2016/04/02

Satipatthana Sutta - Wikipedia, the free encyclopedia

Satipatthana Sutta - Wikipedia, the free encyclopedia



Satipatthana Sutta

From Wikipedia, the free encyclopedia

The Satipaṭṭhāna Sutta[1][note 1] (MN 10: The Discourse on the Establishing of Mindfulness) and theMahāsatipaṭṭhāna Sutta[2](DN 22: The Great Discourse on the Establishing of Mindfulness) are two of the most important and widely studied discourses in the Pāli Canon of TheravadaBuddhism, acting as the foundation for mindfulness meditational practice. Thesesuttas (discourses) stress the practice of sati (mindfulness) "for the purification of beings, for the overcoming of sorrow and lamentation, for the extinguishing of suffering and grief, for walking on the path of truth, for the realization of nibbāna."[note 2]

Text[edit]

Title translation and related literature[edit]

English translations of the title, "Satipaṭṭhāna Sutta," include:
According to Anālayo (2006, pp. 29–30), Thanissaro (2000) andNyanaponika (1996, pp. 9–10), part of the reason for the variety in this title's translation has to do with how the compound Pāli word "satipaṭṭhāna" is analyzed. It can be interpreted as "sati-paṭṭhāna" ("foundation of mindfulness") or "sati-upaṭṭhāna" ("presence of mindfulness").[note 3]
In regard to the prefix "Maha-" in the Pāli title of DN 22, this simply means "great," or "larger" and likely refers to DN 22's expanded section on mindfulness of the Fourth Noble Truths.
Two suttas that focus on practice are the Anapanasati (Mindfulness of Breathing) and the Satipatthana (Four Foundations of Mindfulness).
The Anapanasati Sutta translations and commentaries include one by Thanissaro Bhikkhu, Buddhadasa’s Mindfulness with Breathing for Serious Beginners, Larry Rosenberg’s book Breath by Breath, and Thich Nhat Hanh’s book Breathe! You Are Alive.
Satipatthana Sutta translations and commentaries include the Thanissaro’s, Soma Thera’s The Way of Mindfulness, Thich Nhat Hanh’s book Transformation and Healing, and Goenka’s Satipatthana Sutta Discourses.

Various Recensions & Canonical placement[edit]

In the Chinese Canon, the Nian Chu Jing (念處經, Smṛtyupasthāna Sūtra), based on a Sarvastivadin source, is found on page 582 of the Taisho Tripitaka Vol. 1, Madhyama Āgama No. 26.[4] Another similar sutra is in the Ekottara Agama (EA 12.1) and it is called the Ekayānasutra, Direct Path sūtra.[5]
Partial passages of an early Satipatthana sutta version also survive inside of some of the Prajñāpāramitā sutras. These passages on mindfulness are treated as the first element in the 37 wings to awakening.[6] There does exist in Tibetan translation a "Saddharma Smṛtyupasthāna Sūtra" (dam pa'i chos dran pa nye bar bzhag pa'i mdo//dampé chödren panyé barzhak pé do) but this is a very large early Mahayana sutra and is an entirely different text.[7] Bhikkhu Sujato completed an extensive comparative survey of the various recensions of Sutta, entitled A History of Mindfulness.[8]
In the Theravadin Pali Canon, the Satipaṭṭhāna Sutta is the tenth discourse in the Majjhima Nikaya (MN) and is thus often designated by "MN 10"; in the Pali Text Society (PTS) edition of the Canon, this text begins on the 55th page of the first volume of its three-volume Majjhima Nikaya (M), and is thus alternately represented as "M i 55."
As for the Mahāsatipaṭṭhāna Sutta, this is the 22nd discourse in theDigha Nikaya (DN) and is thus often designated by "DN 22"; in the PTS edition of the Canon, the Mahāsatipaṭṭhāna Sutta begins on the 289th page of the second volume of the PTS' three-volume Digha Nikaya (D), and is thus alternately represented as "D ii 289."
In post-canonical Pali literature, the classic commentary on theSatipaṭṭhāna Sutta (as well as for the entire Majjhima Nikaya) is found in Buddhaghosa's Papañcasudani (Bullitt, 2002; Soma, 2003).

