Arrived at the Ridels* on the Esplanade, as she had, at
last, on that ^^nd of September, Charlotte Kesiner found
no difficulty in explaining and excusing her certainly
immoderate delay. Once on the spot, at length received
into the arms of her youngest sister, with the husband
standing by, his face alight with pleasure, she was dis-
pensed from further accounting for the events that had
cost her the forenoon and even part of the afternoon as
well. Only in the succeeding days, in private talk and
from occasion to occasion, did she partly volunteer and
partly relate in answer to questions some account of that
morning*s interviews. Even the invitation for the third
following day, brought by the last of her visitors, she
remembered only after the lapse of hours. Then, cer-
tainly, she was not behindhand in urging upon her family
their assent to the letter of acceptance she addressed,
after her arrival, to the famous house on the Frauenplan.
“I thought not last,” said she to her brother-in-law,
”and perhaps even first, of you in the matter. I see no
reason for not taking advantage of connections useful
to one*s relatives, however antiquated they may be.”
The Privy Councillor of the Finance Board, that is,
aspired to the position of head of the ducal Finance
Chamber; largely because since the days of the French
invasion he was without private means and dependent
upon his salary, and a considerable increase to the latter
would accrue with the new position. He smiled grate-
fully. In fact, this was not the first time that the friend
of his sister-in-law’s youth had favoured his advance in
life. Goethe esteemed him. The young Flamburgcr had
been tutor in a count*s family, and Goethe had got for
him the same office for the young Hereditary Piincess of
the Saxe-Weimar house. He had held it for some years.
283
284 LOTTE IN WEIMAR
In the salon of Madame Schopenhauer he had often been
in the company of the poet, but never, so far, in the
famous house; the occasion afforded by Chariotie’s
presence was thus more than welcome.
The Ridels received that same evening a written invi-
tation to dinner at the Frauenplan. But in the following
days the affair was glanced at only lightly; it was as
though it was hardly in the family's mind, and men-
tioned, if at all, with a certain cursoriness of attention.
Only the married pair were bidden, not their daughter;
and this, as well as the indication that dress should be
worn, suggested that the party was not merely a family
one. The fact was touched on in talk; then came a slight
pause, as though to weigh whether this \kqtc a pleasur-
able occasion or no; then the subject shifted again.
The sisters had been so long parted, and the medium
of letters been so inadequate to bridge the gap, that
there was much to talk of from both sides. Children,
brothers and sisters, and brothers and sisters' children
must have their doings and their present status can-
vassed. They had to mourn for many a member of the
little group that had pressed around Lotte as she cut the
bread and thus received a blithe poetic immortality.
Four sisters had already passed away, the first to go being
the eldest, Friederike, Hofratin Diet/, leaving behind her
five sons, all of them in excellent positions in the courts
or the magistracy. The fourth sister, Sophie, had died
unmarried, now eight years gone, in the house of her
brother George, a very fine man. Charlotte, despite an
expressed wish from another quarter, had named her
eldest son after him. He had married into a wealthy
Hannover family and succeeded his father, on the death
of the elder Buff, in the official position at Wetzlar,
where he gave general satisfaction.
All together, the masculine portion of that immortal-
ised little troop had proved themselves more tenacious,
more capable of life, than had the feminine — always
excepting the two old ladies who now sat in Amalie
Ridel's sitting-room and over their sewing discussed past
and present events. The eldest brother, Hans— -the same
who had been on so cordial a footing with Dr. Goethe
CHAPTER EIGHT 585
and had such exuberant and childlike joy in the \V eriher
book on its arrival — Hans was director of finances for
Count von Solms-Rodelheim, a respected and ^veil-
re warded post. Wilhelm, the second, was a lawyer;
another, Fritz, a captain in the Dutch army. Amid the
rattle ol wooden needles or the pricking of embroidery,
the sisters spoke of the Brandt girls, Annchen aird the
junoesque Dorthel. Had aught been heard of them?
Yes, now and then. The black-eyed Dordiel had not
accepted the circumspect wooing oi that Councillor Celia
of yore, though it had not gone unremarked in the lively
circle — in particular a certain young student, himself
susceptible to the charms of black eyes, had made rather
rudely meiry over it. She had chosen instead a physician.
Dr. Hessler, and after his early death had now tor a long
time been housekeeper to a brother in Bamberg. Ann-
chen had been Frau Councillor Werner for live-and-
thirty years; and a third sister, Thekla, had entered on a
satisfying existence at the side of Wilhelm Buff.
All these, living and dead, came to mention. But
Charlotte grew truly animated, the delicate pastel tint
that so became her visited her cheek and she had to check
the nodding tendency of her head, only when her own
sons were the theme; men themselves now in the forties,
with such dignified careers as Theodor, the professor of
medicine, and August, the Councillor to the Legation.
Their visit to the friend of their mother’s youth at the
“Tannery” was once more referred to; ail together, the
name of the mighty neighbour — a name so loftily remote,
yet so inwoven with the life and lot of this whole family
circle since its early days — crept anon, though seemingly
shunned, into the sister’s talk. For instance, Charlotte
recalled a journey she had made with Kestner, forty
years ago, from Hannover to Wetzlar, when they had
stopped off to pay a call on the mother of their whilom
friend. They had got on so famously, the Frau Coun-
cillor and the youthful pair, that she had claimed the
privilege of standing godmother to the youngest Kestner
girl. The man who once had said he would dearly love
to hold each child, as it came, over the christening font
was at the time in Rome. The mother had just been
•j86 LOTTE IN WEIMAR
surprised by a brief intelligence of his visit there, and
now betrayed her inward pride by descanting at length
upon her extraordinary son. Lotte remembered her
words and now retailed them to her sister. How fruitful,
Frau Aja had cried, how advantageous, how highly
rewarding must be such a sojourn to a man of such keen-
eyed vision for all that was good and great — how rich in
blessing, not alone for him, but also for all those privi-
leged to live in his sphere and under his spell! It had
fallen to this mother’s lot to celebrate loudly and openly
the good fortune of those lucky ones belonging to the
circle of her own son. She load quoted the words of a
friend, the deceased Frau Klettenberg; *‘When your
Wolfgang comes to Mainz, he brings more than others
from Paris or London/' The proud and happy mother
said he had promised her, in her letter, to visit her on his
homeward way. Then he must tell all his experiences
down to the very last straw; friends would be asked to
the house, there would be splendid, lordly entertainment,
game and roast and fowl would be as the sands of the sea.
Probably nothing came of all that, Amalie Ridel sur-
mised; and her sister, who thought she had heard thc‘
same, turned the talk back on her own sons: they had
been brought up to be dutiful and make due and regular
visits, she said, taking occasion in her turn to sing the
praise of her own.
She probably was aware that such talk in time grew
tedious to her sister. And so, since they wmuld naturally
consider the matter of their toilets for the coming event,
Charlotte privily revealed the jest she proposed: the
choice of a frock on the model of the volpertshausen
ball-gown, with subtraction of the pink bow. It came up
when she inquired of her younger sister's plans, and then,
being asked in turn, first shrouded her own in smiling,
smirking, hesitant silence, then finally came out with her
literary, suggestive little joke. Moreover, she secured
herself beforehand against her sister's judgment, by
demanding her censure of young Lotte's cold and critical
strictures upon the idea. So that it meant little to have
Amalie say she found it charming—with a facial expres-
sion not actually in accord with her words. She even
CHAPTER EIGHT :?87
added, as it were consolingly, that in case the master of
the house did not remark the allusion, one or other of
his family would surely do so and call his notice. She did
not enlarge further upon the subject.
So much anent the discourse of the reunited sisters. It
is certain that the first few days of Charlotte Buff's
sojourn in Weimar were passed in the bosom of the
family. Society, however curious it might be, had to wait
for her appearance; the public glimpsed her on the short
walks she took with the Frau Kammerrat through the
rural little city and the park, to the Templars* house,
the Lauterquelle, and the Klause; very likely too as she
was fetched at evening by her maid and returned to the
inn on the square, accompanied from the Esplanade by
her daughter and perhaps by Dr. Ridel as well. She was
often recognised — if not immediately in her own person,
then by inference from her company; often, proceeding
onwards with the blue eyes directed in mild hauteur
straight before her face, she was perforce made aware that
people passed her with suddenly lifted brows and a smile,
then shuffled and turned round behind her back to stare.
She had a stately and dignified way of returning saluta-
tions meant for her companions but improving the
occasion to include her as well. It was almost majestic,
and much remarked.
So came on the day, or the afternoon, mentioned with
such reserve beforehand, awaited, indeed, with silent
constraint: the day of the command invitation. The
hired coach stood before the door; Ridel had bespoken it
out of respect for the ladies* toilets and his own shoes, if
also in part for the occasion as well, since this momentous
day of the 25th of September threatened rain. The
family had partaken, late in the forenoon and with scant
appetite, of a cold second breakfast; they mounted the
coach towards half past two, under the eyes of a half-
dozen inquisitive provincials who had gathered, as for
a wedding or a funeral, round the waiting hackney-
carriage, to question the driver on the goal of the drive.
On such occasions the admiration of the gaping crowd
for the actual participants in the function is mostly
equalled by the envy of the latter for the free and easy
outsiders m their everyday clothes. And the outsiders
too are privately aware of their own good luck; so that on
both sides there is a mixture of leelings: on the one
condescension mingles with an unexpressed “You lucky
beggars!’' And on the other admiration with malicious
satisfaction.
Charlotte and her sister took the well of the coach.
Dr. Ridel, his top hat on his knees, in tails, with white
neckerchief and the fashionable padded shoulders, a
small cross and two medals on his chest, with his niece by
his side, filled the hard back bench. Scarce a word was
exchanged on the brief drive along the Esplanade, and
through the Frauen thorstrasse to the Frauenplan. On
such occasions there mostly obtains a certain remission of
individual animation, a state of inward preparation like
that behind the scenes of a theatre; and here there were
special circumstances to becloud or lower the general
mood.
The married couple respected Charlotte’s silence.
Four-and-forty years. They thought of them with feel-
ings of sympathy, now and then nodding and smiling
at their dear one, even touching her caressingly on the
knee, a gesture giving her opportunity to nod back and
thus to disguise or justify that intermittent and touching
sign of age, the trembling of her head, sometimes so
strongly apparent, again scarcely present at all. Anon
they stole glances at their niece, sitting there in a
deliberate and obvious aloofness from the whole under-
taking almost amounting to a reproach. Y’oung Lotte’s
sober, virtuous, and self-sacrificing course of life made
her a person to be respected, her satisfaction or dis-
satisfaction weighed in the scale; thus the straight line
formed by her firmly closed lips played its part in the
general tendency to silence within the coach. That her
severity concerned the misguided apparel of her mother,
now concealed beneath a black wrap, they were all
aware; Charlotte most clearly of all, and that single
phrase of approval from her sister had not been enough
to reassure her of the excellence of her little idea. More
than once she had lost heart for it herself, and only
stuck by it out of obstinacy, having once conceived it.
