Showing posts with label Abhidharma. Show all posts
Showing posts with label Abhidharma. Show all posts

2020/11/08

Yongey Mingyur Rinpoche - Wikipedia

Yongey Mingyur Rinpoche - Wikipedia

Yongey Mingyur Rinpoche

Mingyur Rinpoche in 2016
Title Rinpoche
Personal
Born 1975

Nepal
Religion Kagyu Nyingma

Part of a series on
Tibetan Buddhism


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Yongey Mingyur Rinpoche (/ˈjɒŋɡeɪ/; born 1975)[1] is a Tibetan teacher and master of the Karma Kagyu and Nyingma lineages of Tibetan Buddhism. He has authored two best-selling books and oversees the Tergar Meditation Community, an international network of Buddhist meditation centers.


Contents
1Life
2Books
3References
4See also
5External links


Life[edit]

Mingyur Rinpoche was born in Nepal in 1975[1] the youngest of four brothers. His mother is Sönam Chödrön, a descendant of the two Tibetan kings Songtsen Gampo and Trisong Deutsen. His brothers are Chokyi Nyima Rinpoche, Tsikey Chokling Rinpoche, and Tsoknyi Rinpoche and his nephews are Phakchok Rinpoche and the reincarnation of Dilgo Khyentse Rinpoche, known popularly as Khyentse Yangsi Rinpoche. From the age of nine,[1] his father, Tulku Urgyen Rinpoche,[1] taught him meditation,[1] passing on to him the most essential instructions of the Dzogchen and Mahamudra traditions.

At the age of eleven, Mingyur Rinpoche began studies at Sherab Ling Monastery[1] in northern India, the seat of Tai Situ Rinpoche. Two years later, Mingyur Rinpoche began a traditional three-year retreat at Sherab Ling.[1] At the age of nineteen, he enrolled at Dzongsar Institute, where, under the tutelage of the renowned Khenpo Kunga Wangchuk, he studied the primary topics of the Buddhist academic tradition, including Middle Way philosophy and Buddhist logic. At age twenty, Mingyur Rinpoche became the functioning abbot of Sherab Ling.[1] At twenty-three, he received full monastic ordination.[1] During this time, Mingyur Rinpoche received important Dzogchen transmissions from Nyoshul Khen Rinpoche.[1]

In 2007, Mingyur Rinpoche completed the construction of Tergar Monastery in Bodhgaya, India, which will serve large numbers of people attending Buddhist events at this sacred pilgrimage site, serve as an annual site for month-long Karma Kagyu scholastic debates, and serve as an international study institute for the Sangha and laity. The institute will also have a medical clinic for local people.[2]

Mingyur Rinpoche has overseen the Kathmandu Tergar Osel Ling Monastery, founded by his father, since 2010. He also opened a shedra (monastic college) at the monastery.[3]

In June 2011, Mingyur Rinpoche left his monastery in Bodhgaya to begin a period of extended retreat. Rinpoche left in the middle of the night, taking nothing with him, but leaving a farewell letter.[4] He spent four years as a wandering yogi.[5][6]

During the first few weeks of this retreat, Rinpoche had a near-death experience, likely due to a severe form of botulism. This may have been the result of choosing to eat only the meals that were free and available to him after allowing himself to run out of money. The near-death experience, according to Rinpoche, was one of the most pivotal and transformative experiences of his life. After continuing with his retreat for four years, he later returned to his position as abbot. [7][6]

Books[edit]

  1. (with Eric Swanson) The Joy of Living: Unlocking the Secret and Science of Happiness ISBN 0-307-34625-0, Harmony Books 2007 (bought)
  2. (with Eric Swanson) Joyful Wisdom: Embracing Change and Finding Freedom ISBN 978-0-307-40779-5, Harmony Books 2009 (to buy)
  3. (with Torey Hayden and Charity Larrison) Ziji: The Puppy Who Learned to Meditate ISBN 978-0-95638580-2 2009 
  4. (with Helen Tworkov) Turning Confusion into Clarity: A Guide to the Foundation Practices of Tibetan Buddhism ISBN 978-1-61180-121-7, Shambhala Publications under its Snow Lion imprint. 2014
  5. (with Helen Tworkov) In Love with the World: A Monk's Journey Through the Bardos of Living and Dying ISBN 978-0525512530 2019

References[edit]

  1. ^ Jump up to:a b c d e f g h i j Mingyur Rinpoche Bio
  2. ^ The Young Monks of Tergar Monastery Archived August 1, 2009, at the Wayback Machine
  3. ^ "Kathmandu Tergar Osel Ling Monastery". Tergar.org. Retrieved May 29, 2013.
  4. ^ Tergar International: [http://tergar.org/resources/letter-from-yongey-mingyur-rinpoche-before-entering-retreat/ Letter from Yongey Mingyur Rinpoche When Entering Retreat | Tergar International of Nepal
  5. ^ "In exclusive first interview...", 27 Nov 2015, lionsroar.com
  6. ^ Jump up to:a b Lion's Roar staff (15 July 2016). "Mingyur Rinpoche reveals what happened during his four years as a wandering yogi". Lion's Roar. Retrieved 19 June 2019.
  7. ^ "In exclusive first interview...", 27 Nov 2015, lionsroar.com

External links[edit]


Official biography of Yongey Mingyur Rinpoche


Mingyur Rinpoche

Yongey Mingyur Rinpoche possesses a rare ability to present the ancient wisdom of Tibet in a fresh, engaging manner. His profound yet accessible teachings and playful sense of humor have endeared him to students around the world. Most uniquely, Rinpoche’s teachings weave together his own personal experiences with modern scientific research, relating both to the practice of meditation.

Born in 1975 in the Himalayan border regions between Tibet and Nepal, Yongey Mingyur Rinpoche is a much-loved and accomplished meditation master. From a young age, Rinpoche was drawn to a life of contemplation. He spent many years of his childhood in strict retreat. At the age of seventeen, he was invited to be a teacher at his monastery’s three-year retreat center, a position rarely held by such a young lama. He also completed the traditional Buddhist training in philosophy and psychology, before founding a monastic college at his home monastery in north India.

In addition to extensive training in the meditative and philosophical traditions of Tibetan Buddhism, Mingyur Rinpoche has also had a lifelong interest in Western science and psychology. At an early age, he began a series of informal discussions with the famed neuroscientist Francisco Varela, who came to Nepal to learn meditation from his father, Tulku Urgyen Rinpoche. Many years later, in 2002, Mingyur Rinpoche and a handful of other long-term meditators were invited to the Waisman Laboratory for Brain Imaging and Behavior at the University of Wisconsin-Madison, where Richard Davidson, Antoine Lutz, and other scientists examined the effects of meditation on the brains of advanced meditators. The results of this groundbreaking research were reported in many of the world’s most widely read publications, including National Geographic and Time.

Mingyur Rinpoche teaches throughout the world, with centers on five continents. His candid, often humorous accounts of his own personal difficulties have endeared him to thousands of students around the world. His best-selling book, The Joy of Living: Unlocking the Secret and Science of Happiness, debuted on the New York Times bestseller list and has been translated into over twenty languages. Rinpoche’s most recent books are Turning Confusion into Clarity: A Guide to the Foundation Practices of Tibetan Buddhism, Joyful Wisdom: Embracing Change and Finding Freedom, and an illustrated children’s book entitled Ziji: The Puppy that Learned to Meditate.

In early June, 2011, Mingyur Rinpoche walked out of his monastery in Bodhgaya, India and began a “wandering retreat” through the Himalayas and the plains of India that lasted four and a half years. When not attending to the monasteries under his care in India and Nepal, Rinpoche spends time each year traveling and teaching worldwide.

