Showing posts with label Amartya Sen. Show all posts
Showing posts with label Amartya Sen. Show all posts

2024/04/07

Hinduism: with a New Foreword by Amartya Sen : Sen, K. M.: Amazon.com.au: Books

Hinduism: with a New Foreword by Amartya Sen : Sen, K. M.: Amazon.com.au: Books


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Hinduism: with a New Foreword by Amartya Sen Paperback – 19 January 2021
by K. M. Sen (Author)
4.6 out of 5 stars 50

Hinduism provides an invaluable introduction to its schools of thought and the very different ways in which it is practised and interpreted.

K. M. Sen discusses the evolution of Hinduism's central systems of belief and codes of conduct, as well as popular cults and sects such as Bhakti, Tantrika and the mystics of North India, and describes the varying incarnations of its supreme deity, Krishna and Rama among them. He recounts its history from the Indus Valley civilization c.2500 BC and the Vedic age nature gods to its relationship with Buddhism and Jainism and the impact of western culture. And he describes the day-to-day practice of Hinduism - customs, festivals and rituals; the caste system; and its philosophies and exponents. In a new foreword, the author's grandson Professor Amartya Sen brings his work right up to date, examining the role of Hinduism in the world today.


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Print length  176 pages
19 January 2021
 



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Book Description
Hinduism provides an invaluable introduction to its schools of thought and the very different ways in which it is practised and interpreted.


About the Author
Kshiti Mohan Sen was educated at the traditional Sanskrit schools of Banaras, which had been a centre of Indian learning for many centuries. He mastered Sanskrit and a large collection of modern Indian languages, and also became an expert on Indian religious texts at a young age. Along with a study of folk culture, Sen wrote several volumes on different aspects of Hinduism, including a treatise on the caste system, and a textual study of the position of women in ancient India. Following Kshiti Mohan Sen's death in March 1960, this book was prepared for publication by his grandson, Amartya Sen, who has also contributed a substantial new introduction for this edition.

Product details
Publisher ‏ : ‎ Penguin Press; 1st edition (19 January 2021)
Language ‏ : ‎ English
Paperback ‏ : ‎ 176 pages 
4.6 out of 5 stars 50




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Abredjones
5.0 out of 5 stars Five StarsReviewed in Canada on 19 January 2017
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The book is very informative and removes too many mis-conception about Hinduism.
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Dr Asoke Chakraborty
5.0 out of 5 stars An invaluable book to understand and know about Hinduism.Reviewed in India on 14 November 2015
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My knowledge and idea about Hinduism would have remained incomplete and distorted without reading this book.This book helped me to develop a very broad and comprehensive notion about Hinduism.

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JRC
5.0 out of 5 stars A basic, yet elegant account of Hinduism.Reviewed in the United States on 8 September 2013
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This is a classic book written by an eminent scholar of Hinduism and rendered into English by a non-observing Nobel-Laureate economist, who has presented the facts neutrally in an engaging, but non-judgmental manner. The initial chapters would be informative to newcomers to the study of Hinduism, but not to those who already have some knowledge of this religion/culture. However, the later chapters chronicle the evolution of Hinduism from the prehistoric times through the middle ages to the present time. This journey through the periods of history is educative, inspiring and even startling to even those who were raised as Hindus in modern India and are reasonably knowledgeable about Hinduism. The author has consciously kept the book short, which is good. The only regret is that more quotations from the Sanskrit scriptures were not used in support of the conclusions made by the author. This is a slight disappointment in view of the author's vast and deep scholarship in this field.
Overall, this is a historical account of a religion, which is as captivating as a classic novel. In the opinion of this reader, this book is not to be missed, whether one is an observing Hindu or merely curious about the great cultural-spiritual phenomenon known as Hinduism.

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j tattersall
5.0 out of 5 stars excellent bookReviewed in the United Kingdom on 13 November 2012
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As I am off to India again I thought I would read a little on Hinduism - beautifully written and is easy to read
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Amazon Customer
5.0 out of 5 stars Easy to read - explains all concepts clearly and a ...Reviewed in the United States on 31 January 2018
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Easy to read - explains all concepts clearly and a non biased expose on the foundations, history and development of Hinduism and Hindu thought in India and the world.
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Hinch
62 reviews
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February 18, 2023
Really nice overview, as someone who knew nothing about Hinduism before I feel like this was a very accessible, readable introduction. It's definitely more about broad themes than anything specific, though.

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Critical
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March 11, 2021
Ok, so let me first say that I'd never have read this book if not for this one friend, who whenever presented with a caste-based critique of anything to do with Hinduism, always had only one thing to say - "Hinduism is not just Sanatana Dharma. Read that book.". Well, now I've read that book.

Now Hinduism is complicated. You have to start with, what is Hinduism? Who is a Hindu? Who self-identifies as Hindu? Where does the category of "Hindu" come from? With a category as broad as that, how come the same narratives of Hinduism are the only ones you hear everywhere? All of these questions are not only important questions, they're absolutely essential to look at if we're going to put things into context, especially when considering the history of a large majority of the subcontinent. Not everyone is going to find liberation within that category. Not everyone will have the need to engage with it. Maybe some will even articulate their struggles within their category. But you know what? Those are politics. And politics are important. My friend's politics are pretty warped, however, and that is only confirmed by this book and his glorification of it.

Let me start by saying that this book is far from what one should base their understanding of Hinduism on. Of course, you may read this book if you'd like to get a very high level view into various concepts presented in scripture, which for the intellectually curious mind can't be a bad thing. However, be very careful about making conclusions about how these ideas have applied through history and how they apply today based on this book. I'll say once again, the politics are important.

This book, written by a Bengali Brahmin, takes the highly glorified Brahminical view of Hinduism. While the author acknowledges that divisions of varna and caste are built into Brahminic scripture, he very conveniently always comes back to the "greatness" of Hinduism, in that it can "assimilate" local traditions into itself. Now Brahmin savarna Hindu liberals love this grand narrative, because they are interested in ownership of the narrative. Much like my friend, they acknowledge the diversity of local traditions that exists under the present day classification of "Hindu", but they refuse to see that it is only through a simultaneous process of appropriation and suppression that dominant castes maintain hegemony over Dalits, Adivasis, and other oppressed castes. For the author K.M. Sen, this is a beautiful thing. For him, it is sufficient to have the odd example of a woman or a Shudra gaining some kind of power. For the hundreds of millions of people that this particular view continues to oppress, it's a horrible thing.

For the reader interested in a critical view, books like Debrahmanizing History by Braj Ranjan Mani, Why I am not a Hindu by Dr. Kancha Ilaiah Shepherd might provide better perspectives.

For those interested in the political construction of the "Hindu" identity, this article is a great reference: https://caravanmagazine.in/religion/h...

For those curious to understand the ongoing process of appropriation in constructing Hindu mythology while wiping out local traditions, this is a solid resource: https://www.raiot.in/can-we-challenge...

For those who want to know why local caste politics matters so much more in order to build nuanced understandings, this should be a reference: https://caravanmagazine.in/politics/i...

Overall, I would say that this book is not worth your time. I'm still glad I read it, if only to type this not-angry-but-feeling-hmph review.

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nahid hasan
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January 13, 2020
A very informative book.

Almost nothing of what I actually knew about Hinduism so far matched this book.

In this book, the author has basically discussed the history of a religion from its origin to its continuation Hinduism is a fleet of Vishal Bapur, and it is a very difficult task to capture him in only one and a half hundred pages, which needs at least 5 words to express the expression, the author has done it there in 1 word.

The first thing that came to my mind after reading this book is that Islam does not have many conflicting elements with the original Hindu religion. Original Hinduism also speaks of a formless, all-pervading, One God. It is mentioned several times in this book

I think this is an underrated book. Hindu brothers should recommend this book to those who want to get a basic idea about Hinduism. And Muslims should also read this book, to know the concept of Hinduism. Because both religions are living side by side in this subcontinent, but they don't know each other well.

I am surprised when Krishna himself talks about worshiping a Supreme Lord to Arjuna, ignoring himself. But now I see that everyone has left the Supreme Lord and made Krishna their deity.
And I did not find any mention of Ram Rama was a simple but daring prince, not a god

But what game is being played by placing the poor man in the seat of God.