CHAPTER EIGHT 289
She told herself, to her own consolation, that it had
taken very little to summon up that long-ago picture,
since everyone knew she always wore white by preference
and had a perfect right to do so now; only the pink bows
and the absence of the breast-knot betrayed the school-
girl trick she meant to play. She sat there with her ash-
grey hair dressed high, confined by a gauze band and
failing in ringlets to her neck; and despite some feeling
of envy for the others* unobtrusive garb, the very thought
of that trick made her heart beat with a stolen and
defiant throb of expectancy.
Their wheels rattled over the uneven cobblestones of
the Kleinstadt-Platz, then came the Seifengasse, and then
there stood the great house, a long facade with slightly
diagonal wings — Charlotte had already passed it several
times, with Amalie Ridel. A parterre and a bel-etage,
with windows in the moderately high mansard roof; in
each wing a yellow-painted porte-cochere, and shallow
steps leading up to the front door in the middle. The
family alighted; other guests were already meeting and
greeting at the bottom of the flight, having arrived from
opposite directions on foot. Two gentlemen of mature
age, in top hats and pelerines — in one Charlotte recog-
nised Dr. Riemer— were shaking hands with a younger,
seemingly having come from close by, as he wore full
dress with no cloak, only an umbrella in his hand. This
was Herr Stephan Schiitze, ‘‘our excellent belletrist and
editor of albums,” Charlotte learned, as the pedestrians
turned towards the family group and the customary
introductions took place, amid much cordiality and
swinging of top hats. Riemer jocosely declined the
presentation, expressing his confidence that the Frau
Councillor would not have forgotten an old friend of as
much as three days* standing. He gave youn^ Lotte*s
hand a fatherly little pat; and was copied therein by his
companion, a man of fifty, rather stooiied, with a mild
cast of features and long hair bleached in strands, hang-
ing down below his tall hat. This was no less a person
than Herr Hofrat Meyer, the art professor. He and
Riemer had each arrived direct from their occupations;
their ladies would find the way hither of themselves.
sgo LOTTE IN WEIMAR
*‘Let us hope/' Meyer said as they entered, in the
disa'eet staccato of his native land, wherein a homely
old-German something seemed to mingle with foreign.
French-sounding traits, “let us hope we have the luck
to find the master in a good and lively key, not taciturn
and marode, giving us to feel we are a burden upon him.
That is always distressing."
He had turned to Charlotte to say this, expressly and
seriously, plainly oblivious of how such words from an
intimate of the house might unnerve a new-comer. She
could not forbear replying:
“I know the master of this house for even longer than
yourself, Herr Professor; I am not unversed in the
variable moods of his genius."
“The later acquaintance is after all the more authen-
tic," said he unperturbed, equably doing justice to each
syllable of the last word.
Charlotte was not heeding. She was looking at the
impressive stateliness of the entrance hall and staircase:
the wide marble balustrade, the broad steps of the
splendid leisurely ascent, the classic ornament dispensed
with such exquisite measured taste. On the first landing
white niches displayed classic bronze figures and in front
of them on a marble pedestal the bronze figure of a grey-
hound turned towards them in a pose strikingly faithful
and well observed. On this landing August von Goethe,
attended by a footman, awaited the guests. He looked
very well, despite some puffiness of face and figure; in a
silk neck-cloth and damask waistcoat, his hair parted and
waved, decorations on his chest. He led them some way
up the steps to the reception-room, but had then to
return to greet other arrivals.
It fell to the servant to attend them further: a young
man with a dignity and poise in keeping with the aristo-
cratic picture, in blue livery with gilt buttons and a
yellow striped waistcoat. He guided the Ridels and
Kestners and the three friends of the house for the rest of
the way and helped them to lay off their wraps. Here at
the top too the scene was most splendid, elegant, and
artistic. From the light surface of the side wall there
stood out darkly gleaming a group known to Charlotte
CHAPTER EIGHT 291
as Sleep and Death: two youths, the arm of one laid along
the other's shoulder. Above the door a white relief served
as lintel; on the threshold a blue enamel Salve! was let
into the floor. “There!" thought Charlotte, taking
heart; “then we are welcome, despite this talk of taciturn
and marodel But the lad has certainly a fine berth herel
He lived more modestly in the Corn Market at Wetzlar.
There he had my silhouette on the wall, that we gave
him out of pity and friendship; morning and evening he
greeted it with eyes and lips — ^he wrote that down him-
self. Have I a special right, or no, to take this Salve! to
myself?"
At her sister's side she passed the open portals of the
salon — somewhat startled at the unfamiliar practice of
the servant, who formally called out the name of each
guest in turn, her own among them: “Frau Councillor
Kestner!” the reception-room, with its grand piano, was
elegant enough, yet rather disappointing by its moderate
propo^ tions compared with the spaciousness of the stair-
case. Open double doors revealed a perspective of other
rooms beyond. Two gentlemen and a lady were already
present, standing together near a colossal bust of Juno;
they interrupted their chat to turn their attention
towards the guests just announced — one guest in particu-
lar, as well she knew — and to make ready for the ensuing
introductions. But in the same instant the liveried ser-
vant announced fresh comers, Herr Chamberlain Kirms
and spouse, who entered with the son of the house, the
ladies Meyer and Riemer following on their heels. As
usual in small communities of short distances, the com-
plement of invited guests was suddenly filled up. The
introductions became general; Charlotte, the centre of a
little cluster, made acquaintance through the oflBces of
Dr. Riemer and youn^ Goethe of all those still strange to
her, the Kirms', Chief Architect Coudray and wife,
Superintendent of Mines Herr Werner from Freiburg,
who lodged at the Erbprinz, and the ladies Riemer and
Meyer.
She knew to what curiosity — in the ladies probably
tinged with malice — she was exposing herself; and met
it with a dignity in any case forced upon her by the
59^ LOTTE IN WEIMAR
necessity to check the nodding tendency of her head,
now much aggravated by all the circumstances. Her
weakness was remarked with a variety of sentiments by
all those present, contrasting oddly, as it did, with the
maidenliness of her appearance as she stood there, a
quaint and dainty little figure, in her ankle-length flow-
ing white frock, caught up into folds at the bosom with
an agraffe and garnished with pink bows; perching on
tight little black button boots with heels. The ash-grey
hair stood up above a fair unwrinkled brow; the face was
irretrievably elderly, with sunken cheeks on either side a
well-formed, rather roguishly smiling mouth; the small
nose had a naive red tinge, the forget-me-not blue eyes
looked out with gentle and weary distinction. . . . Just
as she was she received the greetings of those presented,
their assurances of their enchantment at her sojourn in
their midst, and their sense of the honour vouchsafed
them in being present at so memorable and meaningful
a reunion.
Beside her stood her critic and conscience, young Lotte
— if we may venture to call her so — and sank in a curtsy
from time to time. She was far and away the youngest of
the company, consisting as it did of people of ripe years
— even Schiitze, the writer, being a man in the middle
forties. Brother CarFs nurse and housekeeper looked
positively austere, with smoothly parted hair drawn back
over her ears, and a heliotrope frock with an almost
clerical starched round collar. She smiled ungraciously,
and drew down her brows at the polite nothings said to
her and even more to her mother, regarding them as
offences wilfully provoked. And she suffered — not with-
out effect upon Charlotte, who defended herself stoutly
against the stealing influence — from her mother’s juvenile
appearance: the white frock might just pass, as a caprice
and affectation; but certainly not the flagrant pink bows.
Her heart was torn by conflicting feelings: the wish that
people might understand the meaning of the unseemly
garniture and not find it scandalous, and the dread lest
for God’s sake they might misunderstand it!
In short, young Lotte’s humourless annoyance at the
whole affair bordered on desperation; Charlotte was
CHAPTER EIGHT 293
sensitive and intuitive enough to share her feeiings, and
had no small difficulty in clinging to her belief in the
excellence of the little jest. Yet no woman could have
had much ground for worry over her costume in such a
circle, or for fearing the reproach of eccentricity. A
tendency to artistic licence, even to theatricality, was
visible throughout the female part of the gathering, by
contrast with the oiGBcial exterior of the gentlemen, who,
Schiitze excepted, all wore in their buttonholes this or
that order of merit, medal, ribbon, or cross. Madame
Chamberlain Kirms, indeed, might be counted an excep-
tion: as the wife of a high oflSiciai she evidently held witii
strictness of convention; yet even she, in the exaggerated
size of her silken cap-wings, detracted from her own
principles, for they verged on the fantastic. And Madame
Riemer — that orphan whom the scholar had married
from this very house — as well as Frau Councillor Meyer,
n^e von Koppenfeld, struck in their garb a strong note
of the artistic and individual, not to say extravagant.
Frau Riemer's taste was for the sombre intellectual, with
a collar of yellowed lace on her black velvet gown, a
hawklike profile, and ivory-tinted, darkly glooming face
and brow, shadowed by curled locks of midnight black
shot through with white. Frau Meyer, a more than
mature Iphigenia, affected a lemon-coloured robe in
classic style, ^vith a half-moon on the girdle directly
beneath the full bodice, and an antique border at lire
hem. A dark-coloured veil flowed down from her head;
and as a modern touch she had added long gloves to the
short sleeves of her gown.
Madame Coudray, the architect’s wife, was distin-
guished not only by her voluminous frock but by a great
broad-brimmed Corona Schroter hat with a veil round
the crown; the brim bent down and rested upon the
ringlets of hair at the back. Even Amalie Ridel, with her
ducklike profile, had made essays in the direction of the
picturesque by a complicated arrangement of frills to
her sleeves and a shoulder-throw of white swansdown.
Among all these Charlotte’s figure was actually the least
pretentious — and yet in her elderly girlishness, the dig-
nity of her bearing constantly threatened by the nodding
^94 LOTTE IN WEIMAR
of her head, she was the oddest, tire most striking and
appealing of all, a sight to make one ponder if not to
make one mock — to mock, that was it, the tortured Lott-
ciien thought. She was bitterly convinced that the ladies
of Weimar came to a spiteful little understanding together
as soon as the introductions were over and the company
broke up into groups dispersed through the room.
The son of the house displayed to the Kestners, mother
and daughter, the painting hanging above the sofa, show-
ing them how to draw aside the green silk curtain that
shrouded it. It was a copy of the so-called Aldobrandini
Marriage, most kindly made by Professor Meyer. The
professor himself came up to them, and August went to
mingle with other guests. Meyer had arrived in a top
hat, but had now replaced it by a velvet cap. It looked
so domestic by contrast with the dress clothes that Char-
lotte involuntarily looked down at his feet, to see whether
perhaps he wore felt slippers. He did not, although his
shuffling gait, even in his boots, suggested them. He had
his hands clasped comfortably across his back, and his
head inclined demurely on one side; all together the
professor seemed to wish to appear in the character of
an old family friend, reassuring by his own tranquillity
the nervousness of new-comers to the house.