Detailed Biography of Yongey Mingyur Rinpoche

MINGYUR RINPOCHE –DETAILED BIOGRAPHY

Yongey Mingyur Rinpoche was born in 1975 in a small Himalayan village near the border of Nepal and Tibet. Son of the renowned meditation master Tulku Urgyen Rinpocheand Sönam Chödrön(a descendant of the two Tibetan kings Songtsen Gampo and Trisong Detsen),Mingyur Rinpoche was drawn to a life of contemplation from an early age and would often run away to meditate in the caves that surrounded his village. In these early childhood years, however, he suffered from panic attacks that hinderedhis ability to interact with others and enjoy his idyllic surroundings.Mingyur Rinpoche's maternal grandfather, Lama Tashi Dorje, was the most respected Lama in thewhole Nubri area and he had a very close link with Tulku Urgyen Rinpoche.He was the head of Pema Choling Monastery, in Nubri, and Mingyur Rinpoche's earliest meditation teacher, when he was just a small boy.At the age of nine, Rinpoche left to study meditation with his father at Nagi Gonpa, a small hermitage on the outskirts of Kathmandu valley. For nearly three years, Tulku Urgyen guided him experientially through the profound Buddhist practices of Mahamudra and Dzogchen, teachings that are typically considered highly secret and only taught to advanced meditators. Throughout this time, his father would impart pithy instructions to his young son and then send him to meditate until he had achieved a direct experience of the teachings.When he was eleven years old, Mingyur Rinpoche was requested to reside at Sherab Ling Monastery in Northern India, the seat of Tai Situ Rinpoche and one of the most important monasteries in the Kagyu lineage. While there, he studied the teachings that had been brought to Tibet by the great translator Marpa, as well as the rituals of the Karma Kagyu lineage, with the retreat master of the monastery, Lama Tsultrim. He was formally enthroned as the 7th incarnation of Yongey Mingyur Rinpoche by Tai Situ Rinpoche when he was twelve years old.Three Year RetreatWhen Mingyur Rinpoche turned thirteen, he begged both his father and Tai Situ Rinpoche for special permission to enter the traditional three-year retreat that was set to begin at Sherab Ling Monastery. It was highly unusual for someone so young to make such a request, but they both consented and soon Mingyur Rinpoche began his retreat under the guidance of Saljey Rinpoche, a learned and experienced meditation master who had spent half of his life in strict retreat.During the next three years, Mingyur Rinpoche practiced the preliminaries, which prepare the meditator for advanced contemplative practice; the development stage, which uses visualization and sacred sounds to transform the processes of ordinary perception; the completion stage, which involves working with the subtle energies of the body; and Mahamudra, a form of practice that allows the meditator to directly experience the luminous clarity of the mind’s true nature. The great diligence that Mingyur Rinpoche demonstrated throughout the retreat resulted in his attaining an extraordinary level of mastery over the mind and emotions. At this time, he completely overcame the panic attacks that had troubled him as a child, discovering first-hand how meditation can be used to deal with challenging emotionalproblems.When Yongey Mingyur Rinpoche completed his three-year retreat, his beloved teacher Saljey Rinpoche passed away, leaving vacant his key position at Sherab Ling monastery. To replace him, Tai Situ Rinpoche appointed Mingyur Rinpoche as the monastery’s next retreat master, making him responsible for guiding senior monks and nuns through the intricacies of Buddhist meditation practice in the next three-year retreat. The seventeen-year old Mingyur Rinpoche was one of the youngest lamas to ever hold this position.Overseeing Sherab Ling MonasteryMingyur Rinpoche continued to receive important transmissions from his father and Khenchen Thrangu, an important Kagyu lama. When he was nineteen, he enrolled at Dzongsar Monastic College, where, under the tutelage of the renowned Khenpo Kunga Wangchuk, he studied the primary topics of the Buddhist academic tradition, including Middle Way philosophy and Buddhist logic.When he was twenty years old, he was asked to oversee the activities ofSherab Ling Monasterywhile its abbot, Tai Situ Rinpoche, was away for an extended period.In his new role, he was instrumental in establishing a new monastic college at the monastery, where he worked as an assistant professor while simultaneously carrying out his duties as retreat master for a third three year retreat. Throughout this period, which lasted until he was twenty-five, Rinpoche often stayed in retreat for periods of one to three months while continuing to oversee the activities of Sherab Ling Monastery. When he wastwenty-three years old, he received full monastic ordination from Tai Situ Rinpoche.Important TransmissionsDuring this period, Mingyur Rinpoche received an important Dzogchen transmission from the great Nyoshul Khen Rinpoche, a renowned teacher from the Nyingma School of Tibetan Buddhism. For a total of one hundred days, spread over a number of years, this great meditation master transmitted the “oral lineage” of the Heart Essence of the Great Perfection. These teachings on the breakthrough (trekchö) and direct leap (tögal) of the Dzogchen lineage are extremely secret and may only be transmitted to one person at a time. Much like he had studied with his father years before, Mingyur Rinpoche received a pithy meditation instruction and returned for more teachings only once he had directly experienced what was taught. This rare form of teaching is known as “experiential guidance.”

In the years that followed, Mingyur Rinpoche continued to study the five traditional subjects of the Buddhist tradition (Madhyamaka, Prajnaparamita, Abhidharma, Pramana, and Vinaya), in addition to other important topics. He also continued to refine his meditative realization through daily practice and periodic solitary retreats.To this day, Mingyur Rinpoche continues his own studyand meditation. More recently, he received important Dzogchen transmissions from Kyabjé Trulshik Rinpoche, including the Transmitted Teachings of the Nyingma School (Nyingma Kama) and Fourfold Heart Essence (Nyingtik Yabshi). He also participated in transmissions of Jamgon Kongtrul’s Treasury of Precious Treasures (Rinchen Terdzö) and Treasury of Instructions (Damngak Dzö), which took place at Sherab Ling Monastery.Buddhism and ScienceIn addition to his extensive background in meditation and Buddhist philosophy, Mingyur Rinpoche has held a lifelong interest in psychology, physics, and neurology. At an early age, he began a series of informal discussions with the famed neuroscientist Francisco Varela, who came to Nepal to learn meditation from his father, Tulku Urgyen Rinpoche. Many years later, in 2002, Mingyur Rinpoche and a handful of other long-term meditators were invited to the Waisman Laboratory for Brain Imaging and Behavior at the University of Wisconsin at the request of His Holiness the Dalai Lama. There, Richard Davidson, Antoine Lutz, and other scientists examined the effects of meditation on the brains of advanced meditators. The results of this groundbreaking research were reported in many of the world’s most widely read publications, includingNational GeographicandTime. Follow-up studies were carried out at Harvard University, MIT, and other important research centers.Rinpoche continues his involvement with this research and contributes actively to the vibrant dialogue between Western science and Buddhism. He is an advisor to the Mind and Life Institute and participates as a research subject in the ongoing studies of the neural and physiological effects of meditation.Rinpoche’s teaching style has been deeply influenced by his knowledge of science. He is especially well-known for his ability to enrich his presentation of the ancient insights and practices of Tibetan Buddhism with the findings of modern science. It is his hope that the emerging relationship between these seemingly disparatefields will yield key insights to help us realize our full human potential.ActivitiesIn addition to his responsibilities at Sherab Ling Monastery, Mingyur Rinpoche is the abbot of Tergar Osel Ling Monastery in Kathmandu, Nepal, and Tergar Rigzin KhachöTargyé Ling Monastery in Bodhgaya, India. He also teaches regularly throughout Europe, North and South America, and Asia, where he leads a growing number of Tergar Meditation Centers and Meditation Groups.Rinpoche is an internationally-acclaimed author.His first book,The Joy of Living: Unlocking the Secret and Science of Happiness, debuted on theNew York Timesbestseller list and has been translated into over twenty languages. His second book,Joyful Wisdom: Embracing Change and Finding Freedom, explores how difficult emotions and challenging life situations can be used as stepping stones to discover joy and freedom. Turning Confusion Into Clarity: A Guide to the Foundation Practices of Tibetan Buddhism, gives detailed instruction and inspiring advice for those embarking on the Tibetan Buddhist path in earnest. Mingyur Rinpoche has also written an illustrated children’s book, entitledZiji: The Puppy that Learned to Meditate.View more at tergar.org/books.One of Mingyur Rinpoche’s greatest passions is bringing the practice of meditation to people from all walks of life. He is working with professionals from a wide range of disciplines to adapt his Joy of Living retreats for use in different contexts, including hospitals, schools, prisons, and leadership training. As part of this effort, he is developing programs to train facilitators and instructors to teach the practice of meditation in these varied settings.In early June, 2011, Mingyur Rinpoche walked out of his monastery in Bodhgaya, India and began a “wandering retreat” through the Himalayas and the plains of India that lasted four and a half years. When not attending to the monasteries under his care in India and Nepal, Rinpoche spends time each year traveling and teaching worldwide




2020/11/02

How to Work with Emotions - Lion's Roar

How to Work with Emotions - Lion's Roar

How to Work with Emotions
BY POLLY YOUNG-EISENDRATH, SHARON SALZBERG, JUDITH SIMMER-BROWN, JOHN TARRANT AND DZOGCHEN PONLOP RINPOCHE| APRIL 25, 2019


Sharon Salzberg, Judith Simmer-Brown, John Tarrant, and Dzogchen Ponlop Rinpoche discuss skillful and unskillful involvement with emotions, offering new perspectives on how to think about and engage with our emotional lives. Originally published in the Summer 2008 issue of Buddhadharma: The Practitioner’s Quarterly.
Woman with long hair surrounded by galaxy
Photos by Cecilia Lee.

Many of us were originally attracted to the dharma, perhaps initially to meditation, because we had problems with our emotions or emotional problems. After practicing Buddhism over time, however, some of us feel that we still have emotional difficulties—sudden outbursts, emotional withdrawal, or a critical judgment of our emotionality—that we hadn’t expected would continue after some skill in practice. A number of books have been written to address these issues. Among them are Harvey Aronson’s Buddhist Practice on Western Ground (Shambhala, 2004) and Dan Goleman’s Destructive Emotions (Bantam, 2004). Still, much confusion remains about the relationship between the dharma and our emotional lives.

In the past couple of decades, as we have studied human emotions through the lenses of neuroscience, psychology, and psychotherapy, we have clarified more fully how and why our emotions present special challenges in our relationships with others and ourselves. The early founders of psychoanalysis, especially Sigmund Freud and Carl Jung, witnessed the fact that emotional dynamics from our early lives shaped habit patterns in our minds and hearts with strong staying power. Freud dubbed this power a “repetition compulsion,” and Jung called it an “autonomous complex.” Both described how certain fundamental emotional patterns, when triggered in adults or children, can set the stage for an entire drama played out within or between people (with ready-made scripts).

Contemporary neuroscience now recognizes that the limbic brain (the mid-brain, between the frontal cortex and the brain stem) is the seat of fight-flight reactivity and many aspects of unconscious emotional memory. This part of our brain contains powerful motivators to perceive and to act, driving us to react in certain ways that may fall outside of our awareness until we have acted them out. For example, brain researcher Joseph LeDoux, in his book The Emotional Brain, explains that memories triggering the flight-fight response “are rigidly coupled to specific kinds of responses … wired so as to preempt the need for thinking about what to do.” In our families, close relationships, and work environments, this kind of triggering can cause impulsive discharges of emotional reactions or non-communicative walling off of our reactions. Neither of these is a mindful response. In the lively discussion that follows, the participants give clear and detailed examples of their own emotional development through applying the wisdom of the dharma. –Polly Young-Eisendrath

 

Buddhadharma: Many of us think of emotion as the most important part of life, the thing that makes us human. Whether it’s love or beauty or pleasure, much of life is a search for particular emotional experiences. When people hear about things like nonattachment and mindfulness, they may fear they’ll have to give up their emotional life. Yet they also want to be free from the painful grip of emotion. What happens to our emotional life when we fully take up the Buddhist path?

The Dzogchen Ponlop Rinpoche: I wouldn’t say that losing our emotions or thoughts is something we need to worry about. When we meditate, they’re still there. They don’t go away. We couldn’t lose them, even if we wanted to [laughter].

Sharon Salzberg: I’m reminded of something that Ajahn Chah, the Thai meditation master, said: “As you meditate, your mind will get quieter and quieter, like a still forest pool. Many wonderful and rare animals will come to drink at the pool, but you will be still. This is the happiness of the Buddha.”

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Can we find a place in the middle, where one is neither overcome by emotion nor repressing emotional states? That is a place of discovery, exploration, and enrichment.
—Sharon Salzberg
I love the image of the wonderful and rare animals. The stillness is not a constraint; it’s not holding down or repressing any experience. Everything still arrives, but what makes the difference is how all of those wonderful and rare animals are greeted.