However, I think the book is a must-read The opening verse is written by Amartya Sen That is another story.
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Riya Ganguly
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January 23, 2021
Few people know that this book was originally written in English and that the version in question is a translation by Somendranath Banerjee. Perhaps the simplicity of the translation is responsible for that. It may also be that this translated form is more widely known and read than Acharya Kshitimohan Sen's original text.
But lately the book has been unnecessarily maligned for its 'Introduction' section—where Kshitimohan's Douhitra discusses the relevance of the original book as he does. In today's political landscape, that gentleman is judged by other criteria than his wisdom or recognition. But that's it. Let us return to the book instead.
The original book, written in 1961, had an intended audience of English speakers—people who either knew nothing about 'Hinduism', or knew it wrongly. In this situation, Kshitimohan arranged his book in the form of a primer which was novel from the point of view of the time. The book was divided into three parts. They are ~
Part I: Nature and Fundamentals of Hinduism
1. Introduction
2. Nature and Development of Hinduism
3. Social ideals and values
​​4. Caste or caste system
5. Folklore and festivals
6. Solidarity Not Independence
Part II: Historical Evolution of Hinduism
7. Indus Valley Civilization
8. Vedic Age
9. Vedic culture and education
10. Upanishad and Gita
11. Cultural integration and its impact on Indian life
12. Jainism and Buddhism
13. Some other Vedic verses
14. Ramayana, Mahabharata and Purana
15. Conspiracy
16. Hinduism outside India
17. Bhakti-Dharmalondan
18.
19. The Medieval Murmiya Pursuit of North India . Bowl
20. Modern Stream
Part III: Selections from Hindu Scriptures
a. Rikveda
b. Atharvaveda
c. Upanishad
d. At the end of the Bhagavad Gita
there are instructions.

The biggest problem with this book is its size. A library is not enough for all that it tries to cover in just one hundred and sixty pages.
The aim of the whole text on it is to show that the essence of Hinduism is not conflict but harmony. We already know that this idea is not only illusory, but the dream of the 'happy heaven beyond' group of downtrodden refugees. The Vedic and pre-Vedic background of Hinduism is merely glossed over to show this synthesis. Even how Indra-Varuna-Agni was replaced by Vishnu-Brahma-Rudra in the tension of power, how the protestant religion quickly transformed from symbol to paganism—there was no opportunity to tell in this book. Rather, the so-called devotional and syncretistic religious movements gained most importance here in the Middle Ages. But Chaitanya and his cultural movement have only one paragraph!
On top of that, in view of what has been learned about the Indus-Saraswati civilization in the last sixty years, it has become necessary to re-read most of the ideas about the so-called Hindu religion.
All in all, after reading the book, I felt that we are not the target audience of this book. It is the product of a particular time and a particular thought.
But it is also admitted that such a book could probably not be written now. The ocher color has been hijacked by monks like Kshitimohan for a long time. When a book like this calm, serene pond is published today, the crowd gathers not for fishing, but for frogging.
If you know a Bengali who doesn't know anything about Hinduism, let him read this book. It is good as a primer full of simplifications written in simple language.

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Chant
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May 11, 2021
1965? Dated? I would say to some degree but for the most part, it's a good introduction to Hinduism, if you haven't read anything on the subject before.

Chapters are concisely written, which is another way of saying that the chapters in this book are short. Usually, I am not a huge fan of short chapters but in the case of an introductory text, I feel it gives the reader a better breadth of knowledge for further exploration.

If you find this little 60s pelican text I would say give a read-through. I personally have a bunch of these pelican texts from the 60s and 70s purely for graphic design (I have a thing for this type of minimal graphic design that the 21st century tends to poo-poo).

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Erik Graf
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June 4, 2015
This book was employed in Harold Kasimow's Major Eastern Religions course at Grinnell College. Not knowing much about the traditions of the Asian subcontinent, I found it very enlightening.
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Vampire Who Baked
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February 5, 2019
This is an incredible book by an erudite (yet not at all elitist) scholar that gives an intimate and insightful glimpse into probably the most complicated (and syncretic) system of religious and social philosophy in the world. Kshiti Mohan Sen's introduction spans a satisfying breadth in focus, from the history (and historiography) of South Asia, to philosophical discourse on Vedanta metaphysics, to a sociological study of the intersection of class and religion (and to a lesser extent, gender) in India. It answers basic questions about the constituent entities of Hinduism places them in its proper context.

You will learn, for example, what the Vedas are, and how relevant they are (in theory, less in praxis, except for scholars and the elites) and where they came from (Aryans? Dravidians? Both?). You will learn that the word "Brahman" is one of the most overloaded words, referring (separately) to the caste/varna, the Vedanta ideal of the all-pervading abstract Supreme Being, as well as one of the three parts of the Vedas (together with the Upanishads, as well as the four Samhitas-- Rik, Sam, Atharva and Yajur).

You will get a crash course not only on various heterodoxies within Hinduism (including atheistic and agnostic sects) but also on the complicated position of women, the ir/relevance of the caste system (no foundation in scripture, but historically prevalent), and the sociological impact of the Bhakti movement in bringing religion to the masses rather than restricting it to dogma and elite priestly classes (a lovely chapter on the "Bauls" of Bengal stands out in particular).

You will learn that most modern gods and goddesses are conglomerations of distinct deities from different sects-- the sect of Pashupati, the lord of animals, and the Aryan lord of storms Rudra, together with phallic/lingam worshipping tribes/sects led to Shiva, who is for the most part non-Vedic/non-Aryan in origin. Similarly, Krishna and Vishnu were worshipped as separate entities and only later identified as one and the same.

You will get a crash course on metaphysical ideas like "Brahman", "Atman", "Purusha", "Prakriti", "Maya", and so on.

You will learn interesting facts, like how the first anthropomorphic religious images that were created within Hinduism were actually the Gandharva staues of Buddha, by Greek sculptors who were patronised by the Buddhists in Afghanistan. Temples and human-like idols of Hindu gods came much later.

Even if you are not interested in religion, this book is a great read-- if nothing else, it's a way to get a glimpse into how religion works, the foundational philosophical ideas, and the way it adapts and changes over time to fit sociological needs. And for Hinduism, the most syncretic religion in the world, it's a particularly fascinating story.

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Mel
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August 9, 2011
A pithy, humane and intelligent account of an extremly complicated subject with a myriad of historical and regional variations. Highly recommended introduction to the subject.
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r0b
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March 13, 2020
Delightfully accessible introduction to the subject. Not perfect but recommended for those interested.

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Amartya Sen's Memoir Is Rich in Detail - Rudrangshu Mukherjee 2021

From Influences to Friendships and Intellectual Concerns, Amartya Sen's Memoir Is Rich in Detail

From Influences to Friendships and Intellectual Concerns, Amartya Sen's Memoir Is Rich in Detail

In the 'Home in the World', the clarity of Sen’s thought and the lucidity of his prose are delightful and entertaining.


It is entirely apposite that the title of Amartya Sen’s memoir Home in the World echoes the title of one of Rabindranath Tagore’s more famous novels, The Home and the World (Ghare Baire). Not only was the name Amartya given by Rabindranath, but Sen’s life was closely associated with Santiniketan from his earliest days. Sen was born in Santiniketan, in his mother’s parental home, but much of his childhood was spent in Dhaka and in Mandalay (where his father was a professor of chemistry). His earliest memories go back to his journey to what was then called Burma and his days there. He visited Santiniketan when he was a child but began to go to school there when he was about eight years old. Before that, he went to St Gregory’s in Dhaka where he was by no means an outstanding student. Sen makes a very significant observation in this context. He writes, “I became what would count as a good student only when no one cared whether I was a good student or not.” He began to blossom in Tagore’s school, which he describes as “School without Walls”: “I absolutely loved,” Sen remembers, “not having to perform well.”

Amartya Sen
Home in the World: A Memoir
Allen Lane (July 2021)

Sen writes fondly about his teachers in Santiniketan, especially his mathematics teacher Jagabandhuda who encouraged him to think independently about mathematical problems, and about Gosainji (Nityananda Binod Goswami) who was a much-loved figure among students in Santiniketan. While Sen cherishes the unique education – education in the true sense of the word of opening up the mind – he received in Santiniketan, the most formative intellectual influence came from his maternal grandfather, Kshiti Mohan Sen. The latter is now an almost forgotten figure, even though his book Hinduism – a little gem of a book – continues to remain in print from Penguin. Sen writes on his maternal grandfather in the spirit of a homage. What he writes about Kshiti Mohan also tells us about the evolving relationship between a grandfather and a favourite grandson.