“We ail seem to be here,*’ he said, in the slow even
staccato he had brought with him from Stafa on the Lake
of Zurich and never lost throughout all the years in
Rome and Weimar. He talked entirely without the aid
of gesture. “We seem to be our full count, and let us
hope our host will present himself without delay. It is
comprehensible that new-comers should feel a certain
nervousness in these last long minutes, though they
should rejoice to be able to accustom themselves before-
hand to the surroundings and atmosphere. I always make
it my afiair to give such people the benefit of a little
advice which should make the experience easier and
pleasanter — though it always remains difficult enough/*
He accented the French word on the first syllable, and
went on with unmoved countenance:
“What I mean is that it is always best” {he said
“besht”) “to conceal as much as possible the tension one
CHAPTER EIGHT 395
is unavoidably in; and to greet him with the utmost
possible unahectedness, with no sign of stress. That
sensibly lightens the strain on both sides, for him as well
as for oneself. For he is sensitive to the guests’ nervous-
ness and shares it with him; he gets the contagion, so to
speak, from afar; so that he too is subjected to a com-
pulsion working with the embarrassment of the other
side to become mutually intolerable. It is distinctly the
sensible thing to be entirely natural — for instance, not to
think one must enter on high intellectual themes, as for
example his own words. Nothing is more ill-judged.
Much better talk about simple and concrete matters
within one’s own experience; for he never tires of the
human and actual, becomes animated at once and is able
to give free rein to his responsive kindliness. I need not
say that I have in mind no familiarity leaving out of con-
sideration the distance between him and us; he would
know how to put a stop to such a thing at once, as we
have seen in more than one instance.”
Charlotte listened blinking to the instruction of this
faithful satellite and knew not what to say in reply.
Involuntarily she was perceiving — and finding herself
thoroughly ripe for the perception — how hard it is for
people overtaken by stage fright to draw comfort or
profit from advice to be calm. The quite opposite effect
was far more likely. Personally she felt offended at the
man laying down die law, for mixing into her affairs.
“Thank you very much, Herr Hofrat,” said she at last,
“for your suggestions. Many people must have already
been grateful for them. But we must not forget that in
this case we are dealing with the renewal of a friendship
of four-and-forty years’ standing.”
He responded dryly: “A man who is a different person
fiom day to day and from hour to hour will certainly
have become different person in four-and-forty years.
— ^Well, Carl,” said he to the servant, who passed them
on the way through the suite of rooms, “what sort of
mood are we in to-day?”
“Pretty jolly, on the wdiole, Herr Hofrat,” the young
man replied. A moment later, standing at the double
door, whose two wings, as Charlotte only then perceived,
u
096 LOTTE IN WEIMAR
could slide into the wall 011 either side, he announced,
without much formality, rather in an easy, sociable key:
“His Excellence/*
Meyer crossed over to the other guests, who had
broken off their conversation to collect in a group stand-
ing at some distance from the ladies Kestner. Goethe
entered with a quick, firm, rather abrupt tread, his
shoulders back and abdomen somewhat forward. He
rvore dress clothes: a dress coat with a double row of
buttons, and a finely worked glittering silver star rather
high up on his chest; silk stockings, a white batiste neck-
cloth crossed over and fastened with an amethyst pin.
His hair, curling on the temples, but above the high
arched brow already thin, was evenly powdered. Char-
lotte knew and did not know him — and both facts dis-
turbed her. She knew again at first glance the peculiar
wide-openness of the actually not very large, datkly
lustrous eyes in the dark skin of the face; the right eye
sat distinctly lower than the left. That naive, wide-open
gaze — just now accentuated by the lifting of the finely
arched brows running down to the somewhat depressea
outer corners of the eyes — it seemed to be saying: “Who
are all these people?*’ Dear God, how she knew those
youthful eyes, niter all this lifetime of )cars! Their
actual colour was brown, they were rather close-lying;
but they passed for black, because at every change of
mood — and when did his mood not change? — the pupils
so expanded that they impinged on the iris and gave the
impression of blackness. It was he — and it was not. Cer-
tainly he had not had that towering brow — of course, its
height was due to the retreating hair, though hair there
still was in abundance; it was simply the effect of stealing
time — one tried to reassure oneself with that, but with-
out success. For time in this sense was life, was work, that
through the decades had chiselled at the marble brow
and so profoundly and movingly reshaped and graven
the once smooth features. Time, age— here they were
more than a loss, a liability, a natural decline, touching
and even melancholy to reflect on; they were full of
meaning, they were intellect, achievement, history; their
CHAPTER EIGHT ^97
effects, far from giving rise to pity, made the contempla-
tive heart beat high with joyful amaze.
Goethe was now seven-and-sixty years old. Charlotte
might count herself lucky that the reunion was taking
place now instead of fifteen years earlier, at the begin-
ning of the century, when the heaviness of body that
began in his Italian period had been at its height. He
had got rid of it again some time before. Despite the
stiff gait — though even that was characteristic of his
youthful period — his legs looked slender and young
below the exceedingly fine and glossy doth of his black
suit; in the last decade his figure had approached again
to that of his youth. Our good Charlotte had missed
seeing some things, especially in the face; it was more
altered from that of the friend of Wetzlar days, since it
had gone through phases she knew not of. At one time
it had had a fat and morose look, with sagging cheeks;
she would have found it far harder to recognise her
youthful friend than at his present stage. His features
wore just now a rather disingenuous look, and one asked
oneself why; it showed especially in the look of innocent
surprise at sight of the after all expected guests. But
added to that there was an excessive mobility of the
mouth, generously cut and altogether beautiful though
it was, neither too thin nor too full, with deep corners
buried in the grooves carven by age in the cheeks. There
was a nervous excess of swiftly contradictory possibilities
of expression; his hesitation amongst them seemed to
cast doubts on his sincerity. There was unmistakable
conflict between the statuesque dignity and significance
of these features and the childlike vacillation, a sort of
coquettish ambiguity, that sat upon them.
As he entered, the master of the house was clutching
his left arm, the rheumatic one, with his right hand.
After a few steps he let it go, stood still, and made an
affable ceremonial bow to the company in general, then
advanced towards the ladies standing nearest him.
The voice — yes, it was altogether the old voice, the
resonant baritone, the very tones of the slender youth as
he spoke or read aloud. Perhaps a thought more slow
and measured, but even of yore there had been a shade of
LOTTE IN WEIMAR
-98
solemnity in them — how strange it was to hear their very
accents proceeding from the settled man!
“My dear ladies/’ said he, putting out a hand to each,
to Charlotte the right and to Lotte the left, then bring-
ing them together and holding them in his owm, “at last
I can welcome you %vith my own lips to Weimar! You
behold a man to whom the time has seemed long until
this moment. I call this a capital surprise — it does my
heart good. How it must rejoice the heart of our good
Finance Councillor, this dearly desired visit! We need
not say how much we treasure it that once within these
walls you have not passed us by!”
He had said: “dearly desired” — and his smiling mouth
wore an expression half embarrassed, half relishing, that
gave the little improvisation an added charm. It was
only too clear to Charlotte that there was diplomacy in
the charm: a purposeful vagueness calculated to regulate
the situation from the first word on — the discretion and
deliberation of his words betrayed it. And in pursuance
of his design he made capital of the fact that not she
alone but her daughter with her stood before him; he
put all four hands together, he spoke to them in the
plural; he even referred to himself as “we,” withdraw-
ing, as it were, behind the shelter of his house and sug
gesting the possibility that she might have “passed it by.’
Even the delightful little improvisation had reference to
the Ridels.
His gaze wavered between mother and daughter, and
also passed beyond them in the direction of the window.
Charlotte had the impression that he did not really see
her; but what his fleeting glance did take in, she per-
ceived, was the now ungovernable trembling of her head;
for a brief second he shut his eyes against the sight with
a look of avoidance and gravity that was almost deathly.
But he returned in a breath from this cloudy retreat and
to the conventional present, as though nothing had
happened.
^‘And youth,” he went on, turning to face young
Lotte, “comes like a ray of golden sunshine into the
shadowed house ”
Charlotte, up to now, had merely indicated by a gesture
CHAPTER EIGHT 299
that it went without saying she would not pass by his
house. She now broke in at this point with the obvious
and indicated introduction he was evidently expecting
It had been her chiefest wish, siie said, to bring to his
notice this daughter, Charlotte, her second youngest, now
on a visit of some duration from her home in Alsace.
She addressed him as Excellence, if rather hurriedly and
slurringiy, and he did not demur or ask for another title,
perhaps because he was busy looking at the person
presented.
“Pretty, pretty, pretty!*' he said. “These eyes have
probably done some damage in the masculine world."
The compliment was so conventional, so unsuited to
Brother Carl’s companion and helper, that it cried to
heaven. Young Lotte gave a tortured and contemptuous
smile and set her teeth cornerwise in her lip. Her look
may have moved him to begin his next sentence with an
“In any case" that dismissed the subject.
“In any case," said he, “it is very charming that I am
vouchsafed to behold in 7 iatura at least one member of
the little group whose silhouettes our dear departed
Hofrat sent me. Time brings one all, if one will but
wait."
That sounded like a concession; the mention of Hans
Christian and the silhouettes was something of a depar-
ture from the rules. Charlotte felt it to be so, but it was
probably mistaken of her to recall to his mind that he had
already made the acquaintance of two of their children,
August and Theodor, they having taken the liberty of
visiting him at the “Tannery." Probably she should not
have even mentioned the name of the estate, for he
looked at her a moment, as it fell from her lips, with a
sort of vacancy of spirit too intense to have been caused
by any thought of the meeting.
“Oh, yes, of course!" he cried. “How could I forget it?
Forgive this old brain!" But instead of indicating the
forgetful brain he rubbed his left arm with his right
hand as he had on entering the room, evidently wishing
to attract notice to its ailing state. “How are those fine
young men? Good, I thought so. Success lies in their
excellent natures, it is inborn in them — and no wonder.
LOTTE IN WEIMAR
300
with such parents, — And the ladies had a pleasant
journey?’' he proceeded. *T feel sure of it; the stretch
from Hildesheim, Nordhausen, and Erfurt is a much
used and favoured one: good horses for the most part,
several good inns on the way — and moderately expen-
sive, you will hardly have paid more than fifty thaler
netto,**
As he spoke he was breaking up this separate conversa-
tion and moving to manoeuvre the Kestners over towards
the rest of the gathering.
assume," he said, "that our invaluable young man
here" — he meant August — "has made you acquainted
with the small company present. These equally lovely
women are your friends, these good gentlemen your
admirers. . . He greeted in turn Madame Kirms in her
cap, the architect's lady in her enormous hat, the intellec-
tual Frau Riemer, the classical Frau Meyer, and Amalie
Ridel, on whom he had already cast a speaking glance
from afar, as he mentioned the dearly desired visit Then
he shook the gentlemen by the hand, with especial
cordiality that of the stranger. Superintendent of Mines
Werner, a stocky, friendly figure in the fifties, with small
lively eyes, a bald crown, and curly white hair at the
back, his smooth cheeks nestled comfortably into the
white shirt-collar held up by a white neck-cloth and
leaving his chin free. Him the master looked at with a
very slight sidewise and backwards movement of the
head as though he were weary of formal phrases and
abandoned them with a "There, at last we can cut the
cackle and get to the horses." The gesture called forth
on Meyer’s and Riemer’s faces a look of patronising
approval, the real source of which was jealousy. The
master, after doing his duty by the rest, took occasion to
return to the geologist, while the ladies pressed round
Charlotte; whispering behind their fans, they wanted to
know if she found Goethe very much changed.
