Showing posts with label compassion. Show all posts
Showing posts with label compassion. Show all posts

2023/02/17

The radical Martin Luther King we don't know | UU World Magazine

The radical Martin Luther King we don't know | UU World Magazine

The radical King we don’t know



FEATURE

The radical King we don’t know



Does America have the capacity to heed the radical Martin Luther King Jr., or must America sanitize King in order to evade and avoid his challenge?
CORNEL WEST SPRING 2015 1/18/2015


Image: The Rev. Dr. Martin Luther King Jr. speaks at a Mississippi rally in 1966. (© Flip Schulke/CORBIS)
© FLIP SCHULKE/CORBIS

This essay is reprinted with permission from Cornel West’s introduction to The Radical King by Martin Luther King Jr., edited by Cornel West (Beacon Press, 2015).


The FBI transcript of a June 27, 1964, phone conversation reveals Malcolm X receiving a message from the Rev. Dr. Martin Luther King Jr. This message supported the idea of getting the human rights declaration of the United Nations to expose the unfair, vicious treatment of black people in America. Malcolm X replied that he was eager to meet Dr. King—as soon as the next afternoon. If they had met that day and worked together, the radical King would be well known.

In a speech to staff in 1966, King explained: “There must be a better distribution of wealth and maybe America must move toward a democratic socialism.” If he had lived and pursued this project, the radical King would be well known.

On April 4, 1968, in Memphis—the last day of his life—Martin Luther King Jr. phoned Ebenezer Baptist Church in Atlanta with the title of his Sunday sermon: “Why America May Go to Hell.” If he had preached this sermon, the radical King would be well known.

Yet in Dr. King’s own time, he would say repeatedly, “I am nevertheless greatly saddened . . . that the inquirers have not really known me, my commitment, or my calling.” It is no accident that just prior to King’s death, 72 percent of whites and 55 percent of blacks disapproved of his opposition to the Vietnam War and his efforts to eradicate poverty in America. When much of the black leadership attacked or shunned him, King replied, “What you’re saying may get you a foundation grant but it won’t get you into the kingdom of truth.”

In short, Martin Luther King Jr. refused to sell his soul for a mess of pottage. He refused to silence his voice in his quest for unarmed truth and unconditional love. For King, the condition of truth was to allow suffering to speak; for him, justice was what love looks like in public. In King’s eyes, too many black leaders sacrificed the truth for access to power or reduced sacrificial love and service to selfish expediency and personal gain. This spiritual blackout among black leaders resulted in their use and abuse by the white political and economic establishment that constituted a kind of “conspiracy against the poor.” This spiritual blackout—this lack of integrity and courage—primarily revealed a deep fear, failure of nerve, and spinelessness on behalf of black leaders. They too often were sycophants, cheerleaders, or bootlickers for big monied interests, even as the boots were crushing poor and working people. In stark contrast to this cowardice, King stated to his staff, “I’d rather be dead than afraid.”

Although much of America did not know the radical King—and too few know today—the FBI and U.S. government did. They called him “the most dangerous man in America.” They knew Reverend King was a revolutionary Christian, sincere in his commitment and serious in his calling. They knew he was a product of a black prophetic tradition, full of fire in his bones, love in his heart, light in his mind, and courage in his soul. Martin Luther King Jr. was the major threat to the U.S. government and the American establishment because he dared to organize and mobilize black rage over past and present crimes against humanity targeting black folk and other oppressed people.

Any such black awakening can either yield hatred and revenge or love and justice. This is why the prophetic words of Rabbi Abraham Joshua Heschel still haunt us: “The whole future of America will depend upon the impact and influence of Dr. King.” The fundamental question is: Does America have the capacity to hear and heed the radical King or must America sanitize King in order to evade and avoid his challenge?

King indeed had a dream. But it was not the American dream. King’s dream was rooted in the American Dream—it was what the quest for life, liberty, and the pursuit of happiness looked like for people enslaved and Jim Crowed, terrorized, traumatized, and stigmatized by American laws and American citizens. The litmus test for realizing King’s dream was neither a black face in the White House nor a black presence on Wall Street. Rather, the fulfillment of his dream was for all poor and working people to live lives of decency and dignity.