Kshiti Mohan was profoundly learned in Sanskrit and Pali; he was also proficient in Hindi and Gujarati and of course in Bengali. He was an authority on the bhakti poets, especially Kabir and Dadu and the philosophy underlying their poetry and their songs. It was his erudition that made Tagore bring him to Santiniketan where he worked as one of Tagore’s closest associates. As a schoolboy in Santiniketan, Sen lived with his grandparents and had many conversations with them. His growing relationship with Kshiti Mohan, often marked by the latter’s “gentle humour”, is best illustrated by one incident. When the young Amartya informed his grandfather, a pious man, about his growing indifference to and scepticism regarding religion, Kshiti Mohan told him, “…you have placed yourself, I can see, in the atheistic – the Lokayata – part of the Hindu spectrum.” He followed this up by giving his grandson a long list of references to atheistic and agnostic treatises in ancient Sanskrit. This incident reveals not only the relationship between grandfather and grandson but also Kshiti Mohan as an outstanding teacher. Amartya Sen’s outlook on life and the world of ideas was formed by such catholicity.

While a student in Santiniketan, Sen wanted to pursue mathematics and Sanskrit in college but his meeting with Sukhamoy Chakravarty and the immediate friendship between the two of them altered Sen’s plans. He decided, almost at Chakravarty’s request, to study economics at Presidency College. He and Chakravarty embarked on an intellectual companionship together – a journey that would end only with Chakravarty’s untimely death in 1990. Calcutta, Presidency College and the College Street Coffee House opened up new vistas for Sen – intellectual debates and discussions, a growing circle of friends, immersion in the world of ideas, especially the ideas of Marx. Sen recollects those days with an obvious sense of enjoyment. But during his undergraduate days in Presidency, something else happened to Sen: his battle with oral cancer.

Sen noticed a lump on his hard palate, the size of a split pea. Since doctors were prone to dismissing it, Sen decided to read up on cancer and came up with the diagnosis that he was suffering from squamous cell carcinoma. This diagnosis was confirmed by a biopsy. He had to undergo seven days of high intensity radiation under very primitive and gruesome conditions. The treatment was relatively painless but the aftermath was terrible. Sen recounts this episode with an almost stoic detachment. When the family received the biopsy report, there was intense emotional distress verging on despair. On going to bed Sen, had a profound insight into his own situation: he was an agent (since he had made the diagnosis) and the victim of his own agency since he was also the patient. This was a unique, if problematic, predicament. His sense of agency – sheer human will – prevailed and triumphed. The emperor of maladies failed, and has failed, to subjugate the prowess of Amartya Sen.

From Presidency, Sen moved to Trinity College, Cambridge and continued his study of economics. He had been an outstanding student at Presidency but it was by the river Cam that Sen began to come into his own, intellectually. Maurice Dobb, Piero Sraffa, Joan Robinson and Dennis Robertson were the four teachers/mentors in Cambridge who nurtured the originality of Sen. At Trinity, he was as outstanding a student as he had been at Presidency. With characteristic modesty, Sen does not mention his examination results. In Calcutta, he had stood first in the first class in economics; and at Cambridge in his tripos in economics, he received (this I have been told by some of Sen’s closest friends) what in Cambridge is called a “starred first”. After his BA degree, Sen began his career as a research student and within one year, June 1956, he had in his view “a set of chapters that looked as they could form a dissertation”. Sraffa agreed with Sen’s assessment of the chapters or what Sen calls his “putative thesis”. If this is remarkable, what happened next was even more remarkable, if not unprecedented at least in the Indian academic world. Just as Sen was about to fly back to India to do empirical research to apply to his theory, he received a letter from the vice chancellor of Jadavpur University (which had just started) inviting him to head and establish the economics department at the university. Sen was then a little short of 23.

After some initial and entirely understandable hesitation, Sen decided to take on the challenge. He set up the syllabus, did the first round of recruitment of faculty and bore a very heavy teaching load (in one particular week, he gave 28 full length lectures!). It was during this phase in Calcutta that Sen made a new friendship. This was with Ranajit Guha, who was then teaching at Jadavpur. The affinity between the two was immediate. Sen found Guha to be innovative and original in his ideas and approach to history. Guha then lived in a small flat on Panditya Road in south Calcutta where many left-leaning intellectuals gathered for political debates and intellectual interaction. Guha’s flat became one of Sen’s haunts. Looking back on those addas, Sen considers them to have been important for him: “I feel that as academic discussions go, it would be hard to match those in the small unassuming apartment in Panditya Road in the mid-1950s.”

While teaching at Jadavpur, Sen met Nabaneeta Dev in 1956, became engaged to her in 1959 and they were married in 1960. They had two daughters, Antara and Nandana. When they met and married, Nabaneeta was “a successful young poet, and would later become one of the most well-known creative writers in Bengali literature.” She became one of the best known and respected professors at Jadavpur University.

Teaching at Jadavpur and the addas in Calcutta, both of which Sen thoroughly enjoyed, turned out to be an interlude since Sen returned to Trinity as a Prize Fellow in the spring of 1958. He was a Prize Fellow for four years and was free to pursue his own intellectual and academic interests. It was this period that saw the deepening of Sen’s relationship with Sraffa, Dobb, Robinson and Robertson. Of particular importance for Sen was the daily walks he had with Sraffa – the conversations during these long walks covered economics, philosophy and Sraffa’s relationship with Ludwig Wittgenstein and Antonio Gramsci. Cambridge in the early 1960s was a very lively place for discussions on economic theory. Through these interactions, Sen came to form friendships with a number of economists who made major contributions in their chosen fields. Sen also travelled across the pond to teach at MIT, Harvard and Stanford. In the US, his encounters with Kenneth Arrow, Paul Samuelson and John Rawls were especially significant and intellectually formative.

Sen returned to India to take up a professorship at the Delhi School of Economics and it is at the D-School around 1963 that Sen brings down the curtain on his remembrance of things past. There is one comment that Sen makes regarding his teaching days at D-School that is telling. He writes, “It is hard to describe how joyful it is when the performance of your students draws global attention – no matter what you yourself are doing.” Only a dedicated teacher could write such a sentence. Amartya Sen’s heart is in his teaching, which he sees as being integral to his scholarship.

Amartya Sen in 2010. Photo: GODL-India/Wikimedia Commons, Public Domain

Through the preceding paragraphs, I have tried to present a chronological outline of Sen’s life (up to 1963) and of some of the formative influences and friendships. To reduce his memoirs to just this would be to diminish its significance and denude it of its richness. Within the chronological contours at the appropriate places, Sen reflects on some of his principal intellectual concerns. There are excursions in this book on aspects of Tagore’s ideas which have always engaged Sen, on the nature of ancient Indian culture, on some of the ideas of Adam Smith, on some aspects of Marx’s thought – especially its more problematic areas, on the nature of British rule in India, the anguished relationship of Sraffa and Wittgenstein, social choice theory, the Bengal famine of 1943, the idea of Bangladesh and so on. On many of these, Sen has written more extensively in his essays and books. But there are two themes on which Sen reflects in this book that merit attention. One is an illuminating chapter on the rivers of Bengal and the other is on the Buddha and his teachings.

As a child in Dhaka, Sen with his parents travelled on boats across rivers that are so much of the landscape of deltaic Bengal – the Padma, the Meghna and the Dhaleshwari. These journeys stoked Sen’s curiosity about the rivers, the lives around them, the fish and the enthralling landscape. Even as a boy, he began to study maps and discovered that the Brahmaputra and the Ganges originate at the same point – Manas Sarovar – and then take different routes to meet and merge north-west of Dhaka. As a student in Santiniketan and Presidency, Sen came to know the rivers of West Bengal, some of them with beautiful names like Mayurakshi, Ajoy, Rupnarayan, Ichamati and of course the Bhagirathi (commonly known as the Hooghly). As a student, he became aware of the importance of rivers and the economy of the hinterland which Tagore had noted in his essays and poems; when Sen read Adam Smith, these links acquired greater salience.

From such observations, to be expected from a brilliant student of economics, Sen, in his memoirs, moves to how the rivers have fascinated some of the major literary figures of Bengal, not just Tagore. This fascination has a long and distinguished lineage. Sen was thrilled to read in the text known as Charyapad – circa 10th to 12th century CE, and perhaps the earliest set of identifiable Bengali writing – a reference to the Padma and to pirates on it. He read the Manashamangal Kavya (c. late 15th century) which narrates the story of the merchant Chand and is set almost entirely on the Bhagirathi. The fascination continued and Sen draws attention to the 1945 novel Nadi O Nari (literally “Rivers and Women” but translated into English as “Men and Rivers”) by Humayun Kabir which tells the story of landless families whose life and livelihood are rendered precarious by a shifting river. The families were Muslim but their struggle cut across religious divisions: “We are men of the river. We are peasants. We build our homes on sand and the water washes them away. We build again and again, and we till the earth and bring the golden harvest out of the waste land.”