I know that people have a fear that meditation will lead to a kind of barrenness. I hear it often. People think that if they were to practice meditation ardently and get proficient at it, everything would morph into a gray blob and they wouldn’t feel anything anymore. Of course, that’s not what it’s all about. Intention and motivation are what’s vital. Why do we act the way we do and how do we relate to those emotions? Are we subsumed by them? Are we overcome? Are we propelled into actions that we later regret? Do we try to hide emotions or do we denigrate ourselves for our emotions?

So can we find a place in the middle, where one is neither overcome by emotion, which often leads to negative actions and consequences, nor repressing and avoiding our emotional states? That place in the middle, which is mindfulness, is a place of discovery, exploration, and enrichment.

Buddhadharma: Would you say the full range of emotion, from rage to passion, is included? Do all the animals in the zoo arrive?

Sharon Salzberg: [Laughs] By practicing mindfulness, we are also changing the conditions that will affect what might arise. But I don’t think it would be realistic to say that we assume control over what will arise in our experience. Control per se would not even be desirable, because in the space of tremendous rage or passion we can be free nonetheless, and perhaps utilize the energy within those emotions for something more positive in our lives.

John Tarrant: Freedom is just freedom, and it’s either there or not. It doesn’t matter what you’re feeling. In the long arc of a practice, most people do find that they have less intense aversions and so forth. They have less of what you would call disturbing emotions. But it’s also true that when it comes to so-called disturbing emotions, we can ask, who is it disturbing and why is it disturbing? The disturbance is measured against a framework that is illusory. Your disturbing emotions have buddhanature—just as much as your nice calm ones do—and they may actually be more likely to lead to a deeper level of awakening than your nice calm ones.

Ponlop Rinpoche: When you enter the Buddhist path, the point is not to get rid of emotions or thoughts. The important thing is to be mindful of the emotions arising—whether they’re good or bad, or however you might choose to define them. As we progress along the path of meditation, as Sharon and John have expressed, the key point becomes developing a stillness in which we find freedom from the disturbing elements of emotions.

Buddhadharma: In evolutionary terms, biologists talk about emotions as necessary and adaptive, and many psychologists regard emotions as central to who we are. Yet emotions in Buddhism seem to be regarded as a problem. Why is that?

John Tarrant: It’s true that when people talk about emotion in the Buddhist context, usually they’re talking about something that creates a problem. But what’s wrong with emotion, anyway? An emotion is something that arises because we have a body, an incarnation, and in that realm everything is a little bit imperfect. We can’t get anything quite the way we want it to be, and emotion is the indicator of that. There’s also the lizard-brain level of emotions, a reflex. But having an emotion is different from having an emotional problem, which is usually caused by fighting with the emotion, not exploring or having curiosity about it.

Judith Simmer-Brown: It’s important to note that we’re looking at this question through the lens of a Western psychological word, which is something we often do as modern Buddhists. Yet until recently, there’s been very little work done in Western psychology on what emotions actually are.

What we call “emotion” is, at its heart, an energetic experience that doesn’t have to be painful.
—Judith Simmer-Brown
From a Buddhist perspective, emotions are experiences that are not just thoughts; they have some kind of color and texture, which we try to work with directly when they’re painful. There’s an enormous science in Buddhism devoted to recognizing the experience of emotion. This is quite different from Western psychology, which has tended to be heavily interpersonal and management-oriented. However, some psychologists are beginning to appreciate that we can work with the direct experience of our state of mind. That’s a very fruitful way to appreciate that what we call “emotion” is, at its heart, an energetic experience that doesn’t have to be painful.

Sharon Salzberg: Emotion is an element of relationship. It is how our awareness relates to an object—to a circumstance, a person, mortality, anything that presents itself internally or externally. As a manifestation of relationship, emotion can be quite distorted, based in ignorance, so we misconstrue what we’re actually encountering. On the other hand, it can be based in something more truthful and wise and clear, and therein lies the tremendous variety of emotions we experience.

Ponlop Rinpoche: When we look at the term “emotion” as it’s used in the West, it is problematic. I’ve talked with psychologists and psychotherapists about it, but I can’t find one definition of emotion in the Western context. For that matter, from a classical Buddhist point of view, there’s not really a separate topic we would call emotions. Emotions would appear to be part of the wider topic of kleshas, the mental states or experiences that cause torment or discomfort for body and mind and that make the mind unsettled. Kleshas are also said to be subtle and proliferating, a latent tendency, an affliction of the mind.

Emotions can be disturbing and destructive when not experienced with mindfulness and compassion. But if we are able to see clearly what the true nature of the experience is, emotions can have tremendously powerful wisdom and compassion.

Buddhadharma: According to many religions, and in the popular mind as well, there are good emotions and bad emotions. Does Buddhism make this distinction?

Judith Simmer-Brown: A lot of moral judgments are made about emotions. From my own study of abhidharma and from relating to my teachers, I find that there is a much more pragmatic approach toward emotions in the buddhadharma. Emotions have qualities that can lead us to create pain for ourselves and others. What we might label in the language of morality as “good” or “bad,” we would consider instead as more or less conducive to awakening or to compassionate relationship with the world. It is not so much about an external moral judgment of the kind we encounter so much in the West.

Emotions themselves become problematic for us because of what we do with them. They can develop into karmic thought patterns that cause greater pain for us or lead us into negative speech or harmful bodily actions. The activity of the emotions has the potential to cause greater confusion, turbulence, lack of clarity, and suffering—or not. Good and bad are clunky words to describe what the traditional teaching and our meditation experience tell us about emotion. The moral judgment doesn’t fit.

Sharon Salzberg: I agree. In Buddhism, we tend to think more in terms of what is skillful and unskillful. Skillful refers to those states that, when cultivated, lead to the end of suffering. Unskillful refers to those states that, when enhanced and nurtured, lead to more suffering.

That’s a powerful shift for people to make. Instead of falling into the old, conditioned habit of regarding anger or fear as bad, wrong, weak, or terrible—or considering ourselves bad, wrong, weak, or terrible people for having such emotions—we see them as states of suffering. This is a profound transition. It elicits the possibility of responding to ourselves, and to others in the grip of emotions, with compassion rather than rejection or hatred.

John Tarrant: Western psychology has made a partial contribution to our methods of working with emotions. Psychology intended to become a science, and everybody thought it would be. But it turned out that it wasn’t. In large part, it is a normative agent of the culture and the society, and that runs counter to the genuine practice of inquiry. Psychology takes the approach of fixing an emotional problem in order to make a person function again. That may be the goal of a society or a culture, but that is not necessarily the goal of a wisdom tradition. Anybody who has been in any tradition of depth has noticed that people who have what look like pathological emotions might be taking a positive step toward disassembling their old way of being, so that a new, greater possibility can come through. If you’re always fussing at and fixing your mind, you don’t get that journey.

There’s also a kind of voluptuousness about what’s given by the psyche, which at some level is what’s given us by the universe. We can take a housekeeping attitude toward the emotion or we can take the ride and see what discovery is happening. Not a thrill ride, but more a quest. The problem is not the emotion; the problem is being at war with the emotion or acting out the emotion.

Ponlop Rinpoche: I agree completely that how skillfully or unskillfully we work with emotions determines whether the experience of that emotion is what we call bad or good. It is not about emotions, but about how you experience them and handle them. Emotions often come to us as a surprise. When you experience the emotion without skillful means or wisdom, the emotion can be destructive.

In response, the Buddhist teachings present three basic ways of working with emotions. The first approach is mindfulness, which can prevent the destructiveness of the emotions and make them beneficial and useful. The second approach is to bring the emotions to the path of wisdom, by transforming them into something that helps bring benefit to ourselves and others. The third approach, the Vajrayana approach, is to look straight into the essence of the experience of emotion, where we will find tremendous energy and the power of awakening wisdom.

Judith Simmer-Brown: One of the things I’ve found most valuable about Buddhist practice and teaching has been discovering that we don’t really feel our emotions all that often. When there’s an emotional impulse that arises—and I’m talking particularly about the painful ones, the kleshas—we tend to either indulge in it, acting out some kind of catharsis or building an intense storyline around it, or we suppress and bury the emotion. We’re afraid of it. One of the tremendous benefits of Buddhist meditation for me has been to be able to sit with an emotion, to experience it, rather than to feel I have to do something with it immediately or get rid of it.

When we truly feel the intensity of the painful, obsessive, destructive emotions, we deepen our capacity to understand how painful habitual patterns work in our lives.
—Judith Simmer-Brown
One of the great contributions of meditation practice to Western society has been to point out the difference between a managerial approach and an experiential approach. It has brought so much more attention and richness to the description of what emotional life actually is.

Buddhadharma: Many people feel that inspiration and artistry come out of the richness of emotion. How does meditation practice affect the creative aspect of the emotions?

John Tarrant: Spiritual practice is either plumbing, in which case you’ve got a fixed goal and you’re tinkering with the pipes. Or it’s an art, in which case your goal is not predetermined, because you’re in a discovery process. All arts are like that. But while you’re on the journey, you don’t need to be messed up. I don’t think our wisdom tradition necessarily holds to the nineteenth-century idea of the messed-up genius. Although if you’re a messed-up genius, that’s fine too. It’s not wise to go around rejecting the material that life has given you, including the experiences that people think you shouldn’t have. On the surface, you might sometimes disturb others, but ultimately, if you are not disturbing to yourself, that will mean other people aren’t disturbing to you either. There will be much greater compassion, in fact I would say much greater empathy, because there’s not even the level of distance implied by the term compassion. You really are the other in some sense, and that’s the source of your creative imagination.

Ponlop Rinpoche: Emotions have very powerful creative energy. Many visual artists and poets are inspired by emotions. We create beautiful products from some of our emotions. So it’s good to see and appreciate the beauty of such emotions, even when they’re seemingly destructive, like strong passion or aggression. When you transform that into a piece of art, it becomes so beautiful. You not only find peace and creativity through such expression, but many other people also find peace and enjoyment through looking at your creation. Within the world of creativity, there’s a strong element of releasing your emotion or finding the wisdom of emotion, and we can find peace or relief through the artful expression of emotions.

