with traditional religions, but without any knowledge of shamans or similar necromancers
Map-icon-circle-black-white.pngLocal communities with traditional structures largely intact, where necromancers still perform some of their original functions. However, their functions are already more or less influenced by modern influences.
Map-icon-Transition-area--hatch-black-white.pngTraditional societies with largely intact structures, in which necromancers still exercise some of their original functions (distribution density depending on hatching/area filling)
Map-icon-dotted-area-black.pngTraditionally in states and/or other religions integrated "urban shamans" of East and Southeast Asia
Stone Age cave painting in the Les trois frères cave with a hunting context: "lord of the animals" or shaman?
The living conditions of the Arctic peoples have hardly changed over thousands of years, so that, according to Müller's assumption, the shamanism there has hardly changed

For a concrete description of the current situation and references see: Modern shamans in the light of history in the article "Shaman"

Apart from all secondary additions, shamanism at its core represents a visibly very old and optimally adapted to the conditions of existence of wild and field predatory cultures, i.e. apparently 'proven' and to that extent stable over long periods of time, as coherent as it is in itself 'unified' theory of being and nature ."

– Klaus E. Müller [45]

In 1997, the German ethnologist Klaus E. Müller presented an approach that describes shamanism as a kind of " science of magical-mythical thinking " that was developed, mediated and preserved by "appointed experts" with important social obligations. [58] Although Müller recognizes the similarities in terms of religious views or ritual trance techniques, he expressly distances himself from considering such " spiritual and occult aspects" as determining characteristics. [45]

Müller continues Adolf E. Jensen's thoughts, who understood shamanism as a typical phenomenon for hunter cultures, which regarded animals as their relatives in principle. [59] Clear indications of this assumption are the diverse totemic references to animals : the shamans were summoned by the “animal mother” in the spirit world or the “lord of the animals” , the helping spirits were predominantly animal-shaped, and the shaman—often dressed in animal attributes—transformed often on the journey into a spirit animal, the magic drum or mallet was taken as a symbolic mount for the journey and some more.

According to Müller, the original form of shamanism is above all a ritual for forgiveness and averting punishment and harm when a hunter disregards the traditional appeasement and binding rituals for killing an animal. This played a central role in everyday life for all hunters and ultimately served to secure animal and plant populations. [60]

In his opinion, shamanism arose somewhere in Asia in the Upper Paleolithic well before 4000 BC. Chr. and has spread from there in many centuries among the "soul mates" hunter peoples over the entire Asian continent and beyond to North, Central and South America as well as to Australia. [61] On the basis of the description of the shaman as "expert and mediator to the spirit world" and the resulting social obligations, a corresponding distribution map of shamanism can be created.

According to Müller, the "classical" area includes not only Siberia, but also today's Kazakhstan and scattered local communities in Southeast Asia, including the Indonesian islands. Sometimes he also mentions the shamanism of the Eskimo peoples of North America in this context. However, it is not clear whether he actually includes them in classical shamanism or not. According to Müller, the forms of shamanism of the Aborigines and the Indian peoples split off from the classic elementary forms at an early stage and continued to develop in isolation. [62]In contrast, for Witzel, Siberian shamanism is a relatively "recent" spin-off (at least 20,000 years old) from a more widespread paleo-shamanism . [63]

Müller considers it probable that the original (“elementary”) shamanism of the hunter-gatherers in the sub- polar regions of Asia and North America has survived largely unchanged up to the modern age, because the environmental and living conditions there have remained almost the same. [64] Moreover, he notes that to this day it is mainly found among ethnic groups that have a close relationship with the animal world (hunting and pastoral cultures as well as the horticultural and shifting field farmers of Amazonia, whose way of life has a strong "hunter's" component) . In pure planter cultures or among agropastoralists , shamanism has always played only a marginal role. [65]

Klaus E. Müller therefore derives his forms of shamanism primarily from their socio-economic foundations [66] and from this developed a three-part classification model (whose following descriptions are written in the past tense, as they only apply to a few isolated peoples now and then ): [67 ]

Elemental Shamanism edit edit source ]

Shaman of the Yukagirs (Northeast Siberia, 1902)
Shaman of the Northwest Coast Indians

Color Scheme: 

  • Genesis:
( Primary ) elemental shamanism was typical of pure hunter cultures or of ethnic groups in which hunting played a prominent cultural role.
  • Characteristics:
The social base is based on egalitarian local communities or kinship groups ( lineages , clans ). The ethnic religions tended to be animistic . The shaman was predominantly male. He believes he is called by animal spirits and was primarily responsible for the success of the hunt or the observance of "hunting ethics ", but also acted as a healer and oversaw the reproductive success of the group. The ritual was not very pronounced and costumes or special aids were rarely used or only sporadically and in a simple form.
  • distribution
1. Classic Asian cultural area 
  • Unique shape:
Original nomadic to sedentary hunters, fishermen and gatherers of northern and eastern Siberia; since Russification often reindeer herders like the other Siberian peoples. Variants from historical differentiation:
 Paleo-Siberian (primary) foragers ( Chukchi , Yukagir , Koryak , Itelmen )
Siberian (secondary) foragers ( Nganasanen , Dolganen , Keten )
In north-eastern India in a few groups (attenuated), especially in the central area (e.g. Birhor ), scattered hunter-gatherers of Southeast Asia ( Derung , Yao , Akha , Mani , Orang-Asli peoples, Sentinelese , Shompen , Mentawai , Kubu , Penan , Batak , Aeta )
2. America and Australia 
  • Unique (classic?) form:
Nomadic to sedentary hunters and gatherers of the Arctic North America ( Eskimos and Aleutians )
  • Unique shape:
Nomadic to semi-sedentary hunter-gatherers of the subarctic ( Athabasque , Algonquian ) and sedentary fishermen of the northwest coast
  • Restricted form:
Nomadic to sedentary hunters and gatherers (partly farmers) of the " Wild West " ( Plains Indians and Indians of the Plateau , Great Basin and California cultural areas )
Nomadic hunters and gatherers of South America from the South American cultural areas of Llanos, Paraná and Tierra del Fuego
  • Variable shape, not consistent:
Nomadic Aboriginal hunter-gatherers , not consistent (mainly in the Western Desert and Northern Australia)

Complex Shamanism edit edit source ]

Shamanic ritual in the Siberian steppe
Shaman of the Urarina from Peru

Color Scheme: 

  • Genesis:
The secondary complex shamanism arose among pastoral peoples and field farmers with a significant share of wild predators in Asia and America, presumably through diverse influences from neighboring agricultural societies and through contact with other religions - according to Witzel through the substitution of animal deities by plant and vegetation gods (e.g. corn gods like Cinteotl .)
  • Characteristics:
The social basis is formed by kinship groups, tribal societies or autonomous village communities . The animistic religions were more complex (e.g. with ancestor worship , sacrifice and a complicated cosmology). The calling of the shamans was based on ancestral spirits or the dead souls of earlier shamans (the latter mainly among Tungus and groups in the Altai-Mountains), or the status of shaman was inherited from father to son or from mother to daughter. There were predominantly male shamans, although there were also more female shamans. The functions and techniques of the shaman corresponded on the one hand to elementary shamanism, but there were also priestly, communal and domestic-family functions (e.g. at births, naming, burials, initiations). Rites, costumes with extensive accessories (e.g. made of metal) and utensils were often complex and of great importance. Entheogenic drugs were also often used to achieve trance .
  • Distribution:
1. Classic Asian cultural area 
West Siberian reindeer herders (e.g. Sami , Nenets , Khanty , Mansi )
Central Siberian reindeer herders ( Tungusian peoples )
Altai reindeer and horse herders (e.g. Kazakhs , Tuvinians , Yakuts )
Manchu fishermen (e.g. Tungusic peoples of Manchuria , Niwchen , Ainu )
  • Tropical/subtropical plant communities, not continuous, isolated
Local minorities of Indo- India ( e.g. Naga , Aimol , Moken , Jakun , Senoi ) and Indonesia ( e.g. Dusun , Halmahera )
2. America 
  • Differentiated forms, e.g. T. not consistent:
 North America's Northeast , (e.g. Shawnee , Iroquois , Sauk , Powhatan )
 Mexico (e.g. Tarahumara , Huichol )
 Meso and South America (all planter societies outside the high Andes)

Possession Shamanism edit edit source ]

Tantric Buddhism and shamanism have merged among the Mongolian peoples
Lakota medicine man Sitting Bull: Complex shamanism like in Asia?
Alaskan shaman at a healing ceremony

Color Scheme: 

  • Genesis:
The highly cultural and syncretic over-influenced possession shamanism can be traced back to the influences of archaic high cultures , the Asian high religions (particularly Buddhism ) and to the merging with possession cults.
  • Characteristics:
The usual social base was the peasant village community . The religious orientation consisted of an official direction - such as Islam , Lamaism , Vajrayana Buddhism, Hinduism , Shintoism , etc. - and a syncretic popular belief, the elements of the high religions andof ancient beliefs fused together. Women who felt called to do so were more often shamans than men. They felt a lifelong commitment to a spirit power or deity who was regularly sacrificed and worshiped in small, purpose-built temples. The tasks of the shaman corresponded to those of complex shamanism and were primarily aimed at medical services as well as counseling and divination. In contrast to the other forms of shamanism, there was no "journey to the hereafter" by means of a ritual ecstasy, but the shaman had the impression during the trance that her personal partner spirit was taking possession of her; “Enter” them and heal yourself, prophesy, etc. In contrast to others – not according to Müller-shamanistic - possession cults of other cultures (e.g. Africa or New Guinea), the entrance of the spirit took place at the invitation of the shaman and not "ambush-like" or against the will of the person concerned.

In the Islamic contact area, the influence of the old religions is much less recognizable today than in the Buddhist contact area. [68]

  • distribution
  • Asian cultural space 
Especially in sedentary rural communities
 Islamic sphere of influence (e.g. Uzbeks , Tajiks , Kyrgyz , Uyghurs )
 Lamaist sphere of influence (e.g. Buryats , Mongols , Yugur , Tibetans , Changpa , partly Nepalese )
Buddhist-Daoist sphere of influence (e.g. majority populations of Japan , Korea , Taiwan , Central India )

Criticism edit edit source ]

Although Müller includes various cultural aspects in his approach and his "three-type model" certainly makes differentiations, his "standardization" also sometimes leads to questionable results due to the global scale. For example, René Tecklenburg states that the shamanism of the Lakota Indians cannot simply be assigned to elemental shamanism, since it also has clear characteristics of the peasant type (close connection to the guardian spirit, numerous cult objects, complex ceremonies and rituals, sacrifices, etc.). [69]

Holistic Medicine edit edit source ]

Modern theses often focus on a certain area of ​​shamanism in a reductionist manner: for example on the psychological or neurobiological aspects or on medicine, although the cultural background is ignored.

Today, shamanism is often only understood as a special form of traditional healing methods. Ronald Hitzler , Peter Gross and Anne Honer , for example, describe it as "a complex, integrative social art that embeds the ability to heal, in the medical sense, in the concern for and in the service of the existential 'salvation' of fellow human beings in general." They attest gives the shamanic healing rituals a holistic approach that no longer exists in modern medicine. Instead of impersonal "repair services for the treatment object" by doctors, who no longer understand much about health but all the more about illness, shamanism is characterized by empathy, two-way communication and caring that goes beyond the well-being of the patient and even has the weal and woe of the entire community in mind. For Hitzler, Gross and Honer, shamanism is also "a way of man's universal-historical efforts to gain mastery of the seemingly unfathomable powers within him through knowledge." [70]

general criticism; controversial and speculative theses edit edit source ]

(See also: Dead ends of ethnological research on religion )

The separation into a natural and a supernatural world stems from Christian thinking and cannot simply be transferred to other worldviews
The knowledge of the "primitive peoples" was passed down orally and is heavily dependent on the mediators
Neoshamans (here Ahamkara) also organize rituals and programs for children

"What is described in these writings [Eliades, Harners, etc.] as a shaman or as a shamanic event has little more in common than the word with what is to be understood as shamanism among the Chukchi, Tungus and Buriats in Siberia."