Sen underlines the shared nature of the predicament and the struggle which were particularly relevant in 1945 when Bengal was being ripped apart by religious separatism incited by narrow-minded politicians and British policy-makers. The river was “indifferent,” Sen notes poignantly, “to religion-based separateness both in creation and in destruction.”

Sen first encountered the thoughts of the Buddha when he was about ten or eleven years old from a book given to him by his grandfather. Recollecting that first exposure, Sen writes, “I was completely bowled over by the clarity of reasoning Buddha used and his accessibility to anyone who could reason.” Over the years, his appreciation and attachment to the Buddha grew. Sen brings out four aspects of the ideas of the Buddha to explain his attraction. First, the Buddha focused on reason to reject or accept a given position; he made no appeal to unargued beliefs. All his ethical conclusions – equality of all human beings, kindness towards living beings, replacement of hatred by universal love – were based on reasoning. Second, the Buddha was human and he shared the same anxieties as all human beings – death, disease and disability. Third, the Buddha was making a radical departure by not asking, “Is there a God?” but by posing the question, “How should we behave?” irrespective of whether there was a God or not. The Buddha emphasised good behaviour and good action. And, finally, the Buddha made the rather important point that doing good should not be transactional. One should engage in good actions because it was ethical to do so. Many of Sen’s ideas came to be anchored on these ideas.

2024/04/06

자유로서의 발전 - 아마르티아 센 저

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자유로서의 발전   아마르티아 센
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2013년 10월 07일 | 
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노벨 경제학상 수상 클라우디아 골딘 대표작 한정판 리커버

2023년 11월 02일 ~ 한정 수량
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아시아 최초로 노벨 경제학상을 수상한 경제학의 ‘마더 테레사’, 아마티아 센
민주주의와 자유의 확장이야말로 진정한 발전의 목표임을 실증적으로 규명한 현대의 고전

아마티아 센이 평생에 걸쳐 추구한 웅대한 문제의식의 결정판으로서, 민주주의와 자유의 확장이야말로 진정한 발전의 목표임을 실증적으로 밝혀내고 있다. 센의 문제의식은 역량의 회복을 통해 대다수 사람들의 삶의 질이 향상되는 균형잡힌 성장에 초점이 맞추어진다. 특히 센의 민주주의를 기반으로 한 발전관은 개발독재에 신음했던 우리에게도 중요한 시사점을 준다.

그에 따르면 박정희 정권 시기에 민주화와 사회정의를 위한 저항과 투쟁이 실제로 경제성장에 중요한 영향을 미쳤다는 것이다. 한국사회는 경제민주화를 비롯한 새로운 패러다임의 요구에 직면했음에도, 아직까지 개발독재의 망령과 성장숭배의 폐해를 떨쳐내지 못하고 있다.『자유로서의 발전』은 이런 한국사회가 온전한 사회발전을 위해 어떠한 문제의식과 실천이 선행되어야 하는지를 명쾌하게 제시해준다.

센의 가장 중요한 통찰은 경제 발전을 자유의 확장 과정으로 보는 새로운 시각이며 이는 오늘날 한국사회에도 절실히 요구되는 부분이다. 양적 경제성장은 충분히 이루어지고 있지만 그로 인해 형성된 부가 국민들 삶의 질을 향상하는 실질적 자유로 전환되었는가에 대해서는 많은 문제제기가 있기 때문이다. 또한 이 책은 한국의 민주주의가 경제성장의 한 축이었다는 긍정적 확신을 심어주었지만, 여전히 남아 있는 우리사회의 물질중심주의와 발전이데올로기를 극복할 대안이 절실하기 때문에 한국사회의 현안을 풀어가기 위해 더욱 섬세하게 읽어봐야 할 필요가 있다.
책의 일부 내용을 미리 읽어보실 수 있습니다. 미리보기

Tagore's Critique of Nationalism and Vision of a United World | Mohammad A. Quayum

Tagore's Critique of Nationalism and Vision of a United World | PDF

Tagore's Critique of Nationalism and Vision of a United World
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- Rabindranath Tagore was a Nobel Prize winning Indian poet who strongly criticized nationalism and its tendency to divide people and lead to conflict and war. - Tagore envisioned a world o…Full description

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Imagining “One World”: Rabindranath Tagore’s Critique of Nationalism
Mohammad A. Quayum
 International Islamic University Malaysia
 
Our mind has faculties which are universal, but its habits are insular.—Rabindranath Tagore

Introduction

In a poem entitled, “The Sunset of the Century,” written on the last day of the nineteenth century, India’smessianic poet and Asia’s first Nobel Laureate, Rabindranath Tagore (1861-1941), launched a fierce diatribe onnationalism. In a mood of outrage and disenchantment, tempered with intermittent hope, he wrote:The last sun of the century sets amidst the blood-red clouds of the West and the whirlwind of hatred.The naked passion of the self-love of Nations, in its drunken delirium of greed, is dancing to the clash ofsteel and howling verses of vengeance.The hungry self of the Nation shall burst in a violence of fury from its shameless feeding.For it has made the world its food.And licking it, crunching it and swallowing it in big morsels,It swells and swellsTill in the midst of its unholy feast descends the sudden shaft of heaven piercing its heart of grossness.(
 Nationalism
 80)This anti-nationalitarian sentiment—that nationalism is a source of war and carnage; death, destruction anddivisiveness, rather than international solidarity, that induces a larger and more expansive vision of the world—remains at the heart of Tagore’s imagination in most of his writings: his letters, essays, lectures, poems, plays andfiction.
1
 He was always opposed to the nationalism of
 Realpolitik
and hyper-nationalism that breathed meaning intoThucydides’s ancient maxim that “large nations do what they wish, while small nations accept what they must” (qtd.in Chomsky 16) and that in which, as Radhakrishnan said, “self-interest is the end; brute force, the means;conscience is taboo” (163). Radical nationalism that acted as opiate of the people, making them irrational andfanatical, blind to the senses of truth and justice, and willing to both kill and die for it, perpetuating a logic of“lunacy” and war, instead of a cycle of freedom and peace, was an anathema to Tagore. He spurned it as “a cruelepidemic of evil . . . sweeping over the human world of the present age and eating into its moral fibre” (
 Nationalism
 9); a terrible absurdity that is seeking to engulf humanity in a suicidal conflagration.Tagore was a believer in an interactive, dialogic world, given to a deep sense of sympathy, generosity andmutuality, and in which nations would not be parochial, xenophobic and centripetal, or guided by mere selfishnessand self-aggrandisement, but poised towards a morally and politically enlightened community of nations through theespousal of a centrifugal outlook, multilateral imagination, principal of universality and reciprocal recognitions. Inthis sense Tagore stands a precursor to many of the modern critics and philosophers of post/trans-nationalism andglobalism such as Frantz Fanon, Edward Said and Noam Chomsky. Much like Chomsky, Tagore believed, to put itin Chomsky’s words, that “‘another world is possible’ [by] seeking to create constructive alternatives of thought,actions and institutions,” and by bringing “a measure of peace and justice and hope to the world” (236-37). Tagoreimagined of a commonwealth of nations in which no nation (or race) would deprive another “of its rightful place inthe world festival” and every nation would “keep alight its own lamp of mind as its part of the illumination of theworld” (qtd. in Kripalani 268).Tagore was an avid advocate of inter-civilisational alliance; his vision was given to a symbiosis of the East andWest. He was no doubt furious with the British cruelty and oppression in India during the colonial period, and feltthat the West was often immersed in commercialism, “moral cannibalism” (Dutta 192), “political expediency”(Dutta 164), militarism and “war-madness” (Dutta 193), and was unduly full of contempt for the East; yet he nevergave up hope for a possible union of the East and West, in which the East and the West would meet as equalpartners in a creative engagement; “I believe in the true meeting of the East and the West” (Dutta 172), he affirmedin a letter to Charles Andrews. In a letter to Foss Westcott, Tagore further wrote, “Believe me, nothing would giveme greater happiness than to see the people of the West and the East march in a common crusade against all thatrobs the human spirit of its significance” (Dutta 197). Moreover, he took exception to Kipling’s remark that the East
 