They stood about for a while in the reception-room,
E resided over by the colossal bust and adorned with
ands of * embroidery, aquarelles, oil paintings, and
copperplate engravings. The simply designed chairs
were arranged symmetrically along the w^alls between
CHAPTER EIGHT
301
the white door-frames, interspersed with white-lacquered
display-cabinets. There were bowls of carven chalcedony
on the marble tables; a winged Nike adorned the covered
sofa-table beneath the Aldobrandini Marriage; figures of
gods and fauns and antique masks stood under glass bells
on the bureau; and all these art objects gave the room
the look of a museum. But Charlotte kept her eyes fixed
on their host, standing there with his feet apart, his
elbows stretched out and hands laid together on his back,
in his satin-soft dress coat with the star on his breast
glittering at each motion, making conversation with one
and other of the masculine guests, Werner, Kirms,
Coudray, by turns — for the present no more with her.
It was good and pleasant to look at him thus, privately,
without having to talk to him — but that did not prevent
her being filled with a compelling urge to go on talking;
she felt it as an imperative need, though even so, watch-
ing his intercourse with her fellow guests, she was equally
put off the idea and convinced that the person just then
enjoying the privilege of his attention was not particu-
larly to be envied.
The friend of her youth made an entirely elegant
impression, no doubt of that. His apparel, once so dash-
ingly eccentric, was now very choice, deliberately a little
in the rear of the fashion; something a little old-style
about it harmonised with the stiffness of his bearing as he
walked or stood, and made for dignity. He held his fine
head high, his manner was confident and reserved; yet
even so the dignity seemed not to be quite firm on its
legs. Whoever stood before him, his bearing had about it
something hesitating, uncomfortable, embarrassed; the
absurdity of it upset the observer as much as it did the
person at the moment suffering under the constraint of
the dialogue. Everyone feels and knows that objectivity
of mind lies at the bottom of a free and unembarrassed
manner. Forced behaviour is enough in itself to lay a
man open to the charge of lacking sympathy for men and
things; it is likely to make any and every subject repug-
nant to the helpless partner in the dialogue. The master s
eyes habitually rested upon the speaker, as long as the
speaker did not look at him; so soon as that happened.
^02 LOTTE IN WEIMAR
the eyes glanced aside and began to move about his head
into space.
Charlotte’s sharp feminine eye saw all this, and we can
only repeat that it made her dread to talk again with her
one-time friend, and at the same time ardently crave to
do that very thing. In any case, much of his manner
might be laid to that unease of the minutes before the
meal, which were lasting too long. Several times he
looked with lifted brows at his son, on whom seemed to
rest the responsibility of a major-domo.
At last the servant approached the host with the
desired announcement, ana he quickly communicated it
to the guests as they broke up their groups.
“Dear friends, we are invited to take our places,” he
said. He went up to Lotte and Lottchen, took them by
the hands with a certain country-dance elegance, and led
the procession with them into the adjacent room, called
the yellow salon; the meal had been laid there, as the
“small dining-room” farther on was not adequate for
sixteen people.
The wora “salon” was rather too large for the room in
which the guests were now received, though it was larger
than the one they had just left. It too was dominated by
colossal busts, two of them: the Antinous in its melan-
choly beauty, and a majestic Jupiter. The walls were
adorned by a set of coloured plates of mythological sub-
jects, and a copy of Utian’s Heavenly Love, Here too
there were glimpses, through open doors, into other
rooms; particularly charming was the vista through a
door on the narrow side of the room along a hall of busts
and an ivy-clad gallei^ to the stair leading to the garden.
The table was laid with more than middle-class elegance:
fine damask, flowers, silver candelabra, gilded porcelain,
and three glasses at each cover. The young liveried
servant waited, assisted by a rosy-cheeked young country
girl, in cap and stays, white puffed sleeves, and home-
made stuff frock.
Goethe sat in the middle of the long side of the table,
between Charlotte and her sister; on their right and left
Kammemt Kirms and Professor Meyer; beyond, on
either side, the ladies Meyer and Riemer* August had
CHAPTER EIGHT
305
not been able, because there were too many men, to keep
to the principle of alternating the sexes. He had put
the Bergrat opposite his father, with Dr. Riemer as his
neighbour, sharing the society of Lotte the younger.
Madame Coudray was placed at Werner’s left, on the
other side, that being filled out by Dr. Ridel and Madame
Kirms. Herr Stephen Schiitze and chief architect
Coudray shared the narrow end of the table.
The soup, a rich consomme with marrow-balls, stood
already at the places. The host broke his bread with a
ritualistic air over his soup-plate. He looked much better
and freer seated than standing or walking; one would
have taken him for a taller man than when he was on his
legs. But it was probably the situation itself, the position
as host, as father of the family and giver of the feast, that
lent him more ease and freedom. He seemed to feel in
his element. With a roguish twinkle in his eyes he looked
around the still silent circle; as he opened the meal with
the ceremony of breaking bread, so he seemed to wish to
set the key of the conversation too. For he addressed the
whole circle, in his deliberate, clearly articulated, well-
modulated tones, in the accents of a south German
brought up in north Germany.
*Xet us give thanks to the heavenly powers, dear
friends, for vouchsafing so happy an occasion for this
joyous meeting. Let us be glad of the modest, yet well
and truly prepared meal!”
There he began to ply his spoon and the company
all followed suit, not without exchanging glances, nods,
and enthusiastic smiles at the excellence of the little
speech — as much as to say: What can one do? He always
puts it in a way not to be improved on.
Charlotte sat enveloped in the aroma of eau-de-cologne
emanating from the person of her neighbour on the left.
Involuntarily she was reminded of the sweet odour that
according to Riemer betrayed the presence of the god-
head. She half mused, half thought that the eau-de-
cologne, fresh though it was, represented the prosaic
reality of the so-called divine ozone. At the same time
her housewifely perceptions told her that the marrow-
balls were certainly well and truly prepared, they were
LOTTE IN WEIMAR
m
fine and light as feathers. And all the while her whole
being hung in suspense, in an expectancy that defied the
regulations and had not given up the idea of brushing
them aside. The vague hope, difficult of clear definition,
was strengthened by her neighbour's relaxed and more
comfortable air as head of the table. A pity, she thought,
that she was, of necessity, sitting beside and not opposite
to him. How much more favourable to her inward hopes
it would have been if they were face to face; how much
it would have improved the chance of his seeing the
symbolism of her attire, the vehicle of her hopes! Wait-
ing in suspense for the address of her neighbour, she was
jealous of the lively-eyed Werner and felt how much
better it would be to confront it face to face. But the
host did not address her separately, he spoke in general
to all his neighbours, after taking a few mouthfuls of
soup. He held up one after the other the tivo bottles of
wine standing before him in silver holders (a similar pair
stood at either end of the table) and tipped them sideways
to read the labels.
‘1 see," he said, 'ffiiy son has come down handsomely,
he has given us two admirable elixirs, and the domestic
cordial can vie with the imported. We hold with the
patriarchal custom of pouring out for ourselves — it is
superior to being served by ministering spirits and the
finicking round with glasses; that I cannot endure. By
our method a man has a free hand and can see how it is
going with his bottle. What do you think, ladies, and
you, my dear Bergrat? Red or white? I say first the
native wine and then the French with the roast — or
would you rather lay a good heart-warming base with
this one to start off? I can vouch for it: this vintage
Lafite of the year 'o8 works gently upon the spirits, I
would not swear not to come on to it later — though the
'll Piesporter Goldtropfen is likely to make you a
monogamist, once you begin with it. Our dear Germans
are a crack-brained lot, and have always w^orked their
prophets as hard as the Jews theirs; but their wines are
the noblest gift of God/*
Werner, surprised, simply laughed straight out. But
CHAPTER EIGHT
305
Kirms, a narrow-headed man with a crop of curly grey
hair on his crown, and heavy eyehds, replied:
“His Excellence forgets to reckon to the credit of these
worthless Germans that they produced you/’
The applause, led by Meyer on the left and Riemer
diagonally opposite him, betrayed that they had been
listening to their host’s conversation and not to their
neighbours’.
Goethe laughed too, but without opening his lips —
perhaps in order not to show his teeth.
“We will let that pass, as a passable trait,” said he.
Then he inquired of Charlotte what she would like to
drink,
“I am not used to wine,” she replied. “It goes too
easily to my head — I only sip a little for friendship’s
sake. And what I would rather sip from is the fountain
there” — she motioned with her head towards the bottles
of water. “What may they be?”
“Oh, that is my Eger water,” answered Goethe. “Your
inclination counsels you well; I am never without this
mineral water, of all the temperance drinks in the world
I have had the best experience with it. I will pour you
out some, on condition that you will take a little of the
golden spirit as well — and the further condition that you
do not mingle the two elements, that you put no water
in your wine. That is a very bad custom indeed.”
He superintended the pouring from where he sat,
while farther down the table his son and Dr. Riemer
performed the same office. Meanwhile the plates were
changed, and they were served with a ragout of fish and
mushrooms au gratin, in shells Charlotte felt no appe-
tite; but she had to admit the excellence of the dish.
Intent upon every detail and full of silent zeal of research,
she found the excellence of the cuisine very interesting
indeed, and ascribed it to the requirements of the master
of the house; particularly when she saw, both now and
later, that August’s eyes, the father-eyes save for their
melancholy sweetness and infinitely weaker penetration,
went almost anxiously to the parent’s face to see if he
found the dish a success. Goethe was the only person
to take two of the shells; but he left the second almost
3o6 LOTTE in WEIMAR
untouched. With the next course too he showed that, as
the saying is, his eyes were larger than his appetite; it
was a capital filet, served on long platters and plentifully
garnished with vegetables. He heaped his plate so full
that he left half of it uneaten. He took great draughts,
both of the Rhine wine and the Bordeaux; the pouring
out, like the bread-bieaking, %vas a little ceremony, but
he ministered largely to himself. The Piesporter in par-
ticular had soon to be replaced. The ahvays dark hue of
his face showed as the meal progressed an ever greater
contrast to the whiteness of his hair.
As he poured out, Charlotte watched his hand with
the same compelling, almost paralysing intensity that
held her throughout. That hand, with its frilled cuff and
short, w^ell-kept finger-nails, had with all its breadth and
strength something cultured and spiritualised, as it
grasped the neck of -the bottle. He repeatedly poured out
the Eger water for her, and went on talking, as he did so,
in his slow, clearly articulated voice, deep without
monotony, and only now and again yielding to the local
practice of his home and leaving off the end-consonants.