A fundamental criticism of all concepts of shamanism arises from the fact that all scientific approaches were written from a Eurocentric perspective and do not correspond directly to the magical-mythical thinking of traditional indigenous people: [72] Neither can the basic Western assumption of a separation into a natural-material and a supernatural-transcendent world , yet in nature and culture readily transferred to non-Western worldviews. [A9]

In addition, above all those theses are criticized that have torn ancient, grown traditions from their cultural and historical context and constructed a "new truth" from them, which have more the character of an ideology than a model thesis . Already the word component "-ism" suggests an apparently independent, systematic religion: In fact, however, it is "a complex of different religious ideas and ritual actions that are connected with the person of the shaman." [73] and selected by western authors , interpreted and rearranged. [22]One of the main problems of cross-cultural comparison of shamanic phenomena lies in the oral transmission of knowledge by individuals and a total lack of doctrine ; this "power of the shamans" leads to an enormously changeable diversity that must counteract any scientific approach. When community development and the maintenance of shamanic power require it, new elements - such as biomedical knowledge, Christian beliefs, or "new spirits" - are simply incorporated, and have been for centuries. [22]

The more an author generalizes and abstracts , the more he relies on circumstantial evidence and unprovable assumptions, or the more unconventional his approach, the greater the criticism his theses will provoke. There are some shamanic theories to which these statements apply. The extensive ethnographic records of Russian researchers of the 19th century already provide examples of this: The ethnographer Shoqan Walikhanov , for exampleso fascinated by the idea of ​​a cross-cultural Siberian shamanism that he equated the (sacrificial) priests of the Islamic Kazakhs (Baqsi) and Kyrgyz (Baxši) with the Siberian shamans. Walikhanov did not recognize (or ignored) that there were a number of other magicians and healers in both cultures and that the Bagsi/Baxši must be described very differently on closer inspection. [74] Especially with the unifying ethnological theories of the 19th century, which are not used today or no longer in their original "scope" (like animism , fetishism , totemism , primitive peoples , racial studiesetc.), such “scientific wishful thinking” was widespread.

There are also enough recent examples where scientists have deliberately mixed or obscured fiction and reality to popularize their concept (→ Spiritual Shamanism Concepts: Origin, Popularity and Criticism ) . Against this background, the (unscientific) neo-shamanism should also be seen, whose authors use many shamanism concepts arbitrarily and in good faith, often uncritically mixing parts of this and that thesis and in this way creating fictitious constructs of thought that were not previously "based on stood on solid foundations". [75] [76]

Controversial theses edit edit source ]

The approaches that go beyond the scientifically proven geographical and historical distribution area of ​​North and Central Asian shamanism are often criticized.

Prehistoric Shamanism edit edit source ]

This famous depiction in the Lascaux Cave served as a starting point for the interpretation "Shamanism in the Palaeolithic". The prehistoric interpretation is also often regarded as speculative.

In the English-language literature, the term prehistoric shamanism is sometimes used to denote those theses that postulate a prehistoric shamanism based on archaeological artifacts that are reminiscent of recent phenomena of shamanic practices [77]

Although many finds are obviously reminiscent of shamanic rituals - such as the bird and the bird's beak of humans in the famous Lascaux cave painting and the way the bison was killed on its "life line" from anus to penis [78] - other interpretations are also possible in principle . It is undisputed that early man expressed religious ideas artistically, but what exactly this is about will always remain a mystery due to the fragmentary finds and the lack of contextual information. [79] Even the recent, much noted and appreciated conclusions of the South African archaeologist David Lewis-Williams and the French archaeologist Jean Clottesremain speculative and unprovable in many respects. [80]

Relation to Sufism edit edit source ]

As numerous, primarily Soviet or Russian researchers show in the anthology "Shamanism and Islam" [81] , there is a close relationship between Central Asian/Siberian shamanism and Sufism . This is characterized by the adoption of numerous religious practices, such as the healing ritual or the meditative exercise dhikr in Sufism. The basic features of the belief in spirits in the form of the veneration of saints are also adopted.

Speculative theses edit edit source ]

The concepts of shamanism, which select certain phenomena across cultures and use them to construct far-reaching models with universal claims, are today viewed as too speculative and are therefore hardly recognized – at least in terms of their core theses.

Shamanism as an archaic technique of ecstasy edit edit source ]

Eliade created the modern myth of the worldwide ecstatic shaman trance
According to Eliade, prehistoric man was still permanently connected to the divine (Bronze Age rock carvings in Sweden)

"Il n'existe pas des zones géographiques privilégiées où la trance chamanique soit un phenomène spontané et organique: au rencontre des chamans un peu partout dans le monde ..."

– Mircea Eliade [3]

This quote from the Romanian religious scholar Mircea Eliade reflects his central thought: "There is no specific geographical space (of shamanism), because the shamanic trance is a spontaneous and organic phenomenon that is found in all shamans in the world."

From his extensive cross-cultural research in Russian and Finnish ethnographies, he created an ideal type of shaman. He conceived shamanism as the world-wide primal phenomenon of human religiosity and raised the (passive) ecstatic trance with the "soul flight into the spirit world" to the central characteristic of all shamanic phenomena. In addition, he considered the classic Siberian cosmology to be a universal that is covered by foreign influences in many cultures. Eliade also clearly emphasized that a mystical-sacral condition that enabled direct contact with the divine was characteristic of prehistoric people and of today's "primitive people".

With his work Shamanism and Archaic Techniques of Ecstasy (first edition in French 1957), Eliade triggered enthusiasm in intellectual circles when it was published in the USA in 1964 for a topic that until then had only marginally interested religious scholars. This was not only due to the content of his studies, but at least as much to the unusual approach: Eliade brought together the ethnological, philosophical, religious studies and psychological perspectives in a synthesis of empirical analysis and imaginative philosophy of religion. For a long time, his thesis was considered the standard work on shamanism. It was instrumental in rehabilitating spiritual practitioners who until then had been viewed as insane or charlatans.

Since the 1990s, however, it has been increasingly frowned upon in ethnology. Art historians, literary scholars as well as neo-shamanistic and popular science authors still refer to Eliade, although the points of criticism largely dismantle his thesis. [82]

Criticism edit edit source ]

Critics recognize Christian motifs (paradise state, fall of man) and romantic transfiguration in Eliade's work

Since Eliade wanted to concentrate entirely on his holistic religious-scientific approach, he refrained from examining the historical and political context of the phenomena more closely. Instead, he set up comparison criteria that can be described as "result-based" instead of "open-ended". In this way he also missed the aforementioned errors in the old ethnographic records from Russia. [74] In search of the deeper meaning , he mixed religious with mythical-literary phenomena and put the “ creative before the empiricalMoment". He assumed that the "sacred character" does not reveal itself with the help of the reductionist methods of various disciplines (physiology, psychology, linguistics, art, etc.), but only in its "own religious modality". His thesis is not purely academic, but a metaphysical interpretation of history and the world. He explained contradictions and deviations by “decadence” and “contamination” by other cultures and religions.

Eliade idealized and romanticized the "archaic spirituality" and "primitive cultures" in the Eurocentric tradition of Herder and Boaz. Instead of approaching the actual ethnic mentalities, some authors recognize more Christian motives in him: The mystical original state corresponds to paradise, the historical civilization process to the fall of man and the shamanic soul journey was supposedly originally a "heavenly journey" to the upper world according to Eliade.

Until the 1990s, his approach led to sharp debates about his methodology, but also about the reductionism in religious studies. From the point of view of anthropology, Eliade's method is criticized above all because it is more rooted in his role as a shamanic prophet than in serious scientific work. Various authors complain that he simply ignored historical, anthropological, sociological and economic perspectives, making his representations unverifiablebe. In addition, he is accused of going beyond the mere attempt at explanation and of legitimizing unscientific neo-shamanism with the statement "that the mystical original state can be visualized by anyone at any time with the help of shamanic ecstasy". [83] [82] Klaus E. Müller described Eliade's theses as "very speculative in terms of content". [84]

See also Edit edit source ]

list.svgTopic lists: Religious ethnology  + ethnomedicine  - overviews in the portal: ethnology

Literature edit edit source ]

  • Hans Peter Duerr : Sedna or The Love of Life. (Suhrkamp paperback), 2nd edition, Suhrkamp, ​​Frankfurt am Main 1989, ISBN 978-3-51838-210-3
  • Mircea Eliade : History of Religious Ideas. 4 volumes. Herder, Freiburg 1978, ISBN 3-451-05274-1 .
  • Mircea Eliade: Shamanism and Archaic Ecstasy Technique. Suhrkamp, ​​Frankfurt 2001, ISBN 3-518-27726-X (original: 1951).
  • Martin Gimm : The secret shamanism of the Qing emperors and the Tangzi shaman temple. Harrassowitz, Wiesbaden 2018, ISBN 978-3-447-10962-8 .
  • Valentina Gorbatcheva, Marina Federova: The Peoples of the Far North. Art and culture of Siberia. Parkstone Press, New York 2000, ISBN 1-85995-484-7 .
  • Giselher Guttmann, Gerhard Langer (eds.): Consciousness. Multidimensional designs. Springer, Vienna/New York 1992, ISBN 3-211-82361-1 .
  • Michael Harner: Hallucinogens and Shamanism. Oxford University Press, New York 1973.
  • Helmut Hoffmann : Symbolism of the Tibetan religion and shamanism. Stuttgart 1967.
  • Mihály Hoppál: The Book of Shamans. Europe and Asia. Econ Ullstein List, Munich 2002, ISBN 3-550-07557-X .
  • Åke Hultkrantz , Michael Rípinsky-Naxon, Christer Lindberg: The Book of Shamans. North and South America. Munich 2002, ISBN 3-550-07558-8 .
  • Adolf Ellegard Jensen: Myth and cult among primitive peoples - religious studies considerations. dtv, Munich 1992, ISBN 3-423-04567-1 (original: 1951).
  • Hans Läng : Cultural history of the Indians of North America. Gondrome, Bindlach 1993, ISBN 3-8112-1056-4 .
  • David Lewis-Williams: The Mind in the Cave. Consciousness and the Origins of Art. Thames & Hudson, London 2004, ISBN 0-500-28465-2 .
  • Klaus E. Müller: Shamanism. Healers, spirits, rituals. 4th edition. Beck, Munich 2010, ISBN 978-3-406-41872-3 (original: 1997).
  • Dirk Schlottmann : Korean shamanism in the new millennium. Peter Lang, Frankfurt/Bern 2007, ISBN 978-3-631-56856-9 (European university publications; folklore/ethnology).
  • Monika and Udo Tworuschka: Religions of the World. In history and present. Bassermann, Munich 1992/2000, ISBN 3-8094-5005-7 .
  • Karl R. Wernhart: Ethnic Religions - Universal Elements of Religious. Topos, Kevelaer 2004, ISBN 3-7867-8545-7 , p. 134.