King’s dream of a more free and democratic America and world had morphed into, in his words, “a nightmare,” owing to the persistence of “racism, poverty, militarism, and materialism.” He called America a “sick society.” At one point, King cried out in despair, “I have found out that all that I have been doing in trying to correct this system in America has been in vain. I am trying to get at the roots of it to see just what ought to be done. The whole thing will have to be done away with.” He said to his dear brother Harry Belafonte days before his, King’s, death, “Are we integrating into a burning house?” He was weary of pervasive economic injustice, cultural decay, and political paralysis. He was not an American Gibbon chronicling the decline and fall of the American empire but a courageous and visionary Christian blues man, fighting with style and love in the face of the four catastrophes he identified, which are still with us today.

Militarism is an imperial catastrophe that has produced a military-industrial complex and national security state and warped the country’s priorities and stature (as with the immoral drones dropping bombs on innocent civilians). Materialism is a spiritual catastrophe, promoted by a corporate-media multiplex and a culture industry that has hardened the hearts of hard-core consumers and coarsened the consciences of would-be citizens. Clever gimmicks of mass distraction yield a cheap soulcraft of addicted and self-medicated narcissists.

Racism is a moral catastrophe, most graphically seen in the prison-industrial complex and targeted police surveillance in black and brown ghettos rendered invisible in public discourse. Arbitrary uses of the law in the name of the “war” on drugs have produced, in legal scholar Michelle Alexander’s well-known phrase, a new Jim Crow of mass incarceration. And poverty is an economic catastrophe, inseparable from the power of greedy oligarchs and avaricious plutocrats indifferent to the misery of poor children, elderly and disabled citizens, and working people.

The radical King was a warrior for peace on the domestic and global battlefields. He was a staunch anti-colonial and anti-imperial thinker and fighter. His revolutionary commitment to nonviolent resistance in America and abroad tried to put a brake on the escalating militarism running amok across the globe. As a decade-long victim of the vicious and vindictive FBI, King was a radical libertarian as well as having closeted democratic socialist leanings. His commitment to the precious rights and liberties for all was profound.

For King, dissent did not mean disloyalty—in fact, dissent was a high form of patriotism. When he said that the U.S. government was “the greatest purveyor of violence in the world today,” he was not trashing America. He was telling the painful truth about a country he loved. King was never anti-American; he was always anti-injustice in America and anywhere else. Love of truth and love of country could go hand-in-hand. Needless to say, under the policies of the National Security Agency and Obama administration, King could have been subject to detention without trial and assassination by executive decree (owing to his links to “terrorists” of his day, such as Nelson Mandela).

The radical King was a spiritual giant who tried to shatter the callousness and indifference of his fellow citizens. Following his dear friend and comrade Rabbi Heschel, King believed that indifference to evil is more evil than evil itself. And materialism, with its attendants hedonism and egotism, produces sleepwalkers bereft of compassion and zombies deficient in love. This spiritual crisis is not reducible to politics or economics. It is rooted in the relative decline of integrity, honesty, decency, and virtue, due in large part to the role of big money in American life. This coldhearted obsession with manipulation and domination drives our ecological catastrophe-in-the-making and our possible military Armageddon.

The radical King was a moral titan with profound allegiance to his roots—the black prophetic tradition and black freedom struggle. His genuine commitment to the dignity of whites, as well as to peoples of all hues, never overshadowed or downplayed his deep commitment to black people. For King, the struggle against the legacy of white supremacy was never a strategic move or tactical afterthought; rather, it was a profound existential and moral matter of great urgency. King knew that white supremacy, in various forms, was a global phenomenon. It remains shot through our hearts and minds, institutions and structures, smart phones and unwise politicians. The modes of racist domination—from barbaric slavery to bestial Jim Crow Sr. to cruel Jim Crow Jr.—are never reducible to individual prejudice or personal bias. Empire, white supremacy, capitalism, patriarchy, and homophobia are linked in complex ways, and our struggles against them require moral consistency and systemic analyses.