Buddhadharma: What’s the difference between the feeling of relief from releasing one’s emotion creatively and finding relief by getting something off your chest?

Ponlop Rinpoche: The act of just releasing and expressing is very temporary. It gives brief relief and a sense of freedom, but the root of your emotions is still there. With meditation, one can get to the root of all the emotions and see the true wisdom within them.

Judith Simmer-Brown: Our tendency to act on emotions comes from the fact that we’re afraid to feel them. Mindfulness cultivates the ability to fully experience emotions. Like most of us, I’ve only ever learned things the hard way. I’ve learned that emotions are painful when I feel them, that kleshas are genuinely painful. But when we truly feel the intensity of the painful, obsessive, destructive emotions, we deepen our capacity to understand how painful habitual patterns work in our lives. We get to see how our acting out of anger has caused incredible pain for us and for many others. Being able to experience my anger fully, and feel the pain before I act, gives me the opportunity to let go, without repeating the habit of releasing the emotions in some kind of fit. The real relief is in letting go.

When we act on our anger, we are actually practicing anger, training in anger. We are deepening and reinforcing the patterns and tendencies by impulsively acting. With mindfulness, we can see the chain we’re caught in, and we can also see the purity at the root of the emotion. To see the alternative is a fantastic relief, not at all like the temporary relief of getting your emotion out.

John Tarrant: I don’t experience expressing emotion as relief. Paying attention is what leads to a transformation. Paying attention is actually the best form of love we have to bring to our lives. If we pay attention, we find freedom, rather than relief. Relief is erecting an alternative fantasy world to live in, until it breaks down too.

Ponlop Rinpoche: And it will [laughs].

John Tarrant: Freedom is freedom. Full stop. Freedom can be edgy and scary and surprising and wonderful and all that, but it’s freedom, which is ultimately a more loving and interesting thing than just unloading an emotion.

Buddhadharma: But it’s still freedom from something, isn’t it?

John Tarrant: I completely disagree. Vajrayana people talk about spaciousness. Shunyata is on your side, you might say.

Ponlop Rinpoche: Are you talking about what we call self-liberation?

John Tarrant: Yes, a little taste of it anyway. If you’re looking to release your emotion, you’re trying to make your universe and yourself small. You’re accepting a cheap prize, when something much larger might be available.

Buddhadharma: And the world is currently driven by…

Sharon Salzberg: Getting big prizes.

John Tarrant: You could have a genuine plastic toy!

Ponlop Rinpoche: Freedom made in China.

Buddhadharma: We’ve talked about trying to find relief through releasing emotions. What about feeling bad and guilty about our emotions, and keeping them bottled up for fear of the negative consequences? Isn’t that just as problematic?

Sharon Salzberg: As we’ve been talking, I’ve been recalling myself at eighteen, going to India to learn meditation with S.N. Goenka. I did an intensive ten-day retreat, then another one, and then another one, and somewhere in there I was experiencing tremendous anger, which I was very uncomfortable with. I was not very psychologically sophisticated. I knew I was very unhappy, but I really didn’t know the constituents of my internal world, so finding this anger shocked me. I marched up to Goenka at one point and, looking him in the eye, I said, “I never used to be an angry person before I started to meditate.” I laid the blame on him, exactly where I felt it belonged. When I got through the distress of facing this newly discovered wealth of anger, I found out that the actual freedom was in recognizing it without shame, without falling into it, without identifying with it. That’s what real kindness is. We can get caught in thinking that kindness means that we can only smile and acquiesce or be complacent and passive. We’re confusing action and motivation. We cultivate kindness as the basis of our intention, so that our motives are increasingly about connection rather than fear and alienation. To find what we feel is the best response in a particular situation demands mindfulness in a bigger context. Such larger mindfulness means it’s possible that we could come from a genuinely kind place and also have an intensity or fierceness in our actions if the context invites it.

Buddhadharma: So you would make a sharp distinction between mindfulness and hypervigilant management of emotion?

Sharon Salzberg: Yes, very much so.

Buddhadharma: Mindfulness allows for mistakes, does it not? One might end up expressing anger, as you did with Goenka, and some kind of discovery could result. If you’re in an intense relationship, like raising a teenager, you can’t go off and find a cushion every time an emotion arises. Trying hard to be skillful with every emotion at every moment…

John Tarrant: That would be the real mistake.

Buddhadharma: Often our strongest emotions come up with the people we’re closest to. If you’re raising children, for example, you have plenty of opportunities to see your emotional framework writ large, to see how often your emotions are a way to lay your worldview down on others.

John Tarrant: Yes, we seem to like to interfere with other people’s business. There’s an interesting way in which spiritual people, not just Buddhists, can be sneaky about their emotions, validating them by reprimanding other people, which is usually not a path to wisdom. Families make it hard to get away with that, and it seems you can’t raise a child without making an idiot of yourself. For that matter, you can’t love without making an idiot of yourself. It’s a perfect joining of things. It’s not a mistake.

Judith Simmer-Brown: I was in a Buddhist-Christian dialogue about ten years ago, and one of the longtime Trappist monks said with great pride that he couldn’t remember the last time he was angry. I muttered under my breath that he obviously didn’t have a family. If you create a bubble around yourself and think that having or expressing emotions is a problem, that’s a sad life. Our emotions carry our very best features, and as Ponlop Rinpoche was saying earlier, they are fundamentally wisdom. Chögyam Trungpa once said that emotions are like a game we started because we just enjoyed them so much, and then they got out of hand. We became afraid of them. But at bottom they are a vivid display of our fundamental wisdom and brilliance. We forget that we created them in the first place, because of all the extra baggage they carry.

It’s a blessing to be in situations that drive you crazy, because it helps you develop a deeper heart. Being a wife and mother has forced me to take greater responsibility for the games I started. These people in my life who push my buttons are my greatest teachers and dearest friends. I’m grateful that I can remember vividly the last time I was angry.

Ponlop Rinpoche: Not all monks are angry-free, by the way. In my experience, the Vajrayana masters are always angry [laughter]. Ever since Tilopa, they’ve been shouting. I’m just kidding, of course.

John Tarrant: The Vajrayana tradition and the koan tradition seem to me to have some similarities. You meet the surprise and wonder of life as it arises, finding out what instructions life has for you rather than what instructions you have for managing life.

Even in the moment when you experience the most destructive emotion, such as rage, if you can penetrate to its essence you find tremendous space and energy, luminosity.
—Ponlop Rinpoche
Buddhadharma: We’ve talked about mindfulness and attention to emotions. There is also an aspect of Buddhist practice that has to do with cultivating certain emotions. Is it necessary to practice mindfulness effectively before cultivating loving-kindness?

Ponlop Rinpoche: I’ve been teaching three steps in working with emotions, inspired by the Buddhist teachings. The first step is to have a mindful gap. Usually when we experience any emotions, we just embrace them and become that emotion. There’s no gap between you and the emotion. It’s very helpful to notice, “Oh! I am experiencing an emotion here.” It slows down the speed and gives you room.

Once you have this gap, you can see the emotion clearly. That’s the second step: seeing clearly. This allows you to see what kind of skillful means you might apply, what kind of wisdom might make the emotion useful and beneficial. The third step is letting go. You let go of your fear, your anger, your jealousy. You don’t need to keep them.

Sharon Salzberg: It is helpful to address whether it’s necessary to do mindfulness practice before cultivating positive emotions. I’ve seen so many people for whom the process is done in reverse. Mindfulness and loving-kindness are so clearly reciprocal and mutually supportive. There are many people whose mindfulness is challenged by a corrosive habit of self-judgment, criticism, and self-hatred. Therefore, it is quite hard to come to a space of being mindful of very difficult and challenging emotions. For people like that, which is many of us, loving-kindness or compassion practice actually creates the ground out of which they’re more able to do mindfulness genuinely.

Ponlop Rinpoche: That’s very true.

John Tarrant: In koan practice you find mindfulness practice at times, but also kindness. In the beginning, when somebody starts hanging out with a standard koan like, “The whole world is medicine. What is the self?” they will go through all the usual concentration phenomena, but then they might have some sort of transformation, which is prajna emerging. At the same time, they may also just find themselves kinder. It’s based on prajna, but sometimes the transformation can start happening in the darkness in a nonrational way. It’s a kind of creative move by the universe that happens when you expose yourself to it. What I like about koans is that they have an unpredictable nonlinear effect, like poems or music do.

The truth is that, as you keep going deeper into the meditation path, the categories—mindfulness, awareness, loving-kindness—just slide around. There are fewer boundary lines and categories. Your feet find a path, and the path rises to meet your feet.

Judith Simmer-Brown: These various elements are mutually supportive. The clear-seeing that Rinpoche was talking about gives us a kind of aha! experience that reveals the contrast between habitual patterns and a fresh emotional life, and that allows us to act with loving-kindness in our relations with others, rather than obsess about the people who have insulted us or attracted us, or whatever. Kindness and attention work so closely together it becomes hard to separate them.

John Tarrant: Yes. Loving-kindness is a practice, but at the same time if you really pay attention you might find, as I do with koan work, that kindness starts coming up from below. You suddenly find you have a loving attitude toward life. That happens because kindness is not something added to awareness. It’s fundamental to the nature of awareness.

Buddhadharma: That suggests that our traditional ideas about emotions being kind of gooey and awareness being dry in fact fall apart.

John Tarrant: The opposition between paying attention and cultivating loving-kindness ultimately falls away.

Judith Simmer-Brown: The distortion of our clear-seeing is part of the painfulness of emotion. We are removed from the direct experience of the way things are. The painful way we experience emotions and our distorted view of reality are completely intermingled.

Buddhadharma: So if you lose the distortion, you wouldn’t necessarily lose the intensity of emotion, but you would experience it differently?

Judith Simmer-Brown: The energy is completely different without the distortion. Practice helps you see just how much you are caught in your own little house of mirrors, how totally you distort your perspective in the midst of intense emotion.

Buddhadharma: How do we find the wisdom in emotion, as several of you have been hinting is possible?

Ponlop Rinpoche: From the Vajrayana point of view, it’s a little bit like what John said about koan practice. We work mostly from the prajna side of things, but at the same time we employ special skillful means to see the true energy of emotions. Even in the moment when you experience the most destructive emotion, such as rage, if you can penetrate to its essence you find tremendous space and energy, luminosity.