Web Links Edit edit source ]

Commons : Shamanism (shamanism)  - Collection of images, videos and audio files
Wiktionary: Shamanism  - meaning explanations, word origin, synonyms, translations

Notes Edit edit source ]

  1.  This definition of terms forms the lowest common denominator of various current definitions from the period after 1990.

Itemizations Edit edit source ]

  1.  Gorbatcheva, p. 181.
  2.  Mihály Hoppál: The Book of Shamans. Europe and Asia. Econ Ullstein List, Munich 2002, ISBN 3-550-07557-X , p. 11 ff.
  3. Jump up to:g László Vajda, Thomas O. Höllmann (eds.): Ethnologica. Selected essays. Otto Harrassowitz Verlag, Wiesbaden 1999, ISBN 3-447-04209-5 , pp. 145-147.
  4. ↑ Viviana Korn: Shamanism . In: “Brief information on religion” from the Religious Studies Media and Information Service e. V., Marburg 2010, retrieved on January 30, 2015.
  5.  Manfred Kremser: In the beginning was the ritual - Schematic constellation work in indigenous cultures? In: Guni Leila Baxa, Christine Essen, Astrid Habiba Kreszmeier (ed.): Embodiments: Systemic constellation, body work and ritual. Online edition, Auer Verlag, Heidelberg 2002, ISBN 3-89670-718-3 , pp. 110–128.
  6.  Karl R. Wernhart: Ethnic religions - universal elements of the religious. Topos, Kevelaer 2004, ISBN 3-7867-8545-7 , p. 139.
  7. Jump up to:b Piers Vitebsky: Shamanism. Taschen, Cologne 2001, p. 11.
  8.  Roger N Walsh, The spirit of shamanism. Tarcher, New York 1990, p. 11.
  9.  Roger N. Walsh in Gerhard Mayer: Shamanism in Germany. Concepts - Practices - Experiences. Volume 2 of Crossing Boundaries. Contributions to the scientific study of extraordinary experiences and phenomena. Ergon, Würzburg 2003, ISBN 3-89913-306-4 , p. 14.
  10. Jump up to:e Dirk Schlottmann: What is a shaman? Korean Shamanism Today. ( Memento of June 6, 2015 in the Internet Archive ) In: journal-ethnologie.de, Current Issues 2007, Museum der Weltkulturen, Frankfurt 2008, retrieved on June 5, 2018 (web.archive.org).
  11. Jump up to:b Ronald Hutton: Shamans. Siberian Spirituality and the Western Imagination. University of Michigan, Hambledon / London 2001, ISBN 1-85285-324-7 , p. VII.
  12. Jump up to:b Klaus Sagaster: Shamanism, published in: Horst Balz, James K. Cameron, Stuart G. Hall, Brian L. Hebblethwaite, Wolfgang Janke, Hans-Joachim Klimkeit, Joachim Mehlhausen, Knut Schäferdiek, Henning Schröer, Gottfried Seebaß, Hermann Spieckermann , Günter Stemberger, Konrad Stock (eds.): Theological Real Encyclopedia , Volume 30: "Samuel - Soul". Walter de Gruyter, Berlin, New York 1999, ISBN 3-11-019098-2 , pp. 72–76.
  13. Jump up to:c Thomas O. Höllmann, Götzfried and Claudius Müller (eds.): Ethnologica: Selected essays by László Vajda. Otto Harrassowitz, Wiesbaden 1999, ISBN 3-447-04209-5 , pp. 145–147.
  14. Jump up to:d Kai Funkschmidt: Shamanism and Neo-Shamanism . In: Evangelical Central Office for World View Questions ezw-berlin.de, Berlin, 2012, retrieved on February 4, 2015.
  15. Jump up to:b Andreas M. Oberheim: Shamanism in South America . ( Memento from June 10, 2015 in the Internet Archive ) Annika Wieckhorst, Proseminar: Introduction to Medical Anthropology. University of Cologne, summer semester 2007, retrieved on February 18, 2015.
  16.  Waldemar Stöhr: Lexicon of peoples and cultures. Westermann, Braunschweig 1972, ISBN 3-499-16160-5 , p. 59.
  17.  Michael Witzel: The Origins of the World's Mythologies. Oxford University Press, New York 2011, p. 382 ff.
  18.  Mariko Namba Walter, EJ Neumann Fridman (eds.): Introduction to Shamanism. Santa Barbara 2004, p. XVII ff.
  19.  Walter Hirschberg (founder), Wolfgang Müller (editor): Dictionary of Ethnology. New edition, 2nd edition. Reimer, Berlin 2005, pp. 326–327.
  20.  Witzel 2011, p. 132 ff.
  21.  Heiko Grünwedel (possibly ed.): Shamanism between Siberia and Germany: Cultural exchange processes in global religious discourse fields. transcript, Bielefeld 2013, ISBN 978-3-8376-2046-7 , p. 46.
  22. Jump up to:c Michael Kleinod: Shamanism and Globalization. Essay as part of the seminar on cultural globalization and localization, ethnology, University of Trier 2005, ISBN, pp. 4-7.
  23.  Karl R. Wernhart: Ethnic religions, published in: Johann Figl (ed.): Handbook of religious studies: Religions and their central themes. Verlagsanstalt Tyrolia, Innsbruck 2003, ISBN 3-7022-2508-0 , pp. 278-279.
  24. ^ Juha Janhunen , Siberian shamanistic terminology, Suomalais-ugrilaisen Seuran toimituksia/ Memoires de la Societe finno-ougrienne, 194, 1986, pp. 97-98.
  25.  Hoppál, p. 11 ff.
  26.  Marvin Harris: Cultural Anthropology - A Textbook. From the American by Sylvia M. Schomburg-Scherff, Campus, Frankfurt/New York 1989, ISBN 3-593-33976-5 , p. 285.
  27.  Alexandra Rosenbohm (ed.): Shamans between myth and modernity. Militzke, Leipzig 1999, ISBN 3-86189-159-X , p. 7.
  28.  Florian Deltgen: Controlled Ecstasy: The hallucinogenic drug Cají of the Yebámasa Indians. Franz Steiner Verlag, Stuttgart 1993, ISBN 3-515-05630-0 , p. 27.
  29.  Roberte Hamayon: Shamanism and the hunters of the Siberian forest: soul, life force, spirit. In: Graham Harvey: The Handbook of Contemporary Animism. Acumen Publishing, 2013, ISBN 978-1-84465-712-4 , p. 284.
  30.  Michael Lütge: Heaven as the home of the soul. Visionary ascension practices and constructs of divine worlds in shamans, magicians, Anabaptists and Sethians. University of Marburg, Ms. 2008 online (PDF; 13.1 MB), p. 29 f.
  31.  Ulrich Berner: Mircea Eliade. In: Axel Michaels (ed.): Classics of religious studies. Munich 1997, p. 352 f.
  32.  Klaus E. Müller, p. 104.
  33.  Klaus E. Müller, pp. 104-105.
  34.  Klaus E. Müller, pp. 107-108.
  35.  SM Shirokogoroff: Psychomental Complex of the Tungus. Kegan, Paul, Trench, Trubner; London 1935.
  36.  Klaus E. Müller, p. 109.
  37.  Claude Lévi-Strauss: Structural Anthropologie I. Frankfurt am Main 1967, p. 187.
  38.  Klaus E. Müller, pp. 110-111.
  39.  Wolfgang Saur: Mircea Eliade today. In: Secession. No. 16, February 2007. ISSN  1611-5910 .
  40.  Raymond Prince: The Endorphins and: Shamans and Endorphins . ethos. Journal of the Society for Psychological Anthropology 10(4): 303-316; 409-423 (1982).
  41.  M. Lütge: Heaven as home , 2008, p. 35.
  42.  Klaus E. Müller, pp. 8-9, 19-20.
  43.  Mircea Eliade, quoted in: Riedl, p. 93.
  44. ↑ Anett C. Oelschlägel : Plural world interpretations. The example of the Tyva of southern Siberia. SEC Publications, Fürstenberg/Havel 2013, ISBN 978-3-942883-13-9 , pp. 31, 60 f.
  45. Jump up to:c Klaus E. Müller, p. 119.
  46.  Mihály Hoppál: Shamans and Shamanism. Pattloch, Augsburg 1994, ISBN 3-629-00646-9 , p. 32 f.
  47.  Gorbatcheva, p. 181.
  48.  Witzel 2011, p. 39.
  49. ↑ Erich box (ethnologist) (ed.): Shamans of Siberia. Magician - Mediator - Healer. On the exhibition at the Linden-Museum Stuttgart, December 13, 2008 to June 28, 2009, Reimer Verlag 2009, ISBN 978-3-496-02812-3 , pp. 164-167.
  50. Jump up to:b Manfred Kremser: Ethnological research on religion and consciousness. Lecture notes from the University of Vienna, summer semester 2001, pp. 14–15. pdf version ( Memento of March 4, 2016 at the Internet Archive )
  51. Jump up to:b Bruno Illius: The idea of ​​"detachable souls". In: The concept of the soul in religious studies. Johann Figl, Hans-Dieter Klein (eds.), Königshausen & Neumann, Würzburg 2002, ISBN 3-8260-2377-3 , pp. 87–89.
  52. Jump up to:b Klaus E. Müller, p. 19.
  53.  Dennis and Barbara Tedlock (eds.): Over the Rim of the Deep Canyon. Teachings of Indian Shamans. 8th edition. from the American by Jochen Eggert, original edition 1975, Diederichs, Munich 1994, ISBN 3-424-00577-0 , p. 170.
  54. Jump up to:c Nana Nauwald, Felicitas D. Goodman & Friends: Ecstatic Trance. Ritual postures and ecstatic trance. 4th edition. , Binkey Kok, Haarlem (NL) 2010, ISBN 978-90-74597-81-4 , pp. 35, 43, 48, 59.
  55. ↑ Shamanism . In: praehistorische-archaeologie.de, retrieved on June 12, 2015.
  56.  Andrea Marchhart with Elke Mesenholl-Strehler as supervisor: Trance experience and its influence on personality. Inter-University College for Health and Development, Graz (AU) 2008.
  57.  Klaus E. Müller, p. 19.
  58.  Klaus E. Müller, pp. 8-9, 12, 19-20, 113-114.
  59.  Klaus E. Müller, pp. 17-18.
  60.  Klaus E. Müller, pp. 115-117.
  61.  Klaus E. Müller, p. 28.
  62.  Klaus Müller, pp. 28-30.
  63.  Witzel 2011, p. 382 ff.
  64.  Klaus E. Müller, p. 117.
  65.  Klaus E. Müller, p. 113.
  66.  Klaus E. Müller, pp. 29-34.
  67.  Klaus E. Müller, pp. 8-9, 19-20, 30-33, 71, 106, 115-119.
  68.  Annegret Nippa (ed.): Little abc of nomadism. Publication accompanying the exhibition “Explosive Encounters. Nomads in a sedentary world”, Museum für Völkerkunde Hamburg, Hamburg 2011. P. 180-181.
  69.  (ed.): The compressors. An anthropological study of Lakota shamanism. LIT Verlag, Zurich 2006, ISBN 3-8258-0362-7 , p. 210.
  70. ↑ Ronald Hitzler , Peter Gross , Anne Honer : Diagnostic and therapeutic competence in transition. In: Franz Wagner (ed.): Medicine: moments of change. Springer, Berlin et al. 1989, p. 165.
  71.  Hartmut Zinser: Shamanism in the "New Age". In: Michael Pye, Renate Stegerhoff (eds.): Religion in a foreign culture. Religion as a minority in Europe and Asia. dadder, Saarbrücken 1987, ISBN 3-926406-11-9 , p. 175.
  72.  Hans Peter Duerr (ed.): Longing for the origin: to Mircea Eliade. Syndikat, Frankfurt am Main 1983, ISBN 3-8108-0211-5 , p. 218.
  73.  Evelin Haase: Mediator between humans and spirits - shamanism of the Solon (Ewenks) in North China. In: Claudius Müller (ed.): Ways of the gods and men. Religions in Traditional China. Edition, Reimer, Berlin 1989, p. 148.
  74. Jump up to:b Till Mostowlansky: Islam and Kyrgyz on Tour. Otto Harrassowitz Verlag, Wiesbaden 2007, ISBN 978-3-447-05583-3 , pp. 42-48, 64-66, 76, 86-87.
  75. ↑ Hartmut Zinser : On the fascination of shamanism. In: Michael Kuper (ed.): Hungry ghosts and restless souls. Texts on shamanism research. Dietrich Reimer, Berlin 1991, pp. 17–26.
  76.  Harald Motzki: Shamanism as a problem of religious-scientific terminology. Brill, Cologne 1977.
  77.  William F. Romain, Shamans of the Lost World: A Cognitive Approach to the Prehistoric Religion of the Ohio Hopewell. Rowman & Littlefield, Lanham (US) 2009, ISBN 978-0-7591-1905-5 , pp. 3, 7, 17–18.
  78.  Witzel 2011, p. 399 f.
  79.  Linden Museum for Regional and Ethnology: Yearbook of the Linden Museum Stuttgart, Tribus. No. 52, 2003, Stuttgart, p. 261.
  80. ↑ Disenchanted Cave Painters . In: wissenschaft.de, July 20, 2004, retrieved on June 8, 2015.
  81.  Thierry Zarcone, Prof. Angela Hobart (ed.): Shamanism and Islam: Sufism, Healing Rituals and Spirits in the Muslim World . IBTauris & Co Ltd, 2012, ISBN 978-1-84885-602-8 .
  82. Jump up to:b Riedl, pp. 91–98.
  83.  Ulrich Berner in Axel Michaels (ed.): Classics of religious studies: from Friedrich Schleiermacher to Mircea Eliade. 3rd Edition. C. H. Beck, Munich 2010, ISBN 978-3-406-61204-6 , pp. 343-353 esp. 348-351.
  84.  Klaus E. Müller, p. 111.