The radical King was a democratic socialist who sided with poor and working people in the class struggle taking place in capitalist societies. This class struggle may be visible or invisible, manifest or latent. But it rages on in a fight over resources, power, and space. In the past thirty years we have witnessed a top-down, one-sided class war against poor and working people in the name of a morally bankrupt policy of deregulating markets, lowering taxes, and cutting spending for those who are already socially neglected and economically abandoned. America’s two main political parties, each beholden to big money, offer merely alternative versions of oligarchic rule. The radical King was neither Marxist nor communist, but he did understand the role of class analysis in his focus on poor and working people. He always had a healthy suspicion of all politicians—of any color—owing to his critique of legalized bribery and normalized corruption in money-saturated American politics. He noted, “I have come to think of my role as one which operates outside the realm of partisan politics. . . . I feel I should serve as a conscience of all the parties and all of the people.” This critical attitude toward politicians was deepened when he worked to register thousands of people to elect the first black mayor in modern times, Carl Stokes, in Cleveland in 1967, yet was uninvited to join the stage for the victory celebration.

Needless to say, the rich legacy of the radical King in the age of Obama celebrates the symbolic breakthrough of a black president and keeps track of the right-wing backlash against him. Yet the bailout for banks, record profits for Wall Street, and giant budget cuts on the backs of the vulnerable rather than mortgage relief for homeowners, jobs with a living wage, and investment in education, infrastructure, and housing reveal the plutocratic domination of the Obama administration. The dream of the radical King for the first black president surely was not a Wall Street presidency, drone presidency, and surveillance presidency with a vanishing black middle class, devastated black working class, and desperate black poor people clinging to fleeting symbols and empty rhetoric. I shall never forget the first question I asked Barack Obama when he called to solicit my support: “What is the relation of your presidential policies to the legacy of Martin Luther King Jr.?” He replied—in hours of dialogue—that the relation was strong. And I agreed to lend critical support. After sixty-five events, from Iowa to Ohio, in 2008, I knew that most of his advisers were not part of the King legacy. And Obama’s betrayal of what the radical King stands for became undeniable.

Sadly, the damage done by Obama apologists—often for money, access, and status—is immeasurable and nearly unforgivable. For the first time in American history, black citizens are the most pro-war in American society. Black churches are among the weakest in prison ministry—even given the disproportionately high percentage of black prisoners. Black schools are under attack from profiteering enterprises. Forty percent of black children live in poverty. Aside from a few exceptions, black musicians are more and more marginal in popular culture. Black deaths, especially among young people, are out of control. In other words, the Obama apologists who hide and conceal Wall Street crimes, imperial crimes, new Jim Crow crimes, and surveillance lies in order to protect the first black president have much to account for. And a health-care bill—a bonanza for big insurance and drug companies alongside access to new consumers—falls far short of the mark.

The response of the radical King to our catastrophic moment can be put in one word: revolution—a revolution in our priorities, a reevaluation of our values, a reinvigoration of our public life, and a fundamental transformation of our way of thinking and living that promotes a transfer of power from oligarchs and plutocrats to everyday people and ordinary citizens.

The radical King was first and foremost a revolutionary Christian—a black Baptist minister and pastor whose intellectual genius and rhetorical power was deployed in the name of the Gospel of Jesus Christ. King understood this good news to be primarily radical love in freedom and radical freedom in love, a fallible enactment of the Beloved Community or finite embodiment of the Kingdom of God. King’s radical love can be heard in John Coltrane’s “A Love Supreme” or the Isley Brothers’ “Caravan of Love.” This radical love of an intensely hated people is both liberating and contagious, just as this radical freedom of a thoroughly unfree people is both emancipating and infectious.

The radical King was the most significant and effective organic intellectual in the latter half of the twentieth century whose fundamental motif was radical love. King’s radical love was Christocentric in content and black in character. Like the Christocentric language of the Black Church that produced the radical King—Jesus as the Bright and Morning Star against the backdrop of the pitch darkness of the night, as water in dry places, a companion in loneliness, a doctor to the sick, a rock in a wearied land—his Christocentrism exemplifies the intimate and dependent relationship between God and person and between God and a world-forsaken people. The black character of King’s radical love was its roots in the indescribable terror and inimitable trauma of being black in white supremacist America, during slavery, Jim Crow Sr. or Jim Crow Jr.