and the West were too divergent and “‘Never the twain shall meet” by affirming, much like in Emerson’s spirit inhis essay “Compensation,” that the realisation of a unitary and stable world was contingent upon the meeting ofthese two opposing halves, which compensated one another:Earnestly I ask the poet of the western world to realize and sing . . . with all the great power of music whichhe has, that the East and West are ever in search of each other, and that they must meet not merely in thefullness of physical strength, but in fullness of truth; that the right hand, which wields the sword, has theneed of the left, which holds the shield of safety. (Dutta 213)Tagore’s indictment of nationalism elicited furious criticisms from many of his contemporaries, especially in theWest, with the Marxist critic, Georg Lukacs, and the English writer, D. H. Lawrence, leading the pack, making theduo strange bedfellows in their Tagore hatred. Lukacs, who found both Tagore and Gandhi counter-revolutionary,took the opportunity to pounce on Tagore, after the publication of his anti-nationalist, anti-revolutionary novel,
The Home and the World 
 (1915). In the characteristic tone of one who saw a Cause greater than a living, breathinghuman being, and to whom the abstract was more sanctified than the palpable, Lukacs condemned Tagore as “awholly insignificant figure. . . [Who] survives by sticking scraps of the
Upanishads
 and the
 Bhagavadgita
 into hisworks amid the sluggish flow of his tediousness” (qtd. in Desai 7).
2
 Lawrence, on the other hand, felt outraged bywhat he called the “wretched worship-of-Tagore attitude” and admonished that Tagore was a “horribly decadent[figure] reverting to all forms of barbarism in all sorts of ugly ways.” Lawrence further said, creating the sameus/them, West/East hierarchical binary, which Tagore had found disagreeable in Kipling’s imagination, “ourEuropean civilization stands [far higher] than the East, India, or Persia ever dreamed of” (qtd. in Kripalani 278).Lawrence’s arrogance and contempt in the above statement only ratified Tagore’s claim that the chasm betweenthe East and the West was created by the West’s unwarranted contempt for the East, which in return generatedhatred in the East against the West. His response to such contempt was, “The blindness of contempt is morehopeless than the blindness of ignorance; for contempt kills the light which ignorance merely leaves unignited”(Dutta 209). Tagore urged the West to overcome its “logic of egoism” (Dutta 211), ignoble triumphalism, “forcibleparasitism” (Dutta 210) and intentional ignorance, and seek to understand the East in a true spirit of creativity,fellowship and welfare of humanity. He reminded that the British belligerency and its singular passion for powerand wealth during the colonial period turned the world into a cauldron of animosities; the way to conquer the world,Tagore said, was not war but active sympathy. In his novel
The Home and the World 
, his protagonist, Nikhil, burstsout against the British atrocities in India as well as the atrocities perpetrated by the Indian nationalist terrorists:It was Buddha who conquered the world, not Alexander—this is untrue when stated in dry prose—oh whenshall we be able to sing it? When shall all these most intimate truths of the universe overflow the pages ofprinted books and leap out in a sacred stream like the Ganges from the Gangotri? (134-35)However, in spite of the derogatory remarks made by Lukacs and Lawrence, and the attempts to dismiss him as asentimental alarmist by others, Tagore’s assertive denunciation of the Nation proved prophetic with the outbreak oftwo world wars, costing millions of lives; UK’s war in Kenya in the 1950s, to quell the rebels against its colonialrule, costing 150,000 lives (Chomsky 183); the genocide in Bangladesh by the Pakistani junta in 1970, claiming atoll of three million lives
3
 (to name only a few of the gigantic evils perpetrated in the name of the familiar devil,radical nationalism, in the twentieth century), but most importantly, the nuclear arms race that pushed the world tothe brink of destruction in the 1960s. The Cuban missile crisis was the most dangerous moment in human history,Chomsky reminds us. In October 1962, during the height of the crisis, he explains, it was one Soviet submarineofficer named Vasili Arkhipov who saved the world by blocking “an order to fire nuclear armed torpedoes onOctober 27. . . when the submarines were under attack by US destroyers” (Chomsky 74). Thus, ironically, this worldof pomp and finery, wealth and power, at its height of crisis, was left to the wisdom of one person; and hadArkhipov been as “insane” as some of the other nationalist chauvinists, the world would have almost surely beenextinct now through a major nuclear warfare—if not the world, the Northern Hemisphere.After humanity was plentifully gorged with the blood of some 50 million people, killed in violent circumstancesin the twentieth century, mostly in wars that invoked the nation in one form or another, many had thought that peaceand sanity would return to the world, especially since the Cold War was over.
4
But that was not to be. As the worldhad barely crossed the portal of a new millennium, and stepped into the twenty-first century, it found itself againbattered in torrents of blood and locked in a devil dance of destruction. The “jihadists” (by which I refer not only tothe radical Islamists but also the ferocious jingoists, who seem equally enthusiastic in violence and to kill innocentcivilians with utter abandon like the “terrorists”) have struck again and the world has suffered colossal disasters. Thehorrendous events of 9-11 which caused “the most devastating instant human toll on record, outside of war”(Chomsky 218); America’s military response to 9-11, defying world opinion,
5
 with massive coordinated bombingsin Afghanistan, which turned “major urban concentrations [in the country] into ‘ghost towns’” (Chomsky 200)—acampaign, in which, the veteran Spanish journalist Miguel Angel Aguilar says, “we were trying to kill mosquitoes
 
with bombs. Innocents were killed and democracy suffered and we are no safer” (Alterman and Green 235);America’s “pre-emptive/preventive” war in Iraq, which Paul O’Neill painfully explains to Ron Suskind, Americastarted hatching at the very first meeting of the current American president with the National Security Council, on“January 30, ten days after his inauguration” (70)
6
—such destructive events, which have changed the world, leavinghumanity peering into the abyss of the future, have all been undertaken in the name of national safety and nationalsecurity, whether it is the pan-Islamic religious nationalism of the militants or secular nationalism of the West.However, we are not done yet, security of the homeland has not been achieved, as President Bush has
thoughtfully
declared, “There is no telling how many wars it will take to secure freedom in the homeland” (Chomsky 207).Perhaps respite will come only when the “pious warlords” (Dutta 191) after all their calculated savagery andsacrifices to the “dark gods of war” (Dutta 191) will have successfully realised Bertrand Russell’s sombre predictionabout world peace:After ages during which the earth produced harmless trilobites and butterflies, evolution progressed to thepoint at which it has generated Neroes, Genghis Khans, and Hitlers. This, however, I believe is a passingnightmare; in time the earth will become again incapable of supporting life, and peace will return. (qtd. inChomsky 237)Nationalism and TagoreBenedict Anderson defines the nation as “imagined community” but acknowledges that it is “notoriouslydifficult to define, let alone to analyse” “Nation, nationality, nationalism” (3). Hugh Seton-Watson maintains, “no‘scientific definition’ of the nation can be devised” (5). Ernst Gellner observes that nationalism is an ‘invention,’‘fabrication’: “Nationalism is not the awakening of nations to self-consciousness: it invents nations where they donot exist” (169). Despite its “mythical” quality, and the difficulties involved in defining it, the phenomenon stillenjoys profound political and emotional legitimacy in modern society. Bill Ashcroft et al. affirm that in spite of “allits contentiousness, and the difficulty of theorising it adequately, [nation/nationalism] remains the most implacablypowerful force in twentieth century politics” (151).Nationalism as a political expression, with people sharing a common geographical boundary and some unifyingcultural/political signifier is relatively new, although cultural nationalism has prevailed since the beginning ofsociety. Anderson suggests that the nation as a political institution is the product of European Enlightenment andIndustrial Revolution. He argues that the rise of nationalism in Western Europe was made possible by the decline, ifnot the death, of religious modes of thought, in the wake of the rationalist secularism of the Enlightenment, or theAge of Reason. The guiding principles of this intellectual movement were the glorification of reason and faith inhuman dignity, both of which were sufficient to break down the old belief systems that gave centrality to the churchand a theocentric worldview. Thus a more pragmatic and worldly socio-political system of nationalism emerged tosuit the post-religious, secular world. Anderson explains, “What then was required was a secular transformation offatality into continuity, contingency into meaning . . . few things were (are) better suited to this end than an idea ofnation” (11).Ernest Gellner, on the other hand, attributes the emergence of nationalism to the rise of industrial-capitalism inthe eighteenth and nineteenth centuries. The epochal shift of human society from pre-industrial to industrialeconomies, he argues, set up the conditions required for the creation of larger social units and economies that wouldbe culturally “homogenous” and cooperative as workforce, thus paving the way for the formation of the morecomplex and intricate social organisation of the nation-state. Effectively, the expansion of the workforce and themarket made the earlier pre-industrial, tribal societies and their structures both inadequate and obsolete.Timothy Brennan examines the role of literature, especially the novel, in the formation of nationalconsciousness during its early period: “the end of the eighteenth and the beginning of the nineteenth centuries”(173). He maintains:It was the
novel
 that historically accompanied the rise of nations by objectifying the ‘one, yet many’ ofnational life, and by mimicking the structures of the nation. . . . But it did more than that. Its manner ofpresentation allowed people to imagine the special community that the nation was. (173)Despite literature’s such active complicity in the formation of the institution and the global acceptance ofnationalism as the only legitimate form of political organisation, India’s myriad-minded poet, RabindranathTagore—whom Bertrand Russell considered “worthy of the highest honour” (qtd. in Kripalani 358), and Ezra Pounddeemed “greater than any of us” (qtd. in Kripalani 227) as a poet—shared not an iota of positive sentiment towardsthe ideology. His foremost objection came from its very nature and purpose as an institution. The very fact that it isa social institution, a mechanical organisation, modelled on certain utilitarian objectives in mind, made itunpalatable to Tagore, who was a champion of creation over construction, imagination over reason and the natural
 