A. Karin Riedl: Artist shamans. Appropriating the shaman concept with Jim Morrison and Joseph Beuys. transcript, Bielefeld 2014, ISBN 978-3-8376-2683-4 .

  1.  Riedl, p. 104.
  2.  Riedl, p. 103.
  3.  Riedl, pp. 90, 98-99.
  4.  Riedl, pp. 81, 86-89.
  5.  Riedl, pp. 89-91, 98-99, 102.
  6.  Riedl, pp. 102-103.
  7.  Riedl, pp. 103-104.
  8.  Riedl, p. 94.
  9.  Riedl, pp. 105-106.

유관순 열사 키운 우리암 선교사 아시나요 휴심정 한겨레

유관순 열사 키운 우리암 선교사 아시나요 : 뉴스 : 휴심정 : 뉴스 : 한겨레

유관순 열사 키운 우리암 선교사 아시나요

등록 :2022-08-10

조현 기자 
공주영명학교 세운 프랭크 윌리엄스
1940년 일제 강제추방…2년 뒤 폐교

한국선교유적연구회·기독실업인회
미국 12개 도시 사는 후손 27명 초청
8·15 광복 77돌 특별 감사 연합예배

프랭크 윌리엄스, 한국 이름 우리암 선교사. 한국선교유적연구회 제공

일제강점기에 서양 제국주의자들은 선교사들에게 독립운동과 같은 현실참여를 못 하도록 교회에서 정교분리 원칙을 지킬 것을 명했다. 이때 나라 잃은 조선 사람들을 남몰래 도운 선교사들도 있었다. 충남 공주영명학교를 1906년 설립해 1940년 강제추방(1942년 폐교)될 때까지 교장을 지낸 프랭크 윌리엄스(1883~1962·한국 이름 우리암)와 그의 아들 조지 윌리엄스(1907~1994·한국 이름 우광복) 부자가 대표적이다. ‘나라와 민족을 위해 몸 바치는 애국자를 기르자’를 교훈으로 내건 우리암 교장은 앞서 영명여학교를 세운 사애리시(샤프) 선교사와 함께 2학년까지 다닌 유관순 열사가 서울 이화학당으로 편입하도록 주선해주기도 했다..

윌리엄스 부자의 헌신과 사랑을 잊지 않고, 그들의 후손들을 초청하는 보은 행사가 펼쳐진다. 한국선교유적연구회는 오는 12일부터 22일까지 10박11일 일정으로 미국에 거주하는 우 선교사 부자의 후손 27명을 초청해 다양한 감사 행사를 진행한다.

공주대 총장을 지낸 뒤 한국선교유적연구회를 통해 기독교 선교 유적을 과학적으로 보전하고, 나아가 유네스코 세계문화유산 등재 운동을 펼치고 있는 서만철(67) 회장은 “부자 선교사의 헌신이 알려지면서 의정부와 공주의 기독실업인까지 나서 미국 12개 도시에 흩어져 사는 두분의 자손들을 초청해 두분을 기리고 보은하기로 했다”고 밝혔다.





1937년 일제강점기 공주영명학교 출신들이 우리암(앞줄 오른쪽 다섯째) 선교사를 기리기 위해 흉상 제막식을 한 뒤 기념 촬영한 모습. 한국선교유적연구회 제공



1940년 일제에 의해 강제추방되기 직전 공주영명학교 교사·학생들과 기념 촬영을 한 우리암(앞줄 왼쪽 여섯번째). 이어 1942년 학교는 문을 닫았다. 한국선교유적연구회 제공.

서 회장은 “우리암 선교사는 1940년 일제에 의해 강제 추방된 뒤 인도 가지아바드에 농업학교를 설립해 5년간 머물렀는데, 이때 인도에 있던 영국군사령부에서 광복군들을 상대로 영어교육을 했다”고 증언했다. 이어 그는 “당시 버마(미얀마) 전선에서 영국군에 배속된 광복군이 일제 통신을 감청하는 업무를 수행할 수 있도록 우리암 선교사가 뒷받침했다”고 전했다. 그는 이어 말을 덧붙였다. “우리암의 막내 아들인 로버트 윌리엄스(한국 이름 우귀복)가 미국에 보낸 서신을 보면, 1937년 공주영명학교 출신들이 우리암 선교사를 기리기 위해 3·1운동 민족대표 33인을 상징하는 33개의 돌을 깎아 받침대를 만들고, 그 위에 우리암의 흉상을 세웠는데, 태평양전쟁 때 일제가 포탄을 만들기 위해 이 흉상까지 공출해갔다”고 그는 덧붙였다.

아버지에 의해 ‘우리나라의 광복’을 의미한다는 뜻의 이름을 얻은 우광복은 공주영명학교에를 다니다 14살 때 미국 콜로라도로 돌아가 의사가 되었고, 1945년 광복이 되자 미 해군 군의관에 자원해 다시 한국에 왔다. 그때 우리암 선교사도 함께 돌아와 미군정청 농업 고문을 지냈고, 우광복은 하지 사령관의 통역 등 사실상 비서실장으로 활동했다고 한다. 특히 우광복은 하지 사령관의 요청으로 미군정과 함께할 한국인 50명을 추천했는데, 이 가운데 48명이 기독교도였다. 이런 이유로 그는 미군정 시절 소수파였던 기독교가 남한에서 실권을 얻는 데 주요한 기여를 한 인물로 손꼽힌다.





지난해 9월 영명학원과 ‘우리암·우광복 선교사 기념사업’을 위한 협약식을 체결한 한국선교유적연구회와 기독실업회 회원들. 한국선교유적연구회 제공

두 선교사 부자의 후손들은 오는 14일 오후 2시 공주영명중·고 교내 영명학당에서 ‘8·15 광복 77주년 기념 특별감사연합예배’를 드리고, 다음날인 15일 오후 2시 부산 해운대구 벡스코에서 기독실업인 3000여명이 참석한 가운데 열리는 ‘우리암·우광복 선교사 후손 초청 감사 행사’에 참석한다. 부산 벡스코에서는 전국 기독실업인 행사가 열리는 오는 15~16일 이틀간 ‘우리암·우광복 선교사 사진전’도 개최된다.



1910년대 공주에서 살던 시절의 우리암(뒷줄 왼쪽) 선교사 가족. 맏아들 우광복(앞줄 가운데)과 딸 올리브(앞줄 오른쪽)은 공주선교사묘역에 잠들어 있다. 공주시 제공

후손들은 16일 공주제일교회와 공주선교사묘역 등을 순례한다. 공주선교사 묘역엔 우광복 선교사와 그의 여동생 올리브가 나란히 묻혀있다. 우광복 선교사는 1994년 미국에서 별세하기 전 한국에서 11살 때 세상을 떠난 여동생 올리브의 곁에 묻어달라는 유언을 남겼다. 후손들은 17일 공주영명중고에서 ‘프랭크 윌리엄스 학술대회’와 사진전에 참석한 뒤 18일엔 유관순 유적 등을 돌아본다. 이어 19일 서울로 이동해 국회와 세브란스와 판문점 등을 구경하게 된다.

지난해 9월 영명학원과 업무협약을 체결한 한국선교유적연구회와 기독실업인회의 충남연합회·의정부지회·공주지회 등은 ‘우리암·우리복 선교사 기념사업’을 위해 앞으로도 기념 사업을 함께해 나가고, 선교사 묘역과 선교 유적도 공동 관리해가기로 했다.

조현 종교전문기자 cho@hani.co.kr

연재조현의 휴심정

2022/08/09

Seeing through Zen: Encounter, Transformation, and Genealogy in Chinese Chan Buddhism Mcrae, John R

Amazon.com: Seeing through Zen: Encounter, Transformation, and Genealogy in Chinese Chan Buddhism: 9780520237988: Mcrae, John R.: Books

https://www.scribd.com/read/295627204/Seeing-through-Zen-Encounter-Transformation-and-Genealogy-in-Chinese-Chan-Buddhism







Seeing through Zen: Encounter, Transformation, and Genealogy in Chinese Chan Buddhism Paperback – January 19, 2004
by John R. Mcrae (Author)
3.8 out of 5 stars 19 ratings








See all formats and editions



Kindle
$26.49
Read with Our Free App
Hardcover
$70.94
2 Used from $70.94
Paperback
$30.89
17 Used from $5.7419 New from $25.24


The tradition of Chan Buddhism―more popularly known as Zen―has been romanticized throughout its history. In this book, John R. McRae shows how modern critical techniques, supported by recent manuscript discoveries, make possible a more skeptical, accurate, and―ultimately―productive assessment of Chan lineages, teaching, fundraising practices, and social organization. Synthesizing twenty years of scholarship, Seeing through Zen offers new, accessible analytic models for the interpretation of Chan spiritual practices and religious history.

Writing in a lucid and engaging style, McRae traces the emergence of this Chinese spiritual tradition and its early figureheads, Bodhidharma and the "sixth patriarch" Huineng, through the development of Zen dialogue and koans. In addition to constructing a central narrative for the doctrinal and social evolution of the school, Seeing through Zen examines the religious dynamics behind Chan’s use of iconoclastic stories and myths of patriarchal succession. McRae argues that Chinese Chan is fundamentally genealogical, both in its self-understanding as a school of Buddhism and in the very design of its practices of spiritual cultivation. Furthermore, by forgoing the standard idealization of Zen spontaneity, we can gain new insight into the religious vitality of the school as it came to dominate the Chinese religious scene, providing a model for all of East Asia―and the modern world. Ultimately, this book aims to change how we think about Chinese Chan by providing new ways of looking at the tradition.
Read less

Report incorrect product information.