King’s work and witness is a kind of prophetic pneumatology in motion—a kinetic orality, passionate physicality, and combative spirituality that wedded mind to movement, soul to sustenance, and body to empowerment. Like his most worthy theological precursor, the Rev. Dr. Howard Thurman, King pulled from the rich insights of Western thinkers, yet he elevated the lived experiences of wounded, scarred, and bruised bodies of enslaved and Jim-Crowed black peoples to enact radical love.

King’s radical love put a premium on artistic performance and existential praxis. His sermons were performances that authorized an alternative reality to the way the world is. His living radiated a radical tenderness, subversive sweetness, and militant gentleness. He found great joy in serving others.

Like his great contemporary Dorothy Day, the Catholic saint who looked at the world through the lens of her heart, Dr. King understood radical love as a form of death—a relentless self-examination in which a fearful, hateful, egoistic self dies daily to be reborn into a courageous, loving, and sacrificial self. For both Day and King, this radical love flows from an imitation of Christ, a response to an invitation of self-surrender in order to emerge fully equipped to fight for justice in a cold and cruel world of domination and exploitation. The scandal of the Cross is precisely the unstoppable and unsuffocatable love that keeps moving in a blood-soaked history, even in our catastrophic times. There is no radical King without his commitment to radical love.

King’s revolutionary witness—embodied in anti-imperial, anti-colonial, anti-racist, and democratic socialist sentiments—was grounded in his courage to think, his courage to love, and his courage to die. Could it be that we know so little of the radical King because such courage defies our market-driven world?

This article appears in the Spring 2015 issue of UU World (page 24) and is reprinted with permission from 
Cornel West’s introduction to The Radical King 
by Martin Luther King Jr., edited by Cornel West (Beacon Press, 2015).
From the Archives

2023/02/16

The Razor's Edge (1946 film) - Wikipedia

The Razor's Edge (1946 film) - Wikipedia




The Razor's Edge (1946 film)

From Wikipedia, the free encyclopedia
The Razor's Edge
The Razor's Edge (1946 poster).jpg
Theatrical release poster by Norman Rockwell
Directed byEdmund Goulding
Screenplay byLamar Trotti
Darryl F. Zanuck (uncredited)
Based onThe Razor's Edge
1944 novel
by W. Somerset Maugham
Produced byDarryl F. Zanuck
StarringTyrone Power
Gene Tierney
John Payne
Herbert Marshall
Anne Baxter
Clifton Webb
CinematographyArthur C. Miller
Edited byJ. Watson Webb Jr.
Music byAlfred Newman
Edmund Goulding (uncredited)
Distributed by20th Century Fox
Release date
December 25, 1946
Running time
145 minutes
CountryUnited States
LanguageEnglish
Budget$1.2 million
Box office$5 million (est. US/ Canada rentals)[1][2][3]

The Razor's Edge is a 1946 American drama film based on W. Somerset Maugham's 1944 novel of the same name. It stars Tyrone PowerGene TierneyJohn PayneAnne BaxterClifton Webb, and Herbert Marshall, with a supporting cast including Lucile WatsonFrank Latimore, and Elsa Lanchester. Marshall plays Somerset Maugham. The film was directed by Edmund Goulding.

The Razor's Edge tells the story of Larry Darrell, an American pilot traumatized by his experiences in World War I, who sets off in search of some transcendent meaning in his life. The story begins through the eyes of Larry's friends and acquaintances as they witness his personality change after the war. His rejection of conventional life and search for meaningful experience allows him to thrive while the more materialistic characters suffer reversals of fortune.

The Razor's Edge was nominated for four Academy Awards, including Best Motion Picture, with Anne Baxter winning Best Actress in a Supporting Role.