Many of the Vajrayana practices suggest that we not abandon the emotions but rather work with their pure energy. The pure energy will lead us to a complete state of awakening, because emotions are primordially free. The intensity of emotions has a quality of sudden awakening, right here within the very moment of samsaric experience. From the Vajrayana point of view, all the practices are directed toward seeing the essence of emotion rather than working with the conceptual or judgmental aspect of mind. We can go beyond that and see the power of the raw and naked state of emotions.

Buddhadharma: When a surge of emotion comes up, then, it always presents the possibility of awakening?

Ponlop Rinpoche: It’s already in the state of awakening. We just have to discover that. From the Mahayana perspective, we would think in terms of transforming, whereas in Vajrayana we don’t need to transform anything. In Mahayana, you work with emotions in a more conceptual way. In Vajrayana, you go straight to the naked state of the emotions, within which we find tremendous space, emptiness, clarity, luminosity, and vividness—what we call the clear light mind.

John Tarrant: I would say that koans are more on that Vajrayana side of things too.

Buddhadharma: Where you’re breaking down concepts utterly.

John Tarrant: Well, you recognize something that was already there that you hadn’t noticed.

Ponlop Rinpoche: Exactly.

Judith Simmer-Brown: Doesn’t the recognition also carry with it a kind of enjoyment?

John Tarrant: Yes, but I don’t know if at that point you would call it emotion. There’s delight, a large sense of life. It’s not a checked-out kind of bliss. It’s more appreciation and relish.

Ponlop Rinpoche: The naked and raw state of emotions has the quality of bliss and emptiness inseparable, which is beyond joy versus agony. It’s self-liberation, self-freeing. Emotions free themselves. We don’t need to free them.

Buddhadharma: We’re back to not being able to get rid of the emotions.

Judith Simmer-Brown: You don’t want to.

Ponlop Rinpoche: You don’t need to.

Judith Simmer-Brown: So there’s nothing to be done?

Ponlop Rinpoche: The problem is, you’re trying too hard. Just relax and enjoy the wild ride [laughter].

Buddhadharma: That’s sublime, but I know that some of us are also in need of a first-aid kit for those times when we have a volcanic upsurge of emotion and feel inadequate in the face of it. Are there one or two things we ought to remember at those moments to recall the clarity and creativity, the wisdom you’ve all been talking about?

Sharon Salzberg: I would say that one of the first things to do is to notice the add-ons. There’s the arising of the emotion, which is its own state, but on top of that we add a future, we add a certain kind of reaction, like shame or exaggeration. Or perhaps we add comparison, by holding ourselves up to an ideal we’re not attaining. We certainly add a sense of self—I’m such an angry person. We just add and add. So probably the first thing to try to do is to release some of those add-ons, so we can come back to the original experience. Then we can maybe let ourselves be with the basic emotion in as mindful a way as possible. That will open up a little space, and in that space, we see can options.

That reminds me of an article I saw in the New York Times about mindfulness in the classroom. One of the fifth graders was asked, “What is mindfulness?” And he said, “Mindfulness means not hitting someone in the mouth.” I thought that was a fantastic answer. It implies knowing what you’re feeling when you’re feeling it, not fifteen consequential actions later. It implies having a relationship to that feeling, so you’re not completely lost in it and identified with it. It implies being able to make some choices. Mindfulness is not hitting someone in the mouth. That’s my new working definition of mindfulness.

Ponlop Rinpoche: That’s a great koan.

2020/10/25

Vipassanā - Wikipedia

Vipassanā - Wikipedia

Vipassanā

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Translations of
Vipassanā
Englishinsight, clear-seeing, special-seeing
Sanskritविपश्यना
(vipaśyanā)
Paliविपस्सना
Vipassanā
Burmeseဝိပဿနာ (WiPakThaNar)
Chinese
(Pinyinguān)
Khmerវិបស្សនា
(vipassana)
Sinhalaවිපස්සනා
Tibetanལྷག་མཐོང་
(Wylie: lhag mthong; THL: lhak-thong)
Vietnamesequán
Glossary of Buddhism

Vipassanā (Pāli) or vipaśyanā (Sanskrit) literally, "special-seeing",[1] "special (Vi), seeing (Passanā)",[2] is a Buddhist term that is often translated as "insight". The Pali Canon describes it as one of two qualities of mind which is developed (bhāvanā) in Buddhist meditation, the other being samatha (mind calming). It is often defined as a form of meditation that seeks "insight into the true nature of reality", defined as anicca "impermanence", dukkha "suffering, unsatisfactoriness", anattā "non-self", the three marks of existence in the Theravada tradition,[3][4] and as śūnyatā "emptiness" and Buddha-nature in the Mahayana traditions.

Vipassanā practice in the Theravada tradition ended in the 10th century, but was reintroduced in Toungoo and Konbaung Burma in the 18th century, based on contemporary readings of the Satipaṭṭhāna sutta, the Visuddhimagga, and other texts.[5] A new tradition developed in the 19th and 20th centuries, centering on bare insight in conjunction with samatha.[6] It became of central importance in the 20th century Vipassanā movement[7] as developed by Ledi Sayadaw and U Vimala and popularised by Mahasi Sayadaw, V. R. Dhiravamsa, and S. N. Goenka.[8][9][10]

In modern Theravada, the combination or disjunction of vipassanā and samatha is a matter of dispute. While the Pali sutras hardly mention vipassanā, describing it as a mental quality alongside samatha which develops in tandem and leads to liberation, the Abhidhamma Pitaka and the commentaries describe samatha and vipassanā as two separate meditation techniques. The Vipassanā movement favors vipassanā over samatha, but critics point out that both are necessary elements of the Buddhist training.

Etymology[edit]

Vipassanā is a Pali word derived from the older prefix "vi-" meaning "special", and the verbal root "-passanā" meaning "seeing".[2] It is often translated as "insight" or "clear-seeing". The "vi" in vipassanā has many possible meanings, it could mean to '[see] into', '[see] through' or to '[see] in a special way.'[4]

A synonym for vipassanā is paccakkha "perceptible to the senses" (Pāli; Sanskrit: pratyakṣa), literally "before the eyes," which refers to direct experiential perception. Thus, the type of seeing denoted by vipassanā is that of direct perception, as opposed to knowledge derived from reasoning or argument.[citation needed]

In Tibetan, vipaśyanā is lhaktong (Wylielhag mthong). Lhak means "higher", "superior", "greater"; tong is "view, to see". So together, lhaktong may be rendered into English as "superior seeing", "great vision" or "supreme wisdom." This may be interpreted as a "superior manner of seeing", and also as "seeing that which is the essential nature." Its nature is a lucidity—a clarity of mind.[11]

Henepola Gunaratana defined vipassanā as "Looking into something with clarity and precision, seeing each component as distinct and separate, and piercing all the way through so as to perceive the most fundamental reality of that thing."[4]

Origins[edit]

According to Thanissaro Bhikkhu, in the sutta pitaka the term "vipassanā" is hardly mentioned, while they frequently mention jhana as the meditative practice to be undertaken.[12][note 1] When vipassanā is mentioned, it is always in tandem with samatha, as a pair of qualities of mind which are developed.[12] According to Thanissaro Bhikkhu, "samathajhana, and vipassana were all part of a single path."[12][note 2] Norman notes that "the Buddha's way to release [...] was by means of meditative practices."[14] According to Vetter and Bronkhorst, dhyāna constituted the original "liberating practice".[15][16][17] Vetter further argues that the eightfold path constitutes a body of practices which prepare one, and lead up to, the practice of dhyana.[18] Vetter and Bronkhorst further note that dhyana is not limited to single-pointed concentration, which seems to be described in the first jhana, but develops into equanimity and mindfulness,[19][20][note 3] "born from samadhi"[21] but no longer absorbed in concentration, being mindfully aware of objects while being indifferent to it,[22] "directing states of meditative absorption towards the mindful awareness of objects."[23]

Though both terms appear in the Sutta Pitaka[note 4], Gombrich and Brooks argue that the distinction as two separate paths originates in the earliest interpretations of the Sutta Pitaka,[28] not in the suttas themselves.[29][note 5] Henepola Gunaratana notes that "[t]he classical source for the distinction between the two vehicles of serenity and insight is the Visuddhimagga."[30] According to Richard Gombrich, a development took place in early Buddhism resulting in a change in doctrine, which considered prajna to be an alternative means to awakening, alongside the practice of dhyana.[31] The suttas contain traces of ancient debates between Mahayana and Theravada schools in the interpretation of the teachings and the development of insight. Out of these debates developed the idea that bare insight suffices to reach liberation, by discerning the Three marks (qualities) of (human) existence (tilakkhana), namely dukkha (suffering), anatta (non-self) and anicca (impermanence).[28]

According to Buddhist and Asian studies scholar Robert Buswell Jr., by the 10th century vipassana was no longer practiced in the Theravada tradition, due to the belief that Buddhism had degenerated, and that liberation was no longer attainable until the coming of Maitreya.[3] It was re-introduced in Myanmar (Burma) in the 18th century by Medawi (1728–1816), leading to the rise of the Vipassana movement in the 20th century, re-inventing vipassana meditation and developing simplified meditation techniques, based on the Satipatthana sutta, the Visuddhimagga, and other texts, emphasizing satipatthana and bare insight.[6][32][note 6] Ultimately, these techniques aim at stream entry, with the idea that this first stage of the path to awakening safeguards future development of the person towards full awakening, despite the degenerated age we live in.[35][note 7]

Theravāda[edit]

Relation with samatha[edit]

While the Abhidhamma and the commentaries present samatha and vipassana as separate paths,[note 8] in the sutras vipassana and samatha, combined with sati (mindfulness), are used together to explore "the fundamental nature of mind and body.[13] In the later Theravada tradition, samatha is regarded as a preparation for vipassanā, pacifying the mind and strengthening concentration in order for insight to arise, which leads to liberation.