Print length

224 pages
Language

English
Publisher

University of California Press


Editorial Reviews

About the Author
John R. McRae is Associate Professor of East Asian Buddhism in the Department of Religious Studies at Indiana University.


Product details
Publisher ‏ : ‎ University of California Press; First edition (January 19, 2004)
Language ‏ : ‎ English
Paperback ‏ : ‎ 224 pages
3.8 out of 5 stars 19 ratings

Reviews
“Seeing through Zen’ is a book that will likely provoke students to rethink the way they understand Chan Buddhism, and McRae should be thanked for writing an excellent primer for classes on Zen. . . . The book is splendidly produced, with a full bibliography, and a helpful character glossary.”—George A. Keyworth Journal American Academy Of Religion/ Jaar
“For the teacher, Seeing Through Zen represents a welcome addition indeed! . . . Written in a lively, engaging style, it is sophisticated in its analysis and creative in drawing on analogies from research as far afield as ecology. . . .McRae has done a remarkable job balancing scholarly criteria with accessible presentation. . . . This is a remarkably well written and well conceived work.”—Albert Welter Philosophy East & West
“This book is ideal for anyone seeking an accessible update and a critical reading of the images of Chan history produced by older Western scholarship and by influential Japanese Zen traditions themselves. The book never gets bogged down in the arguments of specialists, instead breezing through highly debated subject matter with a straightforward and refreshingly confident style.”—Eric Reinders, Emory Univ. Religious Studies Review


Table of Contents
List of Illustrations
Preface
Conventions
McRae’s Rules of Zen Studies

1. Looking at Lineage: A Fresh Perspective on Chan Buddhism
2. Beginnings: Differentiating/Connecting Bodhidharma and the East Mountain Teaching
3. Metropolitan Chan: Imperial Patronage and the Chan Style
4. The Riddle of Encounter Dialogue: Who, What, When, and Where?
5. Zen and the Art of Fund-Raising: Religious Vitality and Institutional Dominance in the Song Dynasty
6. Climax Paradigm: Cultural Polarities and Patterns of Self-Cultivation in Song-Dynasty Chan

Notes
Character Glossary
Bibliography
Index


Customer reviews
3.8 out of 5 stars
3.8 out of 5
19 global ratings


Top reviews from the United States


Ken

5.0 out of 5 stars The title of this book may suggest it is meant ...Reviewed in the United States on March 1, 2015
Verified Purchase
The title of this book may suggest it is meant to debunk Zen, but that did not seem to be the intention. I found that it made me more enthusiastic about practice again. Any religion that survives through the centuries has successfully come to support the power structure of its time - in the case of Zen, Japanese feudalism. In a practice so subtle and tinged with such a culture, how do you find the true core of understanding? This book takes us to the time of the religion's introduction into Chinese society and describes the beginnings of political accommodation. To me, it was inspiring and it led me to read more about the early Chinese masters and also about Taoism, and to start developing aspects of self in ways free from overtones of peasant farmer or samurai.

4 people found this helpful

HelpfulReport abuse

James Kenney

4.0 out of 5 stars Well worth reading for a practitioner who has begun to "see through" the veil of what we are taught as studentsReviewed in the United States on October 11, 2015
Verified Purchase
As a long time practitioner of Zen, I found this a refreshing confirmation of what I have increasingly come to accept: that much of what is taught in the Zendo is parochial, historically inaccurate and a distorted version of what Buddha taught. McRae attacks this primarily through his deconstruction of the validity of Chan/Zen lineage charts, and as a consequence, the idea of "transmission" of some "special understanding" is a metaphor for maintenance of authority and structure within Buddhism.
McRae's book is not easy reading, but is well worth it for a practitioner who has begun to "see through" the veil of what we are taught as students, and wishes for "corrective lenses" to help him or her pierce through the idea of authority in Zen Buddhism, whether in the form of our own teacher, or in the form of the stories that have accreted themselves to the practice of Chan meditation over millennia.
While this book could be of use to a scholar of religion, and may well have been intended for such, it can also be helpful for Zen students whose doubts might well lead them to stop practicing. The "content" of Zen is beside the point. Enlightenment is beside the point. The essence of Zen is inner exploration through quiet meditation.

7 people found this helpful

HelpfulReport abuse

Daniel M. Kaplan

4.0 out of 5 stars Zen Students BewareReviewed in the United States on August 9, 2004
Verified Purchase
I didn't get too far into this book before getting pissed off. And that's a GOOD thing! John McRae , as a zen student, has taken on the task of looking at the history and hagiography of zen and tried to sort out fact from fiction, uses of the fiction, implications for practice, and much more. As you read this book, if you are a zen student like I am, you will find some of your most cherished beliefs challenged in regard to zen. I find this a refreshing book. The early part on lineage is particularly interesting as most zen groups I am aware of place heavy emphasis on lineage and "proving" how they are descendant from Shakyamuni himself. This was a very rewarding read and I look forward to reading more by this author on Northern school of Zen.

21 people found this helpful

HelpfulReport abuse

Lily Penny

3.0 out of 5 stars Informative, but a slow readReviewed in the United States on April 20, 2010
Verified Purchase
In this book John McRae intends to write a history of Chan Buddhism in a manner different from his predecessors. He begins with a short list of rules he has come up with for studying Zen. These rules involve reading stories for content instead of truth, being untrusting of lineage assertions, taking facts and details as tell-tale signs of inaccuracy, and reading stories through realism. These rules create the basis for how he will write the rest of the book, and help lead him to his conclusion and main point at the end of the work. He takes the entire book to lead up to his main point, which is finally stated in full in the last chapter, "Climax Paradigm". In this chapter he pieces together all of the history and stories he has told throughout the book to claim that it was in fact the Song-dynasty instead of the Tang (which most writers assert) that was the climax and ultimate stability of Chan.

Not being a scholar on Chan or really any other Asian history, I cannot evaluate McRae's conclusions and assertions based on historical accuracy. I wish to merely look at whether he follows his own rules which he laid out before the book began. For this we will need a good break-down of what he does in his first five chapters, the ones leading up to his argument and conclusion. In chapter one he discusses Chan lineage and how to properly use it to view Chan history. One of his biggest claims in this section is that we must avoid the "string of pearls fallacy" (McRae 9), which means not telling simply in terms of a list of important people and what they did. He says we need to look at the bigger picture of ideas and overall changes.

In the second and third chapters he talks about Chan in different historical time periods and the developments and changes made during those times. He discusses which people were important to that time and what they did. The fourth chapter diverges from this slightly, in that it follows one type of structure in Chan, which is encounter dialogue. He follows this type of practice through the people who developed it, and the ways it was used with each person and time period. In the fifth chapter he discusses "Zen and the Art of Fund-Raising", which really turns out to be a discussion of the political connections that allowed Chan to flourish above other forms of Buddhism in the Song-dynasty.

I think McRae's final chapter did a great job of showing Chan Buddhism and a different light than previous writers (at least based on what he says other writers did). He shows reasons why the Song-dynasty was the peak of Chan's influence, power, and stability with specific reason as well as larger concepts. His argument is well-formed and coherent. My problem, however, is with the first five chapters of the work. For the most part, he does not even follow his own rules when writing. He repeatedly gives specific details in his stories, which he originally claims implies inaccuracy. In addition, he takes the time to explain the "string of pearls fallacy" and then commits this very crime throughout the book. The simple fact is that there is no way to tell a history without talking about the individual important people involved. It seems that he was simply trying to make his book appear different from others at the beginning in order to make his argument at the end stronger. This is unnecessary; his argument is already strong, and he does not to prove himself to anyone by trying to make the rest of his book appear new and innovative as well.

8 people found this helpful

HelpfulReport abuse

L

5.0 out of 5 stars GoodReviewed in the United States on March 11, 2019
Verified Purchase
Good


HelpfulReport abuse

See all reviews



Mafia Queens of Mumbai - Wikipedia

Mafia Queens of Mumbai - Wikipedia



Mafia Queens of Mumbai

Article TalkLanguage
Download PDF
Watch
Edit



Mafia Queens of Mumbai: Stories of women from the ganglands is an Indian 2011 non-fiction crime novel written by Hussain Zaidi with original research by reporter Jane Borges.[1] It tells 13 true stories of women who were involved in criminal activities in Mumbai. Rajkummar Rao, Radhika Apte and Kalki Koechlin provided their voice for its audio book for audible.[2]
Mafia Queens of Mumbai
First edition
Author Hussain Zaidi
Jane Borges
Country India fiction
Crime
Language English
Publisher Tranquebar

Publication date 15 April 2011
Media type Print (paperback, hardback)
Pages 290


Contents




ReceptionEdit

Matt Daniels of Mint wrote, "These are a handful of women who lived fearlessly, and Mafia Queens celebrates their spirit. But the real heroes are Zaidi and Borges, who ventured undaunted into the dark corners of the city to illuminate them."[3] Zara Murao of Hindustan Times reviewed: "It’s hard to tell how much of Mafia Queens is apocryphal, given that each of the 13 stories is pieced together from official documents, case reports and anecdotes from the subject’s family and acquaintances. The account, though, vibrates with drama, intrigue and unexpected pathos."[4]

J. Srinivasan of The Hindu Business Line noted that it was "really fascinating to read how these women slip into different roles so effortlessly and efficiently."[5] Alpana Chowdhury of Daily News and Analysis mentioned, "From the choice of the women they have portrayed, to the racy style of writing, everything is calculated to make the book a page-turner."[6] Kankana Basu of The Hindu felt, "Mafia Queens, by virtue of its very stark simplicity is a revelation, a rare treat for the discerning lover of crime stories."[7]
AdaptationEdit

Director Sanjay Leela Bhansali announced a film titled Gangubai Kathiawadi which is based on the chapter of Gangubai Kothewali from the book.[8] The film, starring Alia Bhatt in the title role, released on 25 February, 2022.[9]
ReferencesEdit
^ "Mafia Queens Of Mumbai: Stories of Women From The Ganglands". Rediff.com. Retrieved 1 July 2020.
^ "Rajkummar Rao: Content is the new entertainment". The Indian Express. 15 November 2018. Retrieved 1 July 2020.
^ Daniels, Matt (8 April 2011). "Mafia queens of Mumbai: The life of gangster girls". Mint. Retrieved 1 July 2020.
^ "Review: Mafia Queens of Mumbai". Hindustan Times. 16 April 2011. Retrieved 1 July 2020.
^ "Done-it-all gangster women". The Hindu Business Line. 19 May 2011. Retrieved 1 July 2020.
^ "'Mafia Queens Of Mumbai' is peppered with titillating details". Daily News and Analysis. 5 June 2011. Retrieved 1 July 2020.
^ "Queens without crowns". The Hindu. 3 September 2011. Retrieved 1 July 2020.
^ "Alia Bhatt begins shooting for Gangubai Kathiawadi, shares pic of her trailer:'Look what Santa gave me this year'". Hindustan Times. 27 December 2019. Retrieved 27 December 2019.
^ "Gangubai Kathiawadi: Alia Bhatt reveals she will start Sanjay Leela Bhansali's film in just few days". Bollywood Hungama. 6 December 2019. Retrieved 16 December 2019.
External linkEditMafia Queens of Mumbai at Goodreads

Gangubai Kothewali - Wikipedia

Gangubai Kothewali - Wikipedia

Gangubai Kothewali

Article TalkLanguage
Download PDF
Watch
Edit


For the film, see Gangubai Kathiawadi.