He was expatiating upon his first acquaintance %vith this
excellent mineral spring. Every year, he said, he had it
sent to Weimar by the so-called Franzensdorf carriers
and still did so, for since he had stopped going to the
Bohemian baths, he practised a systematic cure with the
Eger water at home. It was probably his unusually pre-
cise and clear delivery, from those mobile, half-smiling
lips, and the something involuntarily penetrating and
dominating about it, that made the table generally listen
when he spoke; the converse a deux remained thin and
fitful throughout the meal; as soon as he began to speak,
the attention of the whole table was diverted to him.
He could scarcely help this, or at most by pointedly
addressing his next-door neighbour and lowering his
voice; but even so the others kept their ears open.
In this way it was, after the good word Hofkammerrat
Kirms put in for the German people, that the host began
to speak to Charlotte as it were alone, and to enlarge on
the person and advantages of her partner on the right:
what a capital economist he was, how deserving of the
CHAPTER EIGHT 307
rewards of the State; the mind of a lord Chamberlain,
yet a friend of the muses and sensitive amateur of the
drama; invaluable as a member of the newly established
board of management at the Hof theater. It would almost
have appeared that he wanted to put her off on Kirms, if
he had not gone on to inquire of her own attitude
towards the theatre, and conjecture that she would take
advantage of her sojourn to form an opinion of the
pow’'ers of the Weimar company. He would put his box
at her disposition, whenever she felt the wish to use it.
She thanked him cordially and said that for her part she
had alw^ays greatly enjoyed the theatre, but in her circle
there was no great interest, and the Hannover theatre
was not calculated to arouse it. Thus, being always
occupied with her many duties, she was somewhat a
stranger to this form of enjoyment. She would find it
both delightful and instructive to make the acquaintance
of the famous Weimar company he had himself trained.
She so expressed herself, in a rather low voice, and he
listened with his head bent towards her place, nodding
his understanding. And, to her chagrin, as he listened
he delicately pushed with his ring-finger the small balls
and crumbs she had absently made with her bread, and
assembled them in a tidy little pile. He repeated his ofiEer
of the loge, and hoped that circumstances might permit
him to show her a performance of Wallenstein, with
Wolf in the title role, an offering well worth seeing that
had much impressed visiting strangers. After that, he
said it was amusing that a double connecting link, the
Schiller play and the table water, had brought him to
the old castle in Bohemia, where the noblest of Wallen-
stein's followers had been slain; as architecture it greatly
interested him. He went on to describe it, turning
slightly away as he did so from Charlotte's place and
abandoning his more intimate tones; straightway he had
the ear of the whole circle round the table. The so-called
black tower, he said, as seen from the former draw-bridge,
was a magnificent piece of work, the stone had probably
come from the Kammerberg. This he said to the Superin-
tendent of Mines, nodding at him in professional under-
standing. The stones, so he said, were cut with extra-
3o8 LOTTE IN WEIMAR
ordinary skill and so placed as to offer the best resistance
to the weather, so that they had almost the iorni of
certain loose field-crystals at Elbogen. His eyes sparkled,
his animation increased as he ainvcch by association with
this resemblance, at a find he had once made when on a
driving-tour in Bohemia, on the way between Eger and
Liebenstein, whither he had been drawn not only by the
Knights’ castle but also by the geologically instructive and
really sublime Platienberg opposite the Kammerberg.
The road thitlier, as he described it, with mounting
temperament and liveliness of style, had been a break-
neck one, strewn with pot-holes full of water, some of
them very deep. His companion, a local official, had
been in lively iear, ostensibly for the narrator’s person,
but actually and obviously for his own, so that Goethe
had repeatedly had to calm him and point out the skill
of the dx'iver, who knew his business so well that
Napoleon, had he seen the man, would certainly have
made him his personal coachman. He caiefuUy drove
through the middle of the big holes — much tlie best way
to avoid an upset. “And then,” he continued, “as we are
bumping along at a slow pace up the still ascending
road, I see something by the side that makes me get out,
cautiously, from the wagon to look at it. Well, how did
you get here? I asked — for what was it shining up at me
out of the mud? A feldspar twin crystal!”
“The deuce — you don’t say!” said Werner. He was
probably the only person present — Charlotte suspected,
she almost hoped — ^who knew what a feldspar twin crystal
was; but everybody showed the greatest delight at this
encounter of the narrator with the freak of nature — and
indeed quite spontaneously, for he had given it such
enlivening dramatic form, especially the joyful surprise
and the address to the discovery, that it was truly charm-
ing; it had such a fresh and appealing and fairy-story
effect, that a man — and what a man!~had spoken so
humanly to a stone; it was by no means the Mines Super-
intendent alone who was beholden to him. Charlotte,
looking with equal intensity at speaker and audience,
sa-^v love and pleasure on every face; for instance on
Riemei’s, where they mingled strangely with his habitual
CHAPTER EIGHT
309
peevish expression; on August’s too, yes, she saw them
even on Lottchen’s, and notably on Meyer’s otherwise
dry and immobile features as he leaned over past Amalie
Ridel to hang on the narrator’s lips; such warmth of
affection was mirrored there that tears, she knew not
why, came into her own eyes.
She felt by no means pleased that the friend of her
youth, after the brief private colloquy, had shifted his
attention to the whole circle — partly because they
wanted it, no doubt, but also, she did not conceal from
herself, on account of the “regulations.” And yet she
could not help sympathising with their characteristic
pleasure; their characteristic, one might almost say
mythically conditioned pleasure in this patriarchal mono-
logue by the presiding father of the house. An old verbal
association and \ague memory came into her mind and
obstinately persisted. “Luther’s Table-Talk.” thought
she, and defended the impression against all the dissimi-
larity of the actual features.
Eating, drinking, pouring out, at times leaning back
wdth his hands folded over his serviette, he went on talk-
ing; for the most part slowly, in a low key, and search-
ing conscientiously after the words; but also mere lightly
and rapidly, the hands freeing themselves to make ges-
tures of great ease and charm. They reminded Charlotte
that he was in the habit of discussing with artists problems
of delivery and dramatic effects. As he talked, his eyes,
with the peculiar depression at their corners, embraced
the whole table with their w^arm and biilliant glance;
his lips moved freely, not invariably making a pleasant
impression, for they seemed at times to be drawn down
by some unlovely compulsion that was torturing and
puzzling to behold, turning the pleasure at his words into
uneasy pity. But as a rule the pressure lifted speedily,
and then the motions of the finely formed mouth were so
full of satisfying charm that one felt how precise and
unexaggcraied a description was the Homeric epithet
“ambrosial,” even though one had never before applied
it to a concrete instance.
He went on talking about Bohemia, about Franzens-
brunn and Eger and the cultivated beauty of its valley;
310 LOTTE IN WEIMAR
described a harvest feast of the Church he had once
attended, the beflagged procession through the market
square of guilds and mihtia and peasants, led by clergy
in heavily embroidered vestments, carrying relics. Then,
lowering his voice and slicking out his lips, with a
portentous expression that had something epically
humorous about it, as when one tells frightening stories
to children, he talked about a night of blood that
remarkable town had experienced in the late Middle
Ages, an uprising against the Jews, a sudden and violent
attack like a paroxysm; there was an account of it in the
old chronicles. A good many of the children of Israel
dwelt in Eger, in the streets assigned to them, where they
had also a very famous synagogue and a Jewish school of
higher learning, the only such school in Germany. One
day a barefoot friar, who clearly possessed the fatal gift
of eloquence, had preached from the pulpit on the sufter-
ings of Christ, to most piteous effect; he painted the Jews
as the source of all evil, so revoltingly that a soldier,
quite beside himself as the result of the sermon and ready
for any deed, sprang to the high altar, seized the crucifix,
and with a yell: “He who is a Christian, let him follow
me!” set the spark to the highly inflammable congrega-
tion. They followed him; outside the church they were
joined by a great rabble, and an outrageous slaughtering
and plundering began in the ghetto. The unhappy
dwellers were dragged to a narrow alley between two of
their main streets and there butchered — in such wise that
the blood ran down like a stream and to this day it was
called the Murder Street. A single Jew escaped alive
from this massacre, by crawling up the chimney and
remaining hidden there. When order had been restored,
the penitent community, having been punished with
severity by the then reigning Charles IV, solemnly made
the Jewish survivor a citizen of Eger.
“Citizen of Egerl” cried the narrator. “So then he
amounted to something and had been splendidly recom-
pensed. He had lost his wife and children, his friends
and relatives, all his property and possessions, his whole
society, not to speak of the suffocating effect of the dread-
ful hours he spent up the cliimney. He stood there naked
CHAPTER EIGHT 311
as he was bom, but he was a citizen of Eger, and after
all he was proud of it. Human beings! That is the way
they are. Give way with gusto to the impulse to commit
the cruellest deeds, and after their heads are cool again,
enjoy quite as much the large gesture of repentance with
which they think to pay for the crime. It is laughable —
and touching. For in the mass you cannot speak of a
deed, but only of a happening; it is better to regard such
events as incalculable natural phenomena rising from the
temper of the age. In this light the corrective interven-
tion of a humane power is beneficial; even though too
late, even though it could have acted before and did not;
in this case it was the majesty of Rome that saved as far
as possible the honour of humanity, instituting an in-
vestigation into the grave casus and formally levying a
fine on the existing magistracy.”
The horrid episode could not have been narrated with
more objectively disarming and soothing comment; thus,
Charlotte felt, it should probably be treated, if such a
thing was to be told at table at all. Goethe lingered yet
a while on the subject of the Jewish character and
destiny, listening to and as it were digesting the remarks
thrown in by one or other of the guests — Kirms, Coudray,
or the adroit Meyer. He expressed himself with objec-
tivity and faintly humorous respect on the peculiarities
of this remarkable people. The Jews, he said, were
pathetic without being heroic; the age and blood experi-
ence of their race made them wise and sceptical, and
that was the precise opposite of the heroic. There was
definitely a certain wisdom and irony in the very accents
of even the simplest Jew — alongside a definite inclina-
tion to pathos. But tliat word must be understood in its
most precise sense, in the sense of suffering, and the
Jewish pathos was an emphasis on suffering that often
made a grotesque, really offensive impression on the rest
of us— a man of finer feelings has always to suppress in
himself stirrings of disgust and even a natural hatred
before the behaviour and gestures of a man smitten by
God. It was very hard to define the feelings, singularly
mixed of laughter and unexpressed respect, of one of us
When he hears a Jewish pedlar turned roughly away by
X
LOTTE IN WEIMAR
31s
a servant on account o£ his obstinate persistency; hear^
him, with arms outstretched to heaven, cry out: “The
villain has scourged and tortured meT' Such strong
words, coming from our older and more high-flown
vocabulary, are not at the disposal of every average
native; whereas the child of the old bond has direct rela-
tions with that sphere of the pathetic and does not
scruple to apply its syllables grandiloquently to his own
lowly fortunes.