over the artificial and the man-made: “Construction is for a purpose, it expresses our wants; but creation is for itself,it expresses our very beings” (“Construction
versus
 Creation,” Soares 59).Tagore took the view that since nationalism emerged in the post-religious laboratory of industrial-capitalism, itwas only an “organisation of politics and commerce” (
 Nationalism
 7), that brings “harvests of wealth” (
 Nationalism
 5), or “carnivals of materialism” (Soares 113), by spreading tentacles of greed, selfishness, power and prosperity, orchurning up the baser instincts of mankind, and sacrificing in the process “the moral man, the complete man . . . tomake room for the political and commercial man, the man of limited purpose” (
 Nationalism
 9). Nationalism,according to Tagore, is not “a spontaneous self-expression of man as social being,” where human relationships are
naturally
regulated, “so that men can develop ideals of life in co-operation with one another” (
 Nationalism
5), butrather a political and commercial union of a group of people, in which they congregate to maximise their profit,progress and power; it is “the organised self-interest of a people, where it is least human and least spiritual”(
 Nationalism
8). Tagore deemed nationalism a recurrent threat to humanity, because with its propensity for thematerial and the rational, it trampled over the human spirit and human emotion; it upset man’s moral balance,“obscuring his human side under the shadow of soul-less organisation” (
 Nationalism
9).Thus, Tagore called into question both the constructed aspect of nationalism, which stifled the innate andinstinctive qualities of the human individual, and its overemphasis on the commercial and political aspects, at theexpense of man’s moral and spiritual qualities. Both of these limitations reduced nationalism to an incomplete,monolithic and unipolar ideology—essentially inadequate for human beings given to an inherent multiplicity andseeming contraries, that needed to be unified and synthesised, through a process of soulful negotiation and strikingof an axial line between opposites, to create the whole and wholesome person.As seen previously, Tagore also found the fetish of nationalism a source of war, hatred and mutual suspicionbetween nations. 

InThe Home and the World 
, Nikhil, Tagore’s alter ego in the novel, who is patriotic but wouldn’tplace nation above truth and conscience says, “I am willing to serve my country; but my worship I reserve for Rightwhich is far greater than country. To worship my country as a god is to bring curse upon it” (29). However, Nikhil’sfriend, Sandip, a charismatic but unconscionable nationalist, to whom any action in the name of the nation is right,no matter how far it may be from truth or justice, exclaims, “country’s needs must be made into a god” (61), and onemust “set aside . . . conscience . . . by putting the country in its place” (224). Tagore saw this radical view of Sandip,in which the nation is apotheosised and placed above truth and conscience, as a recipe for disaster. It breedsexclusivism and dogmatism through the Hegelian dichotomous logic of self’s fundamental hostility towards theother; thus every nation becomes narcissistic and considers the presence of another a threat to itself; waging waragainst other nations for its self-fulfilment and self-aggrandisement becomes a justifiable and even “holy” act.Tagore explains:The Nation, with all its paraphernalia of power and prosperity, its flags and pious hymns, its blasphemousprayers in the churches, and the literary mock thunders of its patriotic bragging, cannot hide the fact thatthe Nation is the greatest evil for the Nation, that all its precautions are against it, and any new birth of itsfellow in the world is always followed in its mind by the dread of a new peril. (
 Nationalism
 17-18)Tagore argued that British colonialism found its justification in the ideology of nationalism, as the coloniser came toIndia and other rich pastures of the world to plunder and so further the prosperity of their own nation. They werenever sincere in developing colonised countries/nations, as to convert their “hunting grounds” into “cultivatedfields” (
 Nationalism
12) would have been contrary to their national interest. Like predators (and nationalism, as wesaw above, inherently cultivates a rapacious logic), they thrived by victimising and violating other nations, andnever felt deterred in their heinous actions by the principles of love, sympathy or universal fellowship. The logic issimple but cruel, and is sustained by a privileging norm, that in order to have rich and powerful nations, somenations ought to be left poor and pregnable: “Because this civilization is the civilization of power, therefore it isexclusive, it is naturally unwilling to open its sources of power to those whom it has selected for its purposes forexploitation” (
 Nationalism
 13). By its very nature as an organisation, Tagore argued, nationalism could ill afford anyaltruism in this regard.One might think that Tagore’s critique of nationalism is a little lofty and far-fetched—“too pious” as Poundmight have said; his arguments are layered in atavistic spiritualism and romantic idealism. However, much of whatTagore said is intellectually valid and some of it is borne out by contemporary post-colonial criticism. Critics concurthat nation is a necessity, it has laboured on behalf of modernity, and it helps to bolster the present civilization; as apolitical organisation it befits the social and intellectual milieu of present-day society, but they hardly claim itsmoral authority or its beneficial role in the reinforcement of human virtue.Critics also view the constructed aspect of nationalism as a weakness in the ideology. It is vulnerable toregressing into more natural social units of clan, tribe and race, or language and religious groups. Its very formativeprocess introduces a self-deconstructing logic in it. The process of formation/invention further makes it a potent site
 
of power discourse; although it is meant to stand for horizontal comradeship, exploitation and inequality remain adaily occurrence in its body, and the nation never speaks of the hopes and aspirations of its entire “imaginedcommunity.” In conceiving its overarching ideologies it often places the dominant group at the centre, pushing theminority population to the periphery. Thus, instead of a fraternity, it creates a new hierarchy and hegemony withinits structure, and exposes the fracture between its rhetoric and reality. Fanon expresses this misgiving, when he says,“National consciousness, instead of being the all-embracing crystallization of the innermost hopes of the wholepeople [becomes] a crude and fragile travesty of what it might have been [when] the nation is passed over for therace, and the tribe is preferred to the state” (156).Several post-colonial critics agree with Tagore’s view that nationalism begets a disquisition of intolerance and“othering.” Ernest Gellner, Benedict Anderson and Tom Nairn have pointed out the irrationality, prejudice andhatred that nationalism generates, and Leela Gandhi speaks of its attendant racism and loathing, and the alacrity withwhich citizens are willing to both kill and die for the sake of the nation. I have also pointed out in the introduction ofthe essay how nationalism is often used as a pretext for terrorism, factional or state, and war. Sometimes these wars,especially by the rich and powerful nations, are disguised with expressions of noble intent, such as “liberating thepeople from an evil dictator” and/or “introducing democracy.” But such rhetoric is always disingenuous. In a letterto Yone Noguchi, a Japanese writer who had asked for Tagore’s moral support for Japan’s invasion of China in1937, in the name of “saving China for Asia” (Dutta 192), Tagore roundly criticises Noguchi for his naiveacceptance of the grotesque rhetoric meant to veil an adventure of greed:I was amused to read the recent statement of a Tokyo politician that the military alliance of Japan with Italyand Germany was made for ‘highly spiritual and moral reasons’ and ‘had no materialistic considerationsbehind it.’ Quite so. What is not so amusing is that writers and thinkers should echo such remarkablesentiments that translate military swagger into spiritual bravados. (Dutta 192-93)Thomas Jefferson’s observation on the world situation of his day sums up the hypocrisy behind such use of exaltedlanguage in war, most tellingly:We believe no more in Bonaparte’s fighting for the liberties of the seas, than in Great Britain’s fighting forthe liberties of mankind. The object is the same, to draw to themselves the power, the wealth, and theresources of other nations. (qtd. in Chomsky 48)Jefferson’s point further helps bolster Tagore’s claim that the discourse of nationalism overlaps with the discourseimperialism; the imperialist nations adopt the role of the Lacanian grand Other and seek to inscribe their authorityunilaterally over the colonised nations; they are not impelled by the ideology of benevolence towards the colonisedcountries. Tagore describes them as aggressive people essentially driven by greed; who “go out of their way andspread their coat-tails in other peoples’ thoroughfares, claiming indemnity when these are trodden upon” (Dutta255). According to Amy Cesaire, the imperial objective is to “thingify” the colonial subjects, and Fanon suggest thatthe colonisers are inherently bent upon not only plundering the wealth of the colonised nations but also to rob themof their culture: “By a kind of perverted logic, it turns the past of the oppressed people, and distorts, disfigures, anddestroys it” (154). A classic example of this later instance was the introduction of English language in India in 1835with the view of anglicising a group of Indians who would serve the colonial cause.Tagore and Indian NationalismTagore was opposed to the idea of the nation; he was even more fiercely opposed to India joining thebandwagon of nationalism. This would compromise India’s history and identity as a culture and bring it under theshadow of the West. He warned:We, in India, must make up our minds that we cannot borrow other people’s history, and that if we stifleour own we are committing suicide. When you borrow things that do not belong to your life, they onlyserve to crush your life. . . . I believe that it does India no good to compete with Western civilization in itsown field. . . . India is no beggar of the West. (Soares 106)Tagore was born in 1861, a period during which the nationalist movement in India against the British rule wascrystallising and gaining momentum. In 1857, only four years before the poet was born, the first military uprisingfor self-rule broke out in India. In 1905, the
Swadeshi
movement started on Tagore’s doorstep, as a response to theBritish policy of partitioning Bengal. Although apolitical by temperament, Tagore at first was drawn to themovement and started giving lectures and writing patriotic songs with such fervour that Ezra Pound quipped,“Tagore has sung Bengal into a nation” (qtd. in Desai 8). But soon after, Tagore saw the movement turning violentwith the nationalists agitating against innocent civilians who were indifferent to their cause, and especially theMuslims who were in favour of the partition for practical as well as political reasons (the partition gave the Muslimsof East Bengal a new capital in Dhaka). A champion of non-violence or
 Ahimsa
, Tagore found it difficult to accept
 