Contents of the Theravada version[edit]

In this sutta, the Buddha identifies four domains to be mindful of (satipatthana): body (kāyā), sensations/feelings(vedanā), mind/consciousness (cittā)) and elements of the Buddhist teachings (dhammas). These are then further broken down into the following sections and subsections:
  1. Body (Kāyā)
  2. Sensations/Feelings (Vedanā)
    • pleasant or unpleasant or neither-pleasant-nor-unpleasant (neutral) feelings
    • worldly or spiritual feelings
  3. Mind/Consciousness (Cittā)[note 4]
    • lust (sarāgaṃ) or without lust (vītarāgaṃ)
    • hate (sadosaṃ) or without hate (vītadosaṃ)
    • delusion (samohaṃ) or without delusion (vītamohaṃ)
    • contracted (saṅkhittaṃ) or scattered (vikkhittaṃ)
    • lofty (mahaggataṃ) or not lofty (amahaggataṃ)[note 5]
    • surpassable (sa-uttaraṃ) or unsurpassed (anuttaraṃ)[note 6]
    • quieted (samāhitaṃ) or not quieted (asamāhitaṃ)
    • released (vimuttaṃ) or not released (avimuttaṃ)
  4. Elements of the Buddhist teachings (Dhammā)[note 8]

-

Contents of the Chinese Sarvastivadin version[edit]

The Sarvāstivāda Smṛtyupasthāna Sūtra differs in some ways from the Theravada version, including postures as the first contemplation instead of breathing for example. According to Bhikkhu Sujato, it seems to emphasize samatha or calm abiding, while the Theravadin version emphasizes Vipassana or insight.[12] The text also often refers to 'bhikkhus and bhikkhunīs' instead of just male bhikkhus.
  1. Body (Kāyā)
  2. Sensations/Feelings (Vedanā)
    • pleasant or unpleasant or neither-pleasant-nor-unpleasant (neutral) feelings
    • worldly or spiritual feelings
  3. Mind/Consciousness (Cittā)
    • lust or without lust
    • hate or without hate
    • confused or without confusion
    • defiled or without defilement
    • distracted or not distracted
    • with obstacles or without obstacles
    • tense or not tense
    • bound or boundless
    • concentrated or not concentrated
    • liberated or not liberated
  4. Elements of the Buddhist teachings (Dhammā)

Context[edit]

Personality-based typography[edit]

experiential orientation
(character)
affective
(extrovert)		cognitive
(introvert)
reactivity /
temperament		slowbodymind
quicksensationsmental contents
According to Analāyo[13] and Soma[14] the Papañcasudani recommends a differentsatipaṭṭhāna depending on whether a person:
  • tends more toward affective craving or intellectual speculation; and,
  • is more measured in their responses or quick reacting.
Based on these two dimensions the commentary's recommended personality-based satipaṭṭhāna is reflected in the grid shown at right.
Soma (2003, p. xxiv) adds that all practitioners (regardless of their character and temperament) should also practice mindfulness of Postures (moving, standing, sitting, lying down) and Clear Understanding, about which he writes: "The whole practice of mindfulness depends on the correct grasp of the exercises included in the two parts referred to here."

Single-focused, successive and simultaneous practices[edit]

There are a variety of ways that one could use the methods described in the Satipaṭṭhāna Sutta including:
  1. Focus on a single method.[note 9] The method most written about in the English language is that of mindfulness of breath.[15]
  2. Practice the various methods individually in succession.
  3. Maintain breath mindfulness as a primary object while using other methods to address non-breath stimuli.[note 10]
  4. Practice multiple methods either in tandem or in a context-driven manner.[note 11]

See also[edit]

  • Related practices:
  • Related concepts:

Notes[edit]