The Buddha is said to have identified two paramount mental qualities that arise from wholesome meditative practice:

  • Samatha, calm abiding, which steadies, composes, unifies and concentrates the mind;
  • Vipassanā, insight, which enables one to see, explore and discern "formations" (conditioned phenomena based on the five aggregates).[39]

The Buddha is said to have extolled serenity and insight as conduits for attaining the unconditioned state of nibbana (Pāli; Skt.: Nirvana). For example, in the Kimsuka Tree Sutta (SN 35.245), the Buddha provides an elaborate metaphor in which serenity and insight are "the swift pair of messengers" who deliver the message of nibbana via the noble eightfold path.[40]

In the Four Ways to Arahantship Sutta (AN 4.170), Ven. Ānanda reports that people attain arahantship using calm abiding and insight in one of three ways:

  1. They develop calm abiding and then insight (Pāli: samatha-pubbangamam vipassanam)
  2. They develop insight and then calm abiding (Pāli: vipassana-pubbangamam samatham)[note 9]
  3. They develop calm abiding and insight in tandem (Pāli: samatha-vipassanam yuganaddham), for instance, obtaining the first jhāna and then seeing in the associated aggregates the three marks of existence before proceeding to the second jhāna.[41]

In the Pāli canon, the Buddha never mentions independent samatha and vipassana meditation practices; instead, samatha and vipassana are two "qualities of mind" to be developed through meditation. As Thanissaro Bhikkhu writes,

When [the Pāli suttas] depict the Buddha telling his disciples to go meditate, they never quote him as saying 'go do vipassana,' but always 'go do jhana.' And they never equate the word "vipassana" with any mindfulness techniques. In the few instances where they do mention vipassana, they almost always pair it with samatha — not as two alternative methods, but as two qualities of mind that a person may 'gain' or 'be endowed with,' and that should be developed together.[42]

Buswell states that the most common meditation method described in the Pāli canon is one where samatha is first done to induce jhana and then jhana is used to go on to vipassana. Buddhist texts describe that all Buddhas and their chief disciples used this method. Texts also describe a method where vipassana is done alone, but this is less common.[5]

Vipassanā movement[edit]

The term vipassana is often conflated with the Vipassana movement, a movement which popularised the new vipassana teachings and practice. It started in the 1950s in Burma, but has gained wide renown mainly through American Buddhist teachers such as Joseph GoldsteinTara BrachGil FronsdalSharon Salzberg, and Jack Kornfield. The movement has had a wide appeal due to being open and inclusive to different Buddhist and non-buddhist wisdom, poetry as well as science. It has together with the modern American Zen tradition served as one of the main inspirations for the 'mindfulness movement' as developed by Jon Kabat-Zinn and others. The Vipassanā Movement, also known as the Insight Meditation Movement, is rooted in Theravāda Buddhism and the revival of meditation techniques, especially the "New Burmese Method" and the Thai Forest Tradition, as well as the modern influences[7] on the traditions of Sri LankaBurmaLaos and Thailand.

In the Vipassanā Movement, the emphasis is on the Satipatthana Sutta and the use of mindfulness to gain insight into the impermanence of the self. It argues that the development of strong samatha can be disadvantageous,[43] a stance for which the Vipassana Movement has been criticised, especially in Sri Lanka.[44][45] The "New Burmese Method" was developed by U Nārada (1868–1955), and popularised by Mahasi Sayadaw (1904-1982) and Nyanaponika Thera (1901–1994). Other influential Burmese proponents are Ledi Sayadaw and Mogok Sayadaw (who was less known to the West due to lack of International Mogok Centres); S. N. Goenka was a student of Sayagyi U Ba Khin. Influential Thai teachers are Ajahn Chah and Buddhadasa. A well-known Asian female teacher is Dipa Ma.

Vipassana meditation[edit]

Morality, mindfulness of breathing, and reflection[edit]

Vipassanā meditation uses sati (mindfulness) and samatha (calm), developed through practices such as anapanasati (mindfulness of breathing), combined with the contemplation of impermanence as observed in the bodily and mental changes, to gain insight into the true nature of this reality.[46][47]

Practice begins with the preparatory stage, the practice of sila, morality, giving up worldly thoughts and desires.[48][49] Jeff Wilson notes that morality is a quintessential element of Buddhist practice, and is also emphasized by the first generation of post-war western teachers. Yet, in the contemporary mindfulness movement, morality as an element of practice has been mostly discarded, 'mystifying' the origins of mindfulness.[48]

The practitioner then engages in anapanasati, mindfulness of breathing, which is described in the Satipatthana Sutta as going into the forest and sitting beneath a tree and then to simply watch the breath. If the breath is long, to notice that the breath is long, if the breath is short, to notice that the breath is short.[50][51] In the "New Burmese Method," the practitioner pays attention to any arising mental or physical phenomenon, engaging in vitarka, noting or naming physical and mental phenomena ("breathing, breathing"), without engaging the phenomenon with further conceptual thinking.[52][53] By noticing the arising of physical and mental phenomena, the meditator becomes aware how sense impressions arise from the contact between the senses and physical and mental phenomena,[52] as described in the five skandhas and paṭiccasamuppāda. According to Sayadaw U Pandita, awareness and observation of these sensations is de-coupled from any kind of physical response, which is intended to recondition one's impulsive responses to stimuli, becoming less likely to physically or emotionally overreact to the happenings of the world.[54]

The practitioner also becomes aware of the perpetual changes involved in breathing, and the arising and passing away of mindfulness.[55] This noticing is accompanied by reflections on causation and other Buddhist teachings, leading to insight into dukkhaanatta, and anicca.[56][55] When the three characteristics have been comprehended, reflection subdues, and the process of noticing accelerates, noting phenomena in general, without necessarily naming them.[57][46][47]

Stages of Jhana in the Vipassana movement[edit]

Vipassanā jhanas are stages that describe the development of samatha in vipassanā meditation practice as described in modern Burmese Vipassana meditation.[58] Mahasi Sayadaw's student Sayadaw U Pandita described the four vipassanā jhanas as follows:[59]

  1. The meditator first explores the body/mind connection as one, nonduality; discovering three characteristics. The first jhana consists in seeing these points and in the presence of vitarka and vicara. Phenomena reveal themselves as appearing and ceasing.
  2. In the second jhana, the practice seems effortless. Vitarka and vicara both disappear.
  3. In the third jhanapiti, the joy, disappears too: there is only happiness (sukha) and concentration.
  4. The fourth jhana arises, characterised by purity of mindfulness due to equanimity. The practice leads to direct knowledge. The comfort disappears because the dissolution of all phenomena is clearly visible. The practice will show every phenomenon as unstable, transient, disenchanting. The desire of freedom will take place.

Northern tradition and Mahāyāna[edit]

Texts[edit]

The north Indian Buddhist traditions like the Sarvastivada and the Sautrāntika practiced vipaśyanā meditation as outlined in texts like the Abhidharmakośakārikā of Vasubandhu and the Yogācārabhūmi-śāstra. The Abhidharmakośakārikā states that vipaśyanā is practiced once one has reached samadhi "absorption" by cultivating the four foundations of mindfulness (smṛtyupasthānas).[60] This is achieved, according to Vasubandhu,

[b]y considering the unique characteristics (svālakṣaṇa) and the general characteristics (sāmānyalakṣaṇā) of the body, sensation, the mind, and the dharmas.

"The unique characteristics" means its self nature (svabhāva).

"The general characteristics" signifies the fact that "All conditioned things are impermanent; all impure dharmas are suffering; and that all the dharmas are empty (śūnya) and not-self (anātmaka).[60]

Asanga's Abhidharma-samuccaya states that the practice of śamatha-vipaśyanā is a part of a Bodhisattva's path at the beginning, in the first "path of preparation" (sambhāramarga).[61]

The later Indian Mahayana scholastic tradition, as exemplified by Shantideva's Bodhisattvacaryāvatāra, saw śamatha as a necessary prerequisite to vipaśyanā and thus one needed to first begin with calm abiding meditation and then proceed to insight. In the Pañjikā commentary of Prajñākaramati (Wylieshes rab 'byung gnas blo gros) on the Bodhisattvacaryāvatāra, vipaśyanā is defined simply as "wisdom (prajñā) that has the nature of thorough knowledge of reality as it is.[62]

Sunyata[edit]

Mahāyāna vipaśyanā differs from the Theravada tradition in its strong emphasis on the meditation on emptiness (shunyata) of all phenomena. The Mahayana Akṣayamati-nirdeśa refers to vipaśyanā as seeing phenomena as they really are, that is, empty, without self, nonarisen, and without grasping. The Prajnaparamita sutra in 8,000 lines states that the practice of insight is the non-appropriation of any dharmas, including the five aggregates:

So too, a Bodhisattva coursing in perfect wisdom and developing as such, neither does nor even can stand in form, feeling, perception, impulse and consciousness...This concentrated insight of a Bodhisattva is called 'the non-appropriation of all dharmas'.[63]

Likewise the Prajnaparamita in 25,000 lines states that a Bodhisattva should know the nature of the five aggregates as well as all dharmas thus:

That form, etc. [feeling, perception, impulse and consciousness], which is like a dream, like an echo, a mock show, a mirage, a reflection of the moon in water, an apparition, that is neither bound nor freed. Even so form, etc., which is past, future, or present, is neither bound nor freed. And why? Because of the nonbeing-ness of form, etc. Even so form, etc., whether it be wholesome or unwholesome, defiled or undefiled, tainted or untainted, with or without outflows, worldly or supramundane, defiled or purified, is neither bound nor freed, on account of its non-beingness, its isolatedness, its quiet calm, its emptiness, signless-ness, wishless-ness, because it has not been brought together or produced. And that is true of all dharmas.[64]

Sudden insight[edit]

The Sthavira nikāya, one of the early Buddhist schools from which the Theravada-tradition originates, emphasized sudden insight: "In the Sthaviravada [...] progress in understanding comes all at once, 'insight' (abhisamaya) does not come 'gradually' (successively - anapurva).[65]"

The Mahāsāṃghika, another one of the early Buddhist schools, had the doctrine of ekakṣaṇacitta, "according to which a Buddha knows everything in a single thought-instant".[66][citation not found] This process however, meant to apply only to the Buddha and Peccaka buddhas. Lay people may have to experience various levels of insights to become fully enlightened.