Gangubai Harjeevandas,[a] better known as Gangubai Kothewali[3][b] or Gangubai Kathiawadi,[3][c] was an Indian social activist, prostitute and madam of a brothel in the Kamathipura area of Mumbai during the 1960s. Gangubai did a lot of work for sex-workers and for the well-being of orphans.[5] She gradually ended up operating her own brothel and is known to also have lobbied for the rights of commercial sex workers.[6]

Gangubai Kothewali

Gangubai Kothewali, a social activist, prostitute and a Madam.
Born
Ganga Harjeevandas

Kathiawar, British India
(present-day Gujarat, India)
Died 8 September 1977[1]

Mumbai, Maharashtra, India
Other names Gangubai Kathiawadi
Occupation
Sex worker
madam


Contents




LifeEdit

She was sold into prostitution at an early age by her suitor, Ramnik Lal, after running away from home to Bombay. She came to be known as the Madam of Kamathipura for being an influential pimp in the city with underworld connections, peddling drugs. Later in life (presumably between 1947–64), she met Jawaharlal Nehru to discuss the plight of sex workers and improve their living conditions.[7][8]

Mafia Queens of Mumbai (2011) by Hussain Zaidi contains information on the lives of thirteen women who influenced Mumbai. In it, Zaidi also gives information about Gangubai. According to this, Gangubai was from a highly educated family and was obsessed with working in films and was a fan of Dev Anand. Gangubai, 16, and her husband Ramnik Lal, 28, fled to Mumbai and got married. Within a few days of the marriage, her husband sold her in a kuntankhana (brothel) for ₹1,000. Reluctantly, Gangubai started working as a prostitute. In a short time, Gangubai became the head of some kuntankhanas. A goon named Shaukat Khan Pathan started exploiting her financially and physically. Gangubai went to the then underworld don Karim Lala to complain about Pathan. Lala assured her of help and was tied a rakhi in return. After this, Shaukat Khan was warned and roughed-up by Lala.

Since then, Gangubai's repute as Karim Lala's supposed sister grew during the 1960s. St. Anthony's Girls' High School, which was established in Kamathipura in 1922, started a campaign to clean up the area of "bad influence". This led to an order to move the brothel. Gangubai vehemently opposed this and effectively presented her case to the then Prime Minister Jawaharlal Nehru and as a result, the brothel was not moved.[citation needed]

During this time Gangubai was also working for various issues of orphans and women in the prostitution business. Gangubai counseled and sent back many young women, who had fled their homes for working in films and got stuck in prostitution. For this reason, everyone used to respectfully call Gangubai Ganga Maa (mother). After her death, her photographs and statues were erected in brothels of the area.[citation needed]
In popular cultureEdit

Her life was documented in the 2011 book, Mafia Queens of Mumbai, by writer and investigative journalist Hussain Zaidi.

The 2022 Indian Hindi-language Netflix film Gangubai Kathiawadi is based on the life of Gangubai Kothewali and a chapter of Zaidi's book, and directed by Sanjay Leela Bhansali with actress Alia Bhatt playing the titular character.[9][10]


NotesEdit
  1. ^ The honorific suffix bai, lit. 'lady', is often added to the names of women in India.[2] The name here itself being Gangu or Ganga.
  2. ^ Kothewali literally means a prostitute. From kotha (brothel) and wali, which showcases her status as the madam of a brothel.[4]
  3. ^ Indicating her origin from Kathiawar (Saurashtra) in western India.
  4. ReferencesEdit
  5. ^ "Gangubai's daughter speaks to outlook". YouTube. Outlook. 3 March 2022. Retrieved 31 March 2022. See 0:22 onwards
  6. ^ McGregor, R. S. (1993). The Oxford Hindi-English Dictionary. DSAL. Oxford University Press. p. 719.
  7. ^ a b Jain, Vaishali (2 May 2022). "Alia Bhatt's Gangubai Kathiawadi earns rave review from Aamir Khan's daughter Ira Khan; read here". India TV News. Retrieved 23 May 2022.
  8. ^ McGregor, R. S. (1993). The Oxford Hindi-English Dictionary. DSAL. Oxford University Press. p. 216.
  9. ^ Taneja, Parina (16 January 2020). "Who is Gangubai Kathiawadi, whose husband sold her at a brothel for Rs 500?". India TV News. Retrieved 4 April 2022.
  10. ^ Shaikh, Zeeshan (23 February 2022). "Explained: Who was Gangubai Kathiawadi? Why is Alia Bhatt's film on her facing legal troubles?". The Indian Express. Retrieved 4 April 2022.
  11. ^ "Know Gangubai Kothewali, The Legendary Brothel Madam Alia Bhatt Will Be Playing In SLB's Next". Desimartini. 22 September 2019. Retrieved 21 January 2020.
  12. ^ "गंगूबाई कोठेवाली-पति ने ₹500 में बेचा था,भंसाली उनपर फिल्म बनाएंगे". Quint Hindi (in Hindi). 25 September 2019. Retrieved 21 January 2020.
  13. ^ "Alia Bhatt begins shooting for Gangubai Kathiawadi, shares pic of her trailer:'Look what Santa gave me this year'". Hindustan Times. 27 December 2019. Retrieved 27 December 2019.
  14. ^ "Who was Gangubai Kathiawadi: The real woman behind Alia Bhatt's latest character". Vogue India. 15 January 2020. Retrieved 21 January 2020.

Film Gangubai Kathiawadi - Wikipedia

Gangubai Kathiawadi - Wikipedia



Gangubai Kathiawadi

Article TalkLanguage
Download PDF
Watch
Edit


For the person, see Gangubai Kothewali.

Gangubai Kathiawadi is a 2022 Indian Hindi-language biographical crime drama film directed by Sanjay Leela Bhansali and produced by Jayantilal Gada and Bhansali. The film stars Alia Bhatt as the titular character while Shantanu Maheshwari, Vijay Raaz, Indira Tiwari and Seema Pahwa play pivotal roles with Ajay Devgn featuring in an extended cameo appearance.
Gangubai Kathiawadi

Theatrical release poster
Directed by Sanjay Leela Bhansali
Screenplay by Sanjay Leela Bhansali
Utkarshini Vashishtha
Dialogue by Prakash Kapadia
Utkarshini Vashishtha
Story by Hussain Zaidi
Produced by Jayantilal Gada
Sanjay Leela Bhansali

Starring
Alia Bhatt
Shantanu Maheshwari
Vijay Raaz
Indira Tiwari
Seema Pahwa
Cinematography Sudeep Chatterjee
Edited by Sanjay Leela Bhansali
Music by Score:
Sanchit Balhara
Ankit Balhara
Songs:
Sanjay Leela Bhansali

Production
companies
Bhansali Productions
Pen India Limited
Distributed by Pen Marudhar Entertainment

Release dates
16 February 2022 (Berlinale)
25 February 2022 (India)

Running time 154 minutes[1]
Country India
Language Hindi
Budget ₹100–160 crore[2][3]
Box office est. ₹209.77 crore[4]


The film is loosely based on the true story of Ganga Jagjivandas Kathiawadi, popularly known as Gangubai Kothewali, whose life was documented in the book Mafia Queens of Mumbai written by S. Hussain Zaidi. The film depicts the rise of a simple girl from Kathiawad who had no choice but to embrace the ways of destiny and swing it in her favour.[5][6][7] Gangubai Kathiawadi premiered at the 72nd Berlin International Film Festival on 16 February 2022, and was released in theatres on 25 February 2022.

Gangubai Kathiawadi garnered widespread critical acclaim with praise drawn to Bhatt's titular performance.[8][9] The film earned ₹209.77 crore globally in its theatrical run and emerged as a commercial success.[10] Gangubai Kathiawadi is the third-highest grossing Hindi film of 2022 so far.[11]

Contents

PlotEdit
Learn more

This section needs an improved plot summary. (March 2022)


A young girl named Madhu is forced into prostitution against her will. She refuses to become a prostitute, so she is tortured by brothel madame Rashmibai. Later, she is suggested to ask Gangubai to persuade Madhu. Gangubai meets Madhu and tells her own story to her.

Born into an affluent family in Kathiawad, Ganga Jagjivandas Kathiawadi, daughter of a barrister aspired to become a Bollywood actress. At the tender age of 16, she eloped with her boyfriend Ramnik Lal to Mumbai as Ramnik promised Ganga a film career under the tutelage of his aunt Sheela. But her whole life turns upside down as he sells her to a brothel owned by Sheela Masi in Kamathipura for Rs 1000 where she forcefully had to start prostitution. She later changes her name to Gangu

While there, she befriends a woman named Kamli. A man named Shaukat Abbas Khan visits the brothel and attacks Gangu. She goes to mafia leader Rahim Lala for justice, and he becomes her sworn brother after he hears her plea. Gangu becomes the madame of her brothel after Sheela Masi dies, renames herself Gangubai, and goes on to become a powerful political figure.

After listening to Madhu, she frees her from the brothel and sends her home safely. Gangubai later falls in love with a young tailor, Afsaan Razzaq who also loves her. But she gets him married to Roshni, daughter of a fellow prostitute Kusum to save Roshni from prostitution as she can't marry Afsaan due to her being a sex worker. 

She runs in the Kamathipura presidential elections against Razia and wins after showing movies during Razia's speech to draw people away. In this new role, she advocates for women's rights. While in office, Gangubai calls her family for the first time in 12 years and finds out that her father has died and her mother has not forgiven her for running away. 

Later, Gangubai finds out that a Ward secretary intends for everyone in Kamathipura to be vacated during a meeting with Rahim Lala. The secretary wishes to build skyscrapers in the neighbourhood with the support of a school which accuses Kamathipura of being a site of immorality. Rahim Lala rejects the secretary's deal and warns Gangubai to prepare to be sued and brought to court. 

Gangubai walks into a meeting with a journalist and school principal with the children of the brothel. There, she offers five years' fees for all 8 girls and states that children from a brothel deserve an education. The girls are enrolled in front of the journalist, Mr. Faizi. However, the children are hit and thrown out of the school on their first day. At the same time, Kamli suffers an intense illness after giving birth and dies. Gangubai takes in Kamli's child, Pammi. 

Mr. Faizi prepares a speech on education for prostitutes for Gangubai to read at a rally, but she does not follow the script. Instead, she asks the audience why prostitutes are the target of discrimination when they do not discriminate when providing services. Plus, she says that she will fight for prostitutes' children to receive an education and for prostitutes to be given respect in society. After her speech goes viral, Gangubai receives Mr. Faizi and a local politician in her brothel. 

The politician asks for her votes and informs her that the school which wants her brothel vacated has submitted a petition to the Supreme Court. Gangubai prepares a trip to New Delhi to meet with the Prime Minister, Jawaharlal Nehru. Gangubai asks the Prime Minister to legalize prostitution, but he refuses. After discussion, the Prime Minister eventually agrees to set up a committee on the matter. He also agrees to block the brothel and Kamathipura from being vacated. While prostitution was not legalized, Kamathipura celebrates its continued existence thanks to Gangubai Kathiawadi.