  1. Jump up^ Sanskrit: Smṛtyupasthāna Sūtra स्मृत्युपस्थान सूत्र, Chinese: 念處經
  2. Jump up^ Famously, the Buddha declares at the beginning of this discourse: "This is the direct way [Pāli: ekāyano ... maggo],[subnote 1] monks, for the purification of beings, for the overcoming of sorrow and lamentation, for the extinguishing of suffering and grief, for walking on the path of truth, for the realization ofnibbāna...." [3]
  3. Jump up^ Anālayo (2006), pp. 29-30, argues that the analysis of the term as sati-upaṭṭhāna is a more etymologically correct derivation as upaṭṭhānaappears both throughout thePali Canon and in the Sanskrit translation of this sutta; whereas the paṭṭhāna is only found in the Abhidhamma and post-nikaya Pali commentary.
  4. Jump up^ Regarding English translations of citta, Thanissaro (2000) and VRI (1996) translate it as "mind" while Nyanasatta (1994) and Soma (1999; 2003) translate it as "consciousness." Partly based on material from this discourse, Oxford-trained Dr. Sue Hamilton argues that citta is best translated as "state of mind" while viññāṇa is "consciousness of" (Hamilton, 2001, pp. 105-114).
  5. Jump up^ Mahaggata is literally "become great." According to the Pali commentary,amahaggata (not become-great) refers to the "conscious state of the plane of existence of sense experience" (kāma), while mahaggata refers to the higher planes of forms (rūpāvacara) and formlessness (arūpāvacara) (Soma, 2003, p. 115).
  6. Jump up^ The commentarial treatment of anuttara ("unsurpassed") and sa-uttara ("surpassable") is similar to its analysis ofmahaggata ("become great") and amahaggata ("not become great") above (Soma, 2003, p. 115).
  7. Jump up^ Frauwallner, E. (1973),History of Indian Philosophy, trans. V.M. Bedekar, Delhi: Motilal Banarsidass. Two volumes., pp.150 ff
  8. Jump up^ "Dhammas" is often translated as "mentalobjects". Anālayo (2006), pp. 182-86, justly points out that translatingdhamma as "mental object" (or anything similar, such as "mental contents" in this article) is problemmatic for multiple reasons, including that the three prior satipatthāna(body, sensations, mind) can become mental objects in themselves, and that those objects (such as the hindrances, aggregates and sense bases) identified under this satipatthāna (dhamma) are far from an exhaustive list of all possible mental objects. Thus, Anālayo more closely identifies this sutta's dhamma as "mental factors and categories," "classificatory schemes," and "frameworks or points of reference to be applied during contemplation" (p. 183). Anālayo (p. 183, nn. 2, 3) quotes Gyori (1996, p. 24) as stating that contemplation of these dhamma "are specifically intended to invest the mind with a soteriological orientation," and Gombrich (1996, p. 36) as writing that contemplating these dhammateaches one "to see the world through Buddhist spectacles." According to Sharf, in theSatipațțhāna-sutta the termsati means to remember the dharmas, whereby the true nature of phenomena can be seen.[9] According to Paul Williams, referring to Erich Frauwallner, mindfulness provided the way to liberation, "constantly watching sensory experience in order to prevent the arising of cravings which would power future experience into rebirths."[10][note 7]According to Vetter, dhyanamay have been the original core practice of the Buddha, which aided the maintenance of mindfulness.[11]
  9. Jump up^ In support of a single-method practice, Analāyo (2006), p. 22, comments:
    Several [Pali Canon] discourses relate the practice of a singlesatipaṭṭhāna directly to realization. Similarly, the commentaries assign to each single satipaṭṭhānameditation the capacity to lead to full awakening. This may well be why a high percentage of present-day meditation teachers focus on the use of a single meditation technique, on the ground that a single-minded and thorough perfection of one meditation technique can cover all aspects ofsatipaṭṭhāna, and thus be sufficient to gain realization.
    Among those teachers who Analāyo uses to exemplify this teaching method are S. N. Goenka and Ajahn Lee Dhammadharo. While justifying such a practice, Analāyo (2006), p. 23, nonetheless adds this caveat:
    Thus any single meditation practice from thesatipaṭṭhāna scheme is capable of leading to deep insight.... Nonetheless, an attempt to cover all foursatipaṭṭhānas in one's practice ... ensures speedy progress and a balanced and comprehensive development.