The Mahayana tradition emphasizes prajñā, insight into śūnyatā, dharmatā, the two truths doctrine, clarity and emptiness, or bliss and emptiness:[67]

[T]he very title of a large corpus of early Mahayana literature, the Prajnaparamita, shows that to some extent the historian may extrapolate the trend to extol insight, prajna, at the expense of dispassion, viraga, the control of the emotions.[47]

Although Theravada and Mahayana are commonly understood as different streams of Buddhism, their practice however, may reflect emphasis on insight as a common denominator: "In practice and understanding Zen is actually very close to the Theravada Forest Tradition even though its language and teachings are heavily influenced by Taoism and Confucianism."[68][note 10]

The emphasis on insight is discernible in the emphasis in Chan Buddhism on sudden insight (subitism),[65] though in the Chan tradition, this insight is to be followed by gradual cultivation.[note 11]

East Asian Mahāyāna[edit]

In Chinese Buddhism, the works of Tiantai master Zhiyi (such as the Mohe Zhiguan, "Great śamatha-vipaśyanā") are some of the most influential texts which discuss vipaśyanā meditation from a Mahayana perspective. In this text, Zhiyi teaches the contemplation of the skandhasayatanasdhātus, the Kleshas, false views and several other elements.[70] Likewise the influential text called the Awakening of Faith in the Mahayana has a section on calm and insight meditation.[71] It states:

He who practices 'clear observation' should observe that all conditioned phenomena in the world are unstationary and are subject to instantaneous transformation and destruction; that all activities of the mind arise and are extinguished from moment or moment; and that, therefore, all of these induce suffering. He should observe that all that had been conceived in the past was as hazy as a dream, that all that is being conceived in the future will be like clouds that rise up suddenly. He should also observe that the physical existences of all living beings in the world are impure and that among these various filthy things there is not a single one that can be sought after with joy.[72]

The Zen tradition advocates the simultaneous practice of śamatha and vipaśyanā, and this is called the practice of silent illumination.[73] The classic Chan text known as the Platform Sutra states:

Calming is the essence of wisdom. And wisdom is the natural function of calming [i.e., prajñā and samādhi]. At the time of prajñā, samādhi exists in that. At the time of samādhi, prajñā exists in that. How is it that samādhi and prajñā are equivalent? It is like the light of the lamp. When the lamp exists, there is light. When there is no lamp, there is darkness. The lamp is the essence of light. The light is the natural function of the lamp. Although their names are different, in essence, they are fundamentally identical. The teaching of samādhi and prajñā is just like this.[73]

Tibetan Buddhism[edit]

Samatha and vipassana are explicitly referred to in Tibetan Buddhism. According to Thrangu Rinpoche, when shamatha and vipashyana are combined, as in the mainstream tradition Madhyamaka approach of ancestors like Shantideva and Kamalashila, through samatha disturbing emotions are abandoned, which thus facilitates vipashyana, "clear seeing." Vipashyana is cultivated through reasoning, logic and analysis in conjunction with Shamatha. In contrast, in the siddha tradition of the direct approach of Mahamudra and Dzogchenvipashyana is ascertained directly through looking into one's own mind. After this initial recognition of vipashyana, the steadiness of shamatha is developed within that recognition. According to Thrangu Rinpoche, it is however also common in the direct approach to first develop enough shamatha to serve as a basis for vipashyana.[74]

In Tibetan Buddhism, the classical practice of śamatha and vipaśyanā is strongly influenced by the Mahāyāna text called the Bhavanakrama of Indian master Kamalaśīla. Kamalaśīla defines vipaśyanā as "the discernment of reality" (bhūta-pratyavekṣā) and "accurately realizing the true nature of dharmas".[75]

Indian Mahāyāna Buddhism employed both deductive investigation (applying ideas to experience) and inductive investigation (drawing conclusions from direct experience) in the practice of vipaśyanā.[note 12][note 13] According to Leah Zahler, only the tradition of deductive analysis in vipaśyanā was transmitted to Tibet in the sūtrayāna context.[note 14]

In Tibet direct examination of moment-to-moment experience as a means of generating insight became exclusively associated with vajrayāna.[78][note 15][note 16]

Mahāmudrā and Dzogchen use vipaśyanā extensively. This includes some methods of the other traditions, but also their own specific approaches. They place a greater emphasis on meditation on symbolic images. Additionally in the Vajrayāna (tantric) path, the true nature of mind is pointed out by the guru, and this serves as a direct form of insight.[note 17]

See also[edit]

Notes[edit]

  1. ^ Thanissaro Bhikkhu: "If you look directly at the Pali discourses — the earliest extant sources for our knowledge of the Buddha's teachings — you'll find that although they do use the word samatha to mean tranquillity, and vipassanā to mean clear-seeing, they otherwise confirm none of the received wisdom about these terms. Only rarely do they make use of the word vipassanā — a sharp contrast to their frequent use of the word jhana. When they depict the Buddha telling his disciples to go meditate, they never quote him as saying "go do vipassanā," but always "go do jhana." And they never equate the word vipassanā with any mindfulness techniques."[12]
  2. ^ Thanissaro Bhikkhu: "This description of the unified role of samatha and vipassana is based upon the Buddha's meditation teachings as presented in the suttas (see "One Tool Among Many" by Thanissaro Bhikkhu). The Abhidhamma and the Commentaries, by contrast, state that samatha and vipassana are two distinct meditation paths (see, for example, The Jhanas in Theravada Buddhist Meditation by H. Gunaratana, ch. 5)."[13]
  3. ^ Original publication: Gombrich, Richard (2007), Religious Experience in Early Buddhism, OCHS Library
  4. ^ See, for example:

    AN 4.170 (Pali):
    “Yo hi koci, āvuso, bhikkhu vā bhikkhunī vā mama santike arahattappattiṁ byākaroti, sabbo so catūhi maggehi, etesaṁ vā aññatarena.
    Katamehi catūhi? Idha, āvuso, bhikkhu samathapubbaṅgamaṁ vipassanaṁ bhāveti[...]
    Puna caparaṁ, āvuso, bhikkhu vipassanāpubbaṅgamaṁ samathaṁ bhāveti[...]
    Puna caparaṁ, āvuso, bhikkhu samathavipassanaṁ yuganaddhaṁ bhāveti[...]
    Puna caparaṁ, āvuso, bhikkhuno dhammuddhaccaviggahitaṁ mānasaṁ hoti[...]
    English translation:
    Friends, whoever — monk or nun — declares the attainment of arahantship in my presence, they all do it by means of one or another of four paths. Which four?
    There is the case where a monk has developed insight preceded by tranquility. [...]
    Then there is the case where a monk has developed tranquillity preceded by insight. [...]
    Then there is the case where a monk has developed tranquillity in tandem with insight. [...]
    "Then there is the case where a monk's mind has its restlessness concerning the Dhamma [Comm: the corruptions of insight] well under control.[24]

    AN 2.30 Vijja-bhagiya Sutta, A Share in Clear Knowing:
    "These two qualities have a share in clear knowing. Which two? Tranquility (samatha) & insight (vipassana).
    "When tranquility is developed, what purpose does it serve? The mind is developed. And when the mind is developed, what purpose does it serve? Passion is abandoned.
    "When insight is developed, what purpose does it serve? Discernment is developed. And when discernment is developed, what purpose does it serve? Ignorance is abandoned.
    "Defiled by passion, the mind is not released. Defiled by ignorance, discernment does not develop. Thus from the fading of passion is there awareness-release. From the fading of ignorance is there discernment-release."[25]

    SN 43.2 (Pali): "Katamo ca, bhikkhave, asaṅkhatagāmimaggo? Samatho ca vipassanā".[26] English translation: "And what, bhikkhus, is the path leading to the unconditioned? Serenity and insight."[27]
  5. ^ Brooks: "While many commentaries and translations of the Buddha's Discourses claim the Buddha taught two practice paths, one called "shamata" and the other called "vipassanā," there is in fact no place in the suttas where one can definitively claim that."[29]
  6. ^ According to Buddhadasa, the aim of mindfulness is to stop the arising of disturbing thoughts and emotions, which arise from sense-contact.[33]