Plot[edit]

Gene Tierney and Tyrone Power in The Razor's Edge

In the film Herbert Marshall appears as W. Somerset Maugham as the story's narrator and as an important character who drifts in and out of the lives of the other major players. The opening scene is set at a party held in the summer of 1919 at a Chicago country club. Elliott Templeton, an expatriate who has been living in France for years, has returned to the United States for the first time since before the war to visit his sister, Louisa Bradley, and his niece, Isabel. Isabel is engaged to be married to Larry Darrell, recently returned from service as a pilot during the Great War. Elliott strongly disapproves of Larry because he has no money and no interest in getting a job with a future so he can support Isabel properly. Among the party guests are Larry's childhood friend Sophie Nelson and her boyfriend, Bob MacDonald.

Larry refuses a job offer from the father of his friend Gray Maturin, a millionaire who is also hopelessly in love with Isabel. When Larry and Isabel talk about the future, she is filled with excitement about the future of the United States and the growth expected in the next ten years. He tells her that he wants to "loaf" on his small inheritance of $3,000 a year. Larry has been traumatized by the death of a comrade who sacrificed himself on the last day of the war to save Larry. He is driven to try to find out what meaning life has, if any. He can not do that in a stockbrokers’ office or a law firm. Larry and Isabel agree to postpone their marriage for a year so that he can go to Paris to try to clear his muddled thoughts.

Elliott has plans for Larry's entrée into elite Parisian society, none of which materialize. In Paris, Larry immerses himself in the life of a student, living in a modest neighborhood, eating and drinking in neighborhood bistros, sightseeing by biking through the countryside, reading voraciously, attending lectures at the Sorbonne. After a year, Isabel and her mother come to Paris and on their arrival are met by Elliott. Elliott is surprised that Larry is there to meet them as well and Isabel's mother explains to him that Isabel wired Larry about their impending arrival. Larry can see a little more clearly now, and asks Isabel to marry him immediately. 

She does not understand his desire to learn and more significantly, cannot bear the thought of possibly spending all their lives in what she sees as poverty. She breaks their engagement. The night before she returns to Chicago she sets out to seduce Larry, planning to write later and tell him that she is pregnant, thus tricking him into marriage. She can not go through with it. When Elliott, who has been waiting up for her, asks why she did not go through with it, she answers that it was her “better nature.” Elliott scoffs and says it was her “Middle-western horse sense”—she will forget him.

Cut to the reception after Isabel's marriage to Gray, which will provide her with the elite social and family life she craves. Sophie and Bob MacDonald are there. They have a baby, a little girl named Linda. Meanwhile, Larry works in a coal mine in France, where a drunk, debauched defrocked priest, Kosti, urges him travel to India to learn from a mystic. Larry studies at a monastery in the Himalayas under the tutelage of a Holy Man. Meanwhile, back in the States, the MacDonalds are in a car crash caused by a drunk driver. Bob and the baby are killed. In the hospital, the doctor asks Gray to tell Sophie, who is distraught and must be heavily sedated.

Time passes. In India, the Holy Man tells Larry that he has got all he can get from books, and it is time for him to make a lone pilgrimage to a mountaintop, where a shelter has been built against the rock. Some time later the Holy Man comes to visit. Larry describes his experience of enlightenment to the Holy Man, who understands that in that moment Larry felt that he and God were one. Larry wants to stay, but the Holy Man says that his place is with his own people. He must live in the world, but he will never lose this awareness of the infinite beauty of the world, which is the beauty of God.

Back in Paris, Maugham meets Elliott by chance and learns that Isabel and her family are living with Elliott after being financially ruined by the stock market crash of 1929. Gray has had a nervous breakdown and suffers from terrible headaches. Elliott "sold short" before the crash and "made a killing" in the market. Maugham arranges a lunch for Elliott and his household to meet an old friend, who turns out to be Larry. Isabel introduces Larry to her two daughters; the older is seven. It has been a long time since they last met. Larry is able to help Gray with his headaches using an Indian form of hypnotic suggestion.

Gray observes to Maugham that Larry has not aged since Chicago, and Maugham replies that India changed him: He “looks extraordinarily happy.... Calm, yet strangely aloof.” Later, while slumming at a disreputable bar in the Rue de Lappe, they encounter Sophie, now a drunkard and drug user, and her abusive pimp. Isabel is revolted, Gray horrified, and Larry friendly and calm. In the taxi, Larry, who did not know about the tragedy, asks what happened, and they tell him.