That was ail most engaging; the company were no
little diverted — for Charlotte’s taste rather too loudly —
by the wailing pedlar and his picturesque Mediterranean
gesturing and posturing, imitated, or rather indicated, by
the speaker m a swift play of mimicry. It 'was inimitable
— Charlotte herself had to join in the mirth — but she
was too little attentive to the subject-matter, and too
many thoughts were criss-crossing in her head, for her to
go further than a rather laboured smile. She felt an
impatient contempt for the obsequious note in the laugh-
ing applause, because it referred to the friend of her
youth — but just for that reason she felt personally
flattered by it as wtIL Naturally she could not but be
touched at seeing from the expression of his mouth that
the friendliness so freely expended from his rich store
cost him not a little. Back of the social contribution lay
his gr-^at life-work, giving his voice such resonance that
it was easy to understand an immoderately gi'ateful re-
sponse, if not to sympathise with it. And the strange
thing was that reverence for his intellectual powers was
mixed with respect for his social and official position in
such a way that you could no longer make a distinction
between them. A great poet %vas, by chance — and yet
again not by chance — a great gentleman as well; and this
second quality was considered not as something- different
from his genius but as its representative expression in the
world. The cumbersome title of Excellence, that made
him seem so unapproachable, had originally as little to
do with his genius as had the star on his chest; they tvere
both attributes of the minister and court favourite. But
these distinctions had taken on such added meaning from
his intellectual stature that, on a yet more profound
CHAPTER EIGHT
3^3
level, they seemed to be one and the same thing. Quite
possibly, Charlotte thought, they were so in his own
consciousness too.
She mused thus, uncertain whether it were worth the
trouble to linger upon such thoughts. Certainly the
ready laughter of her fellow guests expressed their
pleasure in this peculiar combination of the spiritual
and the secular, their pride in it, their willing subjection
to it; and in one way she did not find that right and good,
but rather revolting. Should further observation prove
that the pride and enthusiasm were really adulation and
slavishness, then she was clearly justified of her scruples
and the pain bound up with them. It seemed as though
it %vas made too easy for people to bow down before the
spiritual when it took the form of an elegant and spark-
iing-eyed eldeidy man, who was laden with orders and
titles, who lived in a house like a museum, with a splendid
state staircase; whose fine hair grew like that of the
Jupiter on his pedestal, and who spoke with ambrosial
lips. The spiritual, she felt, needed to be poor, ugly, and
bare of earthly honour, in order to test aright the capacity
of men to honour it. She looked across at Riemer,
because something he had said found an echo in her and
still lingered in her ear. *‘In all that there is no
Christianity.” Well, then, not; then no Christianity.
She would not judge, she had no desire to assent to any
of the complaints that chronically injured man had
mingled in the hymns of praise for his lord and master.
But she looked at him, and saw that as he vied with the
others in laughter, a little ridge of caution, opposition,
dislike, in short of peevishness, stood out between his
troubled ox-eyes. And then her mild but persistently
inquiring gaze travelled on two places, past Lottchen to
August, the erring, overshadowed son, who bore the stain
on his character of having shirked the service, and who
meant to marry the little person. She looked at him, not
for the first time during the dinner. When his father
told how the clever driver had saved them from upsetting
on the bad road, she had fixed her eyes upon him, remem-
bering the odd incident of his telling her what had
befallen the friend of her youth, and how conscious
314 LOTTE IN WEIMAR
greatness had been spilt into the ditch. Her eyes roved
between August and the famulus, and a sudden distrust
not only of them but of the whole company came into
her mind and made her start: it seemed to her for one
dreadful moment that the loud and general laughter of
these devotees was meant to cover up and drown out
something else, something the more uncanny in that it
was like a personal threat to her very self, while at the
same time it concealed an invitation to share it and be
one of them.
It was, thank God, an anomalous, senseless tempta-
tion. Love, nothing but love, was voiced in the laughter
round the table, spoken from the eyes hanging on the
deliberate yet lively enunciation of her friend. They
wanted more — and they got it. Luther’s patriarchal
table-talk went on and on — ^a sonorous, witty discourse,
enlarging on the subject of the Jews, with a lofty modera-
tion of itself carrying conviction in the matter of the fine
it would have levied on the magistracy of Eger. Goethe
praised the rare and special aptitudes of this extra-
ordinary stock, its understanding of music and its medical
learning. Throughout the Middle Ages the Jewish and
the Arabian physician had enjoyed the confidence of the
world. Then there was literature: the Jews, like the
French, had special affinity for it, and even an indiffer-
ently gifted Jew usually wrote a purer and more precise
style than the average German, who, by contrast with the
peoples of the south, lacked respect for language and
enjoyment and precision in its use. The Jews, indeed,
were the people of the Book, and from that one deduced
that their qualities as human beings and their moral con-
victions should be regarded as secularised forms of the
religious. But the religiosity of the Jews was characteris-
tically directed towards the things of this world and
bound up with them; and it was just this capacity and
tendency of theirs to give to earthly affairs the dynamism
of religion that made one conclude that they were called
to play a significant r61e in the shaping of the future on
earth. Most remarkable, and hard to fathom in view of
the considerable contribution they have made to civilisa*
tion in general, was the ancient antipathy for ever
CHAPTER EIGHT
3^5
smouldering in the other peoples of the world against
the figure of the Jew, for ever threatening to blaze up
into active hatred, as was amply instanced in the tale of
the disorders at Eger. This antipathy, this aversion, only
heightened by the feeling of respect inseparable from it,
could be compared with that felt in the case of only one
other people: the Germans. And the destined role of the
Germans and their inward as well as outward situation
among the other peoples showed the most extraordinary
likeness to that of the Jews. He would not venture to
enlarge upon the point, that would be foolish; but he
confessed that sometimes he was conscious of a fear that
almost took away his breath lest one day the concentrated
world hatred a^inst that other salt of the earth, the
German stock, would be released in a historic uprising
of which that mediaeval night of butchery was but a
rehearsal in miniature. . . . But it was best they should
let such apprehensions take care of themselves and be of
good cheer — and forgive him for making such extrava-
gant comparisons and parallels among the nations.
Others might be made, even more striking. In the ducal
library there was an old globe of the earth, whereon were
short inscriptions describing the characters of various
peoples. About Germany it said; “The Germans are a
people displaying a great likeness to the Chinese.” Was
that not amusing? — and yet with something apt about it
too, when one thought of the German pleasure in titles
and their bred-in-the-bone respect for scholarship. Of
course such aper^us upon folk-psychology always had
something arbitrary about them — the comparison fitted
the French just as well or even better; their cultural self-
satisfaction and the rigorous ofiBcialism of their examina-
tion system resembled that of the mandarin caste. They
were democrats too, like the Chinese, though their demo-
cratic convictions were not nearly so radical. Confucius'
countrymen, indeed, had a saying that “the great man is
a national misfortune,”
Here came another outburst of laughter, even more
boisterous than before. That word, from those lips,
caused a perfect storm of merriment. They threw them-
selves back in their chairs, they bowed over the table.
3i6 LOTTE IN WEIMAR
they struck it with the fiat of their hands — shocked into
self-abandonment by this nonsensical dogma and possessed
by the wish to show their host they could appieciaie his
quoting it and at the same time to convince him what a
monstrous and blasphemous absurdity they considered it.
Chaiiotte alone sat on the defensive, stilli) upright, her
forget-me-not eyes wide with alarm. She felt cold. She
had actually lost colour, and a painful twitching at the
corners of her mouth was her only contribution to the
general merriment. She seemed to see a spectral vision: a
scene with many roofs, towers with little bells, and in the
street beneath, a train of people, repulsively sly and
senile, in pigtails and sugai-loaf hats and coloured
jackets; they hopped first on one foot and then on the
other, then lifted a shrunken long-nailed finger and in
chirping voices pronounced words that were, utterly,
fatally, and direfuily, the truth. This nightmai'e vision
w'as accompanied by the same dread as before, running
cold down her back, lest the too loud laughter round the
board might be hiding an evil something that threatened
in a reckless moment to burst forth: somebody might
spring up, overturn the table, and scream out: “The
Chinese are right!”
She was certainly very nervous. But nervousness like
that is always in the air, and a sort of tension and appre-
hension, when humanity divides itself into the one and
the many, and a single individual confronts — in what-
ever sense or connection — the masses. Charlotte's old
friend sat in a row with them at the table; but even so
the situation — uncanny and yet just for that reason
fascinating — had arisen, chiefly because he led the con-
versation and the rest were the audience. He looked with
large dark shining eyes along the table at the storm of
mirth his words had evoked; and his face, his manner,
had that same disingenuous naivetd and pretended sur*
prise as when he entered the salon. The ambrosial lips
were already moving in preparation for further speech.
When it was quieter he said:
“Such a saying is certainly poor evidence for the wisdom
that reigns on this earth. It betrays an out-and-out anti-
individualism that is enough to end all talk of similarity
CHAPTER EIGHT 317
between the Chinese and the Germans. The individual
is dear to us Germans— and rightly, for only in him are
we great. But that being true, far more explicitly than
With 01 her nations, the relation between the individual
and the general considering all the scope it gives to the
former, has its melancholy and dangerous side. Beyond
a doubt, it was more than chance that the natural tadium
vita of Frederick the Great’s old age expressed itself in
the remark: “I am tired of ruling over slaves.”
Charlotte did not venture to look up. If she had she
would only have seen thoughtful nods, and here and
there more expressly approving smiles; but her excited
fancy pictured malicious glances cast at the speaker from
under lowered eyelids, and she shrank in horror from
seeing them. She felt sunk in gloomy abstraction; it kept
her for some time from following the thread of the talk
and she could not have said what led to the subject under
discussion when from time to time she became aware of
it. She almost failed to hear when her neighbour once
more turned to iier and addressed her personally. He
was begging hei to take minimum” — so he expressed
himself — of the compote he handed her, and half
absently she did so. Then she heard talk of the theory of
colour, coming up in connection with certain beakers of
Karlsbad glass he promised to display after dinner; the
painting on them showed the most wonderful transforma-
tion of colour according to the way the light fell upon
them. He added some adverse, even offensive comment
on Newton’s theory, jesting about the ray of sunlight
coining through a hole in the blind and falling on a glass
prism, and spoke of a sheet of paper preserved by him as
a memento of his first studies in this field, and his earliest
notes on it. They were spattered with rain that had fallen
on them through a leaking tent during the siege of Mainz.
He cherished piously all such little relics and souvenirs
of the past and preserved them carefully, too carefully,
for in the course of a long life far too many such deposits
accumulated. The words set up a violent throbbing of
Charlotte’s heart beneath the white frock with the ribbon
lacking; scarcely could she resist inquiring after other
such items deposited at some time during his life. But
3i8 LOTTE IN WEIMAR
she saw the impossibility — once more she lost the thread
of his discourse.