the insanity of the nationalists in their burning of all foreign goods as a mark of non-cooperation, although it washurting the poor in Bengal who found homemade products more expensive than foreign goods. He was furtherdisheartened to see that many of the impassioned youths turned to the cult of the bomb, hoping to liberate theirmotherland from the yoke of foreign tyranny by violence and terror. Thus, finally, Tagore withdrew from themovement, when a young Bengali radical, Khudiram Bose (widely regarded a hero in the annals of Bengal), hurled abomb, killing two innocent British civilians, in 1908.
7
 
This sudden withdrawal of Tagore was seen as an act of betrayal by many of the nationalists, but nothing couldalter his decision. He would not have anything to do with a movement that was hijacked by the Bengali
 Bhadroloks
(elites) for their vested interest, and that saw the individual through the prism of a giant Cause. Tagore’s response to his critics was fictionally articulated in both
The Home and the World  and Four Chapters  (both seen as Tagore’s profound testament to non-violence). In both the novels, Tagore dramatises how exploitation, violence and killingbecome ritual acts when the individual sacrifices his/her self to an abstraction, and nationalism is put on a pedestal,sacrificing righteousness and conscience; how the nationalist movements in Bengal and later, during Gandhi’s
Satyagraha
 movement, in India, often veered into terrorist movements because of the excessiveness of thenationalist leaders, and sometimes their tendency to abuse the movement for personal political gain, as, for example,do both Sandip and Indranath, respectively in
The Home and the World 
 and
Four Chapters
. Both Sandip andIndranath, begin as charismatic nationalist figures, but gradually become self-obsessed and vainglorious in theircause, losing sight of their
dharma
of dispassionate, disinterested action (as advised by Krishna to Arjuna in
The Bhagavad Gita
), and use violence as a fetish for personal gain; thus their early optimism is replaced later by a senseof
nada
.Tagore and Gandhi were on friendly terms, and in many ways Tagore was a precursor of Gandhi; it was Tagorewho gave the title “Mahatma” (the great soul) to Gandhi, and in return Gandhi dubbed Tagore “Gurudev” (thevenerable teacher) and greeted him as “poet of the world.” Romain Rolland once described a meeting betweenTagore and Gandhi as one between “a philosopher and an apostle, a St. Paul and a Plato” (qtd. in Desai 7). YetTagore and Gandhi never saw eye to eye on the way towards India’s future, as Tagore stubbornly refused to supportGandhi’s nationalist movement against the British rule. Unlike Gandhi, Tagore believed that political freedom andattainment of a nationalist identity by driving the British out was not the right solution for India’s problems; “I amnot for thrusting off Western civilization and becoming segregated in our independence. Let us have a deepassociation” (Soares 106), he said in his characteristic hopefulness. In a letter to an American lawyer Myron H.Phelps, he rhetorically stated, “Must we not have that greater vision of humanity which will impel us to shake offthe fetters that shackle our individual life before we begin to dream of national freedom?” (Dutta 240). Tagore tookthe view that what India needed was not a “blind revolution” (Dutta 240) or the “miracle of [political] freedom[built] upon the quicksand of social slavery” (Soares 115), “but steady purposeful education” (Dutta 240), or anevolution from within; “what India most needed was constructive work coming from within herself,” he argued in“Nationalism in India” (Soares 108). He believed that a “thought impetus” (Dutta 240) similar to the oneexperienced by Europe during the Renaissance that broke up “the feudal system and the tyrannical conventionalismof the Latin Church” (Dutta 240) was the right remedy for a country languishing on the “dry sand-bed of deadcustoms” (Dutta 166).Tagore maintained that India’s immediate problems were social and cultural and not political. India is the worldin miniature, this is where the races and the religions have met; therefore she must constantly strive to resolve her“burden of heterogeneity,” by evolving out of “these warring contradictions a great synthesis” (Dutta 239). First andforemost, India must address the caste issue. The caste system has become too rigid and taken a hypnotic hold on themind of the people; what was once meant to introduce social order by accommodating the various racial groups inIndia, has now become a gigantic system of cold-blooded repression. India ought to come out of this socialstagnation by educating the people out of their trance; only when the immovable walls of society were removed, ormade flexible, will India regain her vitality and dynamism as a society and find true freedom. What is the purpose ofpolitical freedom when the elites in society are exploiting the lower classes, especially the untouchables
8
 soruthlessly?In his short story, “Purification,” he exposes the absurdity of Gandhi’s
Satyagraha
 movement and the hypocrisyof the Indian nationalists by showing how selfish and superficial the nationalists were in their quest for freedom;they were fervently opposed to the British oppression, but oppressed the poor as well as the untouchablesthemselves; they wanted dignity and respect but wouldn’t allow the same to their less fortunate brethren. Kalika, ayoung wife and a nationalist dogmatist, who badgers her husband, a moderate but sensitive person, for not beingfervent enough, refuses to come to the aid of an old municipal sweeper, who is being assaulted by a group oforthodox Hindus for accidentally touching someone in the crowd, just because he is an untouchable. Such“mendicant politics” (Dutta 167) that fails to tear down the customary barriers between people, was of little worth to
 