 Isabel says they had to “drop” Sophie eventually because of her bad behavior, and insists there was always something wrong with her, deep inside, or she would not have been so weak. Larry disagrees, recalling Sophie as an innocent young girl, and Isabel is plainly jealous. The Maturins join Elliott at the spa at Vittel for a few weeks. When they return, Isabel phones Larry at his hotel repeatedly. When she finally reaches him, he tells Isabel that he has seen a lot of Sophie and that she has stopped drinking and they are going to be married. The news drives Isabel wild and she summons Maugham; she wants him to intervene. He refuses. He reminds her of what Larry did for Gray, but she insists that Sophie is bad through and through and does not want to be helped. Maugham replies that drinking is not necessarily bad. He calls people bad who lie and cheat and are unkind. He tells her that Larry is in the grip of self-sacrifice and suggests that if she does not want to lose him altogether she should be nice to Sophie. So she asks Maugham to invite them all to lunch the next day, at the Ritz.

After lunch, they have coffee in the lobby. Sophie and Larry decline liqueurs, and Elliott bemoans the fact that his doctor forbids alcohol. The waiter convinces Elliott that a little Persovka can do no harm, and Elliott waxes poetic: Drinking it is “like listening to music by moonlight.” Isabel samples it, somewhat dramatically, and agrees, asking for some to be sent to the apartment. Maugham watches Sophie's reaction. Isabel wants to give Sophie a wedding dress that she saw in Molyneux's, and laughingly tells Larry he can not come to the fitting—no husbands allowed. Isabel and Sophie arrange to meet at the apartment the next afternoon.

Cut to the apartment, after the fitting. Isabel and Sophie have had non-alcoholic drinks. At last, they talk honestly—at least Sophie does. She has not had a drink since that night in the Rue de Lappe—clearly Larry went back for her immediately after he left the others. She admits what a struggle it is and says that she realizes that this is her last chance. She knew that Isabel was watching her at the Ritz. Isabel pours herself some Persovka and again praises it. She shows Sophie pictures of her children, which stirs memories of Linda. Then she asks Sophie to wait while she picks up her daughter from the dentist. They can talk more when she comes back. The butler removes the drinks tray; Isabel stares at the bottle of Persovka on the side table and then walks out. After a while, Sophie takes a drink.

Larry scours the bars and dives, following the trail of a woman demanding Persovka until he tracks Sophie to an opium den. Sophie runs away, screaming, and disappears. Larry is beaten and thrown into the street; his last attempt to save his childhood companion from her depravity and despair has proved fruitless. A year later, Sophie is murdered in Toulon, and her death reunites Larry and Maugham during the police investigation.

Maugham and Larry visit Elliott on his deathbed in Nice. Maugham takes on the delicate task of asking Elliott if he is ready for the last rites. Elliott is in tears because he has not received an invitation for an important masked ball hosted by Princess Edna Novemali, princess-by-marriage, an American from Milwaukee whom Elliott helped when she first entered European society and who now treats him with contempt. Isabel and Gray arrive just as Larry leaves the house on a mission of mercy. Elliott tells Gray that he will now have enough money to pay off his father's debts and rebuild the business.

Larry persuades Miss Keith, the Princess's social secretary, to allow him to take a blank invitation to counterfeit one for Elliott and give him peace of mind. Elliott is hugely gratified when the Bishop himself comes to perform the last rites. Then an urgent message arrives—the invitation. Elliott's last act is to dictate a proper reply. He regrets he cannot attend “owing to a previous engagement with his Blessed Lord,” and adds, “The old witch.”