As the plates were changed for the sweet, she found
herself in the middle of a nari'ative with no idea how it
had come up: their host was entering with great warmth
into his tale concerning the strange career of a certain
Italian singer. On its moral side, he said, it was charm-
ingly edifying: she had made public her extraordinary
gifts with the sole desire of assisting her father, a collector
for the monte di pieta in Rome, who had fallen on evil
days owing to his weakness of character. The young
woman^s extraordinary talent had been discovered at an
amateur concert; she was snapped up on the spot by a
theatrical manager and aroused such lively enthusiasm
that on her first appearance in Florence a music-lover
gave, instead of a single scudo, a hundred zecchini for
his ticket. She did not fail to give generously to her
parents from this first gift; and her ascent to fame was
very swift. She became the brightest star in the musical
firmament, money flowed into her hands in streams, and
her first care was to surround with every comfort her old
parents at home. The narrator invited diem to imagine
the mingled chagrin and satisfaction of the father when
his brilliant child made up by her loyalty and energy
for his own lacks. But the vicissitudes of her career did
not end here. A rich Viennese banker fell in love with
her and offered her his hand. She bade farewell to fame
to be his wife; her ship seemed to have come to haven in
the safest, most splendid way. But the banker failed, he
died a beggar; and after several years of luxurious security
she returned, no longer young, to the stage, to experience
die greatest triumph of her life. The public hailed her
reappearance and new achievements with a homage that
first taught her what she had given up and of what
deprived humanity when she thought to see in the
wooing of her Crcesus the crown and conclusion of her
career. This triumphant return after the episode of a
brilliant private social interlude was the happiest day of
her life; it made her for the first time body and soul an
artist. She lived but a few years after that.
The narmtor made comments Upon his tale, referring
CHAPTER EIGHT 319
to the peculiar lack of seriousness, the indifference and
unawareness shown by this extraordinary woman towards
her individual calling. With easy and sovereign gesture
he seemed to try to animate the company with satisfac-
tion in this kind of detachment. A strange sort of idealist!
Obviously, despite her great gift, she had never taken
very seriously either her own art or art in general. Only
to lift her fallen parent to his feet had she made up her
mind to practise the talent till then unsuspected by
everyone, even herself. And she had used it always in
the service of filial affection. Her readiness to abandon
fame and retire to private life at the first and not very
romantic opportunity, no doubt to the despair of the
impresarios, was most striking. There was every indica-
tion that she had not, in her palatial Vienna home, shed
any tears for her art or found it a hardship to give up the
footlights, the theatre sights and smells, or the bouquets
that rewarded her roulades and trills. True, when harsh
necessity again made demands upon her, she had without
more ado gone back to public life; and now there was
forced upon her by the demonstrations of her audiences
the realisation that her art, never regarded by her with
great seriousness, but always as more or less a means to
an end, was her true and genuine calling. And then how
striking it was that a brief time after her triumphal
return her life came to an end, she passed away! Obviously
it had not answered; this late discovery, this definite
decision that her life was bound up and identical with
art, her existence as its priestess, had not been suitable
or possible for her. He, the narrator, had always been
fascinated by this theme of the relation of the artist to
his art; it was a tragicomedy wherein the roles of modesty
and superiority were inextricably mingled. He would very
much like to have made the acquaintance of the lady. ^
His hearers indicated that they would have enjoyed it
too. Poor Charlotte laid less stress on the idea. Thei'e
was something painful and disquieting in the story or
rather in the accompanying comment. She had been
hoping — for her own ^atifiication but also for the
speaker's sake as well — that some moral edification would
be the issue of this instance of filial piety. But he had
LOTTE IN W E I A R
320
given a disappointing turn to the gratifying sentiment, it
was at best psychoiogicaily “interesting”; it show^ed an
approbation of this example of the artist’s contempt for
his art — and that chilled and frightened Charlotte, again
for his sake as well as for her own.
The sweet was a raspberry fool, mixed with whipped
cream, with a delicious bouquet, and ser\ed with sponge
fingers. Champagne was handed, the servant poured it
out, after all, from a bottle wrapped in a serviette.
Goethe had partaken copiously of the earlier wines, but
he now drank two beakeis of champagne in quick succes-
sion, as though he were thirsty, holding the emptied glass
over his shoulder to the servant for the second filling.
He seemed for a brief moment to be contemplating
another diverting reminiscence, gazing diagonally up^
wards into space with his close-lying eyes. They watched
him with smiling expectation, Meyer wdth a look of
speechless affection; then he addressed himself across the
table to Herr Bergrat Werner and said he had something
for him: “Oh, I must tell you somethin’!” he expressed
it. The slip, or whatever it was — sounded very odd after
the precise and deliberate eloquence their ears had been
attuned to. He added that most of the resident guests
would certainly remember the amusing old anecdote,
but it would be new to the strangers present and it was
so good that surely everybody would like hearing it
again.
He went on, with an expression that revealed his owm
inward enjoyment of the subject, to talk about an art
exhibition or thirteen years earlier. It had been got up
by the Weimar Friends of Art and supported from out-
side from many other collections. One of the finest things
had been the copy — an extraordinarily able copy — of
Leonardo da Vinci's head of Charitas: “the one from
Cassel, you know, and you know the copyist too, it w’^as
Herr Riepenhausen, a man with a most pleasing talent,
who in this case had done an exceptionally sensitive and
praiseworthy piece of work. The Ixead was in aquarelle,
giving most faithfully the subdued tones of the original,
and reproducing the languishing expression of the eyes,
the gentle pleading bend of the head, and in particular
CHAPTER EIGHT 321
the sweet melancholy o£ the mouth, with the greatest
fidelity.
1 he exhibition was later than usual in the year, and
the public interest lu it kept it open longer too. The
rooms got colder and ioi economy’s sake they were
heated oni} at tiie hours when they were open to the
public. Visitors were charged a small entrance fee; for
Weimarians there was a subscription, allowing them to
enter outside the regular hours.
“Now here is the story: the authorities, themselves
highly diverted, sent for us one day to the place where
the Charitas was hung, to confirm by the evidence of our
own eyes the most demure and delightful phenomenon:
on the mouth of the picture, I mean on the glass at that
spot, there was an unmistakable imprint, a well-formed
impression of a pair of pretty lips; in other words, a kiss
bestowed upon the Io\eiy semblance.
“You may imagine our amusement, and the crimino-
logical rest we applied to our secret investigation into
the identity of the criminal. He was young — one might
take that foi granted ~«~eveii if the imprint on the glass
had not proved it. He must have been alone, for else no
one would venture on such an act. In other words, a
resident of Weimar, with a subscription permitting him
to commit his tender folly tvhen the rooms were un-
heated. He had breathed upon the cold glass and
imprinted his kiss on his own breath, which then con-
gealed. Only a few of us were acquainted with the cir-
cumstance, but it was not hard to find out who had been
alone in the unheated rooms. Our suspicions, amounting
to certainty, came to rest on a certain young man — I will
neither name nor further designate him — and he never
knew how we found out about his romanlic little venture;
but we in the knotv had occasion afterwards to observe
those really very kissable lips when we greeted that
young man in the street/'
Such the story, begun with the slip in pronunciation,
and greeted not only by the Bergrat but by all the rest
with exclamations. Cliarlotte had got very red. She
blushed as deeply, up to the roots of her crown of grey
hair, as her delicate colouring would allow, and the blue
LOTTE IN WEIMAR
3S5
of her eyes looked by contrast pallid and harsh. She sat
turned away from the narrator towards her neighbour
Hofkammerrat Kirms, and almost looked as though she
wanted to fly for refuge to his bosom; but, being highly
entertained by the story, he did not mark it. The poor
woman was in terror lest their host might expand further
upon the physics of this kiss into vacancy. He commented
iiideed upon his story, but confined himself to aesthetic
considerations. He spoke of the sparrows that picked at
the cherries in Apelles’ painting; and of the deceptive
effect of art, the most singular and precisely therefore
the most fascinating of all phenomena, upon the reason.
Not alone in the sense of illusion, for it was by no means
a deliberate deception; but in a profounder way, through
art’s relation with the earthly and the heavenly sphere
at once, because its effect was both spiritual and sensuous,
or, to speak in platonic language, it was divine and visible
both, and through the senses worked on the spirit. Hence
the peculiar inwardness of the yearning aroused by the
beautiful — expressed, in the present case, by the youthful
art-lover’s act, through the medium of the laws of heat
and cold. The joke, of course, lay in the muddle-headed
inadequacy of the poor youth’s act. You could not help
being sorry, even while you smiled, for the deluded
young wretch’s feelings as his lips touched the cold
smooth glass. Could one conceive a more telling or
touching allegory than this Of hot-blooded emotion
embodying itself by chance upon icily unresponsive
matter? It was a sort of cosmic jest. And so on.
Coffee was served at table. Goethe took none. He
drank a glass of southern wine called tinto rosso with the
dessert, to which he addressed himself at once after the
fruit; it consisted of all sorts of confections, rings of gum
tragacanth, sweet lozenges, and raisins. After that he
gave the signal by rising and the company went back to
the Juno-room, and into the adjoining side-cabinet,
called by the familiars of the house the Urbino-room,
after the Renaissance portrait of the Duke of Urbino
hanging there. The ensuing hour — actually it was only
rather more than three quarters— was thoroughly tedious;
but in a way to leave Charlotte in doubt whether she pre-
CHAPTER EIGHT 3*3
ferred it to the excitements and embarrassments of the
dinner itself. She tvould gladly have dispensed her old
friend from the diligent provision of amusement he
thought it right to make. He had in mind mostly the
guests for the firs' time in his house, namely Charlotte
and her family, and Bergrat Werner. He was concerned
to “show them somethin’ worth seein’,’’ as he expressed
it. With his own hands, with assistance from August and
the servant, he lifted the great portfolios of plates from
the shelves, opened their heavy covers before the ladies as
they sat, to display the layers of curiosities therein — that
being the word he used to describe the baroque pictures.
He paused so long at the top one that there was not much
time for the rest. A Battle of Constantine in large sheets
gave occasion for long-%vinded explanations; he pointed
here and there, called attention to the grouping of the
figures, the correct drawing of human beings and horses,
and sought to impress on his audience how much talent
and originality it took to sketch and complete such a
scene. Tiien the cabinet of coins, brought in drawers
out of the portrait-room, must needs be examined; it
was, if the guests had presence of mind to observe,
astonishingly rich and fuU; containing a complete set of
papal coins from the fifteenth century up to the present
time. He emphasised with great justice that such a
collection afforded a most happy insight into the history
of art. He seemed to know the names of all the engravers
and the circumstances under which the various medals
were struck, with anecdotes about the lives of the people
they commemorated.
The glass beakers from Karlsbad were not forgotten.
Their host had them fetched, and by turning them to and
fro in the light produced the very charming variations of
colour they did indeed display, from yellow to blue, and
red to green. Goethe explained the phenomenon in detail
by means of a small apparatus devised, if Charlotte under-
stood him aright, by himself; he had August-fetch it. It
was a wooden frame with small tinted glass plates to be
moved to and fro across a black or white ground, thus
reproducing the phenomena of the beakers.