Tagore. His hope was that if India could establish equanimity between the various races and religious groups,through a basis of social co-operation and regeneration of the spirit, then she could hold herself as a model of unityfor the rest of the world.Tagore emphasises racial and religious unity persistently in his writings. In a beautiful hymn to India, entitled
 Bharat Tirtha
(“The Indian Pilgrimage”), he urges all Indians to unite across race, class and religion, shedding theirdifferences, to fulfil the noble destiny of their homeland, standing above the whirlwind of dusty politics:Come, O Aryans, come, non-Aryans, Hindus and Mussulmans—Come today, O Englishmen, come, Oh come, Christians!Come, O Brahmin, cleansing your mindJoin hands with all—Come, O Downtrodden, let the burdenOf every insult be forever dispelled.Make haste and come to Mother’s coronation, the vessel auspiciousIs yet to be filledWith sacred water sanctified by the touch of allBy the shore of the sea of Bharat’s Great Humanity!(qtd. in Quayum, “Touched by a Divine Afflatus 14)Tagore was of the view that such unity and plurality of consciousness could be achieved only through propereducation of the people, eradication of poverty through modernisation and cultivation of freedom of thought andimagination; “Freedom of mind is needed for the reception of truth” (qtd. in Sen 95), he said. It was education, andnot adulation for the
Charka
(the spinning wheel) that Gandhi suggested, which could liberate India from thetyranny of the past and the towering misery of unreasoned, unbridled orthodoxy. When Gandhi chastised Tagore forhis disregard for the
Charka
as well as
Swaraj
saying, “Every one must spin. Let Tagore spin like the others. Lethim burn his foreign clothes; that is his duty today. God will take care of the morrow” (qtd. in Kripalani 72), Tagorerespectfully replied, “The charka does not require anyone to think; one simply turns the wheel of the antiquatedinvention endlessly, using the minimum of judgment and stamina” (qtd. in Sen 74).To break the spell of stasis through intellectual/cultural revival and find freedom, India ought to keep itself opento the West and not become insular from the rest of the world through the appropriation of a provincial nationalism;“We of the Orient should learn from the Occident . . . to say that it is wrong to cooperate with the West is toencourage the worst form of provincialism and can produce nothing but intellectual indigence” (qtd. in Kripalani294). The West could in fact help liberate India from its “mind-forg’d manacles” and lift the dead weight of traditionfrom its soul through a constructive engagement and inducement of energy, strength, elasticity, tolerance, resolveand courage among its people—qualities that the West possessed but India lacked. Tagore’s vision of a free India—free from the fetters of materialism, nationalism as well as religious and racial orthodoxy—actively seeking acommon destiny with the rest of mankind, constantly evolving towards a global society, is most ardently andexpressly expressed in the following poem in
Gitanjali
, written in the form of a supplication:Where the mind is without fear and the head is held high;Where knowledge is free;Where the world has not been broken up into fragments by narrow domestic walls;Where words come from the depth of truth;Where tireless striving stretches its arms towards perfection;Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;Where the mind is led forward by thee into ever widening thought and action—Into that heaven of freedom, my Father, let my country awake. (27-28)Tagore could perhaps be faulted for impracticality; his vision for India was too sublime and unrealisable in animperfect world. His wish that the West could help India in her mission was also impracticable, especially since heknew that the West came to the subcontinent, as he recounted in his essay “East and West,” “not with theimagination and sympathy to create and unite, but with a shock of passion—passion for power and wealth” (Dutta206). West had its own axe to grind; in spite of their “superior force of character” (Dutta 128), they were notinterested in the “nest-building of truth” (Dutta 214) but in money, machine and matter. Yet his transcendent thoughtprovides a testament to his noble and beautiful mind, and strikes a cord in the moral person in each of us.Moreover, the on-going violence in the subcontinent vindicates his position.
9
 
India has since been broken upinto three countries: India, Pakistan and Bangladesh; ten million people were made homeless in the aftermath of theindependence of India and Pakistan in 1947, one million of which also lost their lives in inter-religious riots(Wolpert 348); two major wars have been fought in the subcontinent, with border skirmishes and threats of furtherwars, including a nuclear war, casting a shadow of desperation on the people; several riots have also broken out
 
between the Hindus and the Muslims, claiming thousands of lives.
10
 India still remains a poor country, with politicalcorruption rife, and plights of the downtrodden a daily reality. Tagore’s prediction that joining the bandwagon ofnationalism would make India a beggar of the West has also come true. Although India is a free country now(ironically broken up into three fragments), the appropriation of nationalist ideology has erased the sense of India’sdifference as a society, capable of standing on its own; forging of links with the West on unequal terms (since Indiahas merely copied the Western thoughts and has nothing to offer of her own) has allowed neo-colonialist controls tooperate over the country both explicitly and implicitly, spelling political and cultural doom for its people. Finally,India’s assumption of a separate identity by driving the British out has also dealt a blow to the possible realisation ofTagore’s vision for “one world,” at least for the time being, since anti-colonial nationalism also carries the seeds ofprovincialism and cultural particularism.ConclusionIn
 My Reminiscences
, Tagore humorously recollects that when he was young he was brought up under the ruleof the servants, who were not only negligent but also oppressive. To avoid their responsibility, they would often putthe young Tagore at a spot in the servants’ quarter, draw a chalk line around him, and warn him “with a solemn faceand uplifted finger of the perils of transgressing the circle” (Dutta 57). Tagore, aware of the fate of Sita in
 Ramayana
, for overstepping a similar circle by her husband, would accede to the forceful confinement, but wouldfeel a defiant wish to wipe out the chalk line and find the horizon. This childhood experience became the poet’slifelong companion; he would feel muffled by any confining circle and challenge it with utmost vigour. The nationalboundary was another such arbitrary “circle” for him that circumscribed his wish to be one with the rest of mankind.He would not accept such thorny hedges of exclusion or the labels and divisions that stood on the way to theformation of a larger human community. He said that if nationalism is something imaginary, humanity has toreadjust their imagination by being more inclusive and encyclopaedic, or by extending the horizon of their mind’seye, so that the fellowship of the species does not stop at a geographical border, like commodities. He affirms:Therefore man will have to make another great moral adjustment which will comprehend the whole worldof men and not merely the fractional groups of nationality. The call has come to every individual in thepresent age to prepare himself and his surroundings for this dawn of a new era, when man shall discover hissoul in the spiritual unity of all human beings. (Soares 104-05)Tagore’s process calls for a two-way ambiguous negotiation so that nations or communities can flourish and findtheir own fulfilment and yet rise above exclusivism and provincialism to forge an international community. It is likefinding an axial line or a middle ground by shunning excesses, somewhat similar to the Emersonian “doubleconsciousness,” where the individual is required to keep his independence and yet not lose his sympathy; or theWhitmanesque celebration of the “self” and the “en-masse,” or “I” and “you,” in one breath. The moment we spurnnational narcissism or chauvinism, and rise above the dichotomous reasoning of self/other, we become part of theTagoresque “one world,” through a recurrent dialogic process.But to attain that stage, a more fundamental change is required. Currently, the nation is but an organisation of“politics and commerce,” focused on power and wealth. As an institution, its chief interest lies in the material wellbeing of its people but not their moral or spiritual health. It reckons the individual’s head and stomach but not hisheart, where the soul dwells. This will need to be altered through the restoration of the soul to its rightful place.Without the soul, the individual is like a torn-away line of verse looking for the other line that could give it fullnessthrough a rhyme but has been smudged. Soul is what brings creativity and sympathy to the self, and makes theindividual human and humane. In an interview with Einstein, Tagore said, “My religion is in the reconciliation ofthe supernatural man, the universal human spirit, in my own individual being” (Dutta 233). This three wayreckoning of the self—in the individual, in humanity and in god, all connected by an invisible thread—brings theworld together in one nest. This is the higher unity of humanity, which is different from corporate globalisation orwhat Tagore calls, the “mere political or commercial basis of unity” (Soares 105) between nations. His vision isgiven to a “magnificent harmony” that he believes is the ultimate destiny of humankind: the enlightened individualsand nations coming together to form an enlightened global society. Tagore explains this process, using a metaphorsimilar to Whitman’s “grass” in “Song of Myself”:As the mission of the rose lies in the unfoldment of the petals which implies distinctness, so the rose ofhumanity is perfect only when the diverse races and nations have evolved their perfect distinctcharacteristics but all attached to the stem of humanity by the bond of love. (qtd. in Quayum, “In Search ofa Spiritual Commonwealth” 32-33)Tagore’s vision might seem idealistic but it is not unattainable. It calls for a humanitarian intervention into presentself-seeking and belligerent nationalism, through the introduction of a moral and spiritual dimension in the
 
institution. It also requires us to step out of history to reinvent a new future for ourselves that respects human dignityand sees every individual and nation as equals, in a true democratic spirit.The risks for us not to take up Tagore’s trajectory are too high. The current form of nationalism that worksrationally within a “lunatic” doctrinal framework is threatening our very survival. Violence is spreading around theworld like virus. Our vast killing power is multiplying everyday with the introduction of yet more sophisticatedammunition in our arsenal. Paul Hirst, a leading international social theorist, has predicted that with the prospects ofclimate change that might attenuate our resources and result in mass migration from a loss of “habitable land inhighly populated areas like Bangladesh or the southern coast of China,” or “desertification or water shortages in theMiddle East or Southern Europe” (2); increase in the global income inequality; accretion of human rights violationworldwide; America’s quest for global dominance and challenges from “new ‘beggars’ armies” to the militaryhegemony, as well as the general selfishness of the developed nations, threatens the world with a “conflict riddeninternational environment” (2) in the twenty-first century, with the prospects of several conventional wars, “tolimited nuclear war” (2). Such a prospect casts gloom and doom on humanity. Perhaps it is not too late for us towake up from our horrific moral slumber and accept the path of international solidarity, peace, harmony and justicepaved by the Indian enlightened humanitarian poet, Rabindranath Tagore; by challenging the reigning ideologicalsystem of self-seeking nationalism and jingoism, we could still avert the all-consuming nightmare before us andalter the damning course of history.