Immediately after Elliott's death, Isabel learns that Larry is leaving that night. He plans to work his way back to America aboard a tramp steamer. He tells her he may end up buying a taxi. She has already told Maugham that she plans on seeing as much of Larry as possible when she and Gray return to the States. Now she tells Larry that Gray needs him to help with the business, and as moral support. She reveals that Gray was suicidal at one point. Larry reassures her: Gray has got a second chance, as he himself had. He talks to her about his quest, but Isabel can only pour out her love and her regret that she did not marry him and stop him before he began it. She throws her arms around him and tells him she loves him and, she says, she knows he feels the same. She begs him to come home and be with her, then pulls back when he does not respond. Larry calmly says, “Tell me about Sophie,” and under his questioning Isabel first lies but then admits to tempting Sophie deliberately. She is full of self-righteous anger and justification, claiming that she did it to save Larry and as a test of Sophie's strength. Then Larry says, quietly, “That’s pretty much what I thought. Sophie is dead...murdered.” A stunned Isabel asks, “Do they know who did it?” Larry replies, “No, but I do.” The camera remains on Larry, so we do not see Isabel's face and do not know if Larry's response registers with her at all. He immediately tells Isabel that there is no need to be shocked about Sophie, that all day he has had the feeling that Sophie is where she wanted to be, with her husband and child. Gently and with compassion in his voice and face, he says “Good-bye Isabel. Take good care of Gray. He needs you now more than ever.” He walks away, his footsteps echoing on the hallway's marble floor.

A reeling Isabel tells Maugham, “I’ve lost him for good. ... Do you suppose we’ll ever see him again?” Maugham replies that her America will be as remote from Larry's as the Gobi Desert. She still does not understand what Larry wants. Maugham tells her that Larry has found what most people want and never get. “I don’t think anyone can fail to be better and nobler, kinder for knowing him. You see my dear, goodness is after all the greatest force in the world, and he’s got it.” Isabel turns to look out the window at the Mediterranean. Cut to Larry on the deck of a storm-tossed ship, hoisting cargo in the rain.

Cast[edit]

Production history[edit]

20th Century Fox purchased the film rights from Maugham in March 1945 for $50,000 plus 20% of the film's net profits. The contract stipulated that Maugham would receive an additional $50,000 if the film did not start shooting by February 2, 1946. In August 1945, producer Darryl F. Zanuck had the second unit begin shooting in the mountains around Denver, Colorado, which were to portray the Himalayas in the film. The stars had not yet been cast; Larry Darrell was played by a stand-in and was filmed in extreme long shot. Zanuck wanted Tyrone Power to star and delayed casting until Power finished his service in the Marines in January 1946.

Zanuck originally hired George Cukor to direct, but creative differences led to Cukor's removal. Although Maugham wanted his friend (whom he had in mind when he created the character) Gene Tierney for Isabel,[4] Zanuck chose Maureen O'Hara but told her not to tell anyone. As O'Hara recounted in her autobiography, she shared the secret with Linda Darnell, but Zanuck found out, fired O'Hara, and hired Tierney. Betty Grable and Judy Garland were originally considered for the role of Sophie before Baxter was cast. Maugham wrote an early draft of the screenplay but not one word of his version was used in the final script, and as a result Maugham declined Zanuck's request to write a sequel, and never worked in Hollywood again.[5]

Awards and nominations[edit]

AwardCategoryNominee(s)Result
Academy Awards[6]Best Motion PictureDarryl F. Zanuck (for 20th Century Fox)Nominated
Best Supporting ActorClifton WebbNominated
Best Supporting ActressAnne BaxterWon
Best Art Direction – Black-and-WhiteRichard DayNathan JuranThomas Little and Paul S. FoxNominated
Golden Globe AwardsBest Supporting Actor – Motion PictureClifton WebbWon
Best Supporting Actress – Motion PictureAnne BaxterWon

See also[edit]

References[edit]

  1. ^ "All Time Domestic Champs", Variety, 6 January 1960 p 34
  2. ^ "Top Grossers of 1947", Variety, 7 January 1948 p 63
  3. ^ Aubrey Solomon, Twentieth Century-Fox: A Corporate and Financial History Rowman & Littlefield, 2002 p 221
  4. ^ Tierney and Herskowitz (1978) Wyden Books,Self- Portrait p.177
  5. ^ "Sri Ramana Maharshi and Somerset Maugham"davidgodman.org. Retrieved 15 August 2017.
  6. ^ "The Razor's Edge"Academy of Motion Picture Arts and Sciences. Archived from the original on 2014-02-07. Retrieved 2014-02-07.

External links[edit]

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