  10. Jump up^ This is espoused in various ways – either implicitly or explicitly – by numerous teachers such as Gunaratana, 1996; Goldstein, 1987; and,Nhat Hanh, 2005. In such an approach, the central instructions relate to breath meditation but additional instructions are provided for dealing with mindfulness in daily life (Clear Comprehension) and unwholesome mental content such as the Hindrances or the fetters (which are referenced in the Satipaṭṭhāna Sutta in regard to sense-base mindfulness). Typical of such approaches, Thanissaro (2000) writes:
    At first glance, the four frames of reference for satipatthana practice sound like four different meditation exercises, but MN 118makes clear that they can all center on a single practice: keeping the breath in mind. When the mind is with the breath, all four frames of reference are right there. The difference lies simply in the subtlety of one's focus. It's like learning to play the piano. As you get more proficient at playing, you also become sensitive in listening to ever more subtle levels in the music. This allows you to play even more skillfully. In the same way, as a meditator get more skilled in staying with the breath, the practice of satipatthana gives greater sensitivity in peeling away ever more subtle layers of participation in the present moment until nothing is left standing in the way of total release.

  11. Jump up^ For instance, Analāyo (2006), pp. 21-23, has pointed out that the first three body-centered methods suggest different depths or a progression of practice based on one's activity. For example, one engaged in simply walking or standing (two of the so-called "postures") could be mindful of gross sensory stimulation; then when one is silent and planning to speak, one could first contemplate one's purpose in speaking (indicative of Clear Comprehension); in addition, while one is sitting still with a focus on one's in-breath and out-breath, one is able to pursue a deeper development of samatha and vipassana as part of formal breath meditation.

Subnotes
  1. Jump up^ While recognizing thatekāyano ... maggo is "more commonly" translated as "the only path," Anālayo (2006, pp. 27-29) argues that ekāyano ... maggo is best translated as "direct path" based on the contextual meaning of ekāyanoin the Mahāsīhanāda Sutta (MN12, Ñanamoli & Bodhi, 1994, where ekāyano describes a "one way only" path), its absence from other suttas, implications of speedy realization within the Satipaṭṭhāna Sutta itself, and commentarial elaboration. ThePali Text Society's Pali-English Dictionary (Rhys Davids & Stede, 1921-25) appears to support Anālayo's assessment in their entry for "Ayana": "ekāyano maggo leading to one goal, a direct way" (retrieved 15 May 2010 fromhttp://dsalsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.0:1:2056.pali.895215).

References[edit]

  1. Jump up^ M.i.56ff.
  2. Jump up^ D.ii.290ff.
  3. Jump up^ Vipassana Research Institute, 1996, pp. 2, 3.
  4. Jump up^ The full text of this sutra in Chinese is athttp://w3.cbeta.org/cgi-bin/goto.pl?linehead=T01n0026_p0582b07. An English translation (Nhat Hanh & Laity, 1990) is athttp://www.buddhanet.net/budsas/ebud/ebsut039.htm.
  5. Jump up^ The full text of this sutra in Chinese is athttps://suttacentral.net/lzh/ea12.1. An English translation (Nhat Hanh & Laity, 1990) is athttps://suttacentral.net/en/ea12.1.
  6. Jump up^ A History of Mindfulness: How Insight Worsted Tranquillity in the Satipatthana Sutta by Bhikkhu Sujato, p. 164
  7. Jump up^ The "dhyāna" chapter of the "Bodhisattvapiṭaka-sūtra" dissertation by Kusumita Priscilla Pedersen. Columbia University 1976 pg 64
  8. Jump up^ A History of Mindfulness: How Insight Worsted Tranquillity in the Satipatthana Sutta by Bhikkhu Sujato
  9. Jump up^ Sharf 2014, p. 942.
  10. Jump up^ Williams 2000, p. 46.
  11. Jump up^ Vetter 1988.
  12. Jump up^ Sujato, A History of Mindfulness, 2005.
  13. Jump up^ 2006, pp. 24–25
  14. Jump up^ 2003, pp. xxii - xxiv
  15. Jump up^ Also see the Anapanasati Sutta.

Sources[edit]

External links[edit]

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