CastEdit

Alia Bhatt as Ganga Jagjivandas Kathiawadi aka Gangubai Kathiawadi, a female mafia don and madame of a brothel in Kamathipura
Ajay Devgn as Rahim Lala, a don and Gangubai's sworn brother (extended cameo;character based on Karim Lala).[12]
Shantanu Maheshwari as Afsaan Badr-ur-Razzaq
Vijay Raaz as Raziabai
Indira Tiwari as Kamli
Seema Pahwa as Sheela Maasi
Varun Kapoor as Ramnik Lal [13]
Jim Sarbh as Journalist Hamid Fezi
Rahul Vohra as Prime Minister (character based on Jawaharlal Nehru)[14]
Anmol Kajani as Birju
Prashant Kumar as Badri
Raza Murad as Lala's Guest
Chhaya Kadam as Rashmibai
Mitalee Jagtap as Kusum
Pallavi Jadhav as Rama
Kruti Saxena as Nimmi
Sonal Sagore as Banno
Lata Singh as Lata
Ekta Shri as Ekta
Abhirami Bose as Abhirami
Chum Darang as Chum
Baldev Trehan as Tailor
Jahangir Khan as Shaukat Abbas Khan
Faiz Khan as Liaquat
Rakesh Bhavsar as jugunu
Roshan chatterjee as pinku
Huma Qureshi as Dilruba, a Qawali singer (in a special appearance in the song "Shikayat")[15]
ProductionEdit
DevelopmentEdit

The news about an adaptation of one of the chapters of Hussain Zaidi's book Mafia Queens of Mumbai first came out in June 2017 with Priyanka Chopra attached to star as the leading character.[16] The film's earlier title was Heera Mandi.[17] In March 2019, Chopra confirmed that she was working on a project with Bhansali, who also confirmed that he was making Gangubai Kathiawadi with Chopra.[18] However, in September 2019, media reported that Alia Bhatt, who was supposed to do a different film, titled Inshallah, by Bhansali was going to replace Chopra after Inshallah got shelved.[19] Principal photography begun in Film City,[20]Mumbai on 27 December 2019.[21][22]
CastingEdit

The film marks the Bollywood debut of television personality Shantanu Maheshwari, who portrays Gangubai's boyfriend Afsaan.[23] and TV actor Varun Kapoor to debut as the grey role of Ramnik Lala.[24]
FilmingEdit

Production was put on hold in March 2020 due to the lockdown ordered by the Indian government owing to the COVID-19 pandemic, when the film was 70% complete.[25] Bhatt resumed work on 6 October 2020, and Ajay Devgn who is playing a cameo joined sets on 27 February 2021.[26] The film was wrapped up on 26 June 2021.[27][28][29]
SoundtrackEdit
Gangubai Kathiawadi
Soundtrack album by
Sanjay Leela Bhansali
Released 18 February 2022[30]
Recorded 2021
Studio Sonic Bliss Studio
Genre Feature film soundtrack
Length 45:20
Language Hindi & Telugu
Label Saregama Music
Sanjay Leela Bhansali chronology

Malaal
(2019) Gangubai Kathiawadi
(2022) TBA


Official audio
Gangubai Kathiawadi - Full Album on YouTube


The music of the film is composed by Sanjay Leela Bhansali with lyrics written by A. M. Turaz, Kumaar and Bhojak Ashok "Anjam".[30] The Hindi version of the chours singer includes Tarannum Jain, Dipti Rege, Aditi Pradhudesai, Aditi Paul, Kalpana, Ruchna, Pragti.[31]


All music is composed by Sanjay Leela Bhansali.
Hindi VersionNo.TitleLyricsSinger(s)Length
1. "Meri Jaan" Kumaar Neeti Mohan 3:58
2. "Dholida" Kumaar, Bhojak Ashok "Anjam" Janhvi Shrimankar, Shail Hada 2:59
3. "Jab Saiyaan" A. M. Turaz Shreya Ghoshal 4:07
4. "Shikayat" A. M. Turaz Archana Gore 4:09
5. "Muskurahat" A. M. Turaz Arijit Singh 4:37
6. "Jhume Re Gori" Kumaar Archana Gore, Tarannum Jain, Dipti Rege, Aditi Pradhudesai 2:50
Total length: 22:40


The Telugu version of the chours singer includes Sahithi Komanduri, P. Sathya Yamini, Harini Ivaturi, Aswhini Chepuri, V. Pavani.[32]


All lyrics are written by Chaitanya Prasad.
Telugu Track listingNo.TitleSinger(s)Length
1. "Meri Jaan - Telugu" Neeti Mohan 3:58
2. "Dhole Ra" Uma Neha, Saketh Komanduri 2:59
3. "Chelikaade" Deepthi Parthasarathy 4:07
4. "Sukhamulone Untu" Kalpana Raghavender 4:09
5. "Navvunu Aapaku" Vijay Prakash 4:37
6. "Aadene Pori" Sahithi Komanduri, P. Sathya Yamini, Harini Ivaturi, Aswhini Chepuri, V. Pavani 2:50
Total length: 22:40

ReleaseEdit
TheatricalEdit

Gangubai Kathiawadi had its premiere on 16 February 2022 at 72nd Berlin International Film Festival,[33][34] at the Berlinale Speciale Gala Section.[35][36] The film was released in cinemas on 25 February 2022.[37] Earlier, the film was scheduled for release on 30 July 2021 but it was postponed due to the rising cases and second wave of the COVID-19 pandemic.[38] It was then scheduled for worldwide release in theatres on 6 January 2022 but to avoid clash with S. S. Rajamouli's RRR, the release has been changed to 18 February.[39] Later, the date was pushed back by a week to release on 25 February 2022.[40]

The film was released in Hindi along with the Telugu-language dubbed version.[41]
Home mediaEdit

The film is now streaming on Netflix from 26 April 2022.[42] In June 2022, the film became the most-watched Indian film on Netflix.[43]
ReceptionEdit
Box officeEdit

Gangubai Kathiawadi earned ₹10.50 crore at the domestic box office on its opening day. On the second day, the film collected ₹13.32 crore. On the third day, the film collected ₹15.30 crore, taking total domestic weekend collection to ₹39.12 crore.[10]

As of 14 April 2022, the film grossed ₹153.69 crore in India and ₹55.56 crore overseas, for a worldwide gross collection of ₹209.25 crore, recovering its budget and emerging as commercially successful.[10] The film grossed over ₹209.77 crore (US$26 million) worldwide, becoming the third highest grossing Hindi films of 2022.[44] Bollywood Hungama and Box Office India stated that the film's box-office verdict as "hit."[45][46][47]

Additionally, it also became Bhatt's second women-driven film to earn more than ₹100 crore after Raazi (2018), making Bhatt the first Indian actress to have two women-driven films enter the ₹100 crore club.[48]


Critical response

Gangubai Kathiawadi received critical acclaim with praise towards the performance of Bhatt, visuals and Bhansali's direction.[49][50][51] Sushri Sahu of Mashable gave the film a rating of 4.5/5 and wrote "Sanjay Leela Bhansali's 'Gangubai Kathiawadi' starring Alia Bhatt, Ajay Devgn and others is an absolute crowd-puller.[52] Mugdha Kapoor Safaya of DNA India gave the film a rating of 4/5 and wrote “The film's narrative is such that you will empathise with Gangu, root for her and cheer for her with every small victory, but never pity her.”[53] 

Jagadish Angadi of Deccan Herald gave the film a rating of 4/5 and wrote "Alia Bhat as Gangubai is exceptionally brilliant.The linear storytelling effectively highlights multiple conflicts of Gangubai.[54] 

Wendy Ide of The Guardian gave the film a rating of 4/5 and wrote "The hard-hitting story of a sex worker who rises through the ranks of 60s gangland Mumbai is powered by a magnetic performance from Alia Bhatt".[55]

Ronak Kotecha of the Times of India gave a rating of 3.5/5 and wrote “With whatever is packed into this drama, there are enough moments that will draw you into this world where nights seem endless and the lights never fade.”[56] 

Saibal Chatterjee of NDTV gave the film a rating of 3.5/5 and wrote "The visually sumptuous character study, more baroque than 1950s Bombay, is at once sweeping and intimate".[57] 

Tushar Joshi of India Today gave a rating of 3.5/5 and wrote "Gangubai Kathiawadi’s camera work, background score and dialogues are the three pillars that take it from being just another gutsy biopic to a film that creates a massive impact. Gangubai is a solid risk for both Bhansali and Alia. A risk that pays off beautifully for both the director and his muse".[58] 

Prathap Nair of Firstpost gave a rating of 3.5/5 and wrote "Written by Bhansali and Utkarshini Vashishtha, it flips the narrative by handing out extraordinary concessions to the female lead at its heart, not entirely a frequent occurrence in Bollywood".[59] 

Bollywood Hungama gave the film a rating of 3.5/5 and wrote "Alia Bhatt starrer Gangubai Kathiawadi is a powerful saga and is embellished with terrific moments and a career best performance by Alia Bhatt. At the box office, it has bright chances to score with the multiplex and female audiences".[60] 

Stutee Ghosh of The Quint gave the film a rating of 3.5/5 and wrote "Gangubai Kathiawadi is a Sanjay Leela Bhansali canvas and a complete Alia Bhatt show".[61]

Sukanya Verma of Rediff gave the film a rating of 3.5/5 and wrote "Something in Alia has surely changed after Gangubai.Her entire performance is about proving to herself and not to the world what she can do, feels Sukanya Verma".[62] 

Sanjana Jadhav of Pinkvilla gave the film a rating of 3.5/5 and wrote "Alia Bhatt and the cast performance, Bhansali's visuals and a sneak peek into this brutal world makes it a definite watch".[63] 

Devesh Sharma of Filmfare gave the film a rating of 3.5/5 and wrote " SLB has again given us a film which keeps us glued to our seats for close to three hours".[64]

Shubhra Gupta of The Indian Express gave the film a rating of 3/5 and wrote "Sanjay Leela Bhansali’s latest is the kind of old-fashioned dialogue-heavy, sentiment-on-sleeve film which Bollywood is forgetting how to make".[65] 

Monika Rawal Kukreja of The Hindustan Times wrote "Alia Bhatt...has given a superlative performance as Gangubai".[66] 

Anuj Kumar of The Hindu wrote "This is easily Bhansali at his best as he has been able to marry craft with content; here, he attempts a Pakeezah for the millennials and almost succeeds".[67] 

Sonia Dedhia of News18 wrote "Alia Bhatt practically disappears into the character of Gangubai Kathiawadi. There's a hard-to-miss intensity in her eyes, and tenacity in her voice".[68]


AccoladesEdit

AwardDate of the ceremonyCategoryRecipientsResultRef.Indian Film Festival of Melbourne 14 August 2022 Best Film Sanjay Leela Bhansali Pending [69]
Best Director Sanjay Leela Bhansali Pending
Best Actress Alia Bhatt Pending