At intervals, when he had done his duty and thought
LOTTE IN WEIMAR
3^4
he had provided his guests with enough occupation for
a while, he walked up and down in the loom with his
hands behind his back and from time to time diew a long,
deep breath, expelling it with a little sound not unlike a
groan. Or he stopped and talked wiiii various unoccu-
pied groups familiar with his collections, as they stood
round the'^room and in the passage to the cabinet, llie
strange sight of him talking thus with Herr Stephan
Schiitze, the writer, made an abiding impression on
Charlotte as she bent with her sister o\er the optical
apparatus, shoving the coloured plates to and fro, quite
near to where the older and the younger man stood. She
divided her attention between them and the colour
efEects. Schiitze had taken oS the glasses he habitually
wore and held them as it were concealed as he looked
with his protruding eyes, dulled and half blinded from
lack of the accustomed support, into die browned and
muscular features before him. They wore, these features,
a conflict of expressions. The two were talking about an
Album of Love and Friendship compiled by Schiitze a
few years earlier. Goethe had brought up the subject;
standing there, with his legs apart and chin stuck out, he
praised it highly and said that the compilation was both
varied and suggestive and declared that he had regularly
drawn much entertainment and instruction from it. He
suggested that Sciiutze's own humorous contributions
should some time be published in a separate collection.
The other, blushing and goggling still more, confessed
that he had played sometimes with the idea Himself and
only doubted whether such a collection were worth
while. Goethe, vigorously shaking his head, protested
against the doubt; basing his view, however, not on the
tales themselves, but on purely human, so to speak
statutory, grounds. Things must be, he said, collected
when the time came, the autumn of life; the harvest must
be gathered and stored, the grain got under roof; other-
wise one would not depart in peace, not having lived a
right or pattern life. The only thing was to find a good
title. His dose-lying eyes roved about the ceiling— with-
out much prospect of success, so Charlotte feared, for she
had the clearest intuition that he was not acquainted
CHAPTER EIGHT
325
with the tales. But now Herr Schutze betrayed how far
his hesitating thoughts had carried him, for he had a
name ready at hand; he had thought — ^just in case — to
call the proposed book Happy Hours, Goethe found that
capital. He could not have drought of a better title him-
self. It was most pleasing, and not without dignity and
elegance. It would appeal to the publisher, attract
readers; and most important of all, it fitted the contents.
That was as it should be. A good book has its title born
with it; and that it was clear and unequivocal was
precisely the evidence of its soundness and justification.
“Excuse me/’ said he, as Architect Coudray came towards
him. But Riemer hurried up, as Schutze put on his
spectacles again, obviously to hear what Goethe had said.
Almost at the end of the party the host happened
to think of showing Charlotte the counterfeits of her
children, sent to him long ago by that active, worthy
pair. The Kestner ladies had finished with the coins and
copperplates and the colour apparatus, and he was lead-
ing them about the room to display various of his
curiosities; the statuettes of the gods under glass, an
ancient lock with a key hanging on the wall by the
window, a little gilt Napoleon with hat and dagger
enclosed in the bell-shaped end of the tube of a barometer.
And then he thought of it: “Now I know,” he cried,
slipping into more familiar address, “what I must show
you, children: the old birthday present, the silhouettes
of yourselves and your splendid progeny! You shall see
how faithfully I have cherished and honoured it all these
years! August, be so good, fetch me the por’feuille wdth
the drawings, the silhouettes, I mean,” he called, drop-
ping again into Erankfurtese. As they were looking at
the quaintly incarcerated little Napoleon, August
brought the fascicle from somewhere and laid it on the
Streicher piano, beckoning them thither as there was no
more space on the round table.
Goethe himself untied the covers and opened the
volume. Inside w^as a time-yellowed and mildewed con-
fusion of emblematic souvenirs and relics, silhouettes,
occasional poems in faded wreaths of flowers, drawings of
rocks and roofs, river-banks and flocks and shepherds,
3^6 LOTTE IN WEIMAR
such as their owner might have sketched in hastily as aids
to his memory, on journeys in years gone by* The old
gentleman did not very well remember the contents and
could not come on what he sought. ‘"Devil take it, where
is the thing?** said he with mounting vexation, tossing
the sheets about faster and faster with nervous hands.
The circle deplored his trouble and kept repeating their
readiness to give up the idea of seeing the portraits. It
did not need looking at the actual picture again to have
it clearly before their eyes. In the end Charlotte herself
found it among the chaos and drew it out. “I have it,
Excellence,** she said, “here it is.** He looked at the
sheet with the profiles stuck on it, rather taken aback
and even incredulous, and answered with a trace of anger
in his voice: “It certainly is, it was 'reserved to you to find
it out. There you are, my good friend, neatly cut, and
the departed archivist and *your five eldest hopefuls.
Our lovely Fraulein is not there. Which are the ones I
know? These? Yes, yes, children grow up/*
Meyer and Riemer approached. They made a cautious
signal, each shutting his eyes with drawn brows and
slightly nodding. They felt, it seemed, that the episode
brought the sitting to an end, and everyone agreed they
were right in sparing the master fatigue. And the guests
chatting in the Urbino-room felt the same.
“So you will leave me, children, all of you at once?**
said their host. “Well, no one can blame you for return-
ing to your own duties and pleasures. Adieu, adieu. Our
Bergrat must stop awhile with me, yes, my dear Werner,
you agree? I have something interesting for you back in
my study, something from abroad, we old augurs must
have a little after-celebration; fossil fresh-water snails
from Libnitz in the Elbogen region. “My dear friend/*
said he to Charlotte, “farewell! I am convinced that
Weimar and your dear ones will keep you here for some
weeks longer. Life has held us sundered far too long a
time for me not to ask of it that we may meet often
during your sojourn. No, no, thanks! Until then, dearest
madamel Adieu, ladies! Adieu, gentlemen!**
August conveyed the Ridels and Kestners back down
the splendid staircase to the house door, where stood
CHAPTER EIGHT 327
their hired coach as well as another two tor the Kirmsand
Coudray cpuples. It was raining hard now. The guests
from whom they had taken leave above bowed again as
they passed.
“Father was exceptionally animated by your presence,”
said August. “He seemed entirely to have forgotten his
bad arm.”
“He was charming,” responded the Landkammerrat’s
lady, and her husband gave emphatic assent. Charlotte
said:
“If he was in pain, then his spirits and liveliness are
the more to be admired. I hate to think it, and blush to
recall that I did not ask him about his trouble. I should
have offered him some of my opodeldoc. After a separa-
tion, especially a long one, there are always many
omissions to regret.”
“Whatever they are,” replied August, “you will have
occasion to make them good, even though not at once.
For I think my father must rest now and not enter into
more engagements. If he asks leave to absent himself
from court, he cannot accept other invitations. I make
the remark by way of precaution.”
“Heavens, yes, of course!” they said. "That goes
without saying. Our thanks and greetings once more.”
Then tlic four sat again in their high caliche and
rolled away through the narrow streets towards home.
Lotte the younger, bolt upright on the rear seat, her
nostrils fluttering in and out, stared into the well of the
coach past the ear of her mother, whose pomp of ribbons
was once more shrouded in her black mantle.
“He is a great and good man,” said Amalie Ridel, and
her husband confirmed her; “That he is.”
Charlotte thought or dfeamed: “He is great, and you
are good. But I am good too, good deep down in my
heart, and wish to be. For only good men can esteem the
great. Those Chinamen, hopping and chirping undei
their pagodas, are both wicked and foolish.”
Aloud she said to Dr. Ridel; “I feel so guilty, brother,
that I must confess at once before you ask me. I spoke of
omissions and knew but too well what I meant. I am
returning home with disappointment and regret. Foi
y
gitS LOTTE IN WEIMAR
the truth is that neither at table nor afterwards did I
come to speak of your hopes and wishes to Goethe and
enlist him for them, as I certainly meant to do. I do not
know how the omission could have occurred; but in the
whole of the time there was no place that it fitted in. I
am to blame — but yet only in a way. Forgive meT’
'‘No matter, dear Lotte,’' aswered Ridel. “Do not
distress yourself. It was not so necessary to speak of it;
just by your presence, and the fact that we dined with
His Excellence, you have been helpful enough to us, and
it will all work out for the best."
CHAPTER NINE
Charlotte remained in Weimar until nearly the middle
of October, lodging all that time with Lottchen, her
daughter, at the Elephant. Frau Elmenreich, the pro-
prietress, met her half-way on the price of the lodging,
partly out of calculation but also because Headwaiter
Mager put in his word. We do not know too much about
this sojourn of the famous lady in the equally famous
city of Weimar. It seems — as befitted her years — to have
borne the character of dignified retirement, though she
was by no means inaccessible. Her time was largely
devoted to her dear family; still, we hear of several small
and even a few important gatherings graced by her
presence in those weeks, in various social circles of the
Residence. One of them, quite properly, was given by
the Ridels themselves, and others by people in the Land-
kammerrat’s official circle. Herr Hofrat Meyer and his
lady, born von Koppenfeld, and Oberbaurat Coudray
and his, each invited to their home on one occasion the
friend of Goethe's youth. She was also seen in court
society, in the house of Count Edling, member of the
Board of the Weimar Theatre, and his lovely wife,
Princess Sturdza from Moldavia. At the beginning of
October they gave a soiree, embellished with music and
recitations. It was probably on this evening that Char-
lotte made the acquaintance of Frau von Schiller; the
latter wrote a letter to a friend with a shrewd and sym-
pathetic description of her person and manner. This
other Charlotte speaks of Amalie Ridel as well, by way
of comment on the ''transitoriness of earthly things":
she remarks how very mature and settled the once "saucy
blonde" looked as she sat among the ladies.
On all these occasions, of course, Charlotte was the
object of homage. Her friendly and composed dignity in
329
330 LOTTE IN WEIMAR
accepting all such attentions had at length the result that
she received them no longer as the due of her literary
renown, but as a tribute to her own person and qualities,
not least attractive among them being a kind of gentle
plaintiveness. Any noisy demonstrations she rejected
mildly but firmly. We are told that an excitable female
dashed up to her in an evening company, arms out-
stretched, crying out; “Lotte! Lotte!” Charlotte re-
treated, and recalled the foolish creature to reason with
a quiet “Calm yourself, my love!” Thereafter, however,
she conversed most affably with her about local and
world affairs. Malice, gossip, and prying curiosity did
not, of course, wholly spare her; but they were held in
check by the decency of the better-minded. There leaked
out and got abroad by degrees, probably through the
indiscretion of Sister Amalie, a report that the old lady
had gone to visit Goethe in a garb that made tasteless
allusion to the Werther romance. But by that time her
moral ascendancy was so secure that gossip could do
little to harm her.
At none of these events did she encounter again her
friend of Wetzlar days. It was known that he was suffer-
ing from gout in his arm, and also busy with revision of
two forthcoming volumes of the Collected Works. We
have a letter written by Charlotte to her son August, the
Legation Councillor: it describes the dinner at the
Frauenplan; one can but say of it that k must have been
written on the impulse of the moment, with small pains
to give a fair-minded report — or even with a tendency
in the other direction. She wrote:
I have, indeed, said nothing as yet, even to you,
about my meeting with the great man. Actually I have
little to say: only this much, that I made a new
acquaintance, with an old man who, if I had not
known he was Goethe, and even knowing it, made on
me no pleasant impression. You know how little I
promised myself from this renewed, or rather this new
acquaintance, and so it did not touch me. And in his
stiff way he did all he could to show me courtesy. He
remembered you and Theodor with interest.
Your Mother, Charlotte Kestner, n^e Buff.