    According to Grzegorz Polak, the four upassanā (foundations of mindfulness) have been misunderstood by the developing Buddhist tradition, including Theravada, to refer to four different foundations. According to Polak, the four upassanā do not refer to four different foundations, but to the awareness of four different aspects of raising mindfulness:[34]
    • the six sense-bases which one needs to be aware of (kāyānupassanā);
    • contemplation on vedanās, which arise with the contact between the senses and their objects (vedanānupassanā);
    • the altered states of mind to which this practice leads (cittānupassanā);
    • the development from the five hindrances to the seven factors of enlightenment (dhammānupassanā).
  7. ^ * Fronsdal: "The primary purpose for which Mahasi offered his form of vipassana practice is the attainment of the first of the four traditional Theravada levels of sainthood (that is, stream entry; sotapatti) through the realization of nibbana, or enlightenment."[35]
    * Robert Sharf: "In fact, contrary to the image propagated by twentieth-century apologists, the actual practice of what we would call meditation rarely played a major role in Buddhist monastic life. The ubiquitous notion of mappo or the "final degenerate age of the dharma" served to reinforce the notion that "enlightenment" was not in fact a viable goal for monks living in inauspicious times."[36]
    * Robert Sharf: "The initial "taste" of nibbana signals the attainment of sotapatti-the first of four levels of enlightenment-which renders the meditator a "noble person" (ariya-puggala) destined for release from the wheel of existence (samsara)in relatively short order."[37]
  8. ^ Various traditions disagree which techniques belong to which pole.[38]
  9. ^ While the Nikayas identify that the pursuit of vipassana can precede the pursuit of samatha, a fruitful vipassana-oriented practice must still be based upon the achievement of stabilizing "access concentration" (Pāli: upacara samādhi).
  10. ^ Khantipalo recommends the use of the kōan-like question "Who?" to penetrate "this not-self-nature of the five aggregates": "In Zen Buddhism this technique has been formulated in several koans, such as 'Who drags this corpse around?'"[69]
  11. ^ This "gradual training" is expressed in teachings as the Five Ranks of enlightenment, the Ten Bulls illustrations that detail the steps on the path, the "three mysterious gates" of Linji, and the "four ways of knowing" of Hakuin Ekaku.
  12. ^ Corresponding respectively to the "contemplative forms" and "experiential forms" in the Theravāda school described above
  13. ^ Leah Zahler: "The practice tradition suggested by the Treasury [Abhidharma-kośa] .. . — and also by Asaṅga's Grounds of Hearers — is one in which mindfulness of breathing becomes a basis for inductive reasoning on such topics as the five aggregates; as a result of such inductive reasoning, the meditator progresses through the Hearer paths of preparation, seeing, and meditation. It seems at least possible that both Vasubandhu and Asaṅga presented their respective versions of such a method, analogous to but different from modern Theravāda insight meditation, and that Gelukpa scholars were unable to reconstruct it in the absence of a practice tradition because of the great difference between this type of inductive meditative reasoning based on observation and the types of meditative reasoning using consequences (thal 'gyur, prasaanga) or syllogisms (sbyor ba, prayoga) with which Gelukpas were familiar. Thus, although Gelukpa scholars give detailed interpretations of the systems of breath meditation set forth in Vasubandu's and Asaṅga's texts, they may not fully account for the higher stages of breath meditation set forth in those texts [...] it appears that neither the Gelukpa textbook writers nor modern scholars such as Lati Rinpoche and Gendun Lodro were in a position to conclude that the first moment of the fifth stage of Vasubandhu's system of breath meditation coincides with the attainment of special insight and that, therefore, the first four stages must be a method for cultivating special insight [although this is clearly the case].[76]
  14. ^ This tradition is outlined by Kamalaśīla in his three Bhāvanākrama texts (particularly the second one), following in turn an approach described in the Laṅkāvatāra Sūtra.[77] One scholar describes his approach thus: "the overall picture painted by Kamalaśīla is that of a kind of serial alternation between observation and analysis that takes place entirely within the sphere of meditative concentration" in which the analysis portion consists of Madhyamaka reasonings.[77]
  15. ^ According to contemporary Tibetan scholar Thrangu Rinpoche the Vajrayana cultivates direct experience. Thrangu Rinpoche: "The approach in the sutras [...] is to develop a conceptual understanding of emptiness and gradually refine that understanding through meditation, which eventually produces a direct experience of emptiness [...] we are proceeding from a conceptual understanding produced by analysis and logical inference into a direct experience [...] this takes a great deal of time [...] we are essentially taking inferential reasoning as our method or as the path. There is an alternative [...] which the Buddha taught in the tantras [...] the primary difference between the sutra approach and the approach of Vajrayana (secret mantra or tantra) is that in the sutra approach, we take inferential reasoning as our path and in the Vajrayana approach, we take direct experience as our path. In the Vajrayana we are cultivating simple, direct experience or "looking." We do this primarily by simply looking directly at our own mind."[78]
  16. ^ Khenchen Thrangu Rinpoche also explains: "In general there are two kinds of meditation: the meditation of the paṇḍita who is a scholar and the nonanalytical meditation or direct meditation of the kusulu, or simple yogi. . . the analytical meditation of the paṇḍita occurs when somebody examines and analyzes something thoroughly until a very clear understanding of it is developed. . . The direct, nonanalytical meditation is called kusulu meditation in Sanskrit. This was translated as trömeh in Tibetan, which means "without complication" or being very simple without the analysis and learning of a great scholar. Instead, the mind is relaxed and without applying analysis so it just rests in its nature. In the sūtra tradition, there are some nonanalytic meditations, but mostly this tradition uses analytic meditation."[79]
  17. ^ Thrangu Rinpoche describes the approach using a guru: "In the Sūtra path one proceeds by examining and analyzing phenomena, using reasoning. One recognizes that all phenomena lack any true existence and that all appearances are merely interdependently related and are without any inherent nature. They are empty yet apparent, apparent yet empty. The path of Mahāmudrā is different in that one proceeds using the instructions concerning the nature of mind that are given by one's guru. This is called taking direct perception or direct experiences as the path. The fruition of śamatha is purity of mind, a mind undisturbed by false conception or emotional afflictions. The fruition of vipaśyanā is knowledge (prajnā) and pure wisdom (jñāna). Jñāna is called the wisdom of nature of phenomena and it comes about through the realization of the true nature of phenomena.[80]

References[edit]

  1. ^ Marques, Joan (2019-08-09). Lead with Heart in Mind: Treading the Noble Eightfold Path For Mindful and Sustainable Practice. Springer. p. 122. ISBN 978-3-030-17028-8.
  2. Jump up to:a b Perdue, Daniel E. (2014-05-27). The Course in Buddhist Reasoning and Debate: An Asian Approach to Analytical Thinking Drawn from Indian and Tibetan Sources. Shambhala Publications. ISBN 9780834829558Archived from the original on 2019-12-12. Retrieved 2019-10-19.
  3. Jump up to:a b Buswell 2004, p. 889.
  4. Jump up to:a b c Gunaratana 2011, p. 21.
  5. Jump up to:a b Buswell, Robert E. (2004). Encyclopedia of Buddhism (PDF). Macmillan Reference, USA. pp. 889–890. ISBN 978-0-02-865718-9.
  6. Jump up to:a b Buswell 2004, p. 890.
  7. Jump up to:a b McMahan 2008.
  8. ^ King 1992, p. 132–137.
  9. ^ Nyanaponika 1998, p. 107–109.
  10. ^ Koster 2009, p. 9–10.
  11. ^ Ray (2004) p.74
  12. Jump up to:a b c d Thanissaro Bhikkhu n.d.
  13. Jump up to:a b "What is Theravada Buddhism?"Access to Insight. Access to Insight. Archived from the original on 21 August 2013. Retrieved 17 August 2013.
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  15. ^ Vetter 1988, p. xxi-xxii.
  16. ^ Bronkhorst 1993.
  17. ^ Cousins 1996, p. 58.
  18. ^ Vetter 1988, p. xxx.
  19. ^ Vetter 1988, p. 13.
  20. ^ Wynne 2007, p. 140, note 58.
  21. ^ Vetter 1988, p. XXVI, note 9.
  22. ^ Wynne 2007, p. 106-107; 140, note 58.
  23. ^ Wynne 2007, p. 106-107.
  24. ^ "AN 4.170 Yuganaddha Sutta: In Tandem. Translated from the Pali by Thanissaro Bhikkhu". Accesstoinsight.org. 2010-07-03. Archived from the original on 2013-06-19. Retrieved 2013-05-30.
  25. ^ "AN 2.30 Vijja-bhagiya Sutta, A Share in Clear Knowing. Translated from the Pali by Thanissaro Bhikkhu". Accesstoinsight.org. 2010-08-08. Archived from the original on 2013-06-19. Retrieved 2013-05-30.
  26. ^ "SN 43.2". Agama.buddhason.org. Archived from the original on 2014-01-02. Retrieved 2013-05-30.
  27. ^ Bikkhu Bodhi, The Connected Discourses of the Buddha, p. 1373
  28. Jump up to:a b Gombrich 1997, p. 96-144.
  29. Jump up to:a b Brooks 2006.
  30. ^ "Henepola Gunaratana, The Jhanas in Theravada Buddhist Meditation". Accesstoinsight.org. 2011-06-16. Archived from the original on 2018-07-09. Retrieved 2013-05-30.
  31. ^ Gombrich 1997, p. 131.
  32. ^ McMahan 2008, p. 189.
  33. ^ Buddhadasa Bhikkhu 2014, p. 79, 101, 117 note 42.
  34. ^ Polak 2011.
  35. Jump up to:a b Fronsdal 1998, p. 2.
  36. ^ Sharf 1995, p. 241.
  37. ^ Sharf 1995, p. 256.
  38. ^ Schumann 1974.
  39. ^ These definitions of samatha and vipassana are based on the Four Kinds of Persons Sutta (AN 4.94). This article's text is primarily based on Bodhi (2005), pp. 269-70, 440 n. 13. See also Thanissaro (1998d) Archived 2018-10-13 at the Wayback Machine.
  40. ^ Bodhi (2000), pp. 1251-53. See also Thanissaro (1998c) Archived 2019-09-01 at the Wayback Machine (where this suttais identified as SN 35.204). See also, for instance, a discourse (Pāli: sutta) entitled "Serenity and Insight" (SN 43.2), where the Buddha states: "And what, bhikkhus, is the path leading to the unconditioned? Serenity and insight...." (Bodhi, 2000, pp. 1372-73).
  41. ^ Bodhi (2005), pp. 268, 439 nn. 7, 9, 10. See also Thanissaro (1998f) Archived 2013-04-04 at the Wayback Machine.
  42. ^ "Thanissaro 1997"Archived from the original on 2010-04-12. Retrieved 2010-03-31.
  43. ^ Bond 1992, p. 167.
  44. ^ Bond 1992, p. 162-171.
  45. ^ "Robert H. Sharf, Division of Social and Transcultural Psychiatry, Department of Psychiatry, Faculty of Medicine, McGill University"Archived from the original on 2014-10-06. Retrieved 2014-05-25.
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  48. Jump up to:a b Wilson 2014, p. 54-55.
  49. ^ Mahāsi Sayādaw, Manual of Insight, Chapter 5
  50. ^ Majjhima Nikaya, Sutta No. 118, Section No. 2, translated from the Pali
  51. ^ Satipatthana Sutta
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  55. Jump up to:a b "The Art of Living: Vipassana Meditation". Dhamma.org. Archived from the original on 2013-05-25. Retrieved 2013-05-30.
  56. ^ Mahasi Sayadaw, Practical Vipassana Instructions, p.22-27
  57. ^ PVI, p.28
  58. ^ Ingram, Daniel (2008), Mastering the core teachings of the Buddha, Karnac Books, p.246
  59. ^ Sayadaw U Pandita, In this very life
  60. Jump up to:a b De La Vallee Poussin (trans.); Pruden, Leo M. (trans.) Abhidharmakosabhasyam of Vasubandhu Vol. III page 925
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  75. ^ Adam, Martin T. Two Concepts of Meditation and Three Kinds of Wisdom in Kamalaśīla’s Bhāvanākramas: A Problem of Translation. University of Victoria, page 78-79
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Sources[edit]

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External links[edit]

History[edit]

Background[edit]

Practice[edit]