ReferencesEdit
^ "Gangubai Kathiawadi". British Board of Film Classification. Retrieved 17 February 2022.
^ "Alia Bhatt got paid a whopping Rs 20 crore for Gangubai Kathiawadi. How much did Ajay Devgn make?". India Today. Retrieved 19 July 2022. Gangubai Kathiawadi was created on a huge budget of Rs 100 crore which included the stunning set design and an amazing star cast.
^ "Decoding the economics of Gangubai: When will this Sanjay Leela Bhansali & Alia Bhatt film be a HIT?". Pinkvilla. Retrieved 28 February 2022. however the delay in release resulted in the budget going up to Rs 160 crore.
^ "Gangubai Kathiawadi Box Office". Bollywood Hungama. Retrieved 6 April 2022.
^ "Alia Bhatt begins shooting for Gangubai Kathiawadi, shares pic of her trailer: 'Look what Santa gave me this year'". 27 December 2019. Retrieved 27 December 2019.
^ "Alia Bhatt commences the shoot for Sanjay Leela Bhansali's Gangubai Kathiawadi!". Bollywood Hungama. 29 May 2020. Retrieved 29 May 2020.
^ "BREAKING: It's Alia Bhatt vs Prabhas as Gangubai Kathiawadi to take on Radhe Shyam at the box-office on July 30". Bollywood Hungama. 25 February 2021. Retrieved 25 February 2021.
^ "Brilliant, Unmissable: Film critics, Bollywood celebs hail Alia's performance in Gangubai Kathiawadi, calls 'career's best performance'". The Financial Express. 26 February 2022. Retrieved 3 August 2022.
^ "Gangubai Kathiawadi first reviews out, Alia Bhatt-starrer hailed for 'storytelling killer instinct', 'great cast'". Hindustan Times. 24 February 2022. Retrieved 3 August 2022.
^ a b c "Gangubai Kathiawadi Box Office". Bollywood Hungama. Retrieved 20 March 2022.
^ "Bollywood Top Grossers Worldwide". Bollywood Hungama. 3 August 2022. Retrieved 3 August 2022.
^ "SCOOP: Ajay Devgn allots 10 days to Sanjay Leela Bhansali for Gangubai Kathiawadi; to play Karim Lala". Bollywood Hungama. 8 February 2021. Retrieved 10 February 2021.
^ "TV Actor Varun Kapoor To Make His Bollywood Debut With Alia Bhatt Starrer Gangubai Kathiawadi". filmibeat. October 2021. Retrieved 4 October 2021.
^ "Gangubai Kathiawadi gets UA certificate with four cuts, scene featuring PM Nehru modified". Hindustan Times. 23 February 2022.
^ "Huma Qureshi to have a special dance number in Sanjay Leela Bhansali's Gangubai Kathiawadi". Bollywood Hungama. 27 December 2020. Retrieved 26 June 2021.
^ "Priyanka Chopra to star in film based on S Hussain Zaidi's book about lady dons?". Firstpost. 22 June 2017. Retrieved 31 July 2020.
^ "EXCLUSIVE: Priyanka Chopra signs Sanjay Leela Bhansali's HEERA MANDI? (details inside)". Bollywood Hungama. 2 December 2018. Retrieved 31 July 2020.
^ "Sanjay Leela Bhansali confirms working with Priyanka Chopra in Gangubai". India Today. 20 March 2019. Retrieved 31 July 2020.
^ "Alia Bhatt replaces Priyanka Chopra?". Deccan Chronicle. 24 September 2019. Retrieved 31 July 2020.
^ "shooting". Indian Express.
^ "EXCLUSIVE: Priyanka Chopra signs Sanjay Leela Bhansali's HEERA MANDI? (details inside)". Bollywood Hungama. 2 December 2018. Retrieved 31 July 2020.
^ "Alia Bhatt begins shooting for Gangubai Kathiawadi, shares pic of her trailer: 'Look what Santa gave me this year '". Hindustan Times. 27 December 2019. Retrieved 27 December 2019.
^ "Sanjay Leela Bhansali confirms working with Priyanka Chopra in Gangubai". India Today. 20 March 2019. Retrieved 31 July 2020.
^ "Gangubai Kathiawadi: Swaragini actor Varun Kapoor announces his film debut with the Sanjay Leela Bhansali film". Bollywood Life. October 2021. Retrieved 25 January 2022.
^ "Alia Bhatt replaces Priyanka Chopra?". Deccan Chronicle. 24 September 2019. Retrieved 31 July 2020.
^ "Alia Bhatt-Sanjay Leela Bhansali's 'Gangubai Kathiawadi' back on floors, resumes night shooting". DNA India. 6 October 2020.
^ "Alia Bhatt completes 'Gangubai Kathiawadi'; Bhansali to start 'Heera Mandi' on the same floor". The Times of India. 26 June 2021. Retrieved 27 June 2021.
^ "Alia Bhatt wraps up Gangubai Kathiawadi, calls working with Sanjay Leela Bhansali a 'life changing experience'". Hindustan Times. 26 June 2021. Retrieved 27 June 2021.
^ "Alia Bhatt's Gangubai Kathiawadi wraps filming: 'A gigantic life-changing experience'". The Indian Express. 26 June 2021. Retrieved 27 June 2021.
^ a b "Gangubai Kathiawadi – Original Motion Picture Soundtrack". Jiosaavn. 10 February 2022.
^ Gangubai Kathiawadi | Sanjay Leela Bhansali | Alia Bhatt | Audio Jukebox | Ajay Devgn, retrieved 22 April 2022
^ Gangubai Kathiawadi - Telugu Audio Jukebox | Sanjay Leela Bhansali | Alia Bhatt | Ajay Devgn, retrieved 22 April 2022
^ "Gangubai Kathiawadi". www.berlinale.de. Retrieved 20 February 2022.
^ "Alia Bhatt is back to the bay from Berlinale". The Times of India. 20 February 2022.
^ "First Films Confirmed for the Berlinale Special". Berlinale. 15 December 2021. Retrieved 15 December 2021.
^ "Sanjay Leela Bhansali and Pen Studios to present Alia Bhatt starrer Gangubai Kathiawadi at the 72nd Berlin International Film festival". Bollywood Hungama. 15 December 2021. Retrieved 16 December 2021.
^ "Alia Bhatt and Sanjay Leela Bhansali's Gangubai Kathiawadi to release on February 25, 2022". Bollywood Hungama. 28 January 2022. Retrieved 28 January 2022.
^ "BREAKING: It's Alia Bhatt vs Prabhas as Gangubai Kathiawadi to take on Radhe Shyam at the box-office on July 30". Bollywood Hungama. 24 February 2021. Retrieved 24 February 2021.
^ "Gangubai Kathiawadi to release on February 18 next year, avoids clash with RRR". Indulgexpress.com. 18 November 2021.
^ "Alia Bhatt's Gangubai Kathiawadi postponed by a week, to hit theatres on February 25". Hindustan Times. 28 January 2022.
^ "Alia Bhatt starrer Gangubai Kathiawadi to get an official release in Telugu; teaser to release with Pawan Kalyan's Vakeel Saab in theatres". Bollywood Hungama. 9 April 2021. Retrieved 27 June 2021.
^ "Alia Bhatt starrer Gangubai Kathiawadi to stream on Netflix from April 26". Bollywood Hungama. 20 April 2022. Retrieved 22 April 2022.
^ "Alia Bhatt's 'Gangubai Kathiawadi' Becomes Most Watched Indian Film On Netflix". SheThePeople.TV. 3 June 2022. Retrieved 3 August 2022.
^ "Gangubai Kathiawadi Box Office". Bollywood Hungama. Retrieved 6 April 2022.
^ "India Box Office - Alia Bhatt Hit Movies List". Bollywood Hungama. 3 August 2022. Retrieved 3 August 2022.
^ "Women's Day Special: Alia Bhatt doesn't need a hero to give a Rs. 100 crore hit, women audience can make a film a HIT - Analyzing the trends in the SUCCESS of Alia Bhatt's Gangubai Kathiawadi". Bollywood Hungama. 8 March 2022. Retrieved 3 August 2022.
^ "Gangubai Kathiawadi Emerges A HIT". Box Office India. 28 February 2022. Retrieved 3 August 2022.
^ "Post-Gangubai Kathiawadi, why Alia Bhatt is the new undisputed queen of Bollywood". India Today. 13 March 2022. Retrieved 3 August 2022.
^ "Gangubai Kathiawadi out on OTT: When and where to watch the Alia Bhatt movie". The Indian Express. Retrieved 19 July 2022. The movie garnered critical and commercial acclaim post its release., critics lapped up Bhatt’s central and grounding performance in an otherwise loud and dramatic movie.
^ "Gangubai Kathiawadi: Critics Review By Taran Adarsh, Komal Nahta, Joginder Tujeja and Other". Filmyhype. 25 February 2022. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Review: Check the Movie Critics, Bollywood Actors and Netizens Reaction to Sanjay Leela Bhansali and Alia Bhatt film". JagranTv. Retrieved 28 February 2022.
^ "'Gangubai Kathiawadi' Review: Come For The Sanjay Leela Bhansali Show, Stay For Alia Bhatt's Whistle-Worthy Act". Mashable. 25 February 2022. Retrieved 28 February 2022.
^ "'Gangubai Kathiawadi' movie review: Alia Bhatt owns the screen, delivers her best performance yet". DNA India. 25 February 2022. Retrieved 25 February 2022.
^ "'Gangubai Kathiawadi' movie review: Sensible portrayal of darkness, survival, existence, battle". Deccan Herald. 25 February 2022. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi review – gutsy Indian true crime drama". The Guardian. 27 February 2022. Retrieved 1 March 2022.
^ "Gangubai Kathiawadi Movie Review : A visual treat, but there's a lot about Gangu's story left to be told". Times of India. 25 February 2022. Retrieved 25 February 2022.
^ "Gangubai Kathiawadi Review: Alia Bhatt Puts Doubts To Rest With Marvellously Lively Performance". NDTV. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Movie Review: Alia Bhatt's biggest career risk pays off". India Today. 25 February 2022. Retrieved 25 February 2022.
^ "Gangubai Kathiawadi first impression: Sanjay Leela Bhansali directorial is worth every pandemic-fatigued film lover's salt". Firstpost. 25 February 2022. Retrieved 25 February 2022.
^ "Movie Review: Gangubai Kathiawadi is a powerful saga that boasts of a career best performance by Alia Bhatt. The film has the potential to bring audiences back to the theatres". Bollywood Hungama. Retrieved 28 February 2022.
^ "'Gangubai Kathiawadi' Review: Alia Bhatt in One of Her Finest Performances". The Quint. 25 February 2022. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Review". Rediff. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Review: Alia Bhatt owns the show in Sanjay Leela Bhansali's ruthless world". Pinkvilla. 25 February 2022. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Movie Review". Filmfare. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi movie review: Alia Bhatt makes this Sanjay Leela Bhansali spectacle real". The Indian Express. 27 February 2022. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi movie review: Alia Bhatt shines in Sanjay Leela Bhansali's tale of pain and rage turned into victory". The Hindustan Times. 25 February 2022. Retrieved 28 February 2022.
^ Kumar, Anuj (25 February 2022). "'Gangubai Kathiawadi' movie review: Alia Bhatt shines in Sanjay Leela Bhansali's eloquent take on sex workers". The Hindu. Retrieved 28 February 2022.
^ "Gangubai Kathiawadi Movie Review: Alia Bhatt Puts Up Brilliant Act in Sanjay Leela Bhansali Film". News18. 25 February 2022. Retrieved 28 February 2022.
^ "Alia Bhatt's Gangubai Kathiawadi, Ranveer Singh's 83 bag nominations at IFFM 2022. Full list here". India Today. 2 August 2022. Retrieved 3 August 2022.
External linksEditGangubai Kathiawadi at IMDb
Gangubai Kathiawadi at Bollywood Hungama
Gangubai Kathiawadi at Rotten Tomatoes

세상의 기원 - 유머/움짤/이슈 - 에펨코리아

세상의 기원 - 유머/움짤/이슈 - 에펨코리아

세상의 기원

조회 수 22508 추천 수 9 댓글 4
세상의 기원

귀스타브 쿠르베의 작품으로 현재는 파리의 오르셰 미술관에 잇음


==

==

==