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I don't want to cause controversy, its just I stumbled across this and was wondering how accurate it is? http://www.trimondi.de/SDLE/Index.htm
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The Secret of the Golden Flower ("Tai Yi Jin Hua Zong Zhi",《太乙金華宗旨》), is one of the most important Daoist classics, attributed to the famous Chinese immortal Lü Dongbin (798 C.E. - ?) who is believed to have lived on earth for more than 800 years. Passed on as an oral tradition for centuries, it was written down on wooden tablets during the Song dynasty by a student of Lü Dongbin, Wang Chongyang (1113 – 1170).
It is one of the few Daoist classics that documents the Daoist orthodox “pre-heavenly” approach to cultivating the “golden elixir” (jin-dan, the elixir of life or immortality) that was predominant before the Song dynasty.
Largely ignored by Chinese scholars, it became famous in the West when it was translated into German as "Das Geheimnis der Goldenen Blüte: ein chinesisches Lebensbuch” by Richard Wilhelm (1873 – 1930), a scholar of Chinese classical philosophy.
The book was then translated into English and several other languages, and a new English translation was produced in 1991 by Thomas Cleary.
“The Secret of the Golden Flower” is an esoteric guide to Daoist meditation techniques, using poetic imagery that informs and confirms the experiences of meditation practitioners according to their own predispositions. The guide describes milestones that mark progress in the course of meditation practice, and the phenomenon that may be observed at each stage of development.
The “golden flower” refers to a bright image, or mandala, that the practitioner will see in front of the mid-point between his or her eyes after developing the practice of meditation. Daoists believe this bright image is closely related to the "Original Essence," "Golden Flower," or "Original Light,” and is a sign that the practitioner is entering the first level of the immortal essence.
The authorship of The Secret of the Golden Flower is attributed to the famous Chinese immortal Lü Dong bin (798 C.E. - ?) who is believed to have lived on earth for more than 800 years. According to the translator Richard Wilhelm, Lü was the founder of the School of the Golden Elixir of Life (Jin Dan Jiao), and originator of the material presented in The Secret of the Golden Flower.
Chinese Daoists believe this book was written during the Song dynasty by Lü Dongbin’s student Wang Chong Yang (January 11, 1113 –January 22, 1170) [Chinese calendar: 宋徽宗政和二年十二月廿二 – 金世宗大定十年正月初四] (Traditional Chinese: 王重陽; Simplified Chinese: 王重阳; pinyin: Wáng Chóngyáng), one of the Five Northern Patriarchs of Quanzhen Daoism. According to tradition, in the summer of 1159 he encountered two Taoist immortals, Zhongli Quan and Lü Dongbin, who trained him in esoteric Daoist rituals.
The Secret of the Golden Flower is one of the few Daoist classics, along with the "Tao Teh Ching," "Guan Yinzi" (or "Wenshi Zhenjing"), and the "Jade Emperor Heart Seal Sutra" (Yuhuang Xinyin Jing), that documents the Daoist orthodox “pre-heavenly” approach to cultivating the “golden elixir” (jin-dan), the elixir of life or immortality. This approach, which emphasized the cultivation of “pre-heavenly” or “external” chi acquired from the physical parents at conception, was popular before the Song dynasty. After the Song dynasty, most Daoist schools emphasized the cultivation of “internal” or “post-heavenly” chi, acquired after birth through nourishment, meditation and esoteric practices.[1]
The Secret of the Golden Flower was largely neglected by Chinese scholars because of the relative unpopularity of the “pre-heavenly” approach, and perhaps because Chinese scholars found discrepancies between the theory in this work and other works of Lu Dongbin. It became famous in the West when it was translated into German as "Das Geheimnis der Goldenen Blüte: ein chinesisches Lebensbuch” by Richard Wilhelm, published in 1929. It was translated into English in 1931 as "The Secret of the Golden Flower,” and was later translated into Japanese and other languages.[2] Thomas Cleary, a modern scholar of Eastern studies, produced a new English translation in 1991.
According to Carl Jung, who wrote an introduction and commentary to "Das Geheimnis der Goldenen Blüte: ein chinesisches Lebensbuch,” Richard Wilhelm (May 10, 1873 - March 2, 1930) was introduced to the work in China by his teacher of Chinese classical philosophy, a sage named Lau Nai Suan [3]. Conveying impressions received from his Chinese teacher, Wilhelm's work portrays the more intuitive aspects of The Secret of the Golden Flower. His translations from Chinese to German were later translated to English by Cary F. Baynes.
Thomas Cleary produced a more rational and scholarly English translation in 1991, and took several opportunities to criticize the validity of Wilhelm's translation. There are significant differences between the Wilhelm and Cleary translations.
The vast differences between ancient Chinese philosophy and modern Western rational thought make it difficult for a novice to grasp the meaning of the book without reading it several times. The poetic lines communicate an imagery that informs and confirms the experiences of meditation practitioners according to their own predispositions. The ideas and perceptions conveyed in the book are better understood with the imagination than with logical reason; in time, with reflection and practice, imagery and reason converge in an informative manner.
All links retrieved January 24, 